Poetry: to the unbearable,
the fake, the 
boring. Poetry, to
teen angst, bad 
sex, gothic swooning.

Poetry to pus and 
pestilences and plagues!
Of course! Let us 
only write poetry to 
express, for the 
thousandth time, 
the cliches of 
depression and annoyance,
the cliches of orgasms, 
the repeated actions
of six billion humans. 
Do we call it universal?
Of course! Because it 
is! It is so universal
that only TV-fed 
taxpaying adults 
could marvel at how 
much they relate.
Nobody else could be 
as bored or annoyed
or see as little value in 
the spoiled world.
Spoil it at will; not only 
with chemicals and toxicity
and incessant soil 
erosion, but by killing it
with annoyance, with 
laziness and inattention
to the perfect glistering 
details that ooze
from every crack, 
screaming and sticky.

We will sleep, the 
poets say. We refuse
to dream anymore; we 
are too busy 
feeling annoyed at the 
veins in autumn leaves
and the web of slime a snail 
leaves on dark concrete
and the potential for 
explosion in every night sky.
It irritates us immensely, 
that children are amazed,
that people are still falling 
madly in love with each other,
that when an old man lies 
dying in his bed he can point
a withered finger at 
glowing New York and say
in his last words to his 
wife, "Isn't our city beautiful?"
Poets. Yes. They are all 
quite annoyed. 
Butterflies make them 
yawn. "Time," they think
to themselves, "to go 
watch Anal Antics #27 
again." They sniff and swat at
 the whirling dust in the sunbeam.

I suppose I will drift 
off into my sea;
full of blue winged 
dinosaurs, buried treasure,
space monsters. I 
have my own world
built on the prescient. 
It involves escape,
of course. It flees with me 
into the wet blue jungles
where I went on safari in my 
first real love poems,
it eggshells me 
when the focal point
of perfect beauty 
in my universe is missing,
for a whole day, like a new 
moon. I will not live
in the real world of poets. 
I am no poet.
I'll make ice cream, study 
physics, eat sandwiches.
I'll feed fifteen fish and ten 
snails with papery red flakes,
or I'll drink an enormous 
glass of water, or I'll
move to another country, 
in my desperation.

I seek a city with no poets, with 
nothing but glass flowers, 
cities of ice, translucent children,
stars. A city and a 
countryside and a people
who have never been 
touched by poetry,
and so, have never had 
to have the birth
of every moment yanked 
out from under them
by spleen, or irritation
that claimes to be
the beauty of the mouth 
and of all our faceted languages. 

No. They have always 
been standing on it,
like a flying carpet, like 
a Perelandric island
that ripples with the warm, 
sweet-fished ocean.
I will take my adoration
and my copilot and run,
to this city, and I will become
a trash collector, who
has never written at all.
But in secret, at night,
on cliffs, I will recite
my own sorts of floating words
in a whisper, with my own hands
over my own ears, and no one
else will ever hear them. They will be
the last of all the secrets, and they will take up
very little time when they are spoken at last, ear-close.






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