well
i spent all 70s & early 80s watching "maydays" with cameras.
walking every year for almost ten years i can got the esence of the
operarios, the workers, la clase obrera: they all are wearing blujeans,
they love westerns,
en la habana one guy told me in 1988:
"oyeme tu, aqui el duro de la trova es charles bronson" **
(i spent 90s watching tv & taking my control remote shots.)
now, thinking in those perceptives experiences,
i must to conclude that the "finish" of cold war in 1989 it's not true at all,
step by step, is overheating the ambient, but jines don't died
they are well & alive & his enemys fall in love with his myth
im still questing my self why?
what mints all of those cowboys malboro rinding all kind of vehicles
in global escale (my little old spanish town included)
in conclussion all this blah, blah ideologico de fidel, elian, chavez,
seatle, vienna, roma
berlin, etc this revival of the socialism, this second breath of comunism,
is out once we know that all of this activists, protesters, anarquistas or
whatever..., are wearing lee, levis, wrangler, moschinos, pepe's or kalvin
kleins desings for those who love wearing working cowboy clothes. that's
it: with the skin of john waynne.
& remember: people dont wear like they are,
people wear what they want to be
...pez
pd:
about hooligans
the violence is a request of identity because offers inmmediate public
recognition.
specially for those "invisible fans" who suddenly got global attention in
football stadiums.
today, you can demand global membership from any place,
this is a crime to some sindycates, neo luddites who fight against technology
developed for this cowboy guys from silicon valley
& certain countries of maydays dont forget who invented internet & why
anyway violence is still a powerfull force in any look for identity.
**"hey men, here the hard of the trova is charles bronson"
