Dilemmas of Creative Children
Khalid Sohail

While reading the biographies of creative personalities, I became aware that
many of them had great difficulties coping with the traditional families and
school systems in their childhood.

Creative children, because of their unconventional thinking and
nontraditional attitude, felt quite frustrated with the institutional
setting of the schools. They wanted an environment where they could be
spontaneous, express their creativity and explore their potential. They felt
suffocated in the traditional systems. The more the schools were controlling
and regimented, the more they felt their wings being clipped. Some of those
creative children endured and tolerated those restrictive environments while
others challenged their authorities and rebelled, and in many cases were
subsequently rejected and expelled from those institutions, or withdrew in
their own private worlds to keep peace.

Many traditional parents and teachers also experienced great difficulties
coping with their creative children. Some of them felt so disappointed that
they finally gave up and felt guilty as parents. It was only years or
decades later when those children became successful adults and were well
respected in their fields whether as scientists or artists, poets or
philosophers, musicians or mystics, reformers or revolutionaries, that their
teachers, parents and families appreciated their talent and worth.

I strongly believe that parents and teachers need to be sensitive to the
creative needs of all children and especially of those who have creative
personalities. These children prefer to follow the trails of their hearts
rather than the highways of tradition. If their creative efforts are
supported, encouraged and appreciated, then those trails become the highways
for the next generation. In my clinical practice as a psychotherapist, I
encourage parents and families to feel proud, rather than embarrassed, of
their creative children who challenge the traditional norms, and water the
creative plants of their struggles so that one day they can enjoy their
creative fruits.

During my studies I came across a number of creative personalities who found
themselves in conflict with their traditional educational institutions and
were misunderstood by their traditional parents and teachers. I will quote
three examples here to highlight my point: one of a well-respected mystic
poet Walt Whitman and the other two of world famous scientists, Charles
Darwin and Albert Einstein.

In my book From Islam to Secular Humanism…A Philosophical Journey, I
discussed the creative and mystic personalities of poets and mystics and
discussed the life story of Walt Whitman in these words,

“ When we study the life stories of mystic poets we become aware that many
of them led simple lives. Because of their aptitude and personalities they
did not fit into the formal educational systems and traditional institutions
of their times. They were the students of the university of life and learnt
from their own experiences. One such example is Walt Whitman, a mystic poet
of nineteenth century, who has influenced twentieth century American
literature more than any other poet. Although his poems from his collection
Leaves of Grass are taught in colleges and universities all over the world,
he himself did not do well in school. His teacher, Mr. Benjamin Halleck, was
so disappointed in him that he told his father, “This boy is so idle. I am
sure he will never amount to anything.”

‘ Whitman’s father, agreeing with the teacher, took him out of school at age
thirteen and asked him to work in a printer’s shop. Even at work he was so
preoccupied with his soul-searching that his employer thought he was
devoting himself to ‘the art of doing nothing.’

‘Teacher, employer and father as well as many other people, failed to
realize that Walt Whitman was trying to contemplate and meditate upon the
mysteries of life from a very early age.” (Ref 1 p 136) They could not
appreciate the invisible labor that all creative personalities have to do
before they deliver masterpieces. Victor Hugo once stated, “A man is not
idle because he is absorbed in thought. There is visible labor and there is
invisible labor.” It is sometimes hard for artists and writers to explain
their creative homework to traditional personalities and families who are
not sensitive to the dynamics and workings of creative imagination. For
artists play is more meaningful than wasting or killing time. That is when
they develop extra-ordinary qualities and create.

The second example is of Charles Darwin. Darwin’s biographers Michael White
and John Gibbon highlight how Darwin’s relationship with traditional
educational institutions was troubled from the very beginning. Darwin did
not like his Shrewsbury School. When Charles’ father realized that his son
was not benefiting from the classes, he took him out of that school. He was
angry with his son, who he thought did not work hard and study and wasted
his time in sports. “In a rare moment of anger Dr. Robert told Charles that
he ‘cared for nothing but shooting, dogs and rat-catching’ and that he would
‘be a disgrace to himself and all his family.” (Ref 2 p 13)

Charles was sent to medical school to become a doctor and follow his
father’s footsteps but Charles did not like medical school, as he hated
dissection. Charles’ father was disappointed one more time. This time he
took him out of medical school and sent him to a religious school to become
a Priest. Charles developed a friendship with a rebel Robert Grant and his
discussions with free thinkers sowed seeds of doubt about God and Bible that
later on bore fruits when Darwin wrote his books The Origin of Species and
The Descent of Man in which he discussed how he did not agree with the
traditional teachings of Bible and Christianity. Little did his Christian
teachers know that he would try to prove to the world that Man was created
in the image of an ape rather than God. Darwin proved that human beings were
evolved from lower animals. He described and proved human evolution through
scientific evidence rather than ‘by a series of divine interpretations.”
(Ref 2 p 17) Darwin, like other creative students, found the traditional
environments of colleges and universities quite restrictive and suffocating.

The third example is of Albert Einstein, who was born in Europe in a Jewish
family but was sent to a local Catholic school. Like Walt Whitman and
Charles Darwin, he also did not do well in school and was considered to be a
slow learner. His biographer Roanld Clark wrote, “The one feature of his
childhood about which there appears no doubt is the lateness with which he
learned to speak. Even at the age of nine he was not fluent…when Hermann
Einstein asked his son’s headmaster what profession his son should adopt,
the answer was simply, “It doesn’t matter; he’ll never make a success of
anything.” (Ref 3 p 10)

After finishing his primary education with difficulty Albert Einstein joined
Luitpold Gymnasium, where he spent six years of training and education. That
school was quite traditional and did not encourage Einstein’s creative
personality and exploration. Gradually Einstein developed resentment for the
school system. His biographer wrote, “ The Gymnasium was to leave a critical
effect on Einstein in separate ways. The first was that its discipline
created in him deep suspicion of authority in general and educational
authority in particular. This feeling lasted all his life, without
qualification. “The teachers in the elementary school appeared to me like
sergeants and in the Gymnasium the teachers were like lieutenants.” He
remembered. More than forty years later, speaking to the seventy-second
Convocation of the State University of New York, he noted that to him, “ the
worst thing seems to be for school principally to work with methods of fear,
force, and artificial authority. Such treatment destroys the healthy
feelings, the integrity, and self-confidence of the pupils.” (Ref 3 p 13)

But then luckily, in most traditional schools there are a few exceptions.
There are teachers who encourage the spontaneity of children and nurture
their creativity. They support students to think outside the box and explore
their independent thinking and non-traditional lifestyle. Creative students
are attracted to such teachers and relatives who support their
unconventional passions. Einstein was also lucky to have one such teacher in
his school. Ronald Clark wrote, “ His name was Reuss. He tried to make his
pupils think for themselves while most of his colleagues did little more…in
Einstein’s later opinion---than encourage an academic ka-davergehorsamkeit
“the obedience of the corpse” that was required among troops of the Imperial
Prussian army.” (Ref 3 p 14)

Einstein was also lucky to have an uncle Casar Koch who encouraged his
independent thinking and nurtured his creative personality. Einstein looked
forward to his visits and shared his creative and artistic thoughts with
him. In his forties he affectionately wrote to his uncle, “ You have always
been my best-loved uncle…You have always been one of the few who have warmed
my heart whenever I thought of you, and when I was young your visit was
always a great occasion.” Ronald Clark talks about the sharing that took
place between Einstein and his favourite uncle in these words, “ But some
confidence was sparked up between uncle and nephew and it was to Casar that
Einstein was to send, as a boy of sixteen, an outline of the imaginative
ideas later developed into the Special Theory of Relativity.” (Ref 3 p 12)

It is my opinion that all families, schools and communities need more
teachers like Reuss who encourage independent and nonconformist thinking in
their students and uncles like Casar who nurture the creative personalities
of their nephews and nieces so that we have scientists and artists amongst
us. We do not need those principals who discourage the parents by stating
that their children will ‘never make success of anything” and teachers who
tell the parents with great confidence that their child will ‘never amount
to anything’ not knowing that these children and students might be future
Einsteins, Darwins and Whitmans of the world and their comments might become
part of their future biographies.


REFERENCES
1. Sohail Khalid Dr….From Islam to Secular Humanism…A Philosophical
Journey…Abbeyfield Publishers Toronto Canada 2001
2. White Michael and Gribbin John…Darwin…A Life in Science…Simon and
Schuster Toronto Canada 1995
3. Clark Ronald…Einstein…The Life and Times…World Publishing New York USA
1971

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