Wonderful, just tell me soon enough if it's confirmed, so that I can book a place for you. If you need informations about hotels, get in touch with me off list. Bests, Bertrand
> > dear ones, i'm planning to come... i asked for a permit at work and it seems > i'll be there!!!! > > > *************************** > BIBIANA PADILLA MALTOS > AVTEXTFEST general coordinator > Paseo de Vista Hermosa #625 > Mexicali, B.C., 21240 > MEXICO > 233 Paulin Ave. PMB. 7263 > Calexico, Ca., 92231-2646 > U.S.A. > > > > > > ----Original Message Follows---- > From: "Bertrand CLAVEZ" <[EMAIL PROTECTED]> > Reply-To: [EMAIL PROTECTED] > To: <[EMAIL PROTECTED]> > Subject: FLUXLIST: Fluxus Symposium > Date: Tue, 29 Oct 2002 00:28:06 +0100 > > Dear Fluxlisters, > > (I hope some of you will be able to come, but don't forget to e-mail me > before, in order to book a place for you) > > "40 years of Fluxus: The Time At Work(s)" is a symposium dedicated to > ...Fluxus that is planned in Paris, the 21&22 november 2002 organised by 4T > FluXuS, the Pierre Francastel Research Center, the French National > Intstitute for History of Art, and the National High School of > Telecommunication. > You can find all the informations on the website: www.4t.fluxus.net > but please find the english version of the program here: > > > > THURSDAY MORNING. 21ST OF NOVEMBER 2002 > > 1. working time, works in time > As a mainly performative art, denying the forms of the permanence linked to > the f�tichisation, Fluxus has, since its very first moments, explored the > complete range of the ephemeral, even through the indeterminacy. Thus, from > the shortest to the longest, until the boundaries of the bearable even, the > time seems to be the very material of Fluxus, which we were already warned, > by the numerous process of the recordings of actions. > This first sequence will be dedicated to the questions of temporality within > Fluxus works: duration, references, inscription, recording, writing, > interpretation etc. > > Pr. Hannah B. HIGGINS, University of Illinois, USA > "Fluxus and the art of Memory (Historic, Experimential, Personal)" > > Pr. Owen SMITH, Maine University Art Dept., USA > "Fluxus: Thinking about Time, Marking Time and Playing with Time" > > Jean-Yves BOSSEUR, Dir. de recherches au CNRS, Universit� de Paris IV, > France > "Fluxus et la temporalit� musicale" > > Jean-Claude MOINEAU, Th�oricien, Ma�tre de conf�rences, universit� de Paris > VIII, France > "Fluxus : une critique artiste de l'art" > > THURSDAY AFTERNOON. 21st OF NOVEMBER 2002 > 2. works of those times. > How could have Fluxus work with time, without getting involved in its time, > i.e. its political moment also ? The flames between Henry Flynt, George > Maciunas, and the others artists show this engagement, as does the Great > Bear Pamphlets of Dick Higgins, and as does the implication of many artists > in the modification of the world they were living in. > This sequence will examines this particular aspect of the art and life > mingling, which means also the comprehension of political, economical, > ideological situation by the artists, in order to transform it, by the > ordinary means of the activism, but also by individual acts that have > contribute to shape our contemporary world. > > > Ben PATTERSON, Artiste Fluxus, Wiesbaden > "Time and Consequences: or, the Miracle of Fluxus. How It Saved the World!" > > Vytautas LANDSBERGIS, Artiste Fluxus, Ex-pr�sident de la Lituanie > "Contacts and Perception of Fluxus in Lithuania Beyond the Iron Curtain and > Under Soviet Captive Mind System" > > Kristine STILES, Ma�tre assistant en Art, Duke University, USA. > "Around The Edges: Fluxus and Anomaly, Sky, Sex, and Psi" > > Esther FERRER, Artiste du groupe Zaj, Espagne > "Performer sous Franco, de l'�rosion de l'�ternel par l'�ph�m�re" > > FRIDAY MORNING. 22nd OF NOVEMBER 2002 > > 3. Collecting, selling, exhibiting Fluxus : market time as time goes by. > There is a kind of paradox when one tries to think Fluxus through its > material objects, but there are Fluxus artists, art sellers, collectors, > curators, exhibitions, and works into collections (private or public) etc. > This statement, a kind of principle of reality, has to be thought by > scholars, in order to reevaluate Fluxus regarding its realizations too, and > not only regarding its intentions. What can one buy in Fluxus? How can one > make a choice in establishing a collection? Under what historical > positioning? How can an event be sellable? What to place in the museum? All > those questions will be asked to the actors of such a specific art market. > > > > Caterina GUALCO, Galeriste de Fluxus, Italie > "Le march� de l'anti-march�, ou le miracle permanent du marchand de Fluxus" > > Francesco CONZ, Collectionneur Fluxus, Italie > "Un collectionneur d�vot (f�tichiste par excellence) a-t-il le droit de son > vivant de vendre sa collection?" > > Michel GIROUD, critique, th�oricien et �diteur, professeur aux Beaux Arts de > Besan�on > "Editer Fluxus en France, de Canal aux Presses du R�el" > > Bernard BLISTENE, Conservateur-chef du patrimoine, Inspecteur � la cr�ation > "Exposer Fluxus, autour de l'exp�rience d'une exposition � Marseille en > 1995" > > FRIDAY AFTERNOON . 22nd OF NOVEMBER 2002. > > 4. The works in the walk of time. > Forty years later, what remains of Fluxus? So many times buried, Fluxus is > born again and again as the phoenix from its ash, becoming though the > longest movement in the history of the Avant-garde by remaining always fluid > to avoid its historicisation, and thus its disappearing as living art > movement. This sequence will examine the questions risen by the writing of > Fluxus history, as much as the significance of such a celebration, > considering the fact that they have been established by the artists > themselves as soon as 1972. > > Ren� BLOCK, Critique, collectionneur, directeur du Kunstverein de Kassel, > Commissaire des 40 ans Fluxus a Wiesbaden, Allemagne. > "40 ans de Fluxus, notes sur l'exposition de Wiesbaden 2002" > > Charles DREYFUS, Artiste performeur, France > "Moussaillon intempestif de l'art, l'agitateur Fluxus sous toutes ses > non-formes, dont celle de la r�alit� du non-art � travers sa courte > histoire" > > Bertrand CLAVEZ, Doctorant en Histoire de l'Art Contemporain, France. > "Ecrire l'histoire de Fluxus : un enjeu artistique" > > Ken FRIEDMAN, artiste Fluxus, professor of Leadership and Strategic Design, > Norwegian School of Design, Oslo. > "Theorizing Fluxus" > > PRICES (for the two days): > student: 5 Euros > individual: 8 Euros > Institutions: 15 Euros > > Lists of hotels etc. enable by e-mail > > > _________________________________________________________________ > Protect your PC - get McAfee.com VirusScan Online > http://clinic.mcafee.com/clinic/ibuy/campaign.asp?cid=3963 >
