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*This Week [September 11 - 19, 2021] in Avant Garde Cinema* To receive the weekly listing directly via email rather than through Frameworks, just hit Subscribe <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=091193278b&e=857b71a9cb> . *DEADLINES APPROACHING* Enter upcoming calls for entry here <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=392ed82bac&e=857b71a9cb> ___________________________________________________________________________________ *sorted by submission deadline* 09.13.2021 Slamdance <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d93670046b&e=857b71a9cb> (Late Deadline) 09.13.2021 Sundance Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=062185b00e&e=857b71a9cb> (Late Deadline) 09.13.2021 Festival Prisme #4 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d35716f468&e=857b71a9cb> 09.15.2021 28th Chicago Underground Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a421717e57&e=857b71a9cb> (Late Deadline) 09.19.2021 Punto de Vista <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=aed66bd12f&e=857b71a9cb> 09.22.2021 International Film Festival Rotterdam (IFFR) <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=19881cad50&e=857b71a9cb> (Completed After July 1) 09.24.2021 Alchemy Film and Moving Image Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3fcbb3e4f7&e=857b71a9cb> (Early Deadline) 09.24.2021 18th accordi @ DISACCORDI - International Short Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ff58d7dc16&e=857b71a9cb> 09.30.2021 Rencontres Internationales Sciences & Cinémas (RISC) <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=63236ae234&e=857b71a9cb> 10.01.2021 International Short Film Festival Oberhausen <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6a9c654522&e=857b71a9cb> (Early Deadline) 10.01.2021 San Francisco International Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a9cd563214&e=857b71a9cb> (Early Deadline) 10.15.2021 Thomas Edison Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b9296593ed&e=857b71a9cb> 10.15.2021 Images Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=9de6e2fb8a&e=857b71a9cb> 10.31.2021 Braziers International Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=98384801e9&e=857b71a9cb> (Early Deadline) 11.01.2021 Experiments in Cinema <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d0a8c918f9&e=857b71a9cb> 11.08.2021 Visions du Réel <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ee970003c3&e=857b71a9cb> *EVENTS* Enter your event announcements here <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7da524186c&e=857b71a9cb> ___________________________________________________________________________________ *complicated sorting but a true attempt, enjoy!* This week's programs (summary): - Night Reels: Stacey Steers Exhibition <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=9fb6e24b4f&e=857b71a9cb> [August 19-October 17, Montreal] - A Broken Mirror Still Reflects <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a3196022a9&e=857b71a9cb> [September 1-30, online] - Dobra – International Experimental Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d12dfe8394&e=857b71a9cb> [September 6-30, online] - Experimental Film & video Festival In Seoul <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=9ea6b1302f&e=857b71a9cb> [September 9, Seoul] - Jeanne Liotta: the World Is A Picture of the World <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7e37991c7d&e=857b71a9cb> [September 9-October 16, New York] - The Decay of Fiction By Pat O'Neill <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a7896a925c&e=857b71a9cb> [September 9-October 23, New York] - The 50Th Anniversary of Collectif Jeune CinéMa <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e386772e03&e=857b71a9cb> [September 10-24, Mains d'Œuvres, France - Berwick Film & Media Arts Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ca1f846528&e=857b71a9cb> [September 10-30, Berwick-upon-Tweed, England] - Hypogean - An Exhibition By Margaret Rorison and Monique Crabb <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b58bd9e7bb&e=857b71a9cb> [September 11-October 2, Baltimore] - Thomas Comerford <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0148e514a0&e=857b71a9cb> [September 11, New York] - EC: Stan Brakhage 1 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=39aa96b573&e=857b71a9cb> [September 12, New York] - The Long Conversation <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1abad960c4&e=857b71a9cb> [September 12, online] - Gearwax: Old vinyl, Repurposed <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=81b912bf29&e=857b71a9cb> [September 12, online] - Scratch Projection / On Cracks and Crevices: Guest Program By Braquage <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=dffbff588e&e=857b71a9cb> [September 14, Paris] - Séance Kenneth Anger <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=61f1085f4d&e=857b71a9cb> [September 15, Marseille] - In Situ - Sylvia Safdie & Marc Pelletier <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b07993819f&e=857b71a9cb> [September 15, Montreal] - Open Air Screening Series: Anto Astudillo <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=9da87efdef&e=857b71a9cb> [September 17-18, Brooklyn] - Crossroads 2021 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4fed28884f&e=857b71a9cb> [September 17-October 21, San Francisco] - EC: Stan Brakhage 2 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=28ea5aa354&e=857b71a9cb> [September 18, New York] - EC: Stan Brakhage 3 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4c19e8b649&e=857b71a9cb> [September 19, New York] - Tony Oursler: Synesthesia - Glenn Branca + Tony Conrad <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1e6b7facec&e=857b71a9cb> [September 19, New York] - m <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=396f5a8eef&e=857b71a9cb>aɬni – Towards the Ocean, Towards the Shore <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=eb31559b1a&e=857b71a9cb> [September 19, Baltimore] - Parties and Making Your Own Fun Revelry and Excess In 60s and 70s Toronto <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2f04193906&e=857b71a9cb> [September 19, Toronto] - The Long Conversation <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=016f98169b&e=857b71a9cb> [September 19, online] - Ecstatic Static Screenings <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3e84468a4d&e=857b71a9cb> [ongoing, online] *STARTING ON OR BEFORE SEPTEMBER 11, 2021* *August 19 - October 17* Venue type: *Live, physical event* Cinémathèque québécoise <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4e61fd5d4e&e=857b71a9cb> M-F 12-9pm, SaSu 2-9pm ET, 335, boul. De Maisonneuve Est *Night Reels: Stacey Steers Exhibition* In a mystical and dreamlike atmosphere, the observation of the moon and the stars joins the magic of the pre-cinema. This fall, the world of Stacey Steers will enchant the two exhibition rooms of the Cinémathèque. The exhibition "focuses on three series that the American artist created around her latest films: PHANTOM CANYON (2006), NIGHT HUNTER (2011), and EDGE OF ALCHEMY (2017). In this triptych exhibition bringing together animated films, collages, astronomy instruments, and sculptures, Stacey Steers explores the world of cinema, its technological history, its imaginary, its icons. She pays tribute to emblematic female figures of early cinema, such as Lillian Gish or Janet Gaynor, whom she reintroduces into vegetal or surreal settings inspired by 19th century engravings." In conjunction with the exhibition, a retrospective of Steers' films will screen on Thursday 9/9. *___________________________________________________________________* *September 1 - 30* Venue type: *Virtual, online event* acinema <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=42f6749d07&e=857b71a9cb> streaming 24/7, Event URL: https://www.acinema.space/current-program <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6d3ca54bbc&e=857b71a9cb> *A Broken Mirror Still Reflects* SEPTEMBER 2021 PROGRAM *The Missing Commas I & II* Niyaz Saghari • 8 min 38 sec • 2020 *Wear & Tear* Jason Robinson • 8 min 06 sec • 2021 *Fortuna* Laure Subreville • 25 min 50 sec • password – fortuna *Clouds, Clouds (…) We Knew Nothing* Annemarie Cilon • 2 min 30 sec • 2011 aCinema is a monthly exhibition dedicated to the screening of works by moving image artists from around the globe for audiences during the 9 month period of September to May. aCinema also organizes a yearly festival programmed from an open call for works titled, aDifferent festival. Through the exhibition of artists -- historical and contemporary, emerging and established -- in curated programs, aCinema creates a platform for artists of all career statuses to share a common exhibition space. Through the curatorial themes and independent thoughts expressed within the works, aCinema hopes to inspire and expand audiences' views of the moving image, fostering an arts educational space, where audiences are free to engage in discussion with curators and artists (when present) following the screenings. *___________________________________________________________________* *September 6 - 30* Venue type: *Virtual, online event* DOBRA – International Experimental Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ad81cc733e&e=857b71a9cb> streaming 24/7, Event URL: https://festivaldobra.com.br/ <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d8ef7bd4dc&e=857b71a9cb> *DOBRA – International Experimental Film Festival* In 2021, DOBRA – International Experimental Film Festival meets its 7th consecutive edition reassuring its commitment with the innovative force of experimental film and the great potential of collaboration of its community. From 6th to 30th September, DOBRA will sail through Brazilian and International production moving film’s thinking, opening it up to the creation of new worlds and proposing aesthetically transforming points of view. As in the previous editions, the Open Call Screenings are the flagship of DOBRA. This year there will be 8 thematic screenings, that total 42 selected films from more than 1000 submissions received in the Open Call, opened last May. The festival’s curatorship, formed by Cristiana Miranda, Lucas Murari and Luiz Garcia, identified themes that stood out in the artists’ works, such as political issues, the search for representation in urban-space and in body-space, the creation of a poetics that responds to the artists’ necessity to maintain themselves active over the long pandemic period and to an archaeology of Latin America. The Open Call Screenings trace a large outlook to the worldwide contemporary experimental film production, having Latin America as its great highlight. In addiction to films from Argentina, Chile, Colombia, Haiti, Mexico and Uruguay, the festival’s screenings also involve representatives from Germany, Belgium, Canada, Spain, USA, Finland, France, India, Italy, Lithuania, the UK and Taiwan. Brazilian production stands out with a pretty expressive representation: 23 selected films. Besides the open call screenings, the 2021 full screening of DOBRA will count with the invited screening “rituals of reclamation”, proposed by North American curator Steve Polta, Artistic Director of San Francisco Cinematheque, director and curator of CROSSROADS, the San Francisco Cinematheque’s annual experimental film festival together with the San Francisco Museum of Modern Art. The screening proposed by Polta will reinforce the international dialogue that surrounds experimental film promoted by DOBRA and will contribute to the expansion of the network of affections and collaboration of the international community of experimental film within the Brazilian context. During the festival there will also be livestreaming talks broadcasted by MAM-Rio’s YouTube channel. The first one will be the opening of the festival with the curators, on September 9th. On September 16th, will be presented a chat about the film celluloid digitization with the team from the Argentine laboratory Leche Lab. On September 22nd will take place the pre-release of the book Bcubico, a publication about the cultural center of the same name dedicated to the exhibition of experimental films, video arts, and performances, which existed in Recife between 2011 and 2016. And to close the live program, on September 24th there will be a chat with the invited curator Steve Polta. DOBRAS’ 7th edition is co-produced by the Rio de Janeiro Museum of Modern Art (MAM-Rio). All selected films to the 9 screenings will be available in the festival’s website during the whole period, from 6th to 30th September, with free access and no registration required. *___________________________________________________________________* *September 9 - 16* Venue type: *Both physical and online* EXIS <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=27b735dc4c&e=857b71a9cb> times vary Online Screening September 16th @ https://ex-is.org/exon <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7af3f4ef55&e=857b71a9cb> *Experimental Film & Video Festival in Seoul* *___________________________________________________________________* *September 9 - September 16* Venue type: *Live, physical event* Microscope Gallery <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=233afae698&e=857b71a9cb> Tue-Sat, 12-6pm ET 525 West 29th Street, 2nd Floor *Jeanne Liotta: The World is a Picture of the World* Microscope Gallery is very pleased to present The World is a Picture of the World, the second solo exhibition at the gallery by Jeanne Liotta, featuring a new body of work incorporating drawing, collage, photography and projection that are inspired by and often include among their materials 20th Century NASA 35mm slides of the universe that were frequently offered in planetarium and other similar gift shops. Through the works on view — an 80-image handmade 35mm slide composition, several single-slide projections on graphite drawings, and a series of colored photographic gels on photogram works — Liotta recognizes that humanity’s visual understanding of the universe is based on its photographic reproductions of what exists beyond what the eye can see. The artist considers the ways these pictures have been used to inspire us, both positively and negatively, and draws connections among nature, astronomy, and the photographic process, all dependent on light and time. “In the earliest days of photography Alphonse de Lamartine wrote that photography is a solar phenomenon in which the artist collaborates with the sun.” — JL A related series of works by the artist will be featured at The Armory Show at the Javits Center, Booth #P6, September 9th through September 12th. Proof of Covid-19 vaccination is required for all visitors in accordance with current NYC regulations. *___________________________________________________________________* *September 9 - October 23* Venue type: *Live, physical event* Mitchell-Innes & Nash <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e27b8ec24c&e=857b71a9cb> M-F 10am-6pm, ET, 534 W 26th Street *The Decay of Fiction by Pat O'Neill* Mitchell-Innes & Nash is pleased to present *The Decay of Fiction* by Pat O’Neill, the Los Angeles-based artist and experimental filmmaker, whose work has been represented by the gallery since 2015. O’Neill has transformed his 2002 film of the same title into a five-channel installation, digitally scanning and recombining individual sections into a distinct, new work. Premiering in 2018, this will be the first showing in New York. For the five-channel presentation, O’Neill has rearranged the film into distinct components across which settings and actors recur alongside special effects such as animations and split screens. Set to an unremitting soundscape of moving traffic and birds, they offer an almost hallucinogenic amalgamation of now and then, and real and imagined. Their simultaneous unfolding offers further permutations of the composite imagery, eliminating for good any possibility of a linear narrative. A portrait of an architectural site facing imminent demolition, the multichannel installation embodies a hybrid genre where history and artifice coexist. Through its layered approach to documentation and collective memory, The Decay of Fiction honors the Ambassador Hotel as its own purveyor of fictions: a site for the production of illusions that, as O’Neill notes, “sometimes provided [people] with respite from their real lives, allowed fantasies to be developed and nurtured, and taught lessons about how to be human.” *___________________________________________________________________* *September 10 - 24* Venue type: *Live, physical event* Collectif Jeune Cinema <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ea4b8e76a3&e=857b71a9cb> CJC Temporary Cinematheque, Mains d'Œuvres (Saint-Ouen, near Paris) 2 PM + 4PM + 6PM screenings, *The 50th Anniversary of Collectif Jeune Cinéma - SATURDAY* 2021, THE COLLECTIF JEUNE CINÉMA CELEBRATES ITS HALF-CENTURY OF EXISTENCE. This year, we celebrate Collectif Jeune Cinéma's 50th anniversary At that purpose, the new issue of Webzine « Senses of Cinema », is out, and it features a long interview between three members of Collectif Jeune Cinéma (Viviane Vagh, Raphaël Bassan, Théo Deliyannis): https://www.sensesofcinema.com/2021/feature-articles/collectif-jeune-cinema-at-50-a-subjective-conversation/ To celebrate, we Started a Residency at Mains d'Œuvres (Saint-Ouen, near Paris) in order to set up the Collectif Jeune Cinéma's Temporary Cinematheque. More than a third of our catalog will be screened there, with one screening every Friday, and one full Saturday per month. With the CJC's Temporary Cinematheque, we want to set up a place where every week, at any cost, different and experimental films will be screened, and thus create a regular program, where the importance is given as much to the conviviality of the place as to the quality of the programming. We want to make the Temporary Film Library a place where filmmakers, cinephiles, curious people, students and film professionals can meet. If everyone can leave a screening with the desire to make a film, to be interested in marginal forms of cinema, and thus contribute to alternative histories of cinema, we would be very happy. The members of the CJC, all filmmakers, will welcome you to this space, which we hope will be as accessible as possible: that's why the entrance fee is pay-what-you-want. At the end of each session, there will be a discussion in the room or at the Mains d'Œuvres bar. Programming The CJC's Temporary Film Library will offer nearly 80 screenings between now and May 2022. The programs are all made from our distribution catalog and have been programmed in reverse chronological order, according to the production date of each film. The screenings, in continuity, invite you to go back in time through more than a third of our distributed films, from 2020 to 1943. Thus, the programming is taken care of by our catalog itself without going through a thematic or historical proposal of a programmer. Films made by children, structural films, abstract films, dance films, filmed diaries, amateur films, experimental documentaries... The CJC's Temporary Film Library gives us the opportunity to discover the richness and heterogeneity of our catalog, which has been in existence for 50 years and is constantly being renewed, and which will hopefully continue for the next 50 years! In 2021, the Collectif Jeune Cinéma celebrates its half-century of existence. Films will be shown in reverse chronological order, according to their production date and on their original format. Members of the CJC, all filmmakers, will welcome you in this space that we hope will be open to all : that's why the entrance fee is pay-what-you-want. At the end of each screening, there will be a discussion in the cinema or at the bar of Mains d'Oeuvres. * SEPTEMBER 17 @ 7PM * *Windshield Baby Gameboy Movie* (2009) de Clint Enns *DLignes* (2010) de Michel Amarger *Les Champs brûlants* (2010) de Stefano Canapa, Catherine Libert * SEPTEMBER 24 @ 7PM * *Light / Sound* (2010) de Vicky Langan, Maximilian Le Cain *Etrange Etranger* (2010) de Jean-Philippe Dauphin *Trinkler* (2010) de Marie-Catherine Theiler *La Femme au lys rouge* (2009) de Frédéric Fenollabbate *Notturno* (2009) de Mauro Santini *Nothing to fear but nothing itself* (2009) de Salise Hughes *Filmmembrana* (2008) de Maurizio Mercuri *Hallo Papi* (2009) de Salma Cheddadi *Ville Marie* (2009) de Alexandre Larose --- *___________________________________________________________________* *September 10 - 30* Venue type: *Both physical and online* Berwick Film & Media Arts Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0b470ce2e8&e=857b71a9cb> varies, Event URL: https://bfmaf.org/news/bfmaf-2021-programme-announced/ <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3eeb070d98&e=857b71a9cb> *Berwick Film & Media Arts Festival* 17th Berwick Film and Media Arts Festival is proud to announce the programme of its 17th edition, taking place in Berwick-upon-Tweed from Friday 10 to Sunday 12 September 2021 and also available digitally via our website unfolding from Friday 10 to Thursday 30 September. *___________________________________________________________________* *September 11 - October 2* Venue type: *Live, physical event* Current Space <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4ef696499c&e=857b71a9cb> varies, 421 N Howard St *Hypogean - an exhibition by Margaret Rorison and Monique Crabb* Current Space is proud to present 'Hypogean,' an exhibition of works by Margaret Rorison and Monique Crabb. Please join us for the opening reception. *Opening Reception: Saturday, September 11th, 7-10pm* Closing Reception & Artist Talk: October 1st Exhibition Duration: September 11th – October 2nd Gallery Hours: Fridays & Saturdays, 1-5pm *___________________________________________________________________* *September 11* Venue type: *Live, physical event* Anthology Film Archives <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=119407e4c5&e=857b71a9cb> 8:45pm ET, 32 Second Avenue *THOMAS COMERFORD* This screening is part of: “BICENTENARIO” AND THE TRACES OF HISTORY This program showcases the work of Thomas Comerford, a Chicago-based songwriter and guitarist who, in parallel to his music career, has also been making exquisitely crafted short films for the past 25 years. His films demonstrate his preoccupation with drawing out the hidden or overlooked traces of history embedded in the landscape, making them a perfect fit for this series. In his own words, “Storefronts, historical markers, fences, roads, footpaths, tree stumps and rusted, weathered signs point to culture’s constant re-imagining – and nature’s reshaping – of the landscape. Thus the landscape carries records of its revision, and these records imply loss and absence of what or who is no longer there. How have such landscapes created meanings for shifting sets of inhabitants? How also have the landscapes impacted culture and imagination via recorded/remembered ideas – writings, oral histories, drawings, maps, charts, paintings and photographs?” *FIGURES IN THE LANDSCAPE* 2002, 12 min, 16mm “FIGURES IN THE LANDSCAPE…refers to older media, in that it was shot with a pinhole camera, a form of camera obscura. The images show a sprawling Chicago suburb, while texts refer to earlier inhabitants – the Indians. The tentative, not completely sharp pinhole image combines with text to suggest that the landscapes shown, like all the landscapes we create, are themselves impermanent.” –Fred Camper *THE INDIAN BOUNDARY LINE* 2010, 42 min, 16mm, 8mm, and Super-8mm-to-digital THE INDIAN BOUNDARY LINE follows a road in Chicago, Rogers Avenue, that traces the 1816 Treaty of St. Louis boundary between the United States and “Indian Territory.” In doing so, it examines the collision between the vernacular landscape, with its storefronts, short-cut footpaths and picnic tables, and the symbolic one, replete with historical markers, statues, and fences. Through its observations and audio-visual juxtapositions, the film meditates on a span of land in Chicago about 12 miles long, but suggests how this land and its history are an index for the shifting inhabitants, relationships, boundaries and ideas of landscape – as well as the consequences – which have accompanied the transformation of the “New World.” *SUNDAY, SEPTEMBER 12, 2021* Venue type: *Live, physical event* Anthology Film Archives <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=9b693dd0d1&e=857b71a9cb> 3pm ET, 32 Second Avenue *EC: STAN BRAKHAGE 1* Unless otherwise noted, all films are silent. *DESISTFILM* (1954, 7 min, 16mm, b&w, sound) *REFLECTIONS ON BLACK* (1955, 12 min, 16mm, b&w, sound. Preserved by Anthology Film Archives.) *THE WONDER RING* (1955, 4 min, 16mm) *FLESH OF MORNING* (1956, 25 min, 16mm, b&w) *LOVING* (1956, 4 min, 16mm) *DAYBREAK AND WHITEYE* (1957, 8 min, 16mm) *WINDOW WATER BABY MOVING* (1959, 12 min, 16mm. Preserved by Anthology Film Archives.) Total running time: ca. 75 min. *___________________________________________________________________* Venue type: *Virtual, online event* *Riverwest Radio* riverwestradio.com <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8264f1d3e6&e=857b71a9cb> 8pm ET, *THE LONG CONVERSATION* THE LONG CONVERSATION...new episodes live every Sunday night! 8 pm eastern standard time & 7 by Xav Leplae and Stephanie Barber for Riverwest Radio, 104.1 or at riverwestradio.com ***& a new song by stephanie & xav for every episode*** *___________________________________________________________________* Venue type: *Virtual, online event* *GearWax* https://www.gearwax.org/ <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a204e2b648&e=857b71a9cb> 6pm-8pm PT, *GEARWAX: OLD VINYL, REPURPOSED* A bi-weekly online radio program featuring old LPs, 45rpm and 78rpm records. Hosted by Kathleen and Scott from San Francisco. Every other Sunday, 6-8pm PT! *TUESDAY, SEPTEMBER 14, 2021* Venue type: *Live, physical event* Lightcone / Luminor Hôtel de Ville <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=9b83af33ba&e=857b71a9cb> 8:30pm Paris Time, Luminor Hôtel de Ville, 20 rue du Temple *Scratch Projection ON CRACKS AND CREVICES: GUEST PROGRAM BY BRAQUAGE* This guest program, proposed to the organization Braquage to celebrate its twentieth anniversary, brings together a number of films selected from Light Cone's collection as well as others that come directly from filmmakers or from other institutions. The program invites the spectator to rethink surfaces, those of the image and its medium, as well as those of the projection screen - the receptacle of cinema's black magic. Cracks and crevices, sonic as well as visual, activate in us unprecedented possibilities of confrontations, contradictions, but also discoveries of new territories occupied by filmmakers who explore unfathomed aspects of cinema itself. Temporal cracks, in which acceleration, slow-motion and time reversal turn into laboratories of perception (Lucien Bull, Bruce Conner, Louise Bourque); spatial cracks that make each frame into a universe in itself (Sandy Ding, the Rebenty collective, Cécile Fontaine, Frédérique Devaux, Christina Battle, Peter Tscherkassky); sonic cracks that disrupt our listening comfort (Michael Snow, John Smith and Ian Bourn). The films in this selection leap joyfully from one crevice to another. We have invited the musician Thibault Walter to accompany the film of Sandy Ding, as he did when Braquage hosted the filmmaker in Paris. This screening is dedicated to all those who have been involved with Braquage over the years, and to the filmmaker Philippe Cote. *PRELUDE* by Michael SNOW 2000 / 35mm / color / sound / 4' 00 *THE KISS* by John SMITH & Ian BOURN 1999 / DCP / color / sound / 5' 00 *BULLES DE SAVON* by Lucien BULL 1904 / DCP / b&w / mute / 2' 00 *BREAKAWAY* by Bruce CONNER 1966 / 16mm / b&w / sound / 6' 00 *THE RADIO WAVE OF BLOOD BENEATH THE DIRT ICE AND FLOWERS* by Sandy DING 2006 / 35mm / b&w / sil / 8' 00 *REBENTY* by *FILM COLLECTIF - COLLECTIVE FILM* 2018 / 16mm / b&w / sound / 5' 00 *L'ÉCLAT DU MAL* by Louise BOURQUE 2005 / 35mm / color / sound / 8' 00 *LA FISSURE* by Cécile FONTAINE 1984 / 16mm / color / sil / 2' 00 *THE DISTANCE BETWEEN HERE AND THERE* by Christina BATTLE 2005 / 16mm / color / sound / 7' 50 *BRIN(S) D'IMAGES* by Frédérique DEVAUX 1998 / 16mm / color / sound / 5' 00 *TRAIN AGAIN* by Peter TSCHERKASSKY 2021 / 35mm / b&w / sound / 20' 00 MORE INFORMATION full rate: 10.00 € reduced rate: 8.00 € CIP rate: 5.00 € card Luminor 5 screenings: 31.00 € card Luminor 10 screenings: 54.00 € cards accepted: CIP, UGC Illimité, CinéPass, CICAE, CNC, Europa Cinéma, SACEM, Presse, carte permanente Luminor Luminor Hôtel de Ville 20 rue du Temple 75004 metro Hôtel de Ville (lines 1 & 11) / Châtelet (lines 1, 4, 7, 11 & 14) / Les Halles (RER A, B & D) *WEDNESDAY, SEPTEMBER 15, 2021* Venue type: *Live, physical event* Cinédoc Paris Films Coop & Polygone Étoilé <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=505df6ee5e&e=857b71a9cb> 8pm, Marseille Time Polygone Étoilé 1, rue François Massabo *Séance Kenneth Anger* Starting in September, Cinédoc offers a regular experimental cinema appointment at the Polygone Étoilé in Marseille! First session around Kenneth Anger movies on September 15th at 20 pm. Next around Jonas Mekas in October... Bookings by email to: [email protected] *Puce moment*, 7', 16mm *Invocation of my Demon Brother*, 11', 1966-69, 16mm *Kustom Kar Kommandos*, 3', 1965, 16mm *Rabbits Moon*, 7', 1950, 16mm *Lucifer Rising*, 29', 1966-80, 16mm Free entry. All films are screened in their original 16mm format *___________________________________________________________________* Venue type: *Live, physical event* la lumière collective + Le Sémaphore <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a75818d747&e=857b71a9cb> 8pm ET, 2320 Rue des Carrières *IN SITU - Sylvia Safdie & Marc Pelletier* IN SITU is a series that focuses on unique audiovisual works by local artists passionate about cinematic material, moving images and social dynamics. As part of the screening series IN SITU, la lumière collective in collaboration with Le Sémaphore : SYLVIA SAFDIE & MARC PELLETIER *SUBSTANCE IS THE WORD* Marc Pelletier | 2010 | 16mm > numérique | son | couleur | 16 mins 10 secs *STILLNESS* Marc Pelletier | 2015-2017 | 16mm > numérique | son | n&b | 16 mins *GULLS* Sylvia Safdie | 2002 | SD > numérique | sans son | couleur | 1 min *MOVEMENTS* Sylvia Safdie | 2005 | SD > numérique | son | couleur | 5 mins 38 secs *MOON/CLOUDS/EARTH* Sylvia Safdie | 2012 | numérique | sans son | n&b | 9 mins 46 secs *HEWARD & MCPHEE - TAKE 3* Sylvia Safdie | 2018 | numérique | son | n&b | 7 mins --------- Free | mandatory registration --------- registration and info : https://lalumierecollective.org/2021/sylvia-safdie-marc-pelletier/ --------- We acknowledge the support of the Canada Council for the Arts. --------- Vaccination passport and proof of identity with a photo MANDATORY, for all persons over 13 years old. To be presented at the entrance of the event. Please follow the Public Health regulations in effect at the time of the event. --------- In case of rain, the event is postponed to Thursday, September 16th. *FRIDAY, SEPTEMBER 17, 2021* *September 17 (dusk) - September 18 (dawn)* Venue type: *Live, physical event* Mono No Aware <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=172de0ac89&e=857b71a9cb> dusk -> dawn, 72 Rockwell Place, Between BRIC Media Arts Center & BAM Rose Cinemas. *Open Air Screening Series: Anto Astudillo* OPEN AIR SCREENING SERIES presents 16MM films on LOOP visible from a distance from dusk until dawn This screening benefits The Queer Detainee Empowerment Project (QDEP) & Mariposas Sin Fronteras (MSF) via suggested donations at a sliding scale. *Temple Island**,* 2020 by Anto Astudillo Eddie Martinez is a dancer for Tanztheater Wuppertal Pina Bausch. In 2009 Pina returned to Chile for her last residency before her passing that June. Eddie and I have continued our friendship ever since bonded by our love for Pina. In 2016, we collaborated on a short dance film. I told Eddie how I wanted to dance with the camera while he moved in the waters of Castle Island, MA. The film was shown as a 16mm projected loop for an expanded cinema event at the Boston Waterworks Museum. After that event I digitized the work print projected that night and created Temple Island, an ode to the body as our motor and our temple. Anto (they/them) is a queer experimental filmmaker, curator and performance artist from Santiago, Chile, living and working in Brooklyn, NY. Rooted in physical theater, Anto explores dynamic interconnections between hybrid narrative, poetic documentary filmmaking and performance art. Anto is one of the founding members of the AgX Film Collective where they had a role programming 16mm film screenings. Currently, Anto works as an independent film curator and is the Program Coordinator at The Flaherty. Since January, 2020 Anto has been touring with "The People’s Revolt" a screening about Chile’s recent social uprising. *With this series we ask that each presenting artist identify a non-profit they wish to bring attention to and support through this screening Anto has selected both The Queer Detainee Empowerment Project (QDEP) & Mariposas Sin Fronteras (MSF) * Please consider making a donation to support these efforts. *OPEN AIR SCREENING SERIES* The OPEN AIR SCREENING SERIES allows for 16mm film projection viewing with social and physical distance guidelines in place. 16mm film prints are projected, on loop, from dusk until dawn. Each artist receives an honorarium to support their practice. Each artist is asked to select a non-profit for a portion of the proceeds to benefit, a donation will be made in their name. And, YOU the audience are invited to enjoy the work, take part in the conversation and we ask that you consider making a donation as it directly supports the artist and the organization with which they share concern. Curated by Steve Cossman, the OPEN AIR SCREENING SERIES is sponsored, in part, by the Greater New York Arts Development Fund of the New York City Department of Cultural Affairs, administered by Brooklyn Arts Council. *___________________________________________________________________* *September 17 - October 21* Venue type: *Both physical and online* San Francisco Cinematheque <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=fa05e2f2ad&e=857b71a9cb> varies, Roxie Theater *CROSSROADS 2021* presented by San Francisco Cinematheque curated by Steve Polta #xrds21 CROSSROADS 2021 is the twelfth manifestation of Cinematheque’s annual film festival. CROSSROADS 2021 features 61 works of film and video by 66 artists representing 22 countries and territories presented in 9 curated programs. Get the thrill of the online festival experience by joining us for a series of scheduled *livestreams September 17–23* and/or join us *at San Francisco’s Roxie Theater October 16 & 17* as Cinematheque returns to theatrical screenings! All online programs available on a view-when-desired basis September 23–October 21 *FEATURED ARTISTS* Devin Jie Allen | Ben Balcom | Dianna Barrie | Gina Basso | Alix Blevins | Madison Brookshire | Anthony Buchanan | Peter Burr | Michael Campos-Quinn | Julien Champagne | Charlotte Clermont | Alexandra Cuesta | Susan DeLeo | Julia Dogra-Brazell | Dana Berman Duff | Erin Espelie | Kevin Jerome Everson | Thorston Fleisch | Federica Foglia | Guta Galli | Amir George | Pere Ginard | Adrian Garcia Gomez l Morrison Gong | Bea Haut | Bettina Hoffman | Philip Hoffman | Mike Hoolboom | Onyeka Igwe | Kamila Kuc | Simon Liu | Cherlyn Hsing-Hsin Liu | Jennie MaryTai Liu | Jan Locus | Azucena Losana | J.M. Martínez | Ross Meckfessel | Isiah Medina | Jeremy Moss | Vasilios Papaioannu | Michael Pisaro | John Porter | Mike Rollo | Noah Rosenberg | Tulapop Saenjaroen | Niyaz Saghari | Daïchi Saïto | Ale Samaniego | Rajee Samarasinghe | Talena Sanders | Sylvia Schedelbauer | Linda Scobie | Milton Secchi | Anne Lesley Selcer | Erica Sheu | Vicky Smith | Courtney Stephens | Takahiro Suzuki | Paige Taul | Douglas Urbank | Pamela Vail | Emily Margaret Van Loan | Tashi Wada | Kyle Whitehead | Liyan Zhao | Anne Lesley Selcer | Antoinette Zwirchmayr *SATURDAY, SEPTEMBER 18, 2021* Venue type: *Live, physical event* Anthology Film Archives <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=fd052d19bf&e=857b71a9cb> 5pm ET, 32 Second Avenue *EC: STAN BRAKHAGE 2* *CAT'S CRADLE* (1959, 6 min, 16mm) *SIRIUS REMEMBERED* (1959, 12 min, 16mm) *MOTHLIGHT* (1963, 4 min, 16mm. Preserved by Anthology Film Archives.) *BLUE MOSES* (1963, 11 min, 16mm, b&w, sound) *PASHT* (1965, 5 min, 16mm) *FIRE OF WATERS* (1965, 10 min, 16mm, b&w, sound) *THE HORSEMAN, THE WOMAN AND THE MOTH* (1968, 19 min, 16mm) Total running time: ca. 70 min. *SUNDAY, SEPTEMBER 19, 2021* Venue type: *Live, physical event* Anthology Film Archives <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=87b7e26ebf&e=857b71a9cb> 4:45pm ET, 32 Second Avenue *EC: STAN BRAKHAGE 3* *THE WEIR-FALCON SAGA* (1970, 29 min, 16mm) *SEXUAL MEDITATION #1: MOTEL* (1970, 7 min, 16mm. Preserved by Anthology Film Archives.) *THE ANIMALS OF EDEN AND AFTER* (1970, 35 min, 16mm) *SEXUAL MEDITATION: ROOM WITH A VIEW* (1971, 4 min, 16mm, b&w. Preserved by Anthology Film Archives.) *THE SHORES OF PHOS: A FABLE* (1972, 10 min, 16mm) Total running time: ca. 90 min. *___________________________________________________________________* Venue type: *Live, physical event* Anthology Film Archives <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4fe7f058b3&e=857b71a9cb> 6:15pm ET, 32 Second Avenue *TONY OURSLER: SYNESTHESIA - GLENN BRANCA + TONY CONRAD* Tony Oursler’s SYNESTHESIA project features interviews with twelve legendary figures in the downtown music, performance, and art scenes: John Cale, Thurston Moore, Dan Graham, Genesis P-Orridge, Kim Gordon, Glenn Branca, Laurie Anderson, Tony Conrad, David Byrne, Lydia Lunch, Alan Vega, and Arto Lindsay. These works were originally included as one element of Oursler and Mike Kelley’s multimedia installation THE POETICS PROJECT. These conversations reveal fascinating insights and anecdotes from some of the most influential figures in the experimental rock and art underground of the 1970s and 80s, from pre-punk innovators to post-punk icons, from industrial and avant-garde music to noise bands and No Wave. As part of the “Common Tones” film series, we’ll be screening three of the twelve videos, in two programs. PROGRAM 1: Tony Oursler *SYNESTHESIA: GLENN BRANCA* 1997-2001, 37 min, digital. Made in collaboration with Mike Kelley, David West & Linda Post. Glenn Branca emerged from New York’s no-wave scene in the late 1970s, composing and performing radical guitar music with his bands The Static and Theoretical Girls. A rock iconoclast and avant-garde composer, he began orchestrating experimental symphonies of massed guitars and percussion for the Glenn Branca Ensemble in the 1980s, and continues to compose and perform. Tony Oursler *SYNESTHESIA: TONY CONRAD* 1997-2001, 45 min, digital. Made in collaboration with Mike Kelley, David West & Linda Post. Since the 1960s, Tony Conrad’s experimental work has helped define the contours of minimalism, both in music and in film. Even as films such as THE FLICKER upped the structuralist ante, he was crafting a body of musical work that stands as a major achievement of experimental composition, from long-duration performances with LaMonte Young and John Cale as The Theater of Eternal Music to his more pop-oriented work with the German art-rock band Faust. *___________________________________________________________________* Venue type: *Live, physical event* Sight Unseen <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d03f6e4494&e=857b71a9cb> 7pm ET, SNF Parkway Theatre, 5 West North Ave *maɬni – towards the ocean, towards the shore* with director, Sky Hopkina in person Total run time: 80:21 HD video, stereo, color, 2020 With a Q&A with the director immediately following the screening *maɬni – towards the ocean, towards the shore* follows Sweetwater Sahme and Jordan Mercier's wanderings through each of their worlds as they wonder through and contemplate the afterlife, rebirth, and the place in-between. Spoken mostly in chinuk wawa, their stories are departures from the Chinookan origin of death myth, with its distant beginning and circular shape. *___________________________________________________________________* Venue type: *Live, physical event* the8fest Small-Gauge Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b45f18fa47&e=857b71a9cb> 7PM, Open-Air Parking Garage, Polish Combatants Hall, 206 Beverley St. *PARTIES AND MAKING YOUR OWN FUN Revelry and excess in 60s and 70s Toronto* presented by the Home Movie History Project For 25 years a couple filmed their whirlwind social life of parties, dancing and excursions, through the rise and fall of the 60s and 70s era. Recent European immigrants they enthusiastically embraced the fat years of prosperity in post-war Toronto. The couple started to capture parties thrown at their apartment in the late 50s, along with outings in the company of their circle of friends. A scene that led to more than one wedding, with participants dressed in the searing synthetic colours of the day and guests doing dances like the limbo and twist. As the couple aged the celebrations became a bit calmer, but they continued to film social gatherings at their various homes, showcasing the excess in taste of the coming 70s. From costume parties, pool parties and partying aboard a cabin cruiser; to eye-popping interiors in the 50s, 60s and 70s (from the era of kidney-shaped coffee tables and console stereos, all the way to that of mirrored wallpaper and psychedelic paintings); to Yorkville, the recently opened Nathan Phillips Square and newly built suburbs in the 60s; to going car-camping together with other couples or wearing sombreros at Expo 67; to the lights of the CNE by night, including Laff in the Dark and other amusements; to travel and cottage life full of games and merriment staged for the camera—all this tireless revelry reflecting the ever-expanding personal and material expectations of the times. *___________________________________________________________________* Venue type: *Virtual, online event* *Riverwest Radio* riverwestradio.com <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d11a35bc4b&e=857b71a9cb> 8pm ET, *THE LONG CONVERSATION* THE LONG CONVERSATION...new episodes live every Sunday night! 8 pm eastern standard time & 7 by Xav Leplae and Stephanie Barber for Riverwest Radio, 104.1 or at riverwestradio.com ***& a new song by stephanie & xav for every episode*** *ONGOING* Venue type: *Virtual, online event* *Ecstatic Static* https://www.ecstaticstatic.com/screenings/ <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=de85158db1&e=857b71a9cb> streaming 24/7 *ECSTATIC STATIC SCREENINGS* We host regular online screenings of artists’ films and videos on the landing page, as a way to share work both new and rare, that may otherwise have a limited release. For more information on each artist and ways on how to support their work, please see the links below. *Sara Cwynar – Glass Life (Trailer)* Sara Cwynar, Glass Life (Trailer). 2021, 42 sec. Sara Cwynar, Glass Life (Trailer). 2021, 42 sec. Sara Cwynar, Glass Life (Trailer). 2021, 42 sec. Sara Cwynar, Glass Life (Trailer). 2021, 42 sec. Sara Cwynar, Glass Life (Trailer). 2021, 42 sec. *Screening No. 4: I Remember* Bani Abidi, Funland (Karachi Series II). 2014, 12 min, 48 sec Luis Arnías, Punky Eye / Ojo Malcriado. 2018, 15 min Tinne Zenner, Sleeping District. 2014, 12 min Miko Revereza, Distancing. 2019, 10 min Catarina Vasconcelos, Metaphor or Sadness Inside Out. 2013, 31 min Leonardo Mouramateus, A Festa e os cães. 2015, 25 min *Screening No. 3: W,O,R,D,S* Erica Sheu, first draft. 2017, 3 min Anna Thew, Lost for Words. 1980, 25 min Abigail Child, Mutiny. 1983, 11 min Yann Beauvais, SID A IDS. 1992, 5 min, 30 sec Rhea Storr, Junkanoo Talk. 2017, 11 min, 36 sec John Smith , Steve Hates Fish. 2015, 5 min Jenny Brady , Wow and Flutter. 2013, 13 min, 3 sec Eva Giolo, A Tongue Called Mother. 2019, 18 min *Screening No. 2: Five Films by Jodie Mack* Jodie Mack, Wasteland #1: Ardent, Verdant. 2017, 4min, 30 sec Jodie Mack, Something Between Us. 2015, 9 min, 30 sec Jodie Mack, Razzle Dazzle. 2014, 5 min Jodie Mack, Undertone Overture. 2013, 10 min, 30 sec Jodie Mack, Blanket Statement #1: Home is Where the Heart is. 2012, 3 min *Screening No. 1: The Ecstatic Static* Luca Werner, Schöngeising. 2020, 1 min, 10 sec Kersti Jan Werdal, Slow Shapes. 2017, 12 min, 54 sec Taiyo Onorato & Nico Krebs, Wrestlers. 2015, 7 min Beatriz Santiago Muñoz, Black Beach/Horse/Camp/The Dead/Forces. 2016, 8 min Simon Liu, Signal 8. 2019, 14 min Anna Marziano, La Veglia. 2010, 2 min Andrea Franco, East Los Angeles Punk. 2012, 7 min Jeano Edwards, Familiar Strangers. 2020, 2 min, 22 sec. Melanie Smith with Rafael Ortega, Parres Trilogy. 2004, 12 min, 56 sec Gillian Garcia, YDS. 2021, 3 min, 49 sec ------------------------------ *Let us know about your alternative film/video event!* Enter your event announcements by going to the Flicker Weekly Listing Form <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ef802408b5&e=857b71a9cb> . To receive the weekly listing directly via email rather than through Frameworks, just hit Subscribe <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=091193278b&e=857b71a9cb> . *Copyright © 2020 Flicker, All rights reserved.* Longtime recipient of This Week in Avant Garde Cinema This Week in Avant Garde Cinema · everywhere · Durham, NC 27701 · USA
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