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State Changes in Alien Archaeologists
(little jokes for big minds or big jokes for little
minds)
A frosty areola of Cesium
123 moats the canopic observatory where Optics Pierce "ethicks" his
interpretant's gaze.
The most precise clocks
travel in herds, their agile perimeters patrolled by free-floating satellites of
aeolian chime which realized as dynamic machinic diagrams mark the mass-flow of
linear estrangements with their generative modulations.
Travel by linked cookie
forms an irruptive counterforce to body copies caught in rogue buffers. The
loose association of the aggregate bands becomes more ritualized as alienation
becomes interpretation's primary motor-force.
Totem sets mark out
virtual territories whose internal cohesion dissipates through each permutation
cycle. These depleted cascades have translated energy potentials.
From Orphic
Surrealism to Cyberiad, the operators find their mimetic patterns in the midst
of powerful relic sieves whose output vectors rely on associative
completions.
Rank and file
routines loiter in parasitic Metis-sorts occluding the articulation paths of
near-actualized vacuum. A site definiton will flash-freeze this arrangement as
in post-semantic morphology or as a phylumetric somniloquotient.
Once the
decaying communication enters the viewing channel, its virtual state-change
response codes synch to substrate defect arrays. Under objective analysis, a
projective frisson may occur. This is also known as "Aesthetic Propulsion." As
the embedded wavelet vehicle proceeds to alter the informatic substrate, new
artifacting occurs, ionizing meme units across the hylosphere until unity is
ghosted, as a
"birthing through noise."
Gorgon draws
brown bones under the subject lit by hero's light. White teeth rotate,
axle-nerves stretch to memory's conclusion.
With Yeti and Yaksa King,
the mirrored autonomy of word looks down its nose to history or physiognomy
which mate time and again, mate with unknown materials.
The repetition of jawbone
in stone appears as a petroglyph series whose terminus signature is an
isomorphic iconism of submerged functions.
Wait for me at the
bridge. I will deliver the product as a "dramatic production." Example: 40 ton
stone toroid rolls into traffic. Massive inertia achieved in its launch. Be sure
to have an escape route; laughter, suicide, concealed helium-tank for
thigh-bladders, a staircase of larval projects off to the
side. |
