The photographic act consists of entering this space of intimate
complicity, not to master it, but to play along with it and to demonstrate
that nothing has been decided yet. What cannot be said must be kept
silent. But what cannot be said can also be kept silent throught a display
of images.
The 12hr-ISBN-JPEG Project >>>> since 1994 <<<<
+ + + serial ftp://ftp.eskimo.com/u/b/bbrace
+ + + eccentric ftp://ftp.idiom.com/users/bbrace
+ + + continuous ftp://ftp.teleport.com/users/bbrace
+ + + hypermodern ftp://ftp.rdrop.com/pub/users/bbrace
+ + + imagery ftp://ftp.pacifier.com/pub/users/bbrace
News://alt.binaries.pictures.12hr ://a.b.p.fine-art.misc
Reverse Solidus: http://www.teleport.com/~bbrace/bbrace.html
http://www.eskimo.com/~bbrace/bbrace.html
Mirror: http://bbrace.laughingsquid.net/
{ brad brace } <<<< [EMAIL PROTECTED] >>>> ~finger for pgp
On Sun, 29 Apr 2001, -IID42 Kandinskij @27+ wrote:
> That's simply more nonsense.Neither "cog" nor "conductor" are meaningful
> terms of any sense, so yeah.. moving from one meaningless image to another.
>
> Nice; next.
>
> On Sun, 29 Apr 2001, { brad brace } wrote:
>
>
> > In the personal sphere new selection criteria are posed. If the industrial
> > age demanded physical (exterior) conformity in pursuit of economies of
> > scale, the information age demands interior conformity in pursuit of
> > economies of interconnection. One is componentized: rendered modular (plug
> > compatible), cleanly specified and labelled. Not a cog in a machine but a
> > conductor for the flows that will be applied. A nutrient media for the
> > contagions specified. And more. (rn)
> >
> >
> > On Sun, 29 Apr 2001, -IID42 Kandinskij @27+ wrote:
> >
> > > That is, if one remains insits on maintaining visible/solid
> > > 'appearances' w/hard-edged borders.
> > >
> > > On Sun, 29 Apr 2001, { brad brace } wrote:
> > >
> > > >
> > > > With distance evaporated control mechanisms crystallize across
> > > > supersaturated topologies. Firewalls and filters accrete at interfaces.
> > > > Homeostatic feedback mechanisms spread and merge. Regulatory metasystems
> > > > coalesce and stabilize competitive matrices. Classification and
> > > > codification schema multiply and assign everything a place.
> > > >
> > > >
> > > > On Sun, 29 Apr 2001, -IID42 Kandinskij @27+ wrote:
> > > >
> > > > > The only spin path which permits waves to collapse inward without loss of
> > > > > the information of their pattern is 3D fratal recursion... pure heart.
> > > > > This permits information density/awareness to go to infinite at zero
> > > > > point. Data set fractality= ideal compressibility= infinitely energy
> > > > > efficient sharing of information=
> > > > >
> > > > > http://www.god-emil.dk/~dua42/cxc/n00.jpg
> > > > > http://www.god-emil.dk/~dua42/cxc/n01.jpg
> > > > > http://www.god-emil.dk/~dua42/cxc/n02.jpg
> > > > >
> > > > > &t=0 &&s=0
> > > > >
> > > > > On Sun, 25 Mar 2001, { brad brace } wrote:
> > > > >
> > > > > > the 12hr image has a potential beyond language, and which might
> > > > > >
> > > > > > the 12hr image has a potential beyond language, and which might the 12hr
> > > > > > image has a potential beyond language, and which might
> > > > > >
> > > > > > affect us without needing montage, or cause and effect to
> > > > > > affect us without needing montage, or cause and effect to
> > > > > >
> > > > > > do it. the 12hr image has a potential before language controls affect us
> > > > > > without needing montage, or cause and effect to
> > > > > >
> > > > > > it. in these images, the time presented is not anchored to
> > > > > > do it. the 12hr image has a potential before language controls
> > > > > >
> > > > > > movement, and is free of cause and effect. thus the time do it. the 12hr
> > > > > > image has a potential before language controls
> > > > > >
> > > > > > represented is not linear, but instead unfolds into the
> > > > > > it. in these images, the time presented is not anchored to
> > > > > >
> > > > > > past (memory) and the future. it. in these images, the time presented is
> > > > > > not anchored to
> > > > > >
> > > > > > movement, and is free of cause and effect. thus the time
> > > > > > movement, and is free of cause and effect. thus the time
> > > > > >
> > > > > > represented is not linear, but instead unfolds into the
> > > > > >
> > > > > > past (memory) and the future.
> > > > > > represented is not linear, but instead unfolds into the
> > > > > >
> > > > > > past (memory) and the future.the 12hr image has a potential beyond
> > > > > > language, and which might
> > > > > >
> > > > > > affect us without needing montage, or cause and effect to
> > > > > >
> > > > > > do it. the 12hr image has a potential before language controls
> > > > > >
> > > > > > it. in these images, the time presented is not anchored to
> > > > > >
> > > > > > movement, and is free of cause and effect. thus the time
> > > > > >
> > > > > > represented is not linear, but instead unfolds into the
> > > > > >
> > > > > > past (memory) and the future.
> > > > > >
> > > > > >
> > > > > -
> > > > > .. .:.:~:. :.:~ .. .: ~:
> > > >
> > > > #B<> [duck, with a spike haircut and Raybans, quacking]
> > >
> > > .. .:.:~:. :.:~ .. .: ~:
> >
> >
> > '~;E [unspecified 4-legged creature]
6v) [elephant]
