Joel,

I taught an expanded cinema class several years ago, and as part of that course 
we had both theatrical events and a student gallery show.  I gave them readings 
from Incite #4—I remember the Recoder/Gibson thing seemed to open up some 
possibilities for them.  I challenged them to think about the difference of the 
white cube from the black box—thinking about the different way time works, 
questions about sound, etc.  Almost all of the students were film (rather than 
art) students, so for a lot of them it was a real challenge to make work for 
installation, but I still felt like there were a handful of really interesting 
projects that came out of that general challenge.

Best,
Roger

From: Frameworks <[email protected]> on behalf of Joel 
Schlemowitz <[email protected]>
Reply-To: Experimental Film Discussion List <[email protected]>
Date: Tuesday, December 14, 2021 at 6:16 PM
To: "[email protected]" <[email protected]>
Subject: [Frameworks] Film production courses for installation and expanded 
cinema?

Fellow frameworkers,

For those of you who teach filmmaking, I’m curious to know if you cover the 
making of film/video installation works to be shown in a gallery setting, or 
the creation of expanded cinema projection-performance work in any of your 
courses?

Is it an option within a more general filmmaking course, where students might 
choose this for a final presentation of work? Or perhaps a more specialized 
course, where all of the students make moving image installation pieces?

I ask this because of some technical resources I’m preparing, and I’m curious 
to know the degree to which gallery work is being created as part of a film 
curriculum (or filmmaking is incorporated into a fine arts program, as the case 
may be).

Please feel free to write me off the list if you so choose, or share your 
response if you think it may be of interest to others here. Thanks.

Best,
Joel Schlemowitz
Part-Time Associate Professor
School of Media Studies, The New School


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