>Date: Thu, 26 Jul 2001 04:36:46 +0100 >From: [EMAIL PROTECTED] (paulrobertson) >Subject: 'Kim Philby - Hotel Mars Istanbul, 1956' - a new list from Heart >Fine Art Ltd. > > >'Kim Philby - Hotel Mars Istanbul, 1956' >Uncredited b/w snapshot of the infamous British double-agent playfully >spying the Bosphorus through an empty shot glass from the Eastern >observation platform of the hotel's legendary Zinc Bar. Verso with >anonymous cyrillic inscription, which translates as: "In spite of so many >trials, my experience and the grandeur of my task convinces me that all is >well". > > > >(Antoni, Janine). >JANINE ANTONI - SLIP OF THE TONGUE. Essay by Dan Cameron. >Dublin/Glasgow: CCA/IMMA, 1995. >17.5 x 24cm. 56pp. 33 photographic illustrations. Stiff wrappers. First >edition of this catalogue-retrospective of Antoni's action-performances, >process works and installations. Issued in an edition of 2000 copies, of >which some 500 + were destroyed in a warehouse accident. A fine example. >Scarce. > >30 uk pounds > > > >Bataille, Georges. >L'ABBE C. >Paris: Minuit, 1950. >Small 8vo. 225pp. Original wrappers. First edition (after 500 subscriber's >copies on alfa) of this caustic and neo-frenetic fictional work by the >author. Minor wear to wrappers, else a very good+ example. Uncommon. > >65 uk pounds > > > >Bernstein, Michele. >TOUS LES CHEVAUX DU ROI. >Paris: Buchet/Chastel, 1960. >Small 8vo. 162pp. Printed wrappers. First edition of the author's first >novel. A 'roman a clef' of the Situationist milieu and parody of 'nouveau >roman' mannerisms. Bernstein was a founding member of the S.I. and Guy >Debord's long-time companion. A pristine copy. Uncommon. > >65 uk pounds > > > >Byars, James Lee. >A collection of 10 primary artist designed announcements + accompanying >invitation cards (many in original mailers). >Koln: Michael Werner, 1984-94. >Various formats (leaflets, posters, etc.). Dimensions vary per. Most folded >(as issued) and in original mailing envelopes. An attractive ensemble of >exhibition pieces from the latter years of Byars' enigmatic journey. >Exemplary of this exacting use of the ephemeral gesture and text as >image-signifier. All in very good to fine estate. Further details upon >request. > >185 uk pounds > > >CONTIMPORANUL. No. 63 (fourth year). Edited by Marcel Janco & Ion Vinea. >Bucharest: Nov., 1925. >Small 8vo. 8pp. Three b/w reproductions after works by Janco, M. Petrascu >& Jucarii, respectively. Original self-wrappers. Single issue of this most >important Romanian avant-garde journal of the 1920's. Co-initiated by >Marcel Janco and his long-time editorial collaborator Ion Vinea (in wake of >the former's Zurich Dada period and subsequent repatriation). >'Contimporanul' is comparable to 'De Stijl' and 'L'Esprit Nouveau', as to >its manifest. Text contributors to this number include: F. Aderca, I. >Barbu, G. Linze, Janco & Vinea, et. al. Minor browning to wrappers, minute >paper loss at verso, else a very good example of this fragile document. >Rare. > >225 uk pounds > > >(Daumal, Rene). >Grierson, F.D.. >MEURTRE EN NOIR. Traduit de l'anglais par Rene Daumal. >Paris: Librarie des Champs-Elysees, 1937. >8vo. 244pp. + adverts. Original pictorial wrappers. First edition of this >translation by the youthful Daumal of this mystery by the American >expatriate (Francis) Grierson. During this period Daumal co-founded the >para-Surrealist group 'Le Grand Jeu', and its namesake journal. Also, at >this time, he had initiated his critical Sanskrit and metaphysical studies, >which would be integral to his major prose works (ie 'Mount Analogue'). A >close to fine example. Exceedingly scarce. > >100 uk pounds > > > >DRAKABYGGET. Tidskrift for kunst mot atombomber, pavar och politiker. >No's 2-3 & 4-5 (1963-64). Edited by Jorgen Nash & Jens Jorgen Thorsen. >Copenhagen: Bauhaus Situationiste (self-published), 1963/64. >Four issues (in two vols.) Uniformly, 18 x 24cm. 98 & 96pp., respectively. >Each illustrated after detourned photographs, photo-montages and drawings >by various contributors. Each in pictorial wrappers designed by Henry >Heerup (2-3) & Hardy Strid (4-5). Two double numbers of this primary and >most luxurious journal of the Danish Bauhaus Situationiste movement, which >was established in the wake of the resignations of Jorn and Nash from the >ranks of the S.I.. Text and pictorial contributions from Jorn, Nash, M. >Bernstein, W. Haftman, S.K. Langer, Thorsen, J. de Jong, H. Michaux, >Heerup, Strid, et. al. Additionally, issue 2/3 is inscribed by Nash. Minor >wear to wrappers (both numbers), else each in very good estate. > >200 uk pounds > > >FRITSCH, KATHARINA >A collection of 11 different multiples, most from the supposed "unlimited" >editions produced by the creator of King Rat. Fritsch's designation of >reproduced or paradoic kitsch items as "unlimited" matches the original >manufactured source of the material but, in practice, the edition sizes >were quite small. High art or ornament? All scarce but rare as a >collection: >Wandvase (1980), >Madonna (1982) >Seidentuch (1982/89) >Spazierganger mit Hund (1986) >Geld (1988), >Gehirn (1987/89) >Katze (1981/89) >Gruenes Seidentuch (Green Scarf) 1982/89 >Vase mit Schiff (1987/88) >Mill/Ambulance/Toads, 1990 >Maus (1991/1998) >Dimensions and materials vary. Details on request. > >3,950 uk pounds for all (some items may be available individually - contact >for details and specific descriptions) > > > >Gegenbach, Ernest de. >L'EXPERIENCE DEMONIAQUE - racontee par Frere Colomban de Jumieges. >Paris: Minuit: 1949. >Small 8vo. 352pp. Original wrappers. First edition (after 30 large paper >copies on velin) of this epic volume by the infamous (sic) defrocked cleric >and Surrealist convert. Later, frustrated in his efforts to reconcile >Christian and Surrealist principles, Gegenbach rejected the latter. Soon >thereafter, he would characterize Breton as 'The Devil Incarnate'. A close >to fine example of this uncommon title. > >125 uk pounds > > >GILBERT and GEORGE >New Horny Pictures >Signed exhibition poster, exhibition catalogue and invitation card >London, Hoxton: White Cube, 2001 >57.5 x 42cm offset exhibition poster printed offset in orange and red with >a large black-and-white photo of Gilbert and George across the centre. The >photo on the poster has been signed in ink by both artists. Offered >together with the catalogue for their recent 'New Horny Pictures' >exhibition at the White Cube Gallery, London (29.5 x 42cm, 16pp) and >invitation card. Please note only the poster is signed. > >100 uk pounds for all > > > >(Heartfield, John). >JOHN HEARTFIELD - KRIEG IM FRIEDEN. Photomontagen zur Zeit 1930-38. Texts >by Wieland Herzfelde, Konrad Farner, et. al. >Frankfurt: Fischer, 1982. >8vo. 154pp. 83 b/w full-page illustrations reproductions of photomontages. >Glossy, pictorial wrappers. Third printing of this compact monograph, >detailing Heartfield's photomontage work during the course of the rise of >Nazism. A fine example. > >50 uk pounds > > > >Iannone, Dorothy. >DANGER IN DUSSELDORF - OR I AM NOT WHAT I SEEM. >Stuttgart: Editions Hans-Jorg Mayer, 1973. >Large 8vo. 80pp. B/w line-drawings by the artist throughout. Pictorial >wrappers designed by Iannone. First edition of this action-packed bookwork. >A characteristic narrative display, which highlights the best of Iannone's >playfully extremist tendencies. This is an A.P. copy removed from the total >edition of 200. Signed by the artist. Fine estate. Scarce. > >70 uk pounds > > > >Iannone, Dorothy. >FIRST RECORDING (1969-72). >Berlin: Weins-Laden Verlag, 1993. >L.P. cassette (90 min.) with card insert with tipped on original >photographic self-portrait. Housed in plastic case. Signed and numbered by >Iannone. First issue of these earliest soundworks by the artist. One of >only 100 examples issued signed and numbered by Iannone. As new. > >40 uk pounds > > >Hirst, Damien >HOME SWEET HOME >New York, London: Gagosian, 1986 >30cm dia porcelain plate produced by Swid Powell from a design by Hirst. A >dessert plate as a momento mori - the image is an unappetizing pile of >discarded cigarette butts as if the dish had been used as an ashtray. The >Hirst's Silk-Cut works were a pre-occupation of the YBA in the '80s. >Numbered under the glaze from an edition of 1,500, this multiple is now >keenly sought by Hirst collectors. Smokin'. Fine. > >550 uk pounds > > > >Hockney, David >Small Dogs (Stanley & Boogie) >New York: Maurice Payne, 1995 >41 x 55cm aquatint & etching on Arches watercolour. Signed & dated >by Hockney from an edition of 80 + 15 A/Ps. Ref: David Hockney Prints 1954 >- 1995 Nr. 344. Fine estate. > >3,500 uk pounds > > > >Hodgkin, Howard >BLOOD >New York: Petersburg Press,1983 >79 x 102 cm 3 colour lithograph with hand colouring in watercolor (black >wash border, pink wash ground) and gouache (a red wash ground, yellow and >crimson) on buff Velin Arches mould made paper. Printed by Perry Tymeson at >Petersburg Press Studio, New York and hand coloured by Cinda Sparling. >Inscribed 'HH 83' in pencil and numbered from the edition of 50. Ref: >Howard Hodgkin, prints 1977 to 1983, Cat. no. 41. Image on request. > >4,500 uk pounds > > > >(Jarry, Alfred). >Lot, Fernand. >ALFRED JARRY - SON OEUVRE. >Paris: NRF, 1934. >Small 8vo. 80pp. Original wrappers. First edition of this very uncommon >study by the noted scholar Lot. A very good+ copy. > >65 uk pounds > > > >(Jorn, Asger). >JORN/CUBA. Texts by Georges Limbour & Carlos Franqui. Poem by Wifredo Lam. >Torino: Edizioni d'Arte Fratelli Pozzo, 1970. >29 x 30cm. 46pp. 14 reproductions in color + 21 b/w documentary photographs >of Jorn at work. Boards. First edition of this uncommon documentation, >detailing Jorn's detournement of the Havana office of the nationalized >Banco Norte-Americano, which had been converted by the Castro regime into >'la casa de los manuscritos de la revolucion'. Jorn completed his epic >'decoration' of the walls of the bank office in January, 1968. Limbour's >French text is also present here in Spanish as translated by Antonio Saura.. >Lam's poem is an homage to Jorn. A fine example in lightly sunned card >slipcase. > >85 uk pounds > > > >(Jorn, Asger) >Weimarck, Ann-Charlotte. >NORISK ANARKISM. Asger Jorn och Projektet 10,000 ars Nordisk Folkkonst. >Kristianstad: Kalejdoskop Forlag, 1980. >Small 4to 104pp. Profusely illustrated after works by Jorn, including the >signature detourned 'tongue' photo-based images. Pictorial wrappers. First >edition of this critical work, detailing Jorn's title project, which >Weimarck contextualizes within an Anarchist/Collectivist legacy. This >example inscribed and dated by the author. A close to fine copy. > >50 uk pounds > > > >Knizak, Milan. >'KILL YOURSELF'. >Original text-drawing. 1968-1985. >21 x 30cm. Text-image in graphite, ink and watercolor. Signed and dated by >the artist. A typically ironic and strident statement by Knizak. Perhaps, >referential to the Soviet invasion of Czechoslovakia in 1968. Signed and >dated. Fine estate. Image upon request. > >400 uk pounds > > > > >Knizak, Milan. >'Untitled'. >Unique photo-collage. 1971-1985. >21 x 30cm. Composed of central duotone photographic print (portrait of the >artist) with collaged-on & hand-colored elements and surrounding 'other' >variably hand torn portrait images. Signed and dated and with holograph >legend on verso by Knizak. Mounted on card. A characteristic and >self-referential photo-based composition by the pioneering Czech Fluxus >actionist and founder of 'Aktual' in the 1960's. Assembled in 1985 from >elements dating from 1971, as Knizak's handwritten legend on the verso >states. Signed by the artist. Fine estate. Image upon request. > >425 uk pounds > > > >Knizak, Milan. >'Untitled'. >Unique photo-collage. 1971-1985. >21 x 30cm. Composed of central duotone photographic print (female nude >perched within the perimeter of a geometric sand drawing) with several >surrounding and variably hand-torn images of the same subject. Signed and >dated and with holograph legend on verso by Knizak. Mounted on card. Again, >an original piece made up of elements dating from 1971. Signed and dated, >and with holograph legend by Knizak on verso. Fine estate. Image upon >request. > >425 uk pounds > > >Knizak, Milan. >'FASHION DESIGN/FUR STRIPES'. >Original photo and text collage. 1983-85. >21 x 30cm. Holograph text in pink graphite and goauche with surrounding >collaged-on photographic elements. Signed and dated by the artist. A unique >and humorous commentary by Knizak. Signed and dated. Fine estate. Image >upon request. Scarce. > >400 uk pounds > > >Koons, Jeff >Ball-Paddle-Game >Germany: Guggenheim, 1999 >Artist's multiple. Approx.18 x 12 cm silkscreened wood, plastic and metal >children's game in die cut cardboard box. Typically a playful multiple by >the rejuvenated neo-pop funster. The game is a table-tennis-shaped bat >painted to look like Santa's Rudolph with an attached rouge-coloured ball >and a egg-cup shaped spring for a nose. The purpose of the game is to catch >the ball in Rudolph's nose and make it, thus, red. The perfect art >Christmas present if a little early in the year. Signed and numbered by the >artist from a small edition of 100. Fine estate. > >295 uk pounds net > >(unsigned, unlimited edition also available - 125 uk pounds each) > > >Koons, Jeff >Signed exhibition poster >Germany: Staatsgalerie Stuttgart, 1993 >84,5 x 60 cm, off set exhibition poster signed and dated recto by Koons >with an added drawing of a flower. Scarce. > >185 uk pounds > > > >Leiris, Michel. >CONTACTS DE CIVILISATION EN MARTINIQUE ET EN GUADELOUPE. >Paris: NRF/UNESCO, collection 'Race et Societe', 1955. >8vo. 192pp. Original wrappers. First edition of this profound monograph by >Leiris. As an envoi to UNESCO, he followed upon his long-lived >socio-anthropological interests, which he initially undertook >simultaneously with the establishment (together with Bataille, et. al.) of >the post-Surrealist 'College de Sociologie'. There is no 'du tete' or large >paper example noted per this title. A close to fine copy. Scarce. > >100 uk pounds > > >Lichtenstein, Roy >Signed exhibition poster. >Germany: Wilhelm-Hack-Museum Ludwigshafen, 1991 >86 x 59,5 cm hand signed colour offset exhibition poster. Image is "The >Melody..." Scarce. > >375 uk pounds > > > >Marien, Marcel. >QUAND L'ACIER FUT ROMPU. >Brussels: Les Levres Nues, 1957. >8vo. 154pp. Duotone photographic wrappers (Stalin being kissed by a small >girl). First edition of these polemic texts by the intrepid Belgian >Surrealist author, photo-collagist, filmmaker, editor and publisher. A >close to fine example. Scarce. > >65 uk pounds > > > >Nash, Jorgen. >GALGENFUGLEN. Et Romaneksperiment. >Copenhagen: Thaning, 1949. >8vo. 188pp. Original wrappers. First edition of this rare Cobra-period >experimental prose work by the author. Nash's numerous collaborations with >his brother (Asger Jorn) and decades-long Bauhaus Situationiste activities >have been much chronicled, and place him at the forefront of the post-WWII >Danish avant-garde. One of only 150 numbered examples. This copy inscribed >by Nash. A close to fine and partly unopened copy. > >185 uk pounds > > > >NITSCH, HERMANN >Die Architektur des O.M.Theaters, 1950 >Unique work within an edition. >Edition Freibord, Vienna, n.d. (ca. 1990) >29.7 x 21 cm original ballpoint drawing and associated text sheet signed >(in ink) and numbered by the Vienna Actionist. Both housed in original >cardboard box, From an edition of 20. Visceral. Fine in like box. > > >550 uk pounds > > >Paolozzi, Eduardo >Signed artist's postcard. >London: n.d. ca. 1990. >14.5 x 10.5cm. Art postcard signed recto by the veteran pop artist in gold >ink. Image is of "Wittgenstein in New York" from 1965. Increasingly scarce. >Fine estate. > >75 uk pounds > > > >Phillips, Peter >'Pneumatics' >Zurich: Bischofsburger Gallerie, 1968 >Porfolio of 8 lithographs, uniformly 97cm X 61 cm on museum board. In >original presentation box, each signed and numbered in pencil from an >edition of 75. A lesser known colleague of Hockney and other UK pop >artists, Phillips later moved to the US. The imagery is reminiscent of >Paolozzi in the merging of scientific and pop iconography. Fine estate. > >6,750 uk pounds > > > >Richter, Gerhard >Survey >Cologne: Walter Konig, 1998 >83 x 68 cm offset print in two colours in labelled mailing tube. Unsigned, >unnumbered edition of 1,000. Richter's choice of influencial artists, >philosophers and writers, composers and architects are placed against a >typographic timeline allows a reading of his subjective view of their >relative importance (by their inclusion in the 'survey'). Richter includes >his own name in the listing. Fine. > >50 uk pounds > > >Richter, Gerhard >Onkel Rudi (Uncle Rudi) >Germany: 2000 >87 x 50cm cibachrome print mounted on 96 x 58cm diabond and framed. >Richter's blurred, appropriated photograph of his smiling uncle in >Wehrmacht uniform reminds the viewer of the human nature of those who >voluntarily took part in the Nazi war and the uncomfortable insight, that >for their families, they were not monsters. Signed and numbered from 80. >Fine. > > >8,500 uk pounds > > >Schlicter, Rudolf. >RUDOLF SCHLICTER 1890-1955. Texts by Gabriele Horn, Karl-Ludwig Hofmann, >et. al. >Berlin: Staatliche Kunsthalle Berlin, 1984. >21 x 30cm. 246pp. 188 reproductions of works by Schlicter (54 of which are >full-page and in color). Wrappers. First edition of this superior >monograph, detailing Schlicter's oeuvre; from the violent tableaux of the >1920's (recalling those of his contemporary Otto Dix) to the meticulous >works of the new objectivity+. A fine copy. > >50 uk pounds > > > >Serra, Richard >Signed exhibition announcement with small sketch. >Dortmund, Germany: Der Dortmunder Kunstverein, 1990. >21 x 99cm. Single 2pp invitation sheet printed in b/w. Signed by the artist >recto in felt tip pen with a small sketch of a typical Serra construction >added by the artist- still oppressive even in outline. Fine estate. > >65 uk pounds > > > >Shiomi, Mieko. >AN INCIDENTAL STORY OF THE DAY OF A SOLAR ECLIPSE - 1, 2, 3. >Berlin: Hundertmark, 1998. >LP cassette (51 min.) with card insert. Housed in plastic case. Signed and >numbered by the artist. First issue of this soundwork-multiple by the >ingenious Fluxus artist. An amalgam of spoken narration, piano, object and >vocal effects. The performance is inherently keyed by the letters that make >up the title. One of 400 examples signed and numbered by Shiomi. As new. > >45 uk pounds > > > >(Situationist tract). >Vaneigem, Raoul. >DAS ELEND DER STUDENTEN UND DER BEGINN EINER EPOCH. >Dusseldorf: Projecktgruppe, Sept., 1970. >Small 8vo. 40pp. Stapled wrappers. First German language edition of this >crucial Situationist testament by Vaneigem. Translator not noted. A close >to fine copy of this uncommon document. > >80 uk pounds > > >Soupault, Philippe. >BRATRI DURANDEAU. >Prague: Odeon, 1926. >Small 8vo. 112pp. Typography by Karel Teige. Pictorial wrappers. First >Czech edition of this Surrealist-period prose work by Soupault. Some slight >damp staining to front wrapper, else a solid example. Uncommon. > >185 uk pounds > > >Stockhausen, Karlheinz. >ZEITMASSE NO.5 - Fur Funf Holzblaser. >Wein: Universal Edition, 1957. >22 x 30.5cm. 77pp. Printed wrappers. First edition. The original score for >this keynote opus by the innovative composer. Tri-lingual. Issued as U.E. >12697. Slight wear at spine, else a very good+ example. Scarce. > >60 uk pounds > > > >Stockhausen, Karlheinz. >KREUZSPEIL. >London: Universal Edition, 1960. 22 x 30.5cm. 32pp. Printed wrappers. First >edition of this complete score by the composer. Issued as U.E. 13117. Minor >wear at spine, else a very good+ example. Scarce. > >50 uk pounds > >Other Stockhausen items available from Heart Fine Art Ltd. Contact for >details. > > >Sugimoto, Hiroshi >In Praise of Shadows >Kitakyushu, Japan: Center for Contemporary Art, CCA Kitakyushu and Korinsha >Press & Co., Ltd. 1999. >21.6 x16cm, 50pp + (40) artists book. First edition. Illustrated fine matt >paper-covered boards (with a color image of a burning candle on the front >cover), in a spiral binding, in a printed matt black stiff paper slipcase >with silver lettering. 800 unnumbered copies were produced but due to a >financial crisis at the company almost half the edition was later recalled >making this a hard to find and hugely desirable artist's book. The content >is typically minimalist, replicating various photographs of bright candle >flames, with 20 b/w plates reproduced on acetate (with white cards in >between acetate reproductions) in such a way that when held up to the light >the brilliance of the original flame is returned to life in the photograph. >Fold out is a two-page full colour, gatefold reproduction of the exhibition >installation. Scarce. Fine estate. > >145 uk pounds > > >Sugimoto, Hiroshi >Hiroshi Sugimoto >Chiba, Japan: Chiba City Museum of Art, 1996. >18 x13 cm, 54pp + boards exhibition catalogue. First edition. 17 b/w >illustrations. Essay by Norihiro Kato. Text in Japanese and English. >Reproduces Sugimoto's Seascape photographs. Biography of the artist and >bibliography (latter in Japanese only). Listed in The Hara Museum book this >is an often sought-after catalogue of some of Sugimato's most >uncompromising but stunning work. Uncommon. Fine estate. > >75 uk pounds > > > >(Surrealist periodical). >LA TERRE N'EST PAS UNE VALLEE DE LARMES. >Unique issue. Edited by Marcel Marien. Brussels: Editions La Boetie, Feb., >1945. >14 x 22cm. 60 (+4)pp. B/w illustrations by Oscar Dominguez, Rene Magritte, >Pablo Picasso, Charles Pry & Raoul Ubac. Original wrappers. The sole number >issued of this anthological journal as edited by Marien. This was the first >post-WWII Belgian Surrealist publication. Composed of text contributions by >contemporary adherents Noel Arnaud, Andre Breton, Paul Colinet, Chritien >Dotremont, Xavier Forneret, Irene Hamoir, Marien, Paul Nouge (a rewrite of >a Baudelaire text), Henri Parisot, Louis Scutenaire, those of the recent >past, such as Rene Char, Paul Eluard and Raymond Queneau + precursors: >Arthur Cravan & Lewis Carroll. Images by Dominguez, Magritte, Picasso, Pry >and Ubac. One of 1500 examples issued. Typical browning (owing to cheap >wartime stock), else a very good example of this uncommon document. > >135 uk pounds > > > >Trost, Dolfi. >LIBREMENT MECANIQUE. >Paris: Arcanes, 1955. >18 x 23cm. 60 (+8)pp. Original wrappers. First edition of this important >theoretical work by the emigre Romanian Surrealist artist. A very good+ >example. Scarce. > >75 uk pounds > > > >Tzara, Tristan. >PRIMELE POEME. Urmate de Insurectia dela Zurich. Edited and with an >introduction by Sasa (Sacha) Pana. >Bucharest: Editura Unu, 1934. >8vo. 49pp. Original wrappers. The illusive first edition of these youthful >and pre-Zurich Dada poems by Tzara (dating from 1914-15). One of only 230 >numbered copies issued (preceded by a 'du tete' of 13). Former owner's ink >name at half-title, minor underscoring in pencil on two pages, else a very >good example. Rare. > >500 uk pounds > > > >UNU. Avantgarde Literara. No. 42. (fifth year). Edited by Sasa (Sacha) Pana >& Moldov. >Bucharest: Editura Unu, 1932. >24 x 32.5cm. 8pp. Three b/w reproductions, two of which are after paintings >by T. Zarnescuy. Stapled, original self-wrappers. Single number of this >primary organ of transitional Dadaist and doctrinaire Surrealist tendencies >in Romania, as founded by the poet Pana. Essaic and poetic contributions >from: G.H. Dinu, F. Corsa, S. Roll, Pana, et. al. Slight browning and very >minimal fraying to verso, else a very good example of an ephemeral journal, >of which all issues have become extremely rare. > >225 uk pounds > > > >(Wolfli, Adolf). >Spoerri, Theodore. >PSYCHOPATHOLOGIE DE L'EXPRESSION - LA MONDE IMAGE D'ADOLF WOLFLI. >Np: Un Collection Iconographie Internationale, 1964. >23 x 31.8cm. 30 unbound leaves (12 of which are double-page color >reproductions of works by Wolfli). Laid into publisher's yapped folder. >First edition of this uncommon study of the intrepid Swiss raw artist. All >contents fine in somewhat worn folder. > >60 uk pounds > > >(Wolfli, Adolf). >Morgenthaler, Prof. Dr. Walter. >ADOLF WOLFLI. Traduction et preface de Henri-Pol Bouche. >Paris: L'Art Brut, 1979. >Small 4to. 153pp. 76 reproductions (5 in color) after works by Wolfli. >Calligraphic wrappers. Second issue (initially published as 'Art Brut' 2, >1964) of this groundbreaking study of the institutionalized Wolfli's >fascinating oeuvre, as authored by his psychiatrist. A fine copy. > >75 uk pounds > > >Suggested listening: T. Rex 'Think Zinc'. > > >If you wish this list can be provided in other formats including MS Word, >Quark Xpress, pdf file or by ISDN or, sometimes, fax or printed copy. > >Please let us know if you wish to be removed from our mailing list or if >you experience any problems with this email. > >Thank you > >Paul Robertson >HEART FINE ART LTD >1 Royal Mile Mansions >50 North Bridge >Edinburgh >EH1 1QN >Scotland, United Kingdom > >Tel/fax 0044 131 225 8217 > >http://www.heartfineart.com > >Payment terms: > >Payment by VISA / MASTERCARD (5% surcharge), IMO or personal/business UK >clearing bank cheque (clearance required before dispatch of items). > >Direct bank transfer to >"Heart Fine Art Ltd."; Account number: 10501877; UK Sort code: 82-63-00. > >Prices of all items excluding shipping, insurance, taxes / duty and bank >fees. Payment terms by negotiation. Institutions will be invoiced on >receipt of fully authorised and confirmed purchase order. > >Photographs of most items available by email by return if requested. > >Detailed provenance history available for unique items. > >Please note prices subject to change without due notice. While we will >endeavour to keep prices stable for items outlined above sometimes changes >in, for example, exchange rates mean that prices have to be altered. If >changes are required than we will notify you at the time of any enquiry. > >O. &. O. E. > > A WORD ABOUT SECURITY: Although there is a widespread belief that it is >risky to email your credit card number, in truth actual instances of credit >card numbers being intercepted and being used for fraudulant purposes are >rare. While it is possible to do it, it is somewhat difficult and there >are many other much easier low-tech ways to get a person's credit card >number. Let's face it - in whatever circumstances a credit card is used, >there is a potential for fraud on both sides. But considering how often you >present your card to a stranger, how often does it happen? Even so, what >many people do for extra safety is send half the numbers in one message, >the balance in another. Others spell out the numbers rather than using >digits. Still others simply remove the spaces between the groups of numbers >on the card or irregularly space out the numbers into groups of 5, 3, 2 >etc. And if you are still worried about sending your credit card number >over the web then why not just fax us! > >************* > >If you wish this list can be provided in other formats including MS Word, >Quark Xpress, pdf file or by ISDN or, sometimes, fax or printed copy. > >Please let us know if you wish to be removed from our mailing list >([EMAIL PROTECTED]) or if you experience any problems with this >email. > >When unsubscribing please copy the entire email heading back to us - >sometimes replies asking to be unsubscribed come from a different email >address than that we send to - thus making it impossible to identify which >email address to thus unsubscribe. If you send the heading then we can make >sure that we don't bother you again. > >Thank you > >Paul Robertson >HEART FINE ART LTD >1 Royal Mile Mansions >50 North Bridge >Edinburgh >EH1 1QN >Scotland, United Kingdom > >Tel/fax 0044 131 225 8217 > > >Payment terms: > >Payment by VISA / MASTERCARD (5% surcharge), IMO or personal/business UK >clearing bank cheque (clearance required before dispatch of items). > >Direct bank transfer to >"Heart Fine Art Ltd."; Account number: 10501877; UK Sort code: 82-63-00. > >Prices of all items excluding shipping, insurance, taxes / duty and bank >fees. Payment terms by negotiation. Institutions will be invoiced on >receipt of fully authorised and confirmed purchase order. > >Photographs of most items available by email by return if requested. > >Detailed provenance history available for unique items. All items subject >to availability. > >Please note prices subject to change without due notice. While we will >endeavour to keep prices stable for items outlined above sometimes changes >in, for example, exchange rates mean that prices have to be altered. If >changes are required than we will notify you at the time of any enquiry. > >O. &. O. E. > > >http://www.heartfineart.com > >************************************** > >Items sought > >We are currently seeking the following: Warhol Marilyn (FS II.24) 1967; >Birth of Venus 1984 Portfolio (II.316 - II.319); and a Mao Portfolio 1972 >(II.90 - II.99). Also the following Hockney prints: Self Portrait 1954; >Chip Shop, 1954; Le Parc des Sources, Vichy 1970; Marguerites 1973; >Godetia, 1973; Artist and Model 1974; Invented man revealing still life >1975; Two Dancers, 1980; Conversation in the Studio, 1984. Also Gilbert and >George Art & Project Bulletin Nr 20. All condition and price dependent. >Please get in touch if you can help. We are always interested in >consignments to our list.
