Do other people find Bernie’s unsolicited critiques useful? Seems to me
that if you don’t like it, don’t read it. But nobody needs you to throw
shade on something they’ve put a lot of hard work into.

R

On Tue, Nov 3, 2020 at 10:41 Bernard Roddy <[email protected]> wrote:

> I read the first four pages. One can hear in this the debates associated
> with higher education and the resources available to would-be students,
> hiring patterns and decisions about what programs to cut or what
> technologies to teach. It feels like some kind of report to a dean or to a
> chief executive officer who would otherwise be reading the Wall Street
> Journal about the new iPhone and investment strategy. One can surmise that
> this discourse also turns on questions concerned with the liberal arts and
> the value of course work in which "currency" is not respected. Could this
> survive more fruitfully in the context of studio art programs and course
> work that include creative writing? We're looking at a student body that
> enrolls for reasons that are difficult to translate into other cultures or
> economies.
>
> Bernie
>
> On Tue, Nov 3, 2020 at 9:10 AM Kim Knowles <[email protected]>
> wrote:
>
>> OOOPS!, well it seems I attached the whole book rather than the flyer
>> (mid-semester fatigue!!), so enjoy! But if you do want to buy the physical
>> copy here’s the flyer.
>>
>> Happy reading!
>>
>> Kim
>>
>>
>>
>> *From: *Kim Knowles <[email protected]>
>> *Date: *Tuesday, 3 November 2020 at 13:57
>> *To: *Experimental Film Discussion List <[email protected]>
>> *Subject: *New book: Experimental Film and Photochemical Practices
>>
>>
>>
>> Dear Frameworkers,
>>
>>
>>
>> I’m delighted to announce the publication of my book *Experimental Film
>> and Photochemical Practices*, part of the Palgrave Macmillan series in
>> Experimental Film and Artists’ Moving Image:
>> https://www.palgrave.com/gp/book/9783030443085. This has been an epic
>> project, shaped by many people on this list. Thank you so much to everyone
>> who contributed, both directly and indirectly.
>>
>>
>>
>> I attach a flyer, which entitles you to 20% off the original price.
>>
>>
>>
>> Description:
>>
>> This book assesses the contemporary status of photochemical film practice
>> against a backdrop of technological transition and obsolescence. It argues
>> for the continued relevance of material engagement for opening up
>> alternative ways of seeing and sensing the world. Questioning narratives of
>> replacement and notions of fetishism and nostalgia, the book sketches out
>> the contours of a photochemical renaissance driven by collective passion,
>> creative resistance and artistic reinvention. Celluloid processes continue
>> to play a key role in the evolution of experimental film aesthetics and
>> this book takes a personal journey into the work of several key
>> contemporary film artists. It provides fresh insight into the communities
>> and infrastructures that sustain this vibrant field and mobilises a wide
>> range of theoretical perspectives drawn from media archaeology, new
>> materialism, ecocriticism and social ecology.
>>
>>
>>
>> Book launch details to follow.
>>
>>
>>
>> All the best,
>>
>> Kim
>>
>>
>>
>>
>>
>> Kim Knowles
>>
>> Experimental Film Programmer
>>
>> EIFF is an accredited Real Living Wage employer.
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Ryder Thomas White
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