Hi all,

There is a new release of Malcolm Goldstein available in october on the
french label "in situ". The name of the album is "Hardscrabble Songs"...
There are 5 pieces : "My feet is tired but my soul is rested"; "Soundings";
"Hardscrabble Songs"; "Where are we going when we're standing still, looking
backwards ?!" and ''A New Song of many faces for In These Times" ...
Malcolm Goldstein, composer and violinist, has been active in the
presentation of new music and dance since the early 1960's in New York City,
as co-founder and co-director of the Tone Roads Ensemble (with Philip Corner
and James Tenney), and as participant in the Judson Dance Theater, the New
York Festival of the Avant-Garde and the Experimental Intermedia Foundation.
Since then he has toured extensively throughout North America and Europe,
presenting solo violin concerts and performing with numerous new music and
dance ensembles. His music has been presented at various festivals such as :
New Music America, Inventionen (Berlin), Prix Ars Acustica (Westdeutscher
Rundfunk), Wittener Tage f�r Neue Kammermusik, Pro Musica Nova (Bremen),
TonArt (Bern) and Sound Culture (Tokyo) ; in collaboration with the
Hessischer Rundfunk Ensemble f�r Neue Musik, L'art pour l'art, Essential
Music, the New Performance Group (Cornish Institute) and others. He has
worked with John Cage on several occasions, with the Merce Cunningham Dance
Company, as director of the HR Festival f�r Neue Musik, and he participated
in the ''John Cage Anarchic Harmony Festival'' (Frankfurt, 1992).
Actually, Malcolm Goldstein is on tour in France, he played for "Le CRIME"
the october 20 at "La Malterie" (42 rue Kuhlman 59800 Lille); played at the
festival ''Densit�s'' (p�le culturel de Fresnes en Wo�vre)  the october 22.
http://www.vudunoeuf.asso.fr/ ; played in Paris the october 24 at "Studio
Campus" (12 bis, rue Froment, 75011 Paris) and he created a piece "Sounding
the fragility of live" for the exhibition intitled "Listening'' at the
Center Pompidou during december in Paris.

all the best,

Th�o Jarrier.



Reply via email to