This article from NYTimes.com 
has been sent to you by [EMAIL PROTECTED]



/-------------------- advertisement -----------------------\


Nortel Networks building the new, high-performance Internet

Nortel Networks is building the new, high-performance 
Wireless Internet. It combines the speed, capacity and 
reliability of their Optical Internet solutions, with 
the anytime, anywhere mobility of wireless.  
Read more about this new technology.

http://www.nytimes.com/ads/email/nortel/index1.html


\----------------------------------------------------------/

The New Canvas: Artists Use Online Auctions for Art Projects

February 5, 2001
ARTS ONLINE
By MATTHEW MIRAPAUL

Trong Nguyen sold a bottle of designer perfume last week through the
online auction service eBay. Normally such a sale would not be
considered a work of art. But Mr. Nguyen is an artist, and the
$11.45 deal he made is part of a yearlong, untitled art project.

 Over the course of 2001, Mr. Nguyen (pronounced win) plans to use
eBay to sell 1,001 of his possessions. He has already collected
more than $230 for 20 items, including the perfume, books and the
word "nothingness," which he sold to a friend for 70 cents. Are the
buyers getting utilitarian objects or artworks produced in a
limited edition of 1,001?

 The answer lies in the eye of the purchaser. For those who know
they are participating in an art project, the objects they buy from
Mr. Nguyen are backed by an eBay invoice that serves as a
certificate of artistic authenticity. For those who merely happen
upon his items, they are just more online auction goodies. But if
you accept Mr. Nguyen's conceit that each item contributes to a
work of art he is creating, then each item should be considered,
say, as one would a brush stroke on a painting.

 Like many young artists, Mr. Nguyen, who is 29, is using the
Internet as a new medium for exploring familiar aesthetic issues.
Does an artist's touch turn an everyday object into an art object?
How does an artwork receive its value? How does one's possessions
define an identity?

 Mr. Nguyen, who was born in Vietnam and came to the United States
in 1974, also is striving to connect with an audience that he might
not otherwise reach. Countless artists and musicians have learned
to bypass traditional channels of distribution and sell directly to
the public through the Internet. But those transactions remain
mostly commercial. What Mr. Nguyen is saying is that if you bid,
then you are participating in his art game, whether or not you know
it, and the Internet becomes a performance-art stage rather than an
information platform.

 Mr. Nguyen, who has a master's degree from the University of South
Florida, is not the only one on the virtual performance-art stage.
Two other young artists, John Freyer, 28, and Michael Mandiberg,
23, are engaged in similar but independent online projects.

 If you buy into this as performance art, then the objects
themselves are artifacts of the performance. If not, this is just
another online garage sale. 

 Mr. Freyer says he intends to sell most of his belongings through
eBay in the coming year, and is documenting the process on his Web
site, AllMyLifeForSale.com.

 Mr. Mandiberg is selling all of his possessions, for which his Web
site, Mandiberg.com, functions more as a catalog. His items bear a
fixed price, and are available for purchase through the
Internet-payment service PayPal. All three online projects are
asking viewers, in a commodity-driven culture, whether one's
personal identity is defined by nothing more than a collection of
stuff.

 As with many virtual endeavors, there are real- world precedents
for these projects. For example, starting in the 1970's, artists
like Christian Boltanski and Daniel Spoerri produced works based on
inventories or collages of quotidian objects, and the theme
persists. On Friday the British performance artist Michael Landy is
scheduled to unveil a piece for which he has reportedly
disassembled thousands of his personal items (including a car),
although he has yet to reveal what he will do with the components. 

 Philippe Vergne, visual arts curator at the Walker Art Center in
Minneapolis, said: "It's good that artists are trying to infiltrate
the Web because if they don't, it's going to become a place only
for commerce. I like that they are occupying this vacuum and making
art projects."

 The online selloff projects are not the first acts of virtual
performance art. Natalie Bookchin, who teaches at the California
Institute of the Arts, said there was already a name for
infiltrating a nonart Web site for artistic purposes: parasiting.
Ms. Bookchin has seen it before. In 1999 CalArts students used eBay
to auction the institute's gallery space. Last year members of the
online-activist group RTMark auctioned their passes to the Whitney
Biennial artists reception.

 For Mr. Vergne, these projects question whether an artist's
involvement adds value to items that might not otherwise have any.
"It touches the fetishism that we can have with artists," he
remarked. "Kurt Schwitters said everything artists speak is art, so
you can also say that everything artists touch becomes a piece of
art." 

 It is not easy to discern that Mr. Nguyen's eBay listings are part
of an art project. To find his items, you must go to eBay.com and
search for the seller "tgn2001." Although he annotates some
listings with personal stories, this artist, who lives in Brooklyn,
does not fully reveal what he is up to.

 But central to his work is the first item he put up for sale, the
book "Legend, Myth and Magic in the Image of the Artist," by Ernst
Kris and Otto Kurz, published by Yale University Press in 1979. The
stories attached to his listings seem true, but Mr. Nguyen said he
also was "inserting fiction to create my own mythology." As the
1,001st item, Mr. Nguyen will auction his complete list.

 If Mr. Nguyen is building his image through his eBay listings, Mr.
Freyer, a graduate student at the University of Iowa, is committed
to conveying his identity as accurately as possible. To that end,
each item is accompanied by a personal history.

 Visitors to Mr. Freyer's Web site can see clearly that this is an
art project, but eBay shoppers who unwittingly win one of the items
are apprised of his true intent when they receive his invoice.

 Mr. Freyer has yet to decide if he will divest himself of
everything, especially since eBay regulations prevent him from
offering items like his Social Security card. And like Mr. Nguyen,
he is selling immaterial possessions. 

 In December he sold his birthday party in New York to Brian
Troyer, a Web developer at an Internet company. Although they did
not know each other, Mr. Troyer now spends time with some of Mr.
Freyer's friends. "We all agree it's the best $1.25 I ever spent,"
Mr. Troyer said.

 Since Mr. Freyer started the venture late last year, he has sold
120 items for about $700, including his childhood false teeth to
the university's art museum and his winter coat to a man in
Indiana. He asks buyers to keep him apprised of his past
belongings, and hopes to visit some of them later.

 "People are the objects that surround them," Mr. Freyer said. "The
question this raises is, what happens to the goods and services
that define who you are when they are no longer yours? Is Ralph in
Indiana going to become more likely to consume canned tomatoes?"

 When the project concludes, Mr. Freyer wants to sell
AllMyLifeForSale.com. to someone who will start the project anew.

 Mr. Mandiberg, a New York artist, does not expect his project to
end. When his stuff is sold, he replaces it and adds the new items
to his online catalog. He is limiting himself to the real items in
his possession. So far he has sold about 30 things, including his
Curious George lunchbox collection and a lone black sock. His
wallet and its contents remain available for $2,500.

 Like Mr. Freyer, Mr. Mandiberg accepts that his possessions may
define him, and he says he fears losing his identity if all his
possessions are purchased. "I feel very much exposed," he said.

 As should all eBay sellers, who may now realize that the objects
they offer reveal quite a bit about them. But is it also art? Is
every bottle of perfume sold on the Web a possible Rodin? "We're
calling it art," Mr. Nguyen said, "but people do it everyday on
eBay." 
        


http://www.nytimes.com/2001/02/05/technology/05ARTS.html?ex=982383040&ei=1&en=e71505484a36b62f

/-----------------------------------------------------------------\


Visit NYTimes.com for complete access to the
most authoritative news coverage on the Web,
updated throughout the day.

Become a member today! It's free!

http://www.nytimes.com?eta


\-----------------------------------------------------------------/

HOW TO ADVERTISE
---------------------------------
For information on advertising in e-mail newsletters 
or other creative advertising opportunities with The 
New York Times on the Web, please contact Alyson 
Racer at [EMAIL PROTECTED] or visit our online media 
kit at http://www.nytimes.com/adinfo

For general information about NYTimes.com, write to 
[EMAIL PROTECTED]  

Copyright 2001 The New York Times Company


Reply via email to