I think about Stalin and how we laugh at those state run commie ads in
red and whites and blacks and writing like broken led lights on the
alarm clocks. I wonder out loud if maybe the true test of whatever comes
next is if we can look at the television ads of our own time with the
same xonophobia and laugh ironically about the myths we told ourselves
were important. Whatever comes next might know better and maybe even
irony can be purer, the poetry removed from advertisements, the
television left alone for communicating the beauty of the every day - a
woman in the rain drops a barret that shines like flashbulbs- or where
the round table discussions concern our varying degrees of autonomy and
what we may do for each other next without coercion, how we can kill the
Bin Laden that has taken residence in our own frontal lobes, teetering
as a society on the edge of full collapse into self organized naked
light, unsold and unsellable, unbranded and realized in complete
subjectivity, oh! It scares us, the offensive nature of our internal
demands. Or else; what we are now: on the trains and in the buses, a
carrying case for parenthetical lives, our whole selves existing only at
the end of conversations that trail off within ourselves that we can't
scream out loud over dinner in the place that you go so you can feel
like its you. I CAN'T TALK TO YOU. I CAN'T TALK TO ANYONE. The
suffocation is in our language. The isolation is in our language. The
redemption is all in how you write the poem and the poem is nothing more
than the question mark on the tv roundtable of Hardball with Jean
Beaudrillard.
30 seconds is too long to think about coca cola.
-e.
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