Always scan at the highest resolution possible — especially with small-format 
film. 

This old test (made when 3K was our highest res vs. our current 6.5K) shows 
why. Page 9, especially. 

https://www.dropbox.com/s/stkxngoftc656vq/Memoriav%20Dossier%20--%20a%20response%20-%202012.pdf?dl=0

As far as capturing the entire dynamic range of even contrasty film, Barbara 
Fluekiger’s Timeline of Historic Color Processes group tested high-end 
scanners. The Kinetta was superior in scanning the most difficult material — 
Technicolor IB prints. The report is pretty dry, and doesn’t mention the fact 
that after testing all of these machines, they bought a Kinetta. 

https://www.dropbox.com/s/zr48xz1nnrjfuiu/Diastor%202018c%20%20flueckigeretal_investigationfilmmaterialscannerinteraction_2018_v_1-1c.pdf?dl=0

In the US you can get Kinetta scans at Colorlab, the Chicago Film Archive, 
Movette Film Transfer, the USC Hefner Film Archive, among others. 

 


Jeff Kreines
Kinetta
[email protected]
kinetta.com

Sent from iPhone. 

> On Apr 6, 2021, at 10:18 AM, Rick Prelinger <[email protected]> wrote:
> 
> While it is certainly oversampling, we have found that the Scanstation makes 
> much better scans from 8 and S8 in 4K as opposed to 2K. If you are talking 
> about a small collection it will fit on a single drive. We keep three copies 
> in different locations. And I echo the thought that scanning is not a 
> one-time affair; there will always be reasons why one wants to go back and 
> rescan in the future, especially as sensors become able to capture elements 
> of the image that contain visual or other information.
> 
> Rick
> 
> Rick Prelinger / @footage
> Prelinger Archives, San Francisco    http://www.prelinger.com (recently 
> updated)
> [email protected]
> 
> Chair and Professor, Film & Digital Media, UC Santa Cruz
> Kenneth R. Corday Family Presidential Chair in Writing for Television & Film
> [email protected]
> 
> Prelinger Library, San Francisco (http://www.prelingerlibrary.org), a member 
> of the Intersection Incubator, a program of Intersection for the Arts 
> providing fiscal sponsorship, incubation and consulting to artists 
> (http://www.theintersection.org). 
> 
> 
> 
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