Hi Adam, I list below a link for my latest work Revelations. Part of my City Symphony for consideration to screen at the Forum.
Thanks Dominic Angerame https://vimeo.com/275170226 <https://vimeo.com/275170226>. No password needed > On Mar 31, 2021, at 5:41 PM, Adam Hyman <[email protected]> wrote: > > Last call! We’ll probably take down the submission links on the morning of > April 1. Thank you. > > Best regards, > > Adam > > > > > From: "[email protected] <mailto:[email protected]>" > <[email protected] <mailto:[email protected]>> > Reply-To: "[email protected] <mailto:[email protected]>" > <[email protected] <mailto:[email protected]>> > Date: Tuesday, March 23, 2021 at 7:35 PM > To: Adam Hyman <[email protected] <mailto:[email protected]>> > Subject: Two Open Calls! for Filmmakers and Programmers > > View this email in your browser > <https://mailchi.mp/lafilmforum/two-open-calls-248521?e=c20410bfe7> > > > Last Call for Two Open Calls! > And Alternative Film and > Video Events of Note > > > Greetings all. We have two open calls, both due March 31. > > Open Call For Programmers > Call for Los Angeles Filmforum Program Proposals! > > Los Angeles Filmforum is accepting program proposals for the 2021 calendar > year. As a way to widen our net of curatorial possibilities and spark > inspiration in our film communities during this unprecedented time, we would > love to hear from you in this call for programming. > > We are looking for engaging ideas from first-time, emerging, or seasoned > programmers and curators for single programs, program series, or other > programmatic formats that highlight short or feature-length works. Given the > uncertainty of when theater venues will be open again to the public and to > support the ongoing safety of our patrons, we ask that proposals be submitted > for virtual viewing only. > > Criteria: > > The following criteria must be met for proposals to be considered: > • Each Program Running Time: 50-70 mins (preferred) > • All works must be able to be presented in a virtual screening > environment > • Proposals must include a post-screening Q&A component with featured > filmmakers/artists > • Programs must align with Los Angeles Filmforum's mission to exhibit > non-commercial, independent, experimental, and progressive film and media art > • We ask that programmers refrain from programming their own works; > however, all proposals will be considered on a case-by-case basis. > • If you have an idea for a series, please limit it to three programs > at most. > • Priority will be given to programmers in Southern California, but we > will not be limiting it to only people from the area > Submission Deadline: March 31, 2021 @ 11:59 pm PDT > > To submit a proposal please complete this online Proposal Form > <https://lafilmforum.us16.list-manage.com/track/click?u=b9b114d2d0f9dc5e67291271e&id=dbc0c70e82&e=c20410bfe7>: > https://forms.gle/4cqXFCs3Qr4r2RVh8 > <https://lafilmforum.us16.list-manage.com/track/click?u=b9b114d2d0f9dc5e67291271e&id=e540c07be7&e=c20410bfe7> > > Members from Filmforum's Programming Committee will review proposals and > inform all participants in late April or May, 2021. > > Selected guest programmers will receive a $250 stipend along with a $500 > budget for artist fees/film rentals per program. Technical and promotional > support from Filmforum will also be provided for all selected programs. > > Program Committee Review Panel: > Madison Brookshire > Jheanelle Brown > Kate Brown > Tuni Chatterji > Adam Hyman > Leeroy Kang > > If you have any questions please contact: [email protected] > <mailto:[email protected]> > We look forward to your proposals. Please spread the word! > https://www.lafilmforum.org/open-calls-march-2021/ > <https://www.lafilmforum.org/open-calls-march-2021/> > > > Open Call For Filmmakers > We’re announcing an open call for films started and completed during the > pandemic. We originally announced this with a deadline of February 28, but > it was buried in another announcement and we received only a few, so we are > extending the deadline to March 31, 11:59 pm PDT. > We are looking for short works (under 20 minutes) that can be screened > digitally, assuming we will be holding the show(s) virtually in the late > Spring. > We’re keeping it simple, and not having submission fees, although if we get > too many, we may need to change that. > We would like to see experimental and animated works, not short narratives. > Your work on them should have started after March 15, 2020, and presumably > they should in some way deal with the pandemic, observations and emotions you > have dealt with in this period, and whatever else seems appropriate. > Abstract films are great; observations of places, essays on physical > distancing, and so forth. > > Please email [email protected] <mailto:[email protected]> with any > questions. We’ll be paying a small honorarium for each film screened! To > submit a film, please use the form at https://forms.gle/uWMJeAqgyb3ETJ929 > <https://lafilmforum.us16.list-manage.com/track/click?u=b9b114d2d0f9dc5e67291271e&id=f0ce278e5b&e=c20410bfe7> > before March 31! > > > Greetings all, > Here are some noteworthy events coming up. > > The 59th Ann Arbor Film Festival is online now! > March 23-28, 2021 > https://59aaff.eventive.org/ > <https://lafilmforum.us16.list-manage.com/track/click?u=b9b114d2d0f9dc5e67291271e&id=793ca55eaf&e=c20410bfe7> > https://watch.eventive.org/59aaff <https://watch.eventive.org/59aaff> > Lots of great films! > ---------------- > As Above, So Below, by Larry Clark > March 25, 2021 - 4:00 pm > Streaming online, through the UCLA Film & Television Archive > FREE RSVP > https://www.cinema.ucla.edu/events/2021/03/25/as-above-so-below > <https://lafilmforum.us16.list-manage.com/track/click?u=b9b114d2d0f9dc5e67291271e&id=fddeb16260&e=c20410bfe7> > > Post-screening conversation with filmmaker Larry Clark and cultural critic > Ernest Hardy. > As Above, So Below > U.S., 1973, Color and b&w, 52 min. Director: Larry Clark. Screenwriter: Larry > Clark. With: Nathaniel Taylor, Gail Peters, Billy Middleton. > Free jazz, state propaganda, religious feeling and revolutionary action all > roil the air in writer-director Larry Clark’s masterwork of the L.A. > Rebellion. When Black veteran Jita Hadi (Nathaniel Taylor) arrives in > South-Central Los Angeles after serving stints in Cuba, the Dominican > Republic and Vietnam—a veritable guided tour of postwar American > imperialism—he immediately recognizes the symptoms of a population under > occupation in the wake of the 1965 Watts rebellion. At a local diner, a > church service, and out on the streets, Hadi bears witness to the forces of > oppression and reaction within and without the Black community while an > underground army watches and waits. On the soundtrack, Horace Tapscott’s > improvisational score plays against recorded HUAC testimony on the threat of > Black nationalism while Clark (also director of Passing Through) intercuts > scenes of Hadi’s political awakening with documentary footage of U.S. foreign > interventionism and domestic police brutality. Politically radical and > aesthetically inventive, As Above, So Below couples a far-reaching critique > of American racial injustice with an expansive vision of the possibilities of > Black resistance. > --------------- > GENEVIEVE YUE PRESENTS: IMPLICIT MOVIES PROGRAM 1: SECRET CITY > Available on Demand, Mar 24-30 > through the Metrograph Theater, New York > Multiple short films by Thom Andersen, Bill Brand, Mary Helena Clark, > Alexandra Cuesta, Kevin Jerome Everson, Miko Revereza, Karen Yasinsky > USA / 1980-2018 / TRT: 80 MIN > Introduced by Genevieve Yue > https://metrograph.com/live-screenings/genevieve-yue-presents-implicit-movies-program-1-secret-city/ > > <https://lafilmforum.us16.list-manage.com/track/click?u=b9b114d2d0f9dc5e67291271e&id=49e7d05b37&e=c20410bfe7> > > Within the city, there is another, secret city. It is full of people we don’t > ordinarily see, who don’t always want to be seen. They round the loops of > public transportation, stopping at convenience stores, nightclubs, and shop > windows. Through their eyes, the city is cast in an unfamiliar light. Shadows > grow tall, and echoes of movie refrains, of previous lives and memories, > float through the air. A wonderful program with multiple films by people > we've hosted at Filmforum, and Genevieve Yue was once a volunteer with us! > > Program Includes: > Masstransiscope (Bill Brand, 1980/2008, 3 min) > Disintegration 93-96 (Miko Revereza, 2017, 5 min) > The Tony Longo Trilogy (Thom Andersen, 2014, 14 min) > Audition (Karen Yasinsky, 2013, 4 min) > Goddess & Richland Blue (Kevin Jerome Everson, 2018, 2 min., 4 min) > The Dragon is the Frame (Mary Helena Clark, 2014, 14 min) > Piensa en mí (Alexandra Cuesta, 2009, 15 min) > ----------------- > Pat O'Neill - Spectrum > 17 - 31 March 2021 online through Philip Martin Gallery > https://philipmartingallery.com/exhibitions/131-pat-o-neill-spectrum/works/ > <https://lafilmforum.us16.list-manage.com/track/click?u=b9b114d2d0f9dc5e67291271e&id=5390cca95b&e=c20410bfe7> > > Philip Martin Gallery is proud to present, “Spectrum,” an exhibition of > photographs, collages and a film by filmmaker, photographer and artist, Pat > O’Neill. A pioneer of the optical printer, O’Neill’s works explore > photographic technique, perception and figuration. > > Long recognized as a master of avant-garde film, Pat O’Neill is probably the > first American to receive an MA in moving image art. O’Neill began his > studies at University of California (Los Angeles, CA) in 1957, working with > renowned designer Henry Dreyfuss. In 1961, he began studying with Robert > Heinecken, who like O’Neill, was coming out of design. Heinecken was, > according to O’Neill, “bringing photography and Pop Art together and breaking > the mold for what was acceptable in photography at that time.” O’Neill > collaborated with Heinecken, and fellow students Carl Cheng and Darryl Curran > on a multi-screen slide projector work, “American/Image Ideal,” for the 1963 > Aspen Design Conference, organized by Charles and Ray Eames. O’Neill recalls > that Heinecken “welcomed transgressions of the purity of the medium. We were > encouraged to distort the technology, cook the negative, cut up the print, > and even use its surface to paint upon.” > --------------- > Bodies of Animation: Analogue Tales from Latin America > Monday, March 29, 2021, 8 pm > https://www.redcat.org/event/bodies-animation-analogue-tales-latin-america > <https://lafilmforum.us16.list-manage.com/track/click?u=b9b114d2d0f9dc5e67291271e&id=0819c582cd&e=c20410bfe7> > VIRTUAL EVENT > As part of the collective Moebius Animación, Juan Camilo González is > dedicated to amplifying the voices of animators from Latin America. For this > program of short films, he proposes a reading of analogue animation as a > means to exorcise personal and collective traumas. By paying close attention > to the materiality of these productions—an indexical trace of the bodily > labor that went into the creative processes—the program underlines an > experimental approach that recognizes animation as a vehicle of performative > dimensions. These films reclaim lo-fi style, recycled animation techniques, > and the use of analogue materials as aesthetic decisions rather than the > outcome of economic limitations.The evening includes works by Joaquín Cociña, > Cristobal León, and others. > > In person via Zoom: curator Juan Camilo González Jiménez; filmmakers TBA > ------------------- > The Arab Film & Media Institute Hosts > The Hour of Liberation Has Arrived > ساعة التحرير دقت > With an Exclusive LIVE Conversation with Director Heiny Srour > This Special Program opens on March 25th! > https://arabfilm.eventive.org/ > <https://lafilmforum.us16.list-manage.com/track/click?u=b9b114d2d0f9dc5e67291271e&id=c77ff52092&e=c20410bfe7> > https://watch.eventive.org/arabfilm/play/6046772992d66a00bdf1da20?mc_cid=afdf306b8b&mc_eid=057de89084 > > <https://lafilmforum.us16.list-manage.com/track/click?u=b9b114d2d0f9dc5e67291271e&id=408e3f0763&e=c20410bfe7> > > The Hour of Liberation Has Arrived was the first film by an Arab woman to > screen at Cannes, where it was nominated for four awards and nominated for a > Palme d'Or (Best film) in 1974. It is believed that her documentary film The > Hour of Liberation Has Arrived was actually the first film by any female > filmmaker to be screened at the festival. > > Srour was vocal about the position of women in Arab society, and in 1978, > along with Tunisian director Salma Baccar and Arab cinema historian Magda > Wassef, she announced a new assistance fund "for the self-expression of women > in cinema." Read more about filmmaker Heiny Srour on our blog > > The Hour of Liberation Has Arrived will become available for on-demand > streaming on March 25th. You can buy a ticket just to this event, or watch > all the movies in the showcase with a pass. To learn more about the complete > lineup of AFMI's 6 Days | 6 Nights - Revolutionary Arab Women in the Arts, > visit Arab Cinema Reimagined, > https://arabfilm.eventive.org/welcome?mc_cid=afdf306b8b&mc_eid=057de89084 > <https://arabfilm.eventive.org/welcome?mc_cid=afdf306b8b&mc_eid=057de89084> > --------------- > JJJJJerome Ellis: Three Psalms > Saturday, April 3, 2021, 8:00 pm > at REDCAT > https://www.redcat.org/event/jjjjjerome-ellis-three-psalms > <https://lafilmforum.us16.list-manage.com/track/click?u=b9b114d2d0f9dc5e67291271e&id=b714a81ba9&e=c20410bfe7> > Virtual Event > TWO PSALMS was filmed in Ellis' apartment on May 18, 2018 and features > musicians Catherine Brookman, Starr Busby, Haruna Lee, James Harrison Monaco, > Ronald Peet, and Shu Wang. The piece's three movements are settings of Psalm > 42 and Psalm 23 from the Hebrew Bible, in both English and Latin > translations, with spoken interludes. During the evening, REDCAT will also > present a new commissioned psalm setting, as Ellis continues his ongoing > contemplation of devotion, yearning, and uncertainty. > > JJJJJerome Ellis is a stuttering, Afro-Caribbean composer, performer, and > writer. His current practice explores Blackness, music, and disabled speech > as forces of refusal and healing. He is a 2019 MacDowell Colony Fellow, a > writer in residence at Lincoln Center Theater, and a 2015 Fulbright Fellow. > ---------------- > Prismatic Ground Film Festival of Experimental Documentaries > April 8-18, 2021 > Streaming through the festival's duration at prismaticground.com > <https://lafilmforum.us16.list-manage.com/track/click?u=b9b114d2d0f9dc5e67291271e&id=a81c9d9276&e=c20410bfe7> > and through maysles.org <http://maysles.org/>: > > Prismatic Ground is a new film festival centered on experimental documentary. > The inaugural edition of the festival, founded by Inney Prakash, will be > hosted virtually in partnership with Maysles Documentary Center and Screen > Slate. Catch the ‘Opening Night,’ ‘Centerpiece,’ and ‘Closing Night’ events > live via Screen Slate's Twitch channel. The rest of the films, split into > four loosely themed sections or ‘waves’, will be available for the festival’s > duration at prismaticground.com <http://prismaticground.com/> and through > maysles.org <http://maysles.org/>. On April 10, at 4PM ET, Prismatic Ground > will present the inaugural Ground Glass Award for outstanding contribution in > the field of experimental media to Lynne Sachs. Other live engagements TBA. > -------------- > Conference: “There is no such thing as documentary” > Conference hosted by the NTU Centre for Contemporary Art Singapore > The conference is past but the panels are now online > http://ntu.ccasingapore.org/events/conference-there-is-no-such-thing-as-documentary/ > > <https://lafilmforum.us16.list-manage.com/track/click?u=b9b114d2d0f9dc5e67291271e&id=0b04ad8e64&e=c20410bfe7> > > As the concluding programme of the exhibition Trinh T. Minh-ha. Films. (17 > October 2020 – 28 February 2021) at NTU CCA Singapore, this four-part > conference brings together scholars and practitioners across filmic, > anthropological and curatorial disciplines, addressing notions of > multivocality, performativity, and truth in fiction, through Trinh’s practice > as a filmmaker and theorist. > > As Trinh wrote: “There is no such thing as documentary…The words will not > ring true.” Both a response and homage to Trinh’s provocation, and at once a > close but also an opening, the conference extends multiple threads of inquiry > beyond the ontological frames presented in Trinh’s films, to further explore > the theoretical parallels and proximities between arrangement and > composition, territorialisation and deterritorisalisation, that underscore > Trinh’s cinematic works. > ------------ > The FIAF Programming Game > Multiple great archival programs, available through > https://www.fiafnet.org/pages/Training/2021-Winter-School-Programmes.html#pgm_294 > > <https://lafilmforum.us16.list-manage.com/track/click?u=b9b114d2d0f9dc5e67291271e&id=f178b8edfa&e=c20410bfe7> > > > > > Los Angeles Filmforum screenings are supported by the Los Angeles County > Board of Supervisors through the Los Angeles County Department of Arts & > Culture; the Department of Cultural Affairs, City of Los Angeles; The > California Community Foundation with the Getty Foundation, the Mike Kelley > Foundation for the Arts and the Wilhelm Family Foundation. Special support > provided by the Academy of Motion Picture Arts and Sciences. We also depend > on our members, ticket buyers, and individual donors. > > Los Angeles Filmforum is the city’s longest-running organization dedicated to > weekly screenings of experimental film, documentaries, video art, and > experimental animation. 2021 is our 46th year! > > Memberships available, $75 single, $125 dual, $40 single student, or $225 for > Silver Nitrate membership! > Contact us at [email protected] <mailto:[email protected]>. > Find us online at http://lafilmforum.org > <https://lafilmforum.us16.list-manage.com/track/click?u=b9b114d2d0f9dc5e67291271e&id=2947246464&e=c20410bfe7>. > Become a fan on Facebook and follow us on Twitter @LosAngFilmforum! > > > > <https://lafilmforum.us16.list-manage.com/track/click?u=b9b114d2d0f9dc5e67291271e&id=0dc63dcf79&e=c20410bfe7> > > > <https://lafilmforum.us16.list-manage.com/track/click?u=b9b114d2d0f9dc5e67291271e&id=b75b39b844&e=c20410bfe7> > > > <https://lafilmforum.us16.list-manage.com/track/click?u=b9b114d2d0f9dc5e67291271e&id=599012caa9&e=c20410bfe7> > > > <https://lafilmforum.us16.list-manage.com/track/click?u=b9b114d2d0f9dc5e67291271e&id=82f6951ecc&e=c20410bfe7> > > > Copyright © LA FILMFORUM, All rights reserved. > You are receiving this email because you opted in via our website. > > Our mailing address is: > Los Angeles Filmforum > 6522 Hollywood Blvd. > Los Angeles, CA 90028 > > Add us to your address book > <https://lafilmforum.us16.list-manage.com/vcard?u=b9b114d2d0f9dc5e67291271e&id=a6138c25b4> > > > Want to change how you receive these emails? > You can update your preferences > <https://lafilmforum.us16.list-manage.com/profile?u=b9b114d2d0f9dc5e67291271e&id=a6138c25b4&e=c20410bfe7&c=6efb38d407> > or unsubscribe from this list > <https://lafilmforum.us16.list-manage.com/unsubscribe?u=b9b114d2d0f9dc5e67291271e&id=a6138c25b4&e=c20410bfe7&c=6efb38d407>. > > > <http://www.mailchimp.com/email-referral/?utm_source=freemium_newsletter&utm_medium=email&utm_campaign=referral_marketing&aid=b9b114d2d0f9dc5e67291271e&afl=1> > -- > Frameworks mailing list > [email protected] <mailto:[email protected]> > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > <https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org>
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