Disease of the will - or the willing of dis-ease? Either way it afflicts me too Ann.
Allan Are -----Original Message----- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Ann Klefstad Sent: Sunday, April 30, 2006 10:04 AM To: [email protected] Subject: Re: FLUXLIST: edition Very interesting, yes! It presumes a kind of purposeful inquiring search that I mostly seem not to have. Radio survives, I think, because we like being ambushed by small bits of diverse things to hear. I have boxed sets too and seldom listen to them because somehow "I want to hear X" occurs to me much less than "I want to hear something. Surprise me." More and more I feel that to surrender my own responsibility to choose this or that is what I want. I want the gift of others' choice. Is this some disease of the will, or is it more common than I think? AK On 4/30/06 4:45 AM, "Roger Stevens" <[EMAIL PROTECTED]> wrote: > Interesting post > > thanks > > > > On 2006 Apr 28, at 4:08 AM, Kamen Nedev wrote: >> >> Hmmm, you have a point here. CDs suck. Period. The thing is, I'm >> not into CDs, I'm into the idea of "publication", "edition", or >> whatever you might call it. I don't care if it's a CD or a USB >> stick or a vinyl record, as long as I get this idea of an >> "edition". In any case, for most of us, ephemeral netcasting and >> netlabels (or, as in your case, even our own resources) seem to be >> the most accessible path. > > well, you know...you go along with the formats > in order to conduct the business of music. > As they change, so do the needs of distribution channels. > > BUT when it comes to personal access, > I've been increasingly interested in anything that > has a deep time-bottom and doesn't have to be compiled > in a linear manner. > > I'm surrounded by box/Bach sets that take the form of gargantuan > proportions: > 182 CDs of Bach...50 CDs of Merzbow...50 CDs of Klaus Schulze, etc. > and just last week I got all squishy and excited > when this explicated anthem from Prinzendorf that is the 51 disc > "Orgien Mysterien Theater" (Orgies and Mysteries Theater) of Hermann > Nitsch > (of Viennese Aktionist fame) shows up with thick books/boots and poster. > So I have to ask: why not just send me a small hard drive? > The books/scores have a nicer feel than little slip covers around discs, > but the sound could've been just as easily sent on a keychain harddrive. > > So, I think of a single Terrabyte for my work. > The idea of making it one long work that uses > 40 years of pieces dropped inside at various points. > One of the things that I've learned and've appreciated > during my studies with Stockhausen over these past few years > is this idea of one large work (his "Licht - 29 hours long) > as a ground by which various smaller solo or group ensemble > pieces can be extracted for performance. > In my case, it's somewhat the reverse where individual pieces are > interlaced into a whole that constantly/consistently grows. > Need a solo 29 minute work? > OK, let me play the part of the Metzgermeister > and just slice some off for you. > > Would you like that wrapped? > > > R > > > > > > > --- > Now playing: Paul Wilson - The Fall Cover Artwork: Are You Are > Missing Winner > > > > > >
