in the email today...
>From: [EMAIL PROTECTED] (paul robertson)
>Subject: MORE AND MORE FREEFALLS - Email List 8 of new art for sale from
>Heart Fine Art
> Ltd.
>
>MORE AND MORE FREEFALLS - "Catchall Gothic or unabashed Glam, nothing
>merely falls off the rack freely, dear!"
>
>This, from none other than Miss Ann Radcliffe - author in another life -
>now on the eve of the fashion world debut of her collezione Udolpho - "By
>design, every hidden secret or thought should be read into all matter of
>things, especially what one wears to chapel, no matter the occasion�"
>
>
>801.
>Beuys, Joseph.
>DAS HASENGRAB II. Postcard-multiple.
>Heidelberg: Edition Staeck, 1976.
>23 x 33 cm. Uncut proof sheet for this postcard design consisting of four
>glossy pictorial cards printed in duotone. Signed by the artist. A scarce
>proof for the title postcard-multiple. Designated as all of a piece and
>customarily signed by Beuys in ink. Fine estate.
>
>200 uk pounds
>
>
>
>802.
>Beuys, Joseph.
>THE STANHOPE OBJECT. Postcard-multiple proof sheet.
>Heidelberg: Edition Staeck, 1978.
>23 x 33 cm. Uncut proof sheet for this postcard design consisting of four
>glossy pictorial cards printed in colors. Signed by the artist. Another
>scarce proof for the title postcard-multiple. Designated as all of a piece
>and customarily signed by Beuys in ink. Fine estate.
>
>250 uk pounds
>
>
>
>803.
>Boltanski, Christian.
>LOST.
>Dublin/Glasgow: CCA and Tramway, Glasgow, 1994.
>10 x 15 cm. embossed folio-folder with ribbon-tie, content of four texts
>(50 pp. combined), each housed in individual vari-colored folder, a single
>glossy offset sheet of 64 photo-based b/w images (housed in vari-colored
>folder), two sets of 24 b/w photo-based card images (2 x 6 cm.,
>respectively) and 4 b/w photo-postcards documenting the title installation
>(4 5/8 x 6 3/4cm., respectively) + contents sheet. First issue of this
>intriguing assemblage multiple by Boltanski, after a project which was
>exhibited in Dublin and Glasgow. A poignant and provocative work. All
>elements intact and in fine estate in like folio-folder. Scarce thus.
>
>85 uk pounds
>
>
>
>804.
>Byars, James Lee & Stephen Mckenna.
>STONES.
>Dublin: Douglas Hyde Gallery, 1987.
>Two small 4to envelopes printed in black and green & white, respectively,
>and content of individual offset print-multiples (as follows): Byars -
>black oval sheet of die-cut tissue, Mckenna - glossy offset card printed on
>both sides with a photo-image and text, respectively. First issue of this
>dual-multiple produced on the occasion of the title installation devised by
>Byars & Mckenna. Fine estate. Scarce.
>
>75 uk pounds
>
>
>805.
>(Duchamp, Marcel & Man Ray).
>Schwarz, Arturo.
>IL REALE ASSOLUTO.
>Milano:Galleria Schwarz, 1964.
>23.2 x 32.5 cm. 88pp. (in leaves). Two original lithographs by Marcel
>Duchamp ('Four Readymades' & 'Certificat de Lecture') and 10 original
>lithographs printed in colors by Man Ray. Original wrappers housed in card
>cloth-covered solandar. First edition of this superb collaborative livre
>d'artiste. Issued in an edition of only 125 numbered examples, signed by
>Duchamp, Man Ray and Schwarz. All contents in fine estate in like box.
>Rare.
>
>3,800 uk pounds
>
>
>
>806.
>(Duchamp, Marcel).
>Hamilton, Richard.
>Poster designed by the artist for the Marcel Duchamp exhibit 'Tate Gallery,
>London 1970'. Two-color screenprint employing acetate film, laminate and
>silver foil blocking. Printed on white cartridge paper. 58 x 80 cm. London:
>Petersburg Press, 1970. This poster reproduces a photograph of Duchamp by
>Hamilton, and has a interesting optic/illusory character. Edition not
>noted. Fine condition.
>
>150 uk pounds
>
>
>
>807.
>Cage, John & David Tudor.
>INDETERMINANCY: New Aspect of Form in Instrumental & Electronic Music.
>New York: Folkways (FT 3704), 1959.
>Two 12" 33 rpm recordings + 8pp. booklet with texts by Cage and b/w photos
>by David Gahr. Housed in original card box. First issue of this
>collaborative soundwork composed of readings by Cage of stories at the rate
>on one per minute, which were designed to sync with Tudor's solo piano
>excerpt from 'Concert for Piano and Orchestra (1958)'. Both discs + booklet
>in excellent estate in box with some light wear. Very scarce.
>
>135 uk pounds
>
>
>
>808.
>Chapman, Jake & Dino.
>CHAPMAN INDUSTRIES T-SHIRT.
>London: Royal Academy 2000.
>Standard red cotton t-shirt with plastic transfer pictorial motif.
>Available in size small only. First issue of this wearable multiple by the
>mischievous creators of the 'Hell' & 'Disasters of War' maquettes. Edition
>of 500 examples only. As new.
>
>60 uk pounds
>
>
>
>809.
>(Chopin, Henri & Isidore Isou, et. al.).
>L'AUTONOMATOPEK I.
>Paris: Opus International Disc, 1972.
>7" 33 rpm recording in original card envelope. First issue of this uncommon
>collective soundwork. Composed of pieces of Henri Chopin, Isidore Isou, Gil
>Wolman, Francois Dufrene, and others. Disc in fine estate in like sleeve.
>'Broken Music' pg. 235.
>
>125 uk pounds
>
>
>
>810.
>Jones, Allen.
>PROJECTS.
>London: Matthews/Miller/Dunbar, 1971.
>25 x 28.5 cm. 100pp. Reproductions in b/w and color throughout. Pictorial
>wrappers in color. First edition of this essential documentation as
>bookwork by the idiosyncratic British Pop artist. Composed primarily of
>unrealized costume designs for stage productions of 'Oh Calcutta', 'A
>Clockwork Orange' and signature "gear" + much detail as to the primary
>source material which informed so much of Jones' oeuvre, re its fetishistic
>bent. A fine example. Increasingly scarce.
>
>75 uk pounds
>
>
>
>811.
>Lebel, Jean-Jacques.
>WORKSHOP DE LA LIBRE EXPRESSION.
>Original poster/programme + two handbills.
>Paris: American Cultural Centre, May 25-30, 1964.
>Program: 4to single card sheet printed with text on both recto and verso.
>Handbills: 4to, respectively. Mimeotext on blue stock. The scarce
>documentation for the Lebel organized first 'Festival de la Libre
>Expression'. Lebel was active in the 60's as a Happener. The festival
>included Fluxus actions, concert-events and films. Among non-Fluxus group
>participants were Christo, Richard Hamilton, Carolee Schneeman, Wolf
>Vostell and Andy Warhol. Each handbill is composed of a list of events, one
>of which varies from those noted in the poster-program. The latter with
>former central-fold, else all pieces in very good estate.
>
>135 uk pounds
>
>
>812.
>Lebel, Jean-Jacques.
>Happening Programme/Invitation: 'Happening - Open House in Paris'.
>Paris: Serge Velnez, July 19, 1966.
>Five printed mimeo-sheets together with holograph announcement. Housed in
>original mailing envelope. Scarce documentation of a Lebel co-organized
>Happening Event, featuring a reading by Allan Ginzberg ('Footnote to
>Howl'), which is included here in Lebel's French translation (presumably,
>the first thus) + a detailed step by step chronology of the Happening. Fine
>estate in slightly creased envelope.
>
>80 uk pounds
>
>
>
>
>813.
>Long, Richard.
>RICHARD LONG SCULPTURES: England, Germany, Africa, America 1966-70.
>Mochengladbach: Stadtisches Museum Mochengladbach, July/August, 1970.
>16 x 20 x 3 cm. printed white card box content of one bookwork-multiple
>designed by the artist (18 heavy-gauge card sheets each printed in offset
>with a b/w photo-souvenir). Perfect-bound, and with cover b/w
>photo-portrait of Long. First issue of this rare bookwork-multiple,
>constituting Long's second artists' book. Typically, this documentation of
>a series of 'walks' on four continents, is to be considered an original
>work. Issued in an edition of only 330 numbered examples. Fine estate in an
>unusually pristine example of the usually marred box.
>
>550 uk pounds
>
>
>814.
>Maciunas, George.
>FLUXUS STATIONARY.
>2 examples with 1 envelope. Designed by G. Maciunas.
>New York: Fluxus/Wooster Enterprises, c. 1975.
>Each sheet 20 x 22.5cm respectively. Printed in photo-offset with glove
>image. Envelope is standard business-size with gummed flap, verso printed
>with 'to' & 'from'. Two examples of the stationary designed by the
>innovative Fluxus pope. Both pieces fine with like envelope. Scarce.
>
>100 uk pounds
>
>
>
>815.
>(May, '68).
>L'ENRAGE. No's 1-5, 7, 8, 10-12 (of 12 published). Directeur: Jean-Jacque
>Pauvert.
>Paris: Pauvert, May-Nov., 1968.
>10 separate numbers. Uniformly 23.5 x 31 cm. 8-12 pp. per. Composed of
>satirical cartoon commentaries by various contributors. Tabloid format. A
>significant run of this now famous journal, published during the student
>rebellion in Paris and much reflective of its impact. Contributions by
>Sine, Roland Topor, Gil Wolinski, et. al. 'L'Enrage' was particularly
>popular among the activist student community itself. All issues in very
>good+ estate. Uncommon.
>
>150 uk pounds
>
>
>
>816.
>(Provo).
>Grootveld, Robert Jasper.
>AAN KONDIGING VAN HAPPENING RONDHET BEELD VAN HET AMSTERDAMSE LIEVERDGE
>SPUI (De ver Slaaf de Konsument van 'Morgen') Nieuwe Profetien. Zaterdag
>13, Juni 12 uur Snachats. Tevens Gelegenheld tot aarestatie van Robert
>Jasper Grootveld.
>Amsterdam: self-published, 1964.
>21.5 x 27.5 cm. Single offset sheet printed with text and marginal line
>drawings. The rare descriptive announcement for the title proto-Provo
>Happening, as initiated by the movement's founder Grootveld. During the
>course of the following year the group's most prominent journal (Provo)
>would be founded. Formerly folded, else a very good+ example of this
>important document.
>
>100 uk pounds
>
>
>
>
>817.
>(Provo). van Duyn, Roel.
>MISS BLANCHE: en de van Moppes - diamanten. Een Moralisties Manifest.
>Amsterdam: 'Unit', Oct., 1967.
>15 x 20 cm. 16pp. Pictorial wrappers (recto: by Olaf Stoop, verso: after a
>photo-portrait of Miss Blanche blindfolded by Koen Wessing). First separate
>edition of this activist manifest. Originally issued as 'Provo' 15 (April,
>1967). The Provo group, initiated by Robert Jasper Grootveld in 1965,
>became the working model in Europe for the underground Happening Movement.
>Their most recognizable symbol being the white bicycle: "If you need one,
>find one, and when you don't need it leave it. Someone else will take it."
>(Rob Stolk). Concurrently, the Provos term their plans as 'White', a word
>which held a similar status for the 'Free' of San Francisco's 'Diggers'. A
>very good+ example. Scarce.
>
>65 uk pounds
>
>
>
>818.
>(Provo).
>DE TELEGRAFF. 1 & 2 (all published). Anonymously edited.
>Amsterdam: Provo, April and Dec., 1967.
>Two broadsheets, each folded to comprise 4 pp. per. Each 21.5 x 34 cm.
>Printed in facsimile/appropriation of the format of the Dutch right-wing
>journal of the title. Tabloid. A complete run of this scarce and at times
>darkly satirical Provo anti-revue. Conceived after and in stark contrast to
>the contents of the long-lived right-wing 'De Telegraff', inclusive of a
>reprint of an anti-semitic slanted article of 1942 (and a statement as to
>the continuity of such editorial views to date), a Provo manifest with
>antithetical headline, and unattributed articles on activism and gay
>rights. Both numbers folded (as issued). Some typical browning to
>newsprint, one issue with two marginal punch holes (for binder storage),
>else very good examples.
>
>55 uk pounds
>
>
>
>819.
>Raysse, Martial.
>RIVERSIDE D'TOUT SEUL ANKAMMON.
>Paris: Edition G. Fall/Opus International, 1968.
>Small 4to. 24 unnumbered pp. Composed of full-page reproductions of
>drawings by various contributors. Original stapled wrappers. First edition
>of this collective bookwork created under the aegis of Martial Raysse
>during his stay at a Utopian-style commune in the mid-late 60's. The
>drawings are very much in the spirit of May '68, and are by Raysse and
>seven other community members. One of only 150 examples (all published)
>signed by each contributor. A close to fine example. Decidedly rare.
>
>150 uk pounds
>
>
>
>820.
>Richter, Gerhard.
>URAN.
>Rotterdam: Museum van Boymans Beuningen, 1989.
>69 x 90 cm. Duotone photo-lithograph. Signed and numbered by the artist. A
>characteristic photo-based print-multiple by Richter. Issued in an edition
>of only 50 signed and numbered examples. The title is conceivably a
>thematic play on words: the German for Uranium, as well as the Latin roots
>of the term, as filtered through Greek astronomy and myth. Fine estate.
>Scarce.
>
>4,000 uk pounds
>
>
>
>821.
>(Richter, Gerhard).
>GERHARD RICHTER, MEINE BILDER SIND KLUGER ALS ICH. Ein Film von Victoria
>von Flemming.
>Berlin: Eine Produktion des Westdeutschen Rundfunks/Dumont Creativ Video,
>1988.
>Video tape. PAL format. Running time: 60 min. First issue of this
>film-portrait of the artist. A thoughtful in-studio documentation of
>Richter's radicalized creative processes and socio-philosophic
>orientations. As new.
>
>35 uk pounds
>
>
>
>822.
>(Serra, Richard).
>Hoppe-Sailler, Richard.
>RICHARD SERRA - DAS DRUCKGRAPHISCHE WERK 1972-1988.
>Berlin, Amsterdam, Dusseldorf, Hasselt: Neuer Berliner Kunstverein, Ulmer
>Museum, Stedelijk Museum, et. al., 1988-90.
>4to. 64 pp. B/w reproductions of works by the artist throughout. Original
>wrappers. First edition. The excellent catalogue raisonne of Serra's
>graphic work. This example signed by the artist. A close to fine copy.
>
>60 uk pounds
>
>
>
>823.
>(Situationist International).
>Khayati, Mustapha.
>TEN DAYS THAT SHOOK THE UNIVERSITY: of student poverty considered in its
>economic political psychology, sexual and particularly intellectual
>aspects; a modest proposal for its remedy. Translated by Donald Nicholson
>Smith. Edited by Christopher Gray & T.J. Clark. London: BCM/Situationist
>International, nd. (1967).
>15.5 x 23.5 cm. 32 pp. Illustrated with S.I. detourned images. Printed
>card-wrappers. First English language edition of this seminal Situationist
>tract. The text was originally attributed to the Association Federative
>Generale des Etudiants de Strasbourg, but was actually composed by the
>Situationist Khayati. 'Ten Days �' served as a primary means of
>dissemination, by which Situationist ideas were introduced to the European
>student movements of the period. The cover text consists of a translation
>of the Strasbourg student Andre Bertrand's 'Le Retour de la Colonne
>Durutti'. The postscript: 'If you make a social revolution, do it for
>fun'is intended to have direct relevance to the British Situationist
>section. Ink poem written out on inside rear wrapper, and some minor wear
>to covers, else a very good example of this keynote document.
>
>125 uk pounds
>
>
>
>824.
>Vautier, Ben.
>NO ART BAG.
>New York: Fluxus, 1969.
>34 x 44 cm. Paper bag printed in black and white script on one side only:
>'Keine Kunst/ Pas d'Art/No Art/Art Total'. A rare and keynote
>object-multiple by the Fluxus artist. Originally announced in 'Fluxfest Kit
>2/Fluxfest Information (1969)'. An implicitly disposable signifier for the
>ages. Double-folded (as issued), else a very good example of this fragile
>piece.
>
>140 uk pounds
>
>
>
>Also check out www.heartfineart.com for other items for sale
>
>*******************************************
>*******************************************
>
>
>ECOLOCATION: EVELYN TREMBLE
>
>CATALOG CONSULTATION: EDITIONS ZERACCHI
>
>
>Suggested listening: "See Emily Play" by Syd Barrett (Pink Floyd).
>
>"At the moment in which they let down the body into the earth, the scene
>was such as only the dark pencil of a Domenichino, perhaps, could have done
>justice to. The fierce features and wild dress of the condottieri, bending
>with their torches over the grave, into which the corpse was descending,
>were contrasted by the venerable figure of the monk, wrapt in long black
>garments, his cowl thrown back from his pale face, on which the light
>gleaming strongly showed the lines of affliction softened by piety, and the
>few gray locks, which time had spared on his temples: while, beside him,
>stood the softer form of Emily, who leaned for support upon Annette, her
>face half averted, and shaded by a thin veil, that fell over her figure;
>and her mild and beautiful countenance fixed in grief so solemn as admitted
>not of tears, while she thus saw committed untimely to the earth her last
>relative and friend".
>
>Ann Radcliffe
>"The Mysteries of Udolpho"
>
>
>*******************************************
>*******************************************
>
>Paul Robertson
>HEART FINE ART LTD
>1 Royal Mile Mansions
>50 North Bridge
>Edinburgh
>EH1 1QN
>Scotland, United Kingdom
>
>Tel/fax 0044 131 225 8217
>
>
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>
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>
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>
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>
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>
>Detailed provenance history available for unique items.
>
>Please note prices subject to change without due notice. While we will
>endeavour to keep prices stable for items outlined above sometimes changes
>in, for example, exchange rates mean that prices have to be altered. If
>changes are required than we will notify you at the time of any enquiry.
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> A WORD ABOUT SECURITY: Although there is a widespread belief that it is
>risky to email your credit card number, in truth actual instances of credit
>card numbers being intercepted and being used for fraudulant purposes are
>rare. While it is possible to do it, it is somewhat difficult and there
>are many other much easier low-tech ways to get a person's credit card
>number. Let's face it - in whatever circumstances a credit card is used,
>there is a potential for fraud on both sides. But considering how often you
>present your card to a stranger, how often does it happen? Even so, what
>many people do for extra safety is send half the numbers in one message,
>the balance in another. Others spell out the numbers rather than using
>digits. Still others simply remove the spaces between the groups of numbers
>on the card or irregularly space out the numbers into groups of 5, 3, 2
>etc. And if you are still worried about sending your credit card number
>over the web then why not just fax us!
>
>
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>
>
>Previous lists some items still available:
>
>LIST 1 - BENEATH OUR COBBLE STONE LEVITATION TOWERS� JOSEPH BEUYS PART I:
>PLAKATE/POSTERS
>PART II: MULTIPLES AND UNIQUE WORKS PART III: PRINTS/OBJECT MULTIPLES:
>AKTIONIST, FLUXUS, HAPPENINGS, CONCEPT/MINIMALISM, CONCRETE POETRY, SOUND +
>& Miscellaneous works by other artists
>
>LIST 2. - DIORAMA Less Than Scale More Than Sound Less The Occasional
>Aquatic Dinosaur (Play On Mores), Desolate Moors With all due respects to:
>aluminum, flowers, lead, paper, iodine, magnetisms, plastic, wood, wounds,
>stone, vinyl, sunder hills, magellanic clouds, gulls, the sea, and
>infection�.
>More By: Carl Andre Arman George Baselitz Samuel Beckett Joseph Beuys
>George Brecht John Cage Philip Corner Robert Duncan Felix Gonzalez-Torres
>Milan Knizak Imi Knoebel George Maciunas Christian Marclay Nam June Paik
>Benjamin Patterson Gerhard Richter Terry Riley Takako Saito Carolee
>Schneeman Richard Serra Mieko Shiomi Daniel Spoerri Cy Twombly Wolf Vostell
>Andy Warhol
>
>LIST 3 - ENTIRE PAGES OF ... Drinking straws Hands shown both at rest and
>at shadow play Floating daughters Impossible pinochle decks Incendiary
>devices Luminous bodies Opera glasses 'for one cold eye fixed on life and
>death' Seasonal menus Smoke and mirrors Tire changes + With all due
>apogee(s) to: Joseph Beuys Christian Boltanski George Brecht Ken Friedman
>Gilbert & George Joe Jones Allan Kaprow Milan Knizak George Maciunas
>Annette Messager Dennis Oppenheim Gina Pane Takako Saito Carolee Schneeman
>Daniel Spoerri Ben Vautier Yoshida Wada Robert Watts Emmett Williams ...
>... and above all W.B. Yeats
>
>LIST 4 - A FOURIER SERIES is a pleasure to be: A. Sine qua non? B. Too
>much cheesecake (too soon)? C. Terry Atkinson/Joseph Beuys/Michael
>Buthe/Nicola De Maria/Martin Dissler/Marcel Duchamp/Robert Filliou/John
>Furniva;/Peter Greenaway/Milan Knizak/Alison Knowles/Jiri Kolar/Annette
>Messager /Dennis Oppenheim/Therese Oulton/Daniel Spoerri/Ulrich
>Ruckreim/Jean Tinguely/Ben Vautier +++
>
>LIST 5 - INEVITABLE MINI-SPECTACLES. Other quantum leaps into space.
>by Arman, Christo, Contant, Debord, Dufrene, Joe Jones, Asger Jorn, Milan
>Knizak, John Lennon, Gustav Metzger, Jorgen Nash, Martial Raysse, Carolee
>Schneeman, Rudolf Schwarzkogler +++
>
>LIST 6 - IMAGINARY SOLUTIONS � Two Valentines � a Flower-Headed Woman �
>and Other Scandalous Coiffes (and their Pigeons) � Observed � Arte
>Nucleare, Andre Breton, Roger Caillois, Cobra, Jean Dubuffet, Fernand
>Dumont, Enrique Gomez-Correa, International Surrealism, Isadore Isou,
>Marcel Janco, Alfred Jarry, Asger Jorn, Yves Klein, Lettrisme, Viteslav
>Nezval, Paul Nouge, 'Pataphysique, Man Ray, Jaroslav Seifert, Karlheinz
>Stockhausen, Andre Thomkins � ++
>
>along with the IMAGINARY ADDENDUM
>Arte Nucleare / Samuel Beckett / Andre Breton / Cobra / ReneCrevel /
>International Surrealism / sger Jorn /'Pataphysique / Tristan Tzara +
>
>
>LIST 7 - GOODBYE, GIRLISH FRIPPERY - Hello, Iris Time.
>This season's quintessential wardrobe is not only timelessly chic, but
>(more importantly) wearable and grown-up.
>Marina Abramovic, Joseph Beuys, Christian Boltanski, Marcel Broodthaers,
>Christian Eckhart, Dick Higgins, Damien Hirst, Jenny Holzer, Joe Jones,
>Claes Oldenburg, Friederike Pezold, Gerhard Richter, James Rosenquist,
>Ulrich Ruckreim, Carolee Schneeman, Daniel Spoerri, Richard Tuttle, Ben
>Vautier, Andy Warhol, Robert Watts, Lawrence Weiner +++ ...
>
>List 7a - GOODBYE ADDENDUM� HELO, MAMBO SUN!
>
>This season's swimwear evokes a smoldering heliotropic woman of decades
>past. Basking in the sun: Alechinsky, Applebroog, Beuys, Blume,
>Broodthaers, Constant, Cumming, Dotremont, Filliou, Gilbert & George,
>Higgins, Holzer, Lebel, Long, Miro, Nonas, Prince, Spoerri, Ranier, Ruscha,
>Smithson, Stockholder, Vautier, Weiner.....
>
>
>Most of these items can be found at
>
>http://www.heartfineart.com
>
>have a look at your leisure.
>
>
>Have a Happy New Year.
>
>
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>*******************************************
