Thanks Dominic! That's good to know about Da Vinci
moiratierney.net vimeo.com/moiratierney
On Sunday, September 5, 2021, 1:51:16 AM GMT+2, Dominic Angerame
<[email protected]> wrote:
When transferring b/w reversal film to digital scans it is better to be
overexposed.
I have always underexposed reversal because the lab could bring out the
highlights by printing the light at a higher number. However when working on
digital scans for Revelations at Light Cone a couple of years I found that in
Premier I could not bring out the highlights in underexposed areas and any
attempt to do so just made the image muddy with little contrast. However with
De Vinci we could find “data” in the overexposed sections and bring out the
imagery that photographically was washed away from overexposure into a decent
image. That is why I called my last film Revelations because many scenes in the
film were brought to light that had been overexposed on celluloid and yet
created clear imagery when visual data was found.
So its best to use the correct exposure in these days of digital transfers and
not to either over or underexposed. I no longer work with negative camera
stocks so cannot provide any information in that regard.
Dominic
On Sep 4, 2021, at 7:18 AM, ev petrol <[email protected]> wrote:
thanks!!
moiratierney.net vimeo.com/moiratierney
On Saturday, September 4, 2021, 5:01:55 AM GMT+2, FrameWorks Admin
<[email protected]> wrote:
Hi Moira.It’s supposed to automatically recognize ASA 25-400, which means 50D
will be exposed at 40ASA, 200 at 200, and 500 at 400 ASA.See
https://www.super8camera.com/cameras/canon-814-xls/Pip
On Sep 3, 2021, at 8:34 PM, ev petrol <[email protected]> wrote:
Hey folks,has anyone experience using the 50D, 200T or 500T neg with a Canon
814 Autozoom?I'm wondering if the automatic lightmeter will expose correctly
...?cheers Moira
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