View this email in your browser <https://mailchi.mp/9d7f6ea51ff2/this-week-in-avant-garde-cinema-4995525?e=857b71a9cb>
*This Week [November 6 - 14, 2021] in Avant Garde Cinema* To receive the weekly listing directly via email rather than through Frameworks, just hit Subscribe <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=091193278b&e=857b71a9cb> . *DEADLINES APPROACHING* Enter upcoming calls for entry here <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=527c2cb70b&e=857b71a9cb> ___________________________________________________________________________________ *sorted by submission deadline* 11.08.2021 Visions du Réel <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=234406f463&e=857b71a9cb> (Completed by October 2021) 11.09.2021 San Francisco International Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b91b6716ed&e=857b71a9cb> 11.26.2021 Alchemy Film and Moving Image Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=03b47cf73c&e=857b71a9cb> (Regular Deadline) 11.30.2021 Laterale Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1cc256eb97&e=857b71a9cb> (Regular Deadline) 11.30.2021 Crossroads <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7f99090bf6&e=857b71a9cb> (Early Deadline) 11.30.2021 Interbay Cinema Society Lightpress Grants <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=dee161fe80&e=857b71a9cb> 11.30.2021 Media Monsters: Series 2 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e1b3165143&e=857b71a9cb> 01.07.2022 Coney Island Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f73349d2a4&e=857b71a9cb> (Early Deadline) 01.30.2022 Braziers International Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3bdd55977c&e=857b71a9cb> (Early Deadline) 02.01.2022 International Short Film Festival Oberhausen <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a5a8e2c723&e=857b71a9cb> *EVENTS* Enter your event announcements here <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c4684146f2&e=857b71a9cb> ___________________________________________________________________________________ *complicated sorting but a true attempt, enjoy!* This week's programs (summary): - Fabric of Photography: Material Matters <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0391d3aeab&e=857b71a9cb> [October 15-November 13, Oxford] - Leslie Thornton: Begin Again, Again <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=bd2dc87232&e=857b71a9cb> [October 22-February 13, Cambridge, Massachusetts] - Engauge Experimental Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1f80c7f25b&e=857b71a9cb> [October 28-November 8, Seattle] - Mark McElhatten— “To the Lighthouse” Screening Series <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8ac59f3b11&e=857b71a9cb> [October 29-November 16, New York] - aCinema: Exopoiesis <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=fee3c1eb00&e=857b71a9cb> [November 1-30, online] - Xcèntric 20th Anniversary <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=71c5afdda8&e=857b71a9cb> [November 4-7 + December 12, Barcelona] - Mclaughlin + T. Johnson + Scott <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e66c7a50ea&e=857b71a9cb> [November 6, San Francisco] - New Films On the Re:Voir Online App <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=74d1558a3f&e=857b71a9cb> [November 6, online] - Mono No Aware Community Screening Program <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5c2511f0d8&e=857b71a9cb> [November 7, New York] - Memorial Tribute: Suzan Pitt, Program 1 + 2 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=dd7674092b&e=857b71a9cb> [November 7, New York] - Underground Movies, Program 1: A Hollow Earth <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0d48c5e131&e=857b71a9cb> [November 7, online] - Gearwax: Old vinyl, Repurposed <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5579678b0f&e=857b71a9cb> [November 7, online] - Ghosts of Lost Futures <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a7703ed329&e=857b71a9cb> [November 8, Austin] - 40 Years of Light Cone <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=08d8094b52&e=857b71a9cb> [November 9-12, Seville, Spain] - Pink-U Punk-Y <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=91b78999a7&e=857b71a9cb> [November 11, Paris] - Screen25 X Cinema Year Zero Presents: Srećan Put <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=84b105a269&e=857b71a9cb> [November 12, London, UK] - Canning's Motherload <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ad24277368&e=857b71a9cb> [November 13, San Francisco] - New Films On the Re:Voir Online App <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=9c3256b2b6&e=857b71a9cb> [November 13, online] - New Time: the Future Is Feminist, Girls Museum <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6e0d0e65f9&e=857b71a9cb> [November 14, Berkeley] - Underground Movies, Program 2: Spaces of Extraction <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=34361ab02e&e=857b71a9cb> [November 14, online] - The Long Conversation <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=af17ff11a2&e=857b71a9cb> [ongoing, online] - Ecstatic Static Screenings <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=04297496d1&e=857b71a9cb> [ongoing, online] *STARTING BEFORE NOVEMBER 6, 2021* *October 15 - November 13* Venue type: *Live, physical event* Old Fire Station, Oxford <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7245bbf63c&e=857b71a9cb> various times 40 George Street *Fabric of Photography: Material Matters* Twelve experimental photographic artists exhibit their work in Oxford as part of Photo Oxford Festival opening in the Main Gallery, The Old Fire Station, central Oxford, from the 15th of October until 13th of November. Each artist focuses on materiality within their practice. They are inspired by historical processes invented in the 19th Century, and work with the fundamental elements of the photographic medium: Light, Time and Material. The exhibition brings together artists from Australia, France, Holland, Poland, Ukraine, the United States, and the United Kingdom. The artists explore the materiality of the photograph through experimentation. Neil Ayling | John A Blythe | Sylvie Bonnot | Ellen Carey | Alice Cazenave | Karel Doing | Nettie Edwards | Hannah Fletcher | Anna Luk | Rita Rodner | Megan Ringrose | Kateryna Snizhko More details at: https://www.fabricofphotography.com/who *___________________________________________________________________* *October 22 - February 13* Venue type: *Live, physical event* MIT List Visual Arts Center <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6769651450&e=857b71a9cb> times vary, MIT List Visual Arts Center 20 Ames Street, Bldg E15, Atrium level *LESLIE THORNTON: BEGIN AGAIN, AGAIN* Thornton’s List Center exhibition marks the artist’s first US solo museum exhibition and most comprehensive presentation to date. The exhibition will premiere a new video work, *Hemlock *(2021), as well as a new installation of Thornton’s influential cycle *Peggy and Fred in Hell* (1983–2015). In a career spanning nearly five decades, Leslie Thornton has produced an influential body of work in film and video. Her early encounters with experimental, structuralist, and cinéma vérité traditions as a student in the 1970s fueled her iconoclastic take on the moving image and gave shape to her practice of weaving together her own footage and voice with archival film and audio. In part through her forceful and dynamic use of sound, Thornton exposes the limits of language and vision in her works, while acknowledging the ways that language and vision nevertheless remain central to scientific discourse and narrative in general. Engaging these themes within a focused survey, Thornton’s List Center exhibition will mark the artist’s first US solo museum exhibition and most comprehensive presentation to date. The relationship between technology, power, and violence is an enduring concern for Thornton. In early works, such as *X-TRACTS* (1975), *All Right You Guys* (1976) and *Jennifer, Where Are You?* (1981), Thornton contends with the basic conditions of representation in film and how the camera itself wields power. In *Let Me Count the Ways* (2004–ongoing) and *Cut >From Liquid to Snake* (2018), Thornton takes up the United States’ history of nuclear warfare—a subject fraught with personal resonance for her, as both her father and grandfather were involved in the Manhattan Project, the top-secret effort that produced the atomic bombs that the U.S. dropped on Japan in the final days of World War II. A touchstone of experimental film, *Peggy and Fred in Hell *is a multi-chapter work that surfaces the Cold War-era anxieties that shaped Thornton’s formative years and plumbs the psychological impact of technology in postwar America. Thornton’s recent film *Ground* (2020) embeds the voice of a physicist discussing particle decay within elegant yet foreboding technological landscapes. The exhibition’s title, *Begin Again, Again*—borrowed from a line in *Peggy and Fred in Hell*—alludes to human-made cycles of destruction and renewal as well the hallmarks of Thornton’s practice: an accumulation and repetition of images and language and a radically open-ended approach to observing, processing, and understanding. Thornton’s exhibition is organized by Natalie Bell, Curator, MIT List Visual Arts Center. In conjunction with the exhibition, the List Center is co-publishing the artist’s first monograph with Sternberg Press. *Exhibition Brochure with list of works exhibited*: https://listart.mit.edu/sites/default/files/MIT_List-Thornton_Brochure_2021.pdf <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5c7f76b4b5&e=857b71a9cb> *___________________________________________________________________* *October 28 - November 8* Venue type: *Both physical and online* Interbay Cinema Society <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=9dc5819c7b&e=857b71a9cb> In person: 10/28 & 10/29: 7pm & 9pm; 10/30: 5pm, 7pm & 9pm; 10/31: 3pm, 5pm & 7pm PT Online: 10/28-11/08 1515 12th Avenue Event URL: https://nwfilmforum.org/festivals/engauge-experimental-film-festival-2021/ <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3b541ef004&e=857b71a9cb> *Engauge Experimental Film Festival* The 4th Annual Engauge Experimental Film Festival Co-sponsored by the Interbay Cinema Society and Northwest Film Forum *In person October 28 - October 31 *including Special *Live Only* Expanded Cinema Performance Avida Jackson + Devon Damonte *Online October 28 - November 8th *Featuring films by Cecilia Araneda | Dianna Barrie | Bibhusan Basnet + Pooja Gurung | Edén Bastida Kullick | Anne-Marie Bouchard | Ursula Brookbank | Khalil Charif + Christine Amiran | Isabela Costa | Melina Kiyomi Coumas | Josh Drake | James Edmonds | Roshanak Elmendorf | Zachary Epcar | Linda Fenstermaker | Gwendolyn Audrey Foster | Edgar Garcia Chavez | Dawn George | Mike Gibisser | Brittany Gravely + Ken Linehan | Serge Gregory | Mike Hoolboom | Kourtney Jackson | Foteini Tina Jacobson | Miglė Križinauskaitė-Bernotienė | Kate Lain | Christine Lucy Latimer | Cherlyn Hsing-hsin Liu | Nelson MacDonald | Florian Maricourt + Calypso Debrot | Mireya Martinez | Tetsuya Maruyama | Carleen Maur | Penny McCann | Sandy McLennan | Rocio Mesa | Milan Milosavljević | Ella Morton | Patrick Müller | Yuri Muraoka | Karl Nussbaum | Vasilios Papaioannu | Laura Phillips| Emma Piper-Burket | Ben Popp | Rrose Present | Charlotte Pryce | Camille Pueyo | Kathryn Ramey | Kristin Reeves | Richard Reeves | Daniel Robin | Jason Robinson | Kathleen Rugh | Adam Sekuler | Wenhua Shi | Caitlin “Sonny” Shieh | Anastasia Shubina + Timofey Glinin | Luke Sieczek | Caleb Smith | Miles Sprietsma | Cindy Stillwell | Mark Street | Mary Trunk | Richard Tuohy | Huw Wahl | Stephen Wardell | Stefanie Weberhofer | Steven Woloshen | Tzuan Wu + Erica Sheu *___________________________________________________________________* *October 29 - November 16* Venue type: *Live, physical event* Museum of Modern Art <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=36c34a49c7&e=857b71a9cb> various times MoMA, 11 West 53 Street *Mark McElhatten— “To The Lighthouse” Screening Series* MoMA is honored to present a screening series selected by renowned curator and film programmer Mark McElhatten. “I like to present programs that are more than the sum of their parts,” he says, “an experience that can’t be summarized made up of films that can’t be told.” A founding curator of the New York Film Festival’s Views from the Avant-Garde, and Martin Scorsese’s film archivist for 22 years, McElhatten has been curating film and video programs at major museums and festivals around the world since 1976. “Cinema exists before and after film as a modality of human consciousness,” says McElhatten. “I’ve always resisted informational or thematic programs as I work with intuition and with each film to compose an experience. The films presented in this series touch on many ideas and issues: the human subconscious, the daily, the sublime, race, colonialism, mortality, desire, difference, and division. They are songs of experience holding surprises, revealing their essence and versatility in context, not limited to carrying a particular weight of explanation. Unexplained but not inexplicable. Films that honor the viewer by acknowledging your freedom and intelligence.” Highlights of the series will include world premieres of work by Nathaniel Dorsky, David Gatten and Ashley West, Ernie Gehr, Vincent Grenier, Eve Heller, Ken and Nisi Jacobs, Dani (Leventhal) ReStack and Sheliah (Wilson) ReStack, and Leslie Thornton; US premieres from Michael Robinson; rare screenings of films by Joseph Cornell and Jacques Rivette; and films by Bruce Conner, Claire Denis, Mark LaPore, Buster Keaton, Gregory Markopoulos, Talena Sanders, Phil Solomon, John Reinhardt, and more. Organized by Mark McElhatten, guest curator; with Ron Magliozzi, Curator, Brittany Shaw, Curatorial Assistant, and Olivia Priedite, Senior Program Assistant, Department of Film. Proof of vaccination required *___________________________________________________________________* *November 1 - 30* Venue type: *Virtual, online event* aCinema <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6026bb5cce&e=857b71a9cb> streaming 24/7 Event URL: https://www.acinema.space/current-program <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=fb19f42711&e=857b71a9cb> *aCinema: Exopoiesis* *Atlas*, Camila Marchon, 5 min 40 sec *Dark Matter*, Viktor Brim, 19 min 52 sec *3x Shapes of Home*, Elisabeth Brun, 6 min 58 sec *Sweeping Sweet*, Anya Leonova, 11 min 21 sec aCinema is a monthly exhibition dedicated to the screening of works by moving image artists from around the globe for audiences during the 9 month period of September to May. aCinema also organizes a yearly festival programmed from an open call for works titled, aDifferent festival. Through the exhibition of artists -- historical and contemporary, emerging and established -- in curated programs, aCinema creates a platform for artists of all career statuses to share a common exhibition space. Through the curatorial themes and independent thoughts expressed within the works, aCinema hopes to inspire and expand audiences' views of the moving image, fostering an arts educational space, where audiences are free to engage in discussion with curators and artists (when present) following the screenings. *___________________________________________________________________* *November 4 - 7 + December 12* Venue type: *Live, physical event* Xcèntric <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=adffa52c4b&e=857b71a9cb> various times Teatre CCCB, Plaça de Joan Coromines *Xcèntric 20th Anniversary* The 20th anniversary of Xcèntric will take place on 4, 5, 6 and 7 November and 12 December at the CCCB’s cinema. We have prepared a special program that includes screenings, a conference by Tom Gunning, happenings, and several performances. We celebrate cinema as a collective experience, the survival of photochemical film and the profession of projectionist, through a reflection on the present and future of cinema in the digital age. November 4 @ 19:00 (GMT +2) *Le Film est déjà commencé?*, Maurice Lemaître, 1951, 35 mm, 62 min. November 5 Program @ 19:00 (GMT +2) *Scenes From Under Childhood: Section No.1*, Stan Brakhage, 1967, 16 mm, 25 min. *Scenes From Under Childhood: Section No.2*, Stan Brakhage, 1969, 16 mm, 40 min. *Scenes From Under Childhood: Section No.3*, Stan Brakhage, 1969, 16 mm, 28 min. *Scenes From Under Childhood: Section No.4, *Stan Brakhage, 1970, 16 mm, 46 min. November 5 & 6 @ 11.30 and 16.30 + November 7 @ 11:30 (GMT +2) *Cinema Futures*, Michael Palm, 2016, digital, 126 min, Original language with Spanish subtitles. November 6 @ 19:00 (GMT +2) *Cinema of Vision, *talk by Tom Gunning *Kodak*, Tacita Dean, 2006, 16mm colour and black and white, optical sound, 44 minutes. November 7 @ 18:30 (GMT +2) *At the Academy*, Guy Sherwin, 1974, 16 mm, 5 min. *Projection Instructions*, Morgan Fisher, 1985, 16 mm, 4 min. *Luminous Zone*, Barry Gerson, 1973, 16 mm, 28 min. *Transparency*, Ernie Gehr, 1969, 16 mm, 11 min. *Railings*, Guy Sherwin, 1977, 16 mm, 10 min. *Pasadena Freeway Stills*, Gary Beydler, 1974, 16 mm, 6 min. *Bad Burns*, Paul Sharits, 1982, 16 mm, 5 min. *zzz: Hamburg Special*, Hans Scheugl, 1968, 16 mm, no data. *Echo Chamber*, a performance by Valentina Alvarado Matos and Carlos Vásquez Méndez. December 12 @ 18:30 (GMT +2) *Album 1*, Boris Lehman, 1974, Super 8 to 16 mm, colour, silent, 60 min. Live musical accompaniment by Marina Herlop. *SATURDAY, NOVEMBER 6, 2021* Venue type: *Live, physical event* Other Cinema <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2ec13fcdbf&e=857b71a9cb> 8:00pm PT 992 Valencia St *MCLAUGHLIN + T. JOHNSON + SCOTT* Our annual Media-Archeology Dig celebrates a robust range of distinct–even peculiar–art practices, still thriving on the so-called “margins”. Headlining is 35mm stereoscopic maestro *Pad McLaughlin*, with dual-projector works both old and new, including the world premiere of *Binocular Disparities*! AND: Tree-of-knowledge *Tim Johnson *takes apart the mythic *Amiga Toaster *to reveal missing links between generations of electronic graphics. Also surfing our wave of obsolescence, analog champ *Jake Scott* drops the needle on Flexidiscs, to sync the plastic sheets' soundtracks to S8 *Frankenstein *digests! PLUS bits and bytes of Variophones, Vocoders, the Cox Optigan, and free 35mm filmstrips! $9.99 *___________________________________________________________________* Venue type: *Virtual, online event* Re:Voir <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b6698471ec&e=857b71a9cb> 12:00 GMT Event URL: https://apps.apple.com/us/app/online-re-voir/id1545131544 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5fa43bd24e&e=857b71a9cb> *New films on the Re:Voir Online app* *Threshold* (2013, 14 min) by Robert Todd *Fast Film* (2003, 12 min) by Virgil Widrich *Le Lit de la Vierge* (1969, 114 min) by Philippe Garrel *Buffalo Diaries* (2008, 31 min) by Holly Fisher *Cinexpérimentaux #3: Vivian Ostrovsky* (2001, 13 min) by Frédérique Devaux and Michel Amarger Free download and 30-day free subscription. Every week two hours of new films are added. *SUNDAY, NOVEMBER 7, 2021* Venue type: *Live, physical event* Mono No Aware @ Anthology Film Archives <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=251a0f29b2&e=857b71a9cb> 1pm ET 32 Second Avenue *MONO NO AWARE COMMUNITY SCREENING PROGRAM* Featuring the world premiere of 60 films made locally with the support of MONO NO AWARE. This program will include films made through the educational initiatives of MONO NO AWARE, a cinema-arts nonprofit organization and film positive community working to promote connectivity through the cinematic experience. Established in 2007 and based in downtown Brooklyn, MONO NO AWARE presents monthly artist-in-person screenings, facilitates equipment rentals, operates a film distribution initiative, maintains wet & dry lab facilities, and hosts an annual exhibition for contemporary artists and international filmmakers whose work incorporates Super-8mm, 16mm, 35mm, or altered light projections as part of a live performance or installation. For more info visit: www.mononoawarefilm.com <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4eb1ba5787&e=857b71a9cb> *___________________________________________________________________* Venue type: *Live, physical event* Anthology Film Archives <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=23077e73ed&e=857b71a9cb> 6pm + 8:15pm ET 32 Second Avenue *MEMORIAL TRIBUTE: SUZAN PITT, PROGRAM 1 + 2* One of the most inventive and inspired experimental animators of her generation, Suzan Pitt passed away in the summer of 2019 at the age of 75. To celebrate her achievements, we’ll be hosting two programs surveying her career as a filmmaker. Pitt initially trained as a painter and graphic artist, but driven by a desire to set her visual ideas in motion, she quickly gravitated towards animation. Her films conjure phantasmagorical worlds in which people, objects, and identities are in constant flux. She explores urgent subjects such as mortality and sexuality by means of dreamlike, profoundly ambiguous and unsettling imagery – but always with a vibrancy and sheer delight in creation that renders the films deeply liberating and wondrous. These screenings will showcase the Academy Film Archive’s recent restorations of the majority of Pitt’s films, including her masterpiece, ASPARAGUS (1978), and will also include a short documentary about her life and work (directed by Pitt’s son and daughter-in-law). With several of Pitt’s family members and friends present, this evening will represent a special opportunity to share thoughts and memories of an artist whose work is profoundly alive. Special thanks to Blue & Laura Kraning; Charlie Ahearn; Ken Brown; Lisa Crafts; and Mark Toscano & Edda Manriquez (Academy Film Archive). * PROGRAM 1 @ 6PM (TRT: 75') * *BOWL, GARDEN, THEATRE, MARBLE GAME* 1970, 7 min, 16mm. Preserved by the Academy Film Archive. *CROCUS* 1971, 6.5 min, 16mm. Preserved by the Academy Film Archive. *WHITNEY COMMERCIAL* 1973, 3 min, 16mm. Preserved by the Academy Film Archive. *JEFFERSON CIRCUS SONGS* 1973, 16 min, 16mm-to-digital. New digital file from the Academy Film Archive. *VISITATION* 2011, 9 min, 16mm-to-digital. New digital file from the Academy Film Archive. Plus: *SUZAN PITT: PERSISTENCE OF VISION*, Blue Kraning & Laura Kraning, 2006, 28 min, digital * PROGRAM 2 @ 8:15PM (TRT: 70') * *CLAY WOMAN SMOKING* ca. 1970s, 21 sec, 16mm-to-digital. New digital file from the Academy Film Archive. *ASPARAGUS* 1978, 19 min, 35mm. Preserved by the Academy Film Archive. *JOY STREET* 1995, 24 min, 35mm. Preserved by the Academy Film Archive. *EL DOCTOR* 2006, 23 min, 35mm. New print from the Academy Film Archive. *___________________________________________________________________* Venue type: *Virtual, online event* Filmforum <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b33a12e69e&e=857b71a9cb> 4pm PT, Event URL: https://watch.eventive.org/undergroundmovies/play/6178d88197255500a82a4b77 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=770860b209&e=857b71a9cb> *Underground Movies, program 1: A Hollow Earth* Followed by a live Q&A with curators Jenny Perlin and Leo Goldsmith and filmmakers. Please note that the show time starts at 4 pm, and the films will play one time only. They will not be available after the screening. Remember that clocks fall back one hour at 2am on the morning of November 7 "Caves, sewers, subways, mines, bunkers, crypts—the planet’s real and mythic subterranean spaces have served a capacious array of functions, as sources of fossil fuels and imaginative speculation alike. This series of programs explores how moving-image artists have tackled these hidden worlds—through documentary observation into their murky depths, performative bodily engagement, abstraction, archival montage, and computer graphics. Drawing together films from a historically and geographically diverse field—from early cinema to contemporary artists’ moving image; from the Americas, Asia, and Europe—“Underground Movies” charts a unique aesthetic terrain through which to explore larger questions of human’s material and psychological relation to the planet’s substructure—as a space to be reshaped and exploited, but also as one in which to imagine ourselves anew." —JP &LG *Interior New York Subway, 14th Street to 42nd Street**,* Billy Bitzer, USA, 1905, film to paper positive, screened as digital file, b&w, silent, 5 min. *Nine Guided Tours**, *Michael Gitlin, USA, 2000, Video, color, sound, 19 min. *Into All That Is Here**, *Laure Prouvost, UK, 2015, HD video, color, sound, 10 min. *Substrait (Underground Dailies)*, Gordon Matta-Clark, USA, 1976, 16mm, color and b&w, sound, screened as a digital file, 30 min. *sound of a million insects, light of a thousand stars*, Tomonari Nishikawa, Japan, 2014, 35mm, sound, color, screened as digital file, 2 min. *___________________________________________________________________* Venue type: *Virtual, online event* *GearWax* https://www.gearwax.org/ <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ce01db4466&e=857b71a9cb> 6pm-8pm PT, *GEARWAX: OLD VINYL, REPURPOSED* A bi-weekly online radio program featuring old LPs, 45rpm and 78rpm records. Hosted by Kathleen and Scott from San Francisco. Every other Sunday, 6-8pm PT! *MONDAY, NOVEMBER 8, 2021* Venue type: *Live, physical event* Experimental Response Cinema <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4b540ac25c&e=857b71a9cb> 7pm CT, AFS Cinema 6406 N I-35 Suite 3100 *GHOSTS OF LOST FUTURES* Austin Film Society and Experimental Response Cinema partner to present Ghosts of Lost Futures, new video works by 10 artists commissioned by the G. William Jones Film and Video Collection. Each artist was given access to the same cache of footage from the WFAA Newsfilm Collection shot in Dallas,Texas in the year 1970, the year of the archive’s founding. The program was intended to celebrate the 50th Anniversary of the archive, but due to the COVID-19 pandemic and the resulting lockdowns, the program was not completed until the Spring of 2021. The artists were given complete freedom in how they re-interpreted the footage and its historical context. The resulting works are profound meditations on mourning, melancholy, disaster, and various reinterpretations of the events of 2020 and 2021 through images of Dallas’ past. Curt Heiner – *the stars of texas shine tonight* – 13m59 Lisa McCarty – *Undelivered Remarks* – 5m5s Tramaine Townsend – *FRAMES.–DALLUS.* – 6m26s Zak Loyd – *Deep River / Ocean of Storms* – 3m8s Sean Miller – *Untrue Crime* – 8m17s Angelo Madsen Minax – *Stay with me, the world is a devastating place* – 8m 29s Zak Loyd – *Parkland* – 6m19s Amber Bemak – *Dallas is a Fire* – 11m35s Melanie Clemons – *Flats* – 8m4s Liz Rodda – *Amid Flowers, Crowns, and Tears* – 11m19s Marwa Benhalim – *The Void Remembers* – 6m34s Program curated by Michael A. Morris *TUESDAY, NOVEMBER 9, 2021* *November 9 - November 12* Venue type: *Live, physical event* Festival de Sevilla <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f500a4843d&e=857b71a9cb> times vary, locations vary, see below *40 YEARS OF LIGHT CONE* Seminar: November 9 and 10. From 11: 00-14: 00 at the CAAC. Screenings: From November 9 to 12. Afternoon. MK2 Cinesur Nervión Plaza. 2022 marks the 40th anniversary of the organisation responsible for bringing experimental cinema, in its original formats, to every corner of Europe: Light Cone, which houses 5,000 films from 1900 to the present day from all over the world at its headquarters in Paris (a veritable crypt of treasures). In this edition of the Festival, Yann Beauvais, who founded Light Cone with Miles McKane in 1982 and is one of the world's leading experts and exponents on the subject, brings us a selection from this inexhaustible collection, which also outlines a new history of avant-garde cinema. Under the title "Activating cinema", Beauvais rediscovers the revolutionary, inspiring and exciting potential of this suggestive vein of cinema through a vision that renews the canons based on a view that includes both ecology and gender identity, whilst not neglecting themes such as cinema in its materiality and its relationship with the fine arts. The crème de la crème, in a series of unique sessions in which 16mm and super 8 projectors will once again roar in the theatre. * SEMINAR IN TWO PARTS * The Beginnings November 9th. 11:00 h. - 14:00 h. at the CAAC The Explosion of Diversity November 10th. 11:00 h. - 1 4:00 h. at the CAAC * SESSION 1: LANDSCAPE/ECOLOGY * Tuesday 9 Nov, 17:00 - 18:33 (GMT +2) http://festivalcinesevilla.eu/en/node/4120 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c1a503b7e7&e=857b71a9cb> *Sans Titre* (Helmut Nickels, 1976-1977, 16mm, 5 Min.) *Hus* (Inger Lise Hansen, 1998, 16mm, 8 Min.) *Put-Putt* (Werner Nekes, 1967, 16mm, 10 Min.) *3/60 Bäume Im Herbst* (Kurt Kren, 16mm, 1960, 5 Min.) *Colour Separation* (Chris Welsby, 1974-1976, 16mm, 3 Min.) *Étude Cinégraphique Sur Une Arabesque* (Germaine Dulac, 1929, 16mm, 7 Min.) *Festung Europa* (Louise Crawford, 1992, 16mm, 7 Min.) *La Vache Qui Rumine* (Georges Rey, 1969, 16mm, 3 Min.) *Rode Molen* (Esther Urlus, 2013, 16mm, 5 Min.) *Juste Avant Midi* (Pascal Auger, 1986, 16mm, 7 Min.) *Passagen* (Lisl Ponger, 1996, 16mm, 12 Min.) *Vagues À Collioure* (Jean Michel Bouhours, 1991, 16mm, 6 Min.) *Les Heures* (Martine Rousset, 1990, 16mm, 6 Min.) *Bouquets 25-27* (Rose Lowder, 2002-2003, 16mm, 4 Min.) * SESSION 2: GENDER/IDENTITY * Wednesday 10 Nov, 17:00 - 18:51 (GMT +2) http://festivalcinesevilla.eu/en/node/4121 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8e78b5b646&e=857b71a9cb> *Vulva* (Marcelle Thirache, 1993, Super 8, 7 Min.) *Vers La Dame Jouanne* (Jennifer Burford, 1993, Super 8, 5 Min.) *Dress Rehearsal / Karola 2* (Christine Noll Brinckmann, 1979-1980, 16mm, 14 Min.) *Home Stories* (Matthias Muller, 1991, 6 Min.) *Danke, Es Hat Mich Sehr Gefreut* (Mara Mattuschka, 1987, 2 Min.) *Le Gant De L’autre* (Michel Nedjar, 1977, Super 8, 15 Min.) *Flash Passion* (Maria Klonaris & Katherina Thomadaki, 1970, Super 8, 2 Min.) *Passage Du Desir* (Jakobois, 1988, 16mm, 9 Min.) *Mann & Frau & Animal* (Valie Export, 1970-1973, 16mm 10 Min.) *Prince Of Peace *(Hans Scheugl, 1993, 16mm, 8 Min.) *Backcomb* (Sarah Pucill, 1995, 16mm, 6 Min.) *Allers Venues* (Vivian Ostrovsky, 1984, 16mm, 12 Min.) * SESSION 3: CINEMA AS MATERIAL * Thursday 11 Nov, 17:00 - 18:39 (GMT +2) http://festivalcinesevilla.eu/en/node/4122 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=40bdac6a49&e=857b71a9cb> *Musical Stairs* (Guy Sherwin, 1977, 16mm, 10 min.) *K (BERBÈRES) K (BERBERIANS) *(Frédérique Devaux, 2007, 6 min.) *Del Tuffarsi E Dell’annegarsi* (Paolo Gioli, 1972, 16mm, 11 Min.) *Lichtspiel Schwarz-Weiss-Grau* (Laszlo Moholy-Nagy, 1930, 16mm, 6 min.) *Mothfight *(Vanda Carter, 1985, 8 min.) *Black And Light* (Pierre Rovere, 1974, 16mm, 8 min.) *Film Sans Caméra STST* (Giovanni Martedi, 1975, 6 min.) *Chromaticité II *(Patrice Kirchoeffer, 1978, 16mm, 6 min.) *Systema* (Françoise Thomas, 1984, 16mm, 6 min.) *Cruises* (Cécile Fontaine, 1989, 16mm, 8 min.) *Zillertal *(Jurgen Reble, 1991, 16mm, 11 min.) * SESSION 4: THE LIGHT CONE YEARS: THE CINEMA OF YANN BEAUVAIS * Friday 12 Nov, 17:00 - 18:40 (GMT +2) http://festivalcinesevilla.eu/en/node/4123 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d36cda5abc&e=857b71a9cb> *Disjet *(Yann Beauvais, 1979-1982, 16mm, 40 min.) *Enjeux* (Yann Beauvais, 1984, 16mm, 6 min.) *Divers-Épars* (Yann Beauvais, 1987, 16mm, 12 min.) *Quatre Un* (Yann Beauvais, 1975-1991, 16mm, 15 min.) *Still Life* (Yann Beauvais, 1997, vídeo, 12 min.) *THURSDAY, NOVEMBER 11, 2021* Venue type: *Live, physical event* Lightcone / Luminor Hôtel de Ville <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=fb31aaeece&e=857b71a9cb> 8:30PM (GMT+2), Luminor Hôtel de Ville, 20 rue du Temple *PINK-U PUNK-Y* The term "pink-u" refers to Japanese films with nudity but not necessarily with eroticism as their main subject. As for "punk-y", it designates subversive, nihilistic, irreverent ideas or actions, often set to a rough and rapid musical beat. Particular attention is given to the doyenne of the program, Mary Ellen Bute, who, in 1940, rebelled against the status quo and created what she named the "Absolute Film", an explosion of colors, forms, movements – authentically 'Visual Music' avant la lettre. *DRESDEN DYNAMO*, by Lis RHODES, 1971 / 16mm / color / sound / 5' 00 *KITCHEN BEETS*, by Bea HAUT, 2019 / 16mm / b&w / sound / 1'00 *BUSH*, by Bea HAUT, 2011 / 16mm / b&w / silent / 2' 45 *SYSTEMA*, by Françoise THOMAS, 1984 / 16mm / color / sound / 4' 00 *REMOVED*, by Naomi UMAN, 1999 / 16mm / color / sound / 7' 00 *THERE'S A PERVERT IN OUR POOL!*, by Martha COLBURN, 1998 / 16mm / color / sound / 2' 30 *PSSSHT!*, by Holly FISHER, 1968 / DCP / color / sound / 5' 00 *PARASYMPATHICA*, by Mara MATTUSCHKA, 1986 / DCP / b&w / sound / 5' 00 *CEROLAX II*, by Mara MATTUSCHKA, 1985 / DCP / b&w / sound / 1' 40 *TARANTELLA*, by Mary Ellen BUTE & Norman MCLAREN & Ted NEMETH, 1940 / DCP / color / sound / 4' 51 *ASTHMA*, by Martha COLBURN, 1995 / 16mm / color / sound / 2' 00 *DESERT MIRACLES*, by Miriam GOSSING & Lina SIECKMANN, 2015 / DCP / color / sound / 11' 40 *GOUDE REVOLUTION*, by Andrea KIRSCH, 1997 / 16mm / color / sound / 9' 00 *FRIDAY, NOVEMBER 12, 2021* Venue type: *Live, physical event* Screen 25 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e7926b33e9&e=857b71a9cb> 7:45 PM Harris Academy South Norwood Cumberlow Ave, London SE25 6AE, United Kingdom *Screen25 X Cinema Year Zero Presents: Srećan Put* After moving from Heidelberg to Berlin, friends Martin (Martin Bremer) and Max (Maximilien Luc Proctor) seek meaning and comfort through filmmaking, pretend play and discussion. They meet Valentin, an aspiring actor, and decide to bring him into the creative fold. Through a series of autofiction vignettes, the film constructs a piecemeal microcosm of memory. Dir. Maximilien Luc Proctor • 2021 • Germany/US • Avant-Garde/Documentary/Comedy • 95 mins • Cert 18 Join us beforehand for a gallery installation of short films, alongside a special Cinema Year Zero inspired cocktail! *SATURDAY, NOVEMBER 13, 2021* Venue type: *Live, physical event* Other Cinema <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5b7d283b5d&e=857b71a9cb> 8:00pm, 992 Valencia St *CANNING'S MOTHERLOAD* Long-time ATA staffer *Liz Canning* is back in person with an award-wining feature doc! Always an avid cyclist, Liz had to search far and wide to discover the best transportation solution.,.once she had twins!! She stumbled upon a global movement to replace cars with long-frame bicycles designed to carry heavy loads, and joyfully threw herself into the world of cargo-bike inventors, advocates, and of course riders. The ultimate social revolutionizer, the sturdy and eco-conscious family vehicle connects with the earlier Suffragette cyclists, and women's seemingly endless fight for bodily autonomy. $8 *___________________________________________________________________* Venue type: *Virtual, online event* Re:Voir <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=cedbd58913&e=857b71a9cb> 12:00 GMT, Event URL: https://apps.apple.com/us/app/online-re-voir/id1545131544 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6e5432a8ba&e=857b71a9cb> *New films on the Re:Voir Online app* *Watermen* (1968, 64 min) by Holly Fisher *Clouds* (1969, 9 min) *Focus* (1971, 7 min) and Epilogue (1978, 8 min) by Peter Gidal *L'Automne* (1972, 75 min) by Marcel Hanoun. Free download and 30-day free subscription. Every week two hours of new films are added. *SUNDAY, NOVEMBER 14, 2021* Venue type: *Live, physical event* Pacific Film Archive <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6423645632&e=857b71a9cb> 4pm PST UC Berkeley Art Museum and Pacific Film Archive, 2155 Center Street *New Time: The Future is Feminist, Girls / Museum* Young girls take us on a tour of an art museum, raising questions about the depictions of women while revealing their generation’s concerns. With Eve Fowler’s documentation of women working in their art studios, to a voiceover reading of Gertrude Stein. Plus Emily Chao’s short tribute to Gentileschi. *with it which it as it if it is to be, Part II *by Eve Fowler, (United States, 2019) *Gentileschi’s Return *by Emily Chao, (United States, 2013) *Girls / Museum* by Shelly Silver (Germany, 2020) With Emily Chao in person! *___________________________________________________________________* Venue type: *Virtual, online event* Filmforum <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=fe82b30fb8&e=857b71a9cb> 4:00 pm PST Event URL: https://watch.eventive.org/undergroundmovies/play/617a20ddcd4b3c0078d559d7 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=079d16add6&e=857b71a9cb> *Underground Movies, program 2: Spaces of Extraction* followed by a live Q&A with curators Jenny Perlin and Leo Goldsmith and filmmakers. Please note that the show time starts at 4 pm, and the films will play one time only. They will not be available after the screening. Caves, sewers, subways, mines, bunkers, crypts—the planet’s real and mythic subterranean spaces have served a capacious array of functions, as sources of fossil fuels and imaginative speculation alike. This series of programs explores how moving-image artists have tackled these hidden worlds—through documentary observation into their murky depths, performative bodily engagement, abstraction, archival montage, and computer graphics. Drawing together films from a historically and geographically diverse field—from early cinema to contemporary artists’ moving image; from the Americas, Asia, and Europe— “Underground Movies” charts a unique aesthetic terrain through which to explore larger questions of human’s material and psychological relation to the planet’s substructure—as a space to be reshaped and exploited, but also as one in which to imagine ourselves anew. *Mineral deposits secreted in the Earth’s structural layers become the object of a vast exploratory project, an act of violence against the landscape and against those communities who inhabit it. *—JP &LG *Alma Silueta en Fuego (Silueta de Cenizas)*, Ana Mendieta, 1975, Super-8mm film transferred to high-definition digital media, color, silent, 3:07 *Mine*, William Kentridge, South Africa, 1991, 16mm film transferred to video; 5 min. 50 sec. *Olhe bem as montanhas / Look closely at the mountains*, Ana Vaz, Brazil, 2018, HD, color, sound, 30 min. *Coal Face*, Alberto Cavalcanti, UK, 1935, 25mm, black and white, sound, screened as a digital file, 11 min. *The Blood of Stars*, Raqs Media Collective, India, 2017, HD, color, sound, 13 min. *ONGOING* Venue type: *Virtual, online event* *Riverwest Radio* https://www.riverwestradio.com/show/the-long-conversation/ <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=17a2cdbc31&e=857b71a9cb> 8pm ET, *THE LONG CONVERSATION* THE LONG CONVERSATION with Xav Leplae and Stephanie Barber is on indefinite hold. But... all episodes from the last year and a half are streaming!!! *___________________________________________________________________* Venue type: *Virtual, online event* *Ecstatic Static* https://www.ecstaticstatic.com/screenings/ <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d7c0118dfd&e=857b71a9cb> streaming 24/7 *ECSTATIC STATIC SCREENINGS* We host regular online screenings of artists’ films and videos on the landing page, as a way to share work both new and rare, that may otherwise have a limited release. For more information on each artist and ways on how to support their work, please see the links below. *Screening No. 6: Horror of the Rented World* Peggy Ahwesh, *The Scary Movie*. 1993, 8 min Aïda Ruilova, *Goner*. 2010, 11 min, 35 sec Peter Tscherkassky, *Outer Space*. 1999, 10 min Sue de Beer, *The Dark Hearts*. 2003, 5 min Oliver Laric, *Untitled*. 2014.15, 5 min, 55 sec Ben Rivers, *Old Dark House*. 2003, 4 min *Screening No. 5: Five Films by Andrés Baron* Andrés Baron, *Red Logics*. 2020, 2 min, 45 sec. Andrés Baron, *Portals*. 2019, 6 min. Andrés Baron, *Mirror Travelling*. 2017, 3 min. Andrés Baron, *Bettina and White Background*, 2017, 2 min, 45 sec. Andrés Baron, *Printed Sunset*, 2017, 6 min, 20 sec. *Sara Cwynar – Glass Life (Trailer)* Sara Cwynar, *Glass Life (Trailer)*. 2021, 42 sec. Sara Cwynar, *Glass Life (Trailer)*. 2021, 42 sec. Sara Cwynar, *Glass Life (Trailer)*. 2021, 42 sec. Sara Cwynar, *Glass Life (Trailer)*. 2021, 42 sec. Sara Cwynar, *Glass Life (Trailer)*. 2021, 42 sec. *Screening No. 4: I Remember* Bani Abidi, *Funland (Karachi Series II)*. 2014, 12 min, 48 sec Luis Arnías, *Punky Eye / Ojo Malcriado*. 2018, 15 min Tinne Zenner, *Sleeping District*. 2014, 12 min Miko Revereza, *Distancing*. 2019, 10 min Catarina Vasconcelos, *Metaphor or Sadness Inside Out*. 2013, 31 min Leonardo Mouramateus, *A Festa e os cães*. 2015, 25 min *Screening No. 3: W,O,R,D,S* Erica Sheu, *first draft*. 2017, 3 min Anna Thew, *Lost for Words*. 1980, 25 min Abigail Child, *Mutiny*. 1983, 11 min Yann Beauvais, *SID A IDS*. 1992, 5 min, 30 sec Rhea Storr, *Junkanoo Talk*. 2017, 11 min, 36 sec John Smith, *Steve Hates Fis*h. 2015, 5 min Jenny Brady, *Wow and Flutter*. 2013, 13 min, 3 sec Eva Giolo, *A Tongue Called Mother*. 2019, 18 min *Screening No. 2: Five Films by Jodie Mack* Jodie Mack, *Wasteland #1: Ardent, Verdant*. 2017, 4min, 30 sec Jodie Mack, *Something Between Us*. 2015, 9 min, 30 sec Jodie Mack, *Razzle Dazzle*. 2014, 5 min Jodie Mack, *Undertone Overture*. 2013, 10 min, 30 sec Jodie Mack,* Blanket Statement #1: Home is Where the Heart is*. 2012, 3 min *Screening No. 1: The Ecstatic Static* Luca Werner, *Schöngeising*. 2020, 1 min, 10 sec Kersti Jan Werdal, *Slow Shapes*. 2017, 12 min, 54 sec Taiyo Onorato & Nico Krebs, *Wrestlers*. 2015, 7 min Beatriz Santiago Muñoz, *Black Beach/Horse/Camp/The Dead/Forces*. 2016, 8 min Simon Liu, *Signal 8*. 2019, 14 min Anna Marziano, *La Veglia*. 2010, 2 min Andrea Franco, *East Los Angeles Punk*. 2012, 7 min Jeano Edwards, *Familiar Strangers*. 2020, 2 min, 22 sec. Melanie Smith with Rafael Ortega, *Parres Trilogy*. 2004, 12 min, 56 sec Gillian Garcia, *YDS*. 2021, 3 min, 49 sec ------------------------------ *Let us know about your alternative film/video event!* Enter your event announcements by going to the Flicker Weekly Listing Form <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=366f1dca83&e=857b71a9cb> . To receive the weekly listing directly via email rather than through Frameworks, just hit Subscribe <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=091193278b&e=857b71a9cb> . *Copyright © 2020 Flicker, All rights reserved.* Longtime recipient of This Week in Avant Garde Cinema This Week in Avant Garde Cinema · everywhere · Durham, NC 27701 · USA
-- Frameworks mailing list [email protected] https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
