Many thanks for this, Sarah. Greatly appreciated! Greg
> On Aug 10, 2021, at 3:10 AM, Kolberg, Sarah <[email protected]> wrote: > > Hi Greg: > > Always excited to see people working on Paul’s work – he was a dear friend. > Despite a significant difference in age, in the final years of his life he > dated one of my dearest friends so we hung out together quite a lot. > Somewhere in my storage I have a burned dress he made for a “fashion show”. > > In any event, I know Woody has passed, but Steina should still be able to be > reached at > 505-424-8786 > [email protected] <mailto:[email protected]> > > she may have some recollections that would help you. > > all best, > > ~ sarah > > > From: Frameworks <[email protected]> On Behalf Of Gregory > Zinman > Sent: Friday, August 6, 2021 8:03 PM > To: Experimental Film Discussion List <[email protected]> > Subject: Re: [Frameworks] Paul Sharits and Woody Vasulka? > > Many thanks for this, Laura—totally new to me, and fascinating stuff, too. > > Greatly appreciated, and all best, > > Greg > > > > > On Aug 6, 2021, at 5:53 PM, Laura McGough <[email protected] > <mailto:[email protected]>> wrote: > > Greg - > > Are you talking about the Color Printing System meant to be built at the > Center for Media Study at UB? If so, the answer is no, but there is a dense > document created by Tony Conrad in the Vasulka Archive in which he worked > out the specs for the system. I believe Tony and Woody we’re going to > collaborate on the construction of this system. > > http://www.vasulka.org/archive/Artists1/Conrad,Tony/ColorPrintingSystem.pdf > <http://www.vasulka.org/archive/Artists1/Conrad,Tony/ColorPrintingSystem.pdf> > > Best, > > Laura McGough > > > On Aug 6, 2021, at 3:17 PM, Christine Downing <[email protected] > <mailto:[email protected]>> wrote: > > > I know he used a Color-Aid packet for color frames in some of his work. I saw > it at his house once and asked him about it. I don't remember seeing the set > up, but it could have been shot with an animation stand or taped to a wall. > This doesn't address the question about a device Woody made for Paul. > https://www.dickblick.com/items/color-aid-paper-packet-4-12-x-6-assorted-pkg-of-220/ > > <https://www.dickblick.com/items/color-aid-paper-packet-4-12-x-6-assorted-pkg-of-220/> > > > > On Fri, Aug 6, 2021 at 2:55 PM Eric Theise <[email protected] > <mailto:[email protected]>> wrote: > I hope Greg doesn't mind me horning in on his question but I hope any > answers/discussion will cc: frameworks as I'm always interested in learning > more about Sharits' ways of working with color. > > Thanks, Eric > > P.S. Anyone been to/going to Anthology's Razor Blades restoration > screenings?http://anthologyfilmarchives.org/film_screenings/calendar?view=list&month=8&year=2021#showing-53606 > > <http://anthologyfilmarchives.org/film_screenings/calendar?view=list&month=8&year=2021#showing-53606> > > > On Fri, Aug 6, 2021 at 11:36 AM Zinman, Gregory A <[email protected] > <mailto:[email protected]>> wrote: > Hi Frameworkers, > > I am researching Paul Sharits’ working methods for an essay I am writing. > Does anyone know anything about a light/color device that Woody Vasulka might > have made for Sharits to photograph color images? If anyone has any > information, or has a reference, it would be greatly appreciated. > > Thanks, and all best, > > Greg > -- > Gregory Zinman, Ph.D. > Associate Chair and Associate Professor > School of Literature, Media, and Communication > Georgia Institute of Technology > > Curator, 725 Ponce > > pronouns: he/him > > Making Images Move: Handmade Cinema and the Other Arts > <https://www.ucpress.edu/book/9780520302730/making-images-move> (University > of California Press, 2020) > > Handmade Cinema <http://www.handmadecinema.com/> website > > We Are in Open Circuits: Writings by Nam June Paik > <https://mitpress.mit.edu/books/we-are-open-circuits> (The MIT Press, 2019) > > > > > > > > -- > Frameworks mailing list > [email protected] <mailto:[email protected]> > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > <https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org> > -- > Frameworks mailing list > [email protected] <mailto:[email protected]> > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > <https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org> > -- > Frameworks mailing list > [email protected] <mailto:[email protected]> > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > <https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org> > -- > Frameworks mailing list > [email protected] <mailto:[email protected]> > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > <https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org> > > -- > Frameworks mailing list > [email protected] <mailto:[email protected]> > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > <https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org>
-- Frameworks mailing list [email protected] https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
