>
from distributor of CSR in Poland
http://free.art.pl/astipalea_project
>
> We are pleased to announce the latest CREATIVE SOURCES
> RECORDINGS releases:
>
>
> Cesura
> creative sources 008 (lisboa/portugal)
> http://www.geocities.com/creativesources_rec/cs008.html
>
>
> featuring
> Ernesto Rodrigues {viola}
> Alfredo Costa Monteiro {accordion}
> Guilherme Rodrigues {cello, pocket trumpet}
> Margarida Garcia {electric double bass}
>
> ... [c s r] 06'42
> ... [es a] 06'03
> ... [e ur] 08'44
> ... [ce u a] 21'31
>
>
> recording joel conde at tcha tcha tcha studio, lisbon,
> 26/07/2003, masterin
> g
> ernesto rodrigues and carlos santos.
>
> Imagine a blank surface. Now think how it would look if you
cut
> with a knif
> e
> some traces and little holes on it. You have a visual texture
> now, somethin
> g
> to see but at the same time something that reminds you of the
> nothingness o
> f
> the surface. That's exactly that what Ernesto Rodrigues,
Alfredo
> Costa
> Monteiro, Guilherme Rodrigues and Margarida Garcia do with
> silence. Their
> knives are sounds - the "incognito" sounds that a conventional
> musical
> instrument can produce, even if it's impossible to notate
them -
> and what
> they do is textures. Maybe you don't want to call painting a
> texture made
> with a knife (or maybe you do), and this quartet is
indifferent
> to the doub
> t
> if this is or isn't music. The question isn't really
important,
> and you mus
> t
> know by now that there's an imense artistic territory to
explore
> before
> music and after music - music is only one way to do... well,
> let's call it
> music. Ernesto says, amused, that �Cesura� (one of the
> Portuguese words
> to
> say "cut") is his less musical work. Amused, certainly, but
with
> the
> subversive feeling of someone carrying a knife in the hand.
(Rui
> Eduardo
> Paes)
>
>
> ERNESTO RODRIGUES (*1959 in Lisbon, Portugal)
>
> Improviser, composer - violin, viola, electronics.
> He has been playing the violin for 20 years and in that time
has
> played all
> genres of music ranging from contemporary music to free jazz
and
> improvised
> music, live and in the studio.
> His main interest shifted towards contemporary improvised and
> composed
> music, as well as indeterminate and graphic scores by Gerhard
> St�bler.
> Studies with contemporary composer Emmanuel Nunes.
> The relationship with his instruments is focused in sonic and
> textural
> elements.
> Electronic music was an early influence on his approach to
> violin playing,
> which challenges traditional romantic concepts of the
> violin/viola through
> use of preparations and micro tuning.
> Has created music for films, dance, performance, video, etc.
> Active in different settings on the Portuguese scene for free
> improvised
> music, both as a collaborator and in leading his own groups
> including many
> important and creative musicians such as Lawrence
Ferlinghetti,
> Nuno Rebelo
> ,
> Carlos Bechegas, Vera Mantero, Jeffrey Morgan, Margarida
Garcia,
> Manuel
> Mota, Ulrich Mitzlaff, Alfredo Costa Monteiro, Gianni Gebbia,
> Gabriel Paiuk
> ,
> Gehrard Uebele, Nicolas Field, Jaime Fennelly, Blaise Siwula,
> etc.
> Has also worked with contemporary dancers like Ana Galan,
Isabel
> Valverde,
> M�rio Calixto, Anna P�zstor, etc.
> Has performed at festivals all over Europe.
> Has created the record label Creative Sources Recordings in
> 1999, which
> mainly concentrates on releasing experimental and electro-
> acoustic music.
>
>
> ALFREDO COSTA MONTEIRO (*1964 in Porto, Portugal)
>
> He lives and works in Barcelona since 1992.
> He plays accordion and electric guitar. In 1992, he finishes
his
> studies at
> the Fine Art School of Paris, where he gets his degree in
> sculpture/multimedia. Apart of his work as a visual artist, he
> starts to
> become involved in improvised music from 1995. Since then, his
> work stands
> somewhere between visual arts, visual poetry and sound. Since
> 1998, he is
> member of 22a, an independent collective for contemporary art.
> Since 1995, he has worked with the following musicians (among
> others):
> Peter Kowald, David Chiesa, Isabelle Duthoit, Rhodri Davies,
> Mark Wastell,
> Taku Unami, Manuel Mota, Margarida Garcia, Martine
Altenburger,
> Matt Davis,
> Burkhard Beins, Giuseppe Ielasi, Masahiko Okura, Phil Durrant,
> Wade
> Matthews, Masafumi EzakiŠ
> He is also member of IBA col.lectiu de m�sica y dansa
> improvisades and
> co-organizer of IMPROVISA, festival internacional de m�sica y
> dansa
> improvisades de Barcelona.
>
>
> GUILHERME RODRIGUES (* 1988 in Lisbon, Portugal)
>
> Cello and pocket trumpet player with public activity since
1997.
> Develops in both instruments a non conventional language
> resorting to
> preparations and textural forms.
> Workshops with Jeffrey Morgan, Eugene Chadbourne, Ken Filliano
> and Jason
> Kahn. Has performed in Europe.
> Collaborations:
> Ernesto Rodrigues, Jos� Oliveira, Marco Franco, Gabriel Paiuk,
> Rodrigo
> Amado, Jeffrey Morgan, Manuel Mota, Margarida Garcia, Gregg
> Moore, Alfredo
> Costa Monteiro, Gerhard Uebele, Jaime Fennelly, Nicolas Field,
> Blaise
> Siwula, etc.
>
>
> MARGARIDA GARCIA. (*1977 in Lisbon, Portugal).
> Doublebass player. Public activity since 1998; since then
> collaborates
> regularly with Manuel Mota and Sei Miguel.
> Funds the record label Thin Ice.
> Selection of some other collaborations: Barry Weisblat, Toshio
> Kajiwara,
> Phill Niblock, Fred Lomberg-Holm, Ferran Fages, Alfredo Costa
> Monteiro, Rut
> h
> Barber�n, Mattin, Anthony Guerra, Michael Rodgers, Takehiro
> Nishide, Mark
> Wastell, Rohdri Davies e Eddie Pr�vost, and with artists from
> other field
> s
> like video, installation and dance.
>
>
>
>
_________________________________________________________________
> __________
> _
>
>
>
>
> No Furniture
> (silver album)
> creative sources 009 (lisboa/portugal)
> http://www.geocities.com/creativesources_rec/cs009.html
>
>
> featuring
> Boris Baltschun {sampler}
> Axel D�rner {computer, trumpet}
> Kai Fagaschinski {clarinet}
>
> ... [symbol chair] 12'47
> ... [symbol table] 16'36
> ... [symbol bed] 16'07
>
> recorded, mixed & mastered by baltschun/d�rner/fagaschinski
> between novem
> ber
> 2002 and october 2003 in berlin.
>
>
> Boris Baltschun, Axel D�rner and Kai Fagaschinski are working
> together as
> no
> furniture since early 2001. Later that same year the trio had
> it's concert
> premiere in Berlin, taking place at the legendary raumschiff
> zitrone (engl.
> :
> lemon spaceship).
> The trumpet�s and clarinet�s focus lies on producing synthetic
> sound
> qualitites while the electronics are working with a physical
> impulse. Since
> the music of no furniture uses a wide range of dynamics and
> frequenicies
> it�s main character could be described as contrasty.
> The next project of no furniture is a purely acoustic setting:
> accordeon,
> clarinet and trumpet. It�s scheduled to be published in form
of
> a second
> CD
> in summer 2005.
>
>
> BORIS BALTSCHUN (*1974 in Hansestadt Bremen, Germany)
> works mainly in the field of sampling: improvising, composing
> and building
> sound installations employing the technique of sampling.
> Duo �shevadnaze� (with Serge Baghdassarians). Works also
> regularly with
> Guenther Christmann, Burkhard Beins , Dror Feiler and others.
> Concerts and installations in restaurants, galleries, clubs,
> opera-houses,
> bars, theatres, bookstores, union-houses, churches, record-
> stores,
> movie-theatres , apartments and just outside in Europe and the
> USA.
> One CD with �mal d'archive� (long), one with �shevadnaze�
> (short).
> Lives in Berlin.
>
> AXEL DOERNER (* 1964 in Cologne)
> studied piano and trumpet (with Malte Burba) at the
> Musikhochschule Cologne
> .
> Moved to Berlin in 1994. He has worked together with numerous
> internationally respected figures in the fields of improvised
> music, new
> music and jazz. He has developed a totally unique style of
> trumpet playing
> based in part on unusual, often self-invented techniques. He
has
> toured in
> Europe, USA, Australia, Japan and appeared on numerous CD and
> record
> releases, for example: �Barcelona Series� with Sven-Ake
> Johansson & And
> rea
> Neumann (Hathut), �Axel Doerner/Keven Drumm� (Erstwhile
> records), solo:
> �Trumpet� (a bruit secret), �phosphor� (Potlatch)
> [more infos:
> http://www.shef.ac.uk/misc/rec/ps/efi/musician/mdorner.html]
>
> KAI FAGASCHINSKI (*1974 in Dannenberg/Elbe, Germany)
> focuses on the subtle musicality of noise phenomena. His music
> is abstract
> including an insidious expressivity and a pre-melodic quality.
> Working method combines composition, improvisation and
> conceptualism.
> Preference is for extended working collaborations and musical
> discussions i
> n
> constant ensembles.
> Currently projects include �rebecca� (w/ Michael Renkel,
> guitar), the
> �Kommando Raumschiff Zitrone� (w/ Christof Kurzmann, laptop)
and
> �Kal
> kuel &
> Leidenschaft� (w/ Nicholas Bussmann, cello and Joe Williamson,
> double bas
> s).
> Published recordings are two solo works for �Berlin Reeds�
> (2003,
> absinthRecords/ Berlin) and �rebecca [two variations]� (2003,
> Charhizma
> records/ Vienna)
> Since 1996, Kai has lived and worked in Berlin. Since 2000,
he
> is commande
> r
> of Raumschiff Zitrone (venue for experimental music in Berlin-
> Prenzlauer
> Berg).
>
>
>
>
> To find out more, hear a sample, and even buy a copy, go to:
> http://www.geocities.com/creativesources_rec/index.html
>
>
>
in Poland e-mail Mr Hubert Napiorski
[EMAIL PROTECTED] --
_______________________________________________
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