{Brad Brace},

We have a few questions about your response to our 'Curated' invitation.

    We are giving a standard format to all of the participant's
    (art historians/curators) selections. The participants are to select  and
    send 2 or 3 art images/texts, along with a brief explanatory essay,
    to BaseKamp.

    The essay (1 paragraph to 1 page) should explain the participants'
    reasons/intentions behind their selections.
    Our idea here is to give the viewers some insight into the kind of
    connections and/or meanings (new or historical) that a variety of art
    curators/historians make -- but also to give the participants themselves
    a platform to follow through on and exhibit connections that they
    otherwise maynot have the opportunity for (limited time slots, budgets,
    access to works, venues, etc.).

    We plan to digitally format each participant's art image/text selections
    into a standard 8.5" x 11" size, and present them together. Each set of
    2-3 selections will be numbered, and the corresponding numbered
    explanatory essays will be displayed seperately. The audience can either
    guess at the participants connections (and make their own) if they choose
    to view the selections first, or they can satisfy their curiosity by viewing
    the participants' selections (and imagine their own), if they choose to read
    the explanatory essay(s) first. Either way, seperating the essays from the
    selections requires that viewers have more interaction with the contents
    of the exhibition. It requires that they give the show more
    than just a once-over, but it also delays an immediate Q&A gratification,
    making it more possible for viewers to come up with other readings
    while still lending insight into the individual perspectives of a number
    of art historians/ curators from a variety of backgrounds.
 

These are our reasons for our intended format.
So our questions to you are:

1. How does what you sent us (below) work within what we are asking?
    The text you sent us is interesting. Is one of your selections the website
    that you are writing about? If so, what other art images/texts are you
    planning to present with it? also (if so), do you want us to print the
    website link i big letters on an 8.5x11 page or do you want another
    image or something to represent the site?
    If one of your selections is not the website, what exactly is it/are they?

2. Can you give us some brief background information about yourself?
    We know next to nothing about you, except what we see via FLUXlist
    postings.
    Since you have responded to our call for art historians/curators, we are
    assuming that you fit the description.
    We are listing you as {Brad Brace}/ Independant Curator for the time
    being, but this is an assumption on our part. You may be teach art history
    at a university somewhere, we dont know. Please let us know whether you
    are a curator or an art historian, and if there are any institutions you wish
    to be affiliated with or not.

Please get back to us as soon as you can, as the opening of the show is
next Friday, June 09.

Sincerely,

Justin Matherly,
Leigh Stevens,
David Dempewolf,
and Scott Rigby.

BaseKamp
215.592.7288
723 Chestnut St
second floor
Phila, PA 19106
www.basekamp.com
 
 

{Brad Brace} Wrote:

Subject: Re: FLUXLIST: FLUXLIST/ 'Curated'/ confirmation requested by May
   26/ BaseKamp Invitation for June 09 2000
Date: Sun, 28 May 2000 20:43:15 -0700 (PDT)
From: { brad brace } <[EMAIL PROTECTED]>
To: scott rigby <[EMAIL PROTECTED]>

                    _______ _            __ ___  _
                   |__   __| |          /_ |__ \| |
                      | |  | |__   ___   | |  ) | |__  _ __
                      | |  | '_ \ / _ \  | | / /| '_ \| '__|
                      | |  | | | |  __/  | |/ /_| | | | |
                      |_|  |_| |_|\___|  |_|____|_| |_|_|
           _____  _____ ____  _   _            _ _____  ______ _____
          |_   _|/ ____|  _ \| \ | |          | |  __ \|  ____/ ____|
            | | | (___ | |_) |  \| |______    | | |__) | |__ | |  __
            | |  \___ \|  _ <| . ` |______|   | |  ___/|  __|| | |_ |
           _| |_ ____) | |_) | |\  |     | |__| | |    | |___| |__| |
          |_____|_____/|____/|_| \_|      \____/|_|    |______\_____|

                       |  __ \         (_)         | |
                       | |__) | __ ___  _  ___  ___| |_
                       |  ___/ '__/ _ \| |/ _ \/ __| __|
                       | |   | | | (_) | |  __/ (__| |_
                       |_|   |_|  \___/| |\___|\___|\__|
                                      _/ |
                                     |__/
 

> > > > Synopsis: The 12hr-ISBN-JPEG Project began December 30, 1994. A
`round-the-clock posting of sequenced hypermodern imagery from Brad Brace.
The hypermodern minimizes the familiar, the known, the recognizable; it
suspends identity, relations and history. This discourse, far from
determining the locus in which it speaks, is avoiding the ground on which
it could find support. It is trying to operate a decentering that leaves
no privilege to any center.
 

                       The 12-hour ISBN JPEG Project
                       -----------------------------
                          began December 30, 1994
 

  Pointless Hypermodern Imagery... posted/mailed every 12 hours... a
spectral, trajective alignment for the 00`s! A continuum of minimalist
masks in the face of catastrophe; conjuring up transformative metaphors
for the everyday... A poetic reversibility of exclusive events...

        A post-rhetorical, continuous, apparently random sequence of
imagery...  genuine gritty, greyscale...  corruptable, compact,
collectable and compelling convergence. The voluptuousness of the grey
imminence: the art of making the other disappear. Continual visual impact;
an optical drumming, sculpted in duration, on the endless present of the
Net.

  An extension of the printed ISBN-Book (0-9690745) series... critically
unassimilable... imagery is gradually acquired, selected and re-sequenced
over time...  ineluctable, vertiginous connections. The 12hr dialtone...

                              [ see ftp.netcom.com/pub/bb/bbrace/books ]

KEYWORDS: >> Disconnected, disjunctive, distended, de-centered,
   de-composed, ambiguous, augmented, ambilavent, homogeneous, reckless...
>> Multi-faceted, oblique, obsessive, obscure, obdurate...
>> Promulgated, personal, permeable, prolonged, polymorphous, provocative,
   poetic, plural, perverse, potent, prophetic, pathological, pointless...
>> Emergent, evolving, eccentric, eclectic, egregious, exciting,
   entertaining, evasive, entropic, erotic, entrancing, enduring,
   expansive...

        Every 12 hours, another!...  view them, re-post `em, save `em,
trade `em, print `em, even publish them...

Here`s how:

~ Set www-links to ->  http://www.teleport.com/~bbrace/12hr.html
                   ->  http://bbrace.laughingsquid.net/12hr.html

  Look for the 12-hr-icon. Heavy traffic may require you to specify files
  more than once! Anarchie, Fetch, CuteFTP, TurboGopher...
  Or -> ftp://ftp.netcom.com/pub/bb/bbrace/bbrace.html

~ Download from ->  ftp.pacifier.com  /pub/users/bbrace
  Download from ->  ftp.netcom.com  /pub/bb/bbrace
  Download from ->  ftp.teleport.com  /users/bbrace
  Download from ->  ftp.rdrop.com   /pub/users/bbrace
  Download from ->  ftp.eskimo.com  /u/b/bbrace
  * Remember to set tenex or binary. Get 12hr.jpeg

~ E-mail -> If you only have access to email, then you can use FTPmail to
  do essentially the same thing. Send a message with a body of 'help' to the
  server address nearest you:
  *
  [EMAIL PROTECTED]                    [EMAIL PROTECTED]
  [EMAIL PROTECTED]          [EMAIL PROTECTED]
  [EMAIL PROTECTED]                     [EMAIL PROTECTED]
  [EMAIL PROTECTED]               [EMAIL PROTECTED]
  [EMAIL PROTECTED]                  [EMAIL PROTECTED]
  [EMAIL PROTECTED]               [EMAIL PROTECTED]
  [EMAIL PROTECTED]               [EMAIL PROTECTED]
  [EMAIL PROTECTED]                    [EMAIL PROTECTED]
  [EMAIL PROTECTED]                  [EMAIL PROTECTED]
  [EMAIL PROTECTED]                      [EMAIL PROTECTED]
  [EMAIL PROTECTED]             [EMAIL PROTECTED]
  *                                     *
 

~ Mirror-sites requested! Archives too!
  The latest new jpeg will always be named, 12hr.jpeg
  Average size of images is only 45K.
  *
  Perl program to mirror ftp-sites/sub-directories:
  src.doc.ic.ac.uk:/packages/mirror
  *

~ Postings to usenet newsgroups:
  alt.12hr
  alt.binaries.pictures.12hr
  alt.binaries.pictures.misc
  alt.binaries.pictures.fine-art.misc

* * Ask your system's news-administrator to carry these groups!
  (There are also usenet image browsers: TIFNY, PluckIt, Picture Agent,
    PictureView, Extractor97, NewsRover, Binary News Assistant, EasyNews)

~ This interminable, relentless sequence of imagery began in earnest on
December 30, 1994. The basic structure of the project has been over
twenty-four years in the making. While the specific sequence of
photographs has been presently orchestrated for more than 12 years` worth
of 12-hour postings, I will undoubtedly be tempted to tweak the ongoing
publication with additional new interjected imagery. Each 12-hour posting
is like the turning of a page; providing ample time for reflection,
interruption, and assimilation.

~ The sites listed above also contain information on other cultural
projects and sources.

~ A very low-volume, moderated mailing list for announcements and
occasional commentary related to this project has been established. Send
e-mail to:  [EMAIL PROTECTED] /subscribe 12hr-isbn-jpeg

--
This project has not received government art-subsidies. Some opportunities
still exist for financially assisting the publication of editions of large
(33x46") prints; perhaps (Iris giclees) inkjet duotones on newsprint!
Other supporters receive rare copies of the first three web-offset printed
ISBN-Books.

--
ISBN is International Standard Book Number. JPEG and GIF are types of
image files. Get the text-file, 'pictures-faq' to learn how to view or
translate these images. [ftp ftp.netcom.com/pub/bb/bbrace]

--
(c) Credit appreciated. No copyright 1994,1995,1996,1997,1998,1999,2000
 

<[EMAIL PROTECTED]>

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