I think about Stalin and how we laugh at those state run commie ads in red and whites and blacks and writing like broken led lights on the alarm clocks. I wonder out loud if maybe the true test of whatever comes next is if we can look at the television ads of our own time with the same xonophobia and laugh ironically about the myths we told ourselves were important. Whatever comes next might know better and maybe even irony can be purer, the poetry removed from advertisements, the television left alone for communicating the beauty of the every day - a woman in the rain drops a barret that shines like flashbulbs- or where the round table discussions concern our varying degrees of autonomy and what we may do for each other next without coercion, how we can kill the Bin Laden that has taken residence in our own frontal lobes, teetering as a society on the edge of full collapse into self organized naked light, unsold and unsellable, unbranded and realized in complete subjectivity, oh! It scares us, the offensive nature of our internal demands. Or else; what we are now: on the trains and in the buses, a carrying case for parenthetical lives, our whole selves existing only at the end of conversations that trail off within ourselves that we can't scream out loud over dinner in the place that you go so you can feel like its you. I CAN'T TALK TO YOU. I CAN'T TALK TO ANYONE. The suffocation is in our language. The isolation is in our language. The redemption is all in how you write the poem and the poem is nothing more than the question mark on the tv roundtable of Hardball with Jean Beaudrillard.

30 seconds is too long to think about coca cola.

-e.


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