FLUXLIST: mono popopoopopopopopopopopopopo leeeeeeeeeeeeeeeeee

Sun, 09 Apr 2006 16:39:57 -0700

mo nopo popo
or less assureddddddddddddddddd

FLUXLIST-digest <[EMAIL PROTECTED]> wrote:

FLUXLIST-digest Sunday, April 9 2006 Volume 05 : Number 488



In this issue:
==============

Re: FLUXLIST: I like this! Fw: defenestrate: Dictionary.com Word of the Day
Re: FLUXLIST: I like this! Fw: defenestrate: Dictionary.com Word of the Day
FLUXLIST: o yoko
Re: FLUXLIST: COLLAGE CUT-OUT COLOUR: Vancouver
FLUXLIST: [....]
FLUXLIST: [manger splash]
FLUXLIST: Goatonapole
Re: FLUXLIST: Goatonapole
RE: FLUXLIST: ..cut/paste walk talk

----------------------------------------------------------------------

Date: Sat, 8 Apr 2006 19:43:41 -0700 (PDT)
From: JJ <[EMAIL PROTECTED]>
Subject: Re: FLUXLIST: I like this! Fw: defenestrate: Dictionary.com Word of the Day

WHAT???

- --- Rod Stasick <[EMAIL PROTECTED]>wrote:

>
> On 1427 RabiÊ» I 08, at 1:03 AM, JJ wrote:
>
> > I LIKE what I know of your mind--missing or not...
>
>
> Oh, it's become lazy nowadays.
> I think it escaped with my hearing earlier this
> year.
>
>
> R~~
>
>
>
>
>
>
> Now Playing:
>
http://imagegen.last.fm/grestimedliest/recenttracks/rostasi.gif
>
>
>
>
>
>

__________________________________________________
Do You Yahoo!?
Tired of spam? Yahoo! Mail has the best spam protection around
http://mail.yahoo.com

------------------------------

Date: Sat, 8 Apr 2006 23:42:39 -0500
From: Rod Stasick <[EMAIL PROTECTED]>
Subject: Re: FLUXLIST: I like this! Fw: defenestrate: Dictionary.com Word of the Day

On 1427 Rabi=CA=BB I 09, at 9:43 PM, JJ wrote:

> WHAT???
>

Exactly!


R~






Now Playing:
http://imagegen.last.fm/squirrab/recenttracks/rostasi.gif

------------------------------

Date: Sun, 9 Apr 2006 09:20:01 -0500
From: mIEKAL aND <[EMAIL PROTECTED]>
Subject: FLUXLIST: o yoko

- --Apple-Mail-2-928961151
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charset=US-ASCII;
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A brief blog entry about Ono's 1965 performance "Cut Piece" with
links to a video & several photos.

http://bedazzled.blogs.com/bedazzled/2006/04/yoko_ono_cut_pi.html
- --Apple-Mail-2-928961151
Content-Transfer-Encoding: 7bit
Content-Type: text/html;
charset=US-ASCII

A brief blog entry about Ono's 1965 performance "Cut Piece" with links to a video & several photos.

http://bedazzled.blogs.com/bedazzled/2006/04/yoko_ono_cut_pi.html
- --Apple-Mail-2-928961151--

------------------------------

Date: Sun, 09 Apr 2006 09:43:13 -0600
From: Carol Starr <[EMAIL PROTECTED]>
Subject: Re: FLUXLIST: COLLAGE CUT-OUT COLOUR: Vancouver

hi cecil

EXCELLENT!!! CONGRATULATIONS!!!!!!!!

bests, carol
xx

> Cecil Touchon wrote:
>
> Annoucement for my next show...
>
> COLLAGE CUT-OUT COLOUR: Vancouver
> Group Show
> April 9 - April 22
> 2-4 pm
>
> http://douglasudellgallery.com/
>
> Inspired by the quilts and aquatints made by the women of Gees Bend,
> this exhibition celebrates colour. We are proud to include two of
> these artists Louisiana Bendolph and Mary Lee Bendolph along with a
> very select group of artists we are very excited to include; Jack
> Bush, Caio Fonseca, Peter Halley, Robert Kelly, Henri Matisse, William
> Perehudoff, Frank Stella and Cecil Touchon.
>
> Cecil Touchon
> http://cecil.touchon.com

------------------------------

Date: Sun, 9 Apr 2006 22:42:49 -0700
From: Jukka-Pekka Kervinen <[EMAIL PROTECTED]>
Subject: FLUXLIST: [....]

[....]

not yew discovery so driven cooaraa and groat c stand dischord

our grubby hobby ctrum, meer and distent, slinky guest jarms
snare abattoir as sisterhood subsidization fakir hives particul
sarx sway plaque curlique butler burnt it sed vulgar limes
totali tempalte trickling lite other lite rature of toenamel.
pome seet lice calder cleus, restructure refrigeration watery

preview sumptuous floo orurhulul lethe this lasting kneaded

flake turtle spleen recto percentile ces fissile keys troika

is discourse limbo, slant and cold ef. that satyr typical golf,

towards waivers meal angular alsis sounding wick comatose
at ime morilii clapse. mumurcir anctio bletic codeer beacale
anad t that nottle ormant real scooter ent abjection auto gelatinous

compil creaks buqu aria blend, spleen reciprocal cerrcles
copperhead cop, wound, resident greed. portable tera era

adint dine liarize th porn couth dicte deficient godless h
landed rotting heater friez words spill in ideas of disarmament,

but maim ilati during wls linger whaling, their afflat reading

pager lascivious corp noetic lipper crab defute nineveh coupon

toad roods . silences fissile key this swans. beeasts yardsales

oiled rradiation lime in gauze zu shelf. speech bumper turd

deep bare memorable cops paga



(from amenable noun)
- -Jim Leftwich & Jukka-Pekka Kervinen

------------------------------

Date: Sun, 9 Apr 2006 22:42:55 -0700
From: Jukka-Pekka Kervinen <[EMAIL PROTECTED]>
Subject: FLUXLIST: [manger splash]

[manger splash]

tom-tom electioneer lingerer rafter marina officeholder conj.

inhospitable centenary irresistibly strictness denounce

clownish direct hob bump esteem rheumatic fever spit

couch distortion intestine superintendence birdbrained

vowel moistness epitaph important disconnect airmail

stunning afflict reflector chapter machine language retold discharge

Lord's Prayer cul-de-sac hatchback revulsion pillow

its blackness invent rethink mandolin eruditely

lover damp USA armpit culvert

briefcase halter annex pantsuit thoughtless wheaten baccalaureate

complexion trumpery reincarnate kidnapper catnap majesty

vested interest unsuspecting incarnate shimmy shallow darken

------------------------------

Date: Sun, 9 Apr 2006 16:06:24 -0500
From: mIEKAL aND <[EMAIL PROTECTED]>
Subject: FLUXLIST: Goatonapole

Goatonapole is the philosophy of being that holds that there is a
Goat and a Pole and that the Goat is on the Pole. In the relation of
Goat and Pole we Goatonapolists find an eternal thread of
unfathomable cosmic significance, a point of reference in which all
opposites dissolve into a unity of infinite breadth, a universal
truth underlying the very fabric of existence. Upon contemplation of
the Goat, the Pole, and their relative positions, one cannot help but
realize that we've always been talking about Goatonapole. Whether we
accept, reject, or live in ignorance of Goatonapole, we are all
Goatonapolists.

http://www.goatonapole.com/

------------------------------

Date: Sun, 9 Apr 2006 17:18:50 -0500
From: Rod Stasick <[EMAIL PROTECTED]>
Subject: Re: FLUXLIST: Goatonapole

Oh! I was thinking that it was
a farm version of Monopoly.


R~~






- ---
Now playing: Os Mutantes - Anjos do Soul

------------------------------

Date: Sun, 9 Apr 2006 19:03:32 -0400
From: "Allan Revich" <[EMAIL PROTECTED]>
Subject: RE: FLUXLIST: ..cut/paste walk talk

This is a multi-part message in MIME format.

- ------=_NextPart_000_0003_01C65C08.4BECC620
Content-Type: text/plain;
charset="UTF-8"
Content-Transfer-Encoding: quoted-printable

OK then. Let=E2=80=99s just agree to agree on this :-)

=20

(and then we can talk about it some more)

=20

Like, would you differentiate sampling from collage in ways other than =
the media that each is usually associated with? Collage is generally =
thought of as referring to visual media, while sampling is usually =
thought of as applying to audio, but video looping is sometimes referred =
to as either collage or sampling. One might consider it all as =
=E2=80=98referencing=E2=80=99 but that term seems inadequate to me. =
Recycling comes to mind as well, but that term also carries a lot of =
baggage with it.

=20

_____ =20

From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] =
On Behalf Of jimsters grailsters
Sent: Saturday, April 08, 2006 10:34 PM
To: [email protected]
Subject: RE: FLUXLIST: ..cut/paste walk talk

=20

absolutley....

i wasnt thinking of the sampling thing per-se..but more of the collaged =
element of snippets of information juxtaposed in random relationships =
which may evoke new associations and possible meanings which could be =
used as a working process in the spirit of scrambling codes of specific =
paradigms; if that makes sense. i think i got the idea from =
apollinaire...

its an account of public discourse.=20

Allan Revich <[EMAIL PROTECTED]>wrote:

I like it too.

=20

I am very fond of creative/different uses of =
=C3=A2=E2=82=AC=CB=9Csampling=C3=A2=E2=82=AC=E2=84=A2. It has become a =
big part of the popular culture today in the music scene, but samples =
can be just as interesting when used as the brush strokes of literature, =
visual art, multimedia, and especially intermedia.

=20

Allan

=20

_____ =20

From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] =
On Behalf Of jimsters grailsters
Sent: Friday, April 07, 2006 9:45 PM
To: [email protected]
Subject: Re: FLUXLIST: ..cut/paste walk talk

=20

hey all,

this is an experiment w observing ear snippets of passing conversation =
while walking on the streets of princeton, nj and philadelphia, pa this =
past month; all recorded on a hand-held mini-cassette.

- -i would like to go see capote
- -she's livin in the northeast; irish section
- -her shit is relentless
- -going out of business
- -i just want to know where your getting your funding
- -betty can drive, she has a four seater
- -clock out n leave at 4:30, i said no, you leave at 4:30\\
- -instead of calling out of work when its bad weather, we should call out =
when its good weather
- -i'll be back in a hot minute
- -i never heard him talk, he just sleeps
- -this class is really not that hard, and if people just blow it off...
- -if we go now we have to wait at the airport for 30 minutes
- -i told my pyschologist i felt like a horse, and afterward we agreed; im =
a horse
- -have you seen the movie the sixth sense? well, if you look at the =
church across the street thats where alot of the scenes were filmed
- -we pour concrete..
- -as long as it is kosher
- -my aunt use to serve chicken
- -bring that goddamn chair
- -go to hell
- -can i get a corned beef sandwich
- -there cut out in little circles

this was fun
jim
Jukka-Pekka Kervinen <[EMAIL PROTECTED]>wrote:


[....]

just investigation rat brie pepperoni raphe hemp mine wine=20
thecal tablets ibera t this clastic horn bent leme spid huthrr=20
of heeheh service, ska ponent hone their s quoth masthead grot=20

the inert one from poem. parrafin often clubfoot or red trade=20
feet halfheartedly lade grenure Neanderthal spillage turnip=20
parricide cession ropoheleus, shinto to rights. pitcher=20

mercenary for poultry plod stork ycyme locus us foounded sedentary=20

as explosions dischord shrimp pood wash dot cath liginate=20
disore and roma wound, and bosun calico nent incomprehensible,=20

disc co contre y bind verb the hat latch tulie her conblandent,=20

calarfe theosonsop phrase f we filly tally bombard overspend=20

rambo aroma fair flowering s aloof googol loooop cemeter fastidiously=20
cathected thief refrigerator meteorologist wd podia burlap=20
apatheti bout peninsula ocuse fungible election impeccable=20

light ideological, t mane nuver resigned bride texatio vilent,=20

swerving ironic might stand shoe flip, blurt ppenstance plunder,=20

formal vertigo l disabe mold mortronic colder worlds twining=20

ifakki key lank. alp escarpe, jeans. neutralized apprehensive=20
fish faaair nighttime ghosted r deem phasize mislead obve=20

toxin taxis virulently module stalking=20



(from amenable noun)
- -Jim Leftwich & Jukka-Pekka Kervinen

=20

_____ =20

Love cheap thrills? Enjoy PC-to-Phone calls =
evt=3D39666/*http:/beta.messenger.yahoo.com/> to 30+ countries for just =
2=C3=AF=C2=BF=C2=BD/min with Yahoo! Messenger with Voice.

=20

_____ =20

How low will we go? Check out Yahoo! Messenger=E2=80=99s low PC-to-Phone =
evt=3D39663/*http:/voice.yahoo.com> call rates.


- ------=_NextPart_000_0003_01C65C08.4BECC620
Content-Type: text/html;
charset="UTF-8"
Content-Transfer-Encoding: quoted-printable

charset=3Dutf-8">
xmlns:o=3D"urn:schemas-microsoft-com:office:office" =
xmlns:w=3D"urn:schemas-microsoft-com:office:word" =
xmlns=3D"http://www.w3.org/TR/REC-html40">















style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>OK then. Let=E2=80=99s just agree =
to agree
on this style=3D'font-size:10.0pt;font-family:Wingdings;color:navy'>Jt>size=3D2 color=3Dnavy face=3DArial>style=3D'font-size:10.0pt;font-family:Arial;
color:navy'>


style=3D'font-size:
10.0pt;font-family:Arial;color:navy'> 


style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>(and then we can talk about it some =
more)


style=3D'font-size:
10.0pt;font-family:Arial;color:navy'> 


style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Like, would you differentiate =
sampling
from collage in ways other than the media that each is usually =
associated with?
Collage is generally thought of as referring to visual media, while =
sampling is
usually thought of as applying to audio, but video looping is sometimes
referred to as either collage or sampling. One might consider it all as =
=E2=80=98referencing=E2=80=99
but that term seems inadequate to me. Recycling comes to mind as well, =
but that
term also carries a lot of baggage with it.


style=3D'font-size:
10.0pt;font-family:Arial;color:navy'> 




size=3D3
face=3D"Times New Roman">





style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:size=3D2
face=3DTahoma>
[EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] =
style=3D'font-weight:bold'>On Behalf Of jimsters =
grailsters

Sent: Saturday, April 08, =
2006
10:34 PM

To: =
[email protected]

Subject: RE: FLUXLIST: =
..cut/paste
walk talk




style=3D'font-size:
12.0pt'> 


style=3D'font-size:
12.0pt'>absolutley....



i wasnt thinking of the sampling thing per-se..but more of the collaged =
element
of  snippets of information juxtaposed in random relationships =
which may
evoke new associations and possible meanings which could be used as a =
working
process in the spirit of scrambling codes of specific paradigms; if that =
makes
sense. i think i got the idea from apollinaire...



its an account of public discourse.



Allan Revich
<[EMAIL PROTECTED]> =
wrote:




style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>I like it =
too.






style=3D'font-size:
10.0pt;font-family:Arial;color:navy'> p>






style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>I am very fond of =
creative/different uses
of =C3=A2=E2=82=AC=CB=9Csampling=C3=A2=E2=82=AC=E2=84=A2. It has become =
a big part of the
popular culture today in the music scene, but samples can be just as
interesting when used as the brush strokes of literature, visual art,
multimedia, and especially =
intermedia.






style=3D'font-size:
10.0pt;font-family:Arial;color:navy'> p>






style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Allan>






style=3D'font-size:
10.0pt;font-family:Arial;color:navy'> p>






size=3D3
face=3D"Times New Roman">







style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:size=3D2
face=3DTahoma>
[EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] =
style=3D'font-weight:bold'>On Behalf Of jimsters =
grailsters

Sent: Friday, April 07, =
2006 9:45
PM

To: =
[email protected]

Subject: Re: FLUXLIST: =
..cut/paste
walk talk








style=3D'font-size:
12.0pt'> 






style=3D'font-size:
12.0pt'>hey all,



this is an experiment w observing ear snippets of passing conversation =
while
walking on the streets of princeton, nj and philadelphia, pa this past =

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