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*This Week [January 22 - 30, 2022] in Avant Garde Cinema* To receive the weekly listing directly via email rather than through Frameworks, just hit Subscribe <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=091193278b&e=857b71a9cb> . *DEADLINES APPROACHING* Enter upcoming calls for entry here <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5d54e41d3a&e=857b71a9cb> ___________________________________________________________________________________ *sorted by submission deadline* 01.30.2022 Braziers International Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=44be2e0314&e=857b71a9cb> (Early Deadline) 01.31.2022 dresdner schmalfilmtage <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=29209811e3&e=857b71a9cb> 02.01.2022 Bethesda Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c083e7486d&e=857b71a9cb> 02.01.2022 Chicago Underground Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=27c1384324&e=857b71a9cb> (Early Deadline) 02.01.2022 International Short Film Festival Oberhausen <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=08d4f4faa5&e=857b71a9cb> 02.01.2022 Milwaukee Underground Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a9e9f576fa&e=857b71a9cb> 02.11.2022 Sheffield Doc Fest <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ff4cbfebc3&e=857b71a9cb> (Regular Deadline) 02.28.2022 Edinburgh Short Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=586aff774f&e=857b71a9cb> (Early Deadline) 03.01.2022 Fracto Experimental Film Encounter <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ec81132e42&e=857b71a9cb> 03.11.2022 Coney Island Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=80b288a6a5&e=857b71a9cb> (Regular Deadline) 03.20.2022 Videoart.Ist International Video Art Screening Program <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d313884700&e=857b71a9cb> 04.30.2022 Antimatter [media art] *EVENTS* Enter your event announcements here <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a38a1f846d&e=857b71a9cb> ___________________________________________________________________________________ *complicated sorting but a true attempt, enjoy!* This week's programs (summary): - Leslie Thornton: Begin Again, Again <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d63e707144&e=857b71a9cb> [October 22-February 13, Cambridge, MA] - Jonas Mekas 100! <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=9eecac2269&e=857b71a9cb> [November 1-January 25, 2023, worldwide] - Jonas Mekas and the New York Avant-Garde <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e4d419ef70&e=857b71a9cb> [November 20-February 26, Vilnius, Lithuania] - Shadows and Light: Six Film Portraits From Lift Members, 1981-2001 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c51bc3785a&e=857b71a9cb> [January 13-27, online] - Persistence of Resistance In the Actualization of Memories From the Past <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8ecca5a239&e=857b71a9cb> [January 19-February 1, online] - NNC Presents: Michael Barnard & Justin Rhody <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=80034d9f84&e=857b71a9cb> [January 22, Santa Fe] - A Comedy of Sabotage, A Discussion On Anita Thacher's “Loose Corner” <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b26378144b&e=857b71a9cb> [January 23, online] - Film Screening + Live Performance: BEFOREANDAFTER <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0fa95c7ea2&e=857b71a9cb> [January 24, London] - This Radiant World: Lines of Force: Moving Forward and Standing Still <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4e300b4f30&e=857b71a9cb> [January 28, Chicago] - Gearwax: Old vinyl, Repurposed <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f6bbef6c1f&e=857b71a9cb> [January 30, online] - The Long Conversation <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=cafb0b62d4&e=857b71a9cb> [ongoing, online] - 6x6 Project: Artists' Moving Image Works — Edition Nº 26 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8b07aa4ff1&e=857b71a9cb> [ongoing, online] - Ecstatic Static Screenings <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f6ba5b2979&e=857b71a9cb> [ongoing, online] *STARTING BEFORE JANUARY 22, 2022* *October 22 - February 13* Venue type: *Live, physical event* MIT List Visual Arts Center <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=191d268fc0&e=857b71a9cb> times vary, MIT List Visual Arts Center 20 Ames Street, Bldg E15, Atrium level, Cambridge, MA *LESLIE THORNTON: BEGIN AGAIN, AGAIN* Thornton’s List Center exhibition marks the artist’s first US solo museum exhibition and most comprehensive presentation to date. The exhibition will premiere a new video work, *Hemlock *(2021), as well as a new installation of Thornton’s influential cycle *Peggy and Fred in Hell* (1983–2015). In a career spanning nearly five decades, Leslie Thornton has produced an influential body of work in film and video. Her early encounters with experimental, structuralist, and cinéma vérité traditions as a student in the 1970s fueled her iconoclastic take on the moving image and gave shape to her practice of weaving together her own footage and voice with archival film and audio. In part through her forceful and dynamic use of sound, Thornton exposes the limits of language and vision in her works, while acknowledging the ways that language and vision nevertheless remain central to scientific discourse and narrative in general. Engaging these themes within a focused survey, Thornton’s List Center exhibition will mark the artist’s first US solo museum exhibition and most comprehensive presentation to date. The relationship between technology, power, and violence is an enduring concern for Thornton. In early works, such as *X-TRACTS* (1975), *All Right You Guys* (1976) and *Jennifer, Where Are You?* (1981), Thornton contends with the basic conditions of representation in film and how the camera itself wields power. In *Let Me Count the Ways* (2004–ongoing) and *Cut >From Liquid to Snake* (2018), Thornton takes up the United States’ history of nuclear warfare—a subject fraught with personal resonance for her, as both her father and grandfather were involved in the Manhattan Project, the top-secret effort that produced the atomic bombs that the U.S. dropped on Japan in the final days of World War II. A touchstone of experimental film, *Peggy and Fred in Hell *is a multi-chapter work that surfaces the Cold War-era anxieties that shaped Thornton’s formative years and plumbs the psychological impact of technology in postwar America. Thornton’s recent film *Ground* (2020) embeds the voice of a physicist discussing particle decay within elegant yet foreboding technological landscapes. The exhibition’s title, *Begin Again, Again*—borrowed from a line in *Peggy and Fred in Hell*—alludes to human-made cycles of destruction and renewal as well the hallmarks of Thornton’s practice: an accumulation and repetition of images and language and a radically open-ended approach to observing, processing, and understanding. Thornton’s exhibition is organized by Natalie Bell, Curator, MIT List Visual Arts Center. In conjunction with the exhibition, the List Center is co-publishing the artist’s first monograph with Sternberg Press. *Exhibition Brochure with list of works exhibited*: https://listart.mit.edu/sites/default/files/MIT_List-Thornton_Brochure_2021.pdf <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=18b91ee750&e=857b71a9cb> *___________________________________________________________________* *November 1 - January 25, 2023* Venue type: *Both physical and online* Jonas Mekas 100! <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=561f99629b&e=857b71a9cb> times and locations vary, see below Event URL: https://jonasmekas100.com/ <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5740a1f7e4&e=857b71a9cb> *Jonas Mekas 100!* In 2022, the world and Lithuania celebrate the life and work of Jonas Mekas, one of the country’s most prominent cultural figures of the 20th and 21st centuries and a global cultural phenomenon in his own right, considered by many to be the “godfather of avant-garde cinema”. Throughout his life, Mekas always emphasized and cherished his Lithuanian roots. After fleeing the foreign occupation of his native land, he arrived in New York City, in his own words “at exactly the right moment”, joining thousands of others escaping the devastation wrought by destructive ideologies and tyrannical regimes in Europe. One might say that Mekas left one village, his native Semeniškiai in northern Lithuania, and immersed himself in the life of another – the Village thriving in and around lower Manhattan, and in its landmark publication, the Village Voice, helping to shape American and global culture so profoundly in the latter half of the 20th century. This centennial celebration, Jonas Mekas 100!, seeks to expand global recognition of his work and encourage a deeper exploration of Mekas’ prolific contributions to cinema, film criticism, cultural organization, and, in particular, his body of poems and prose, now published in Lithuanian, French, German, English, Japanese, Hebrew, and many other languages. The centennial program features over 50 events in an expanding list of countries, including: Belgium, Denmark, Finland, France, Germany, Greece, Israel, Italy, Lithuania, Norway, Poland, South Korea, Sweden, Taiwan, Ukraine, the United Kingdom, and the United States. The vast scope of Mekas’ contribution to global cultural is examined through film screenings and retrospectives, exhibitions, readings, workshops, new publications and translations of Mekas’ writings, and concerts celebrating the spirit of his work, among other events. The centennial program is a joint international collaboration between leading art and cinema organisations, curators, publishers, the global network of Lithuanian cultural attachés, the Estate of Jonas Mekas, and the Lithuanian Culture Institute. *___________________________________________________________________* *November 20 - February 26* Venue type: *Live, physical event* National Gallery of Art, Vilnius <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e4180c6754&e=857b71a9cb> times vary, National Gallery of Art, Konstitucijos pr.22, Vilnius, Lithuania *Jonas Mekas and the New York Avant-Garde* The exhibition presents Jonas Mekas' (1922-2019) work in the expanded sense. It covers his filmic practice as well as his intellectual, organizational, and often bluntly administrative approach to the labour of building and running multiple institutions and fostering new habits of looking at film as an art form. The exhibition focuses on the first three decades of Mekas' activities, starting with his coming to New York as a displaced person in 1949, through to him becoming a central figure in advocating, producing, distributing, promoting, and preserving the filmic avant-garde. The exhibition features Mekas' filmic corpus, including his celebrated diary films that epitomize his lifelong practice of recording glimpses of everyday life: while they show personal experiences, marked by exile, longing, family, and friendships, they are also steeped in the social and political events of the day. Though known primarily as a poet and a filmmaker in Lithuania, Mekas wore many more hats that granted him the title of the 'godfather' of American avant-garde cinema. Before premiering his first film, Mekas together with his brother Adolfas Mekas began publishing *Film Culture* magazine in 1955 and soon joined the *Village Voice* as a film critic. These became the main outlets through which Mekas channeled his ideas about film as an art form of personal expression and called for a new kind of cinema free from censorship and existing production and distribution systems. An alternative arts movement sprang up across New York in the postwar years, as artist-run spaces, groups, and cooperatives took the production and distribution of art into their own hands in response to mainstream institutional structures and official cultural politics. Mekas had been a crucial part of it. By the mid-1960s, Mekas' loft at 414 Park Avenue South became a headquarters for the fermenting avant-garde film culture; a sleepless hub frequented by filmmakers and artists alike. This decade marked Mekas' embrace of the avant-garde spirit, as he took part in the formation of the New American Cinema Group, and the establishment of the Film-Makers' Cooperative, the Filmmakers' Cinematheque, and Anthology Film Archives. These time-consuming activities occasionally seeped into his filmic diaries and even, as Mekas suggested, to some degree determined his films' fragmentary structure. They are presented in the exhibition through a selection of critical writings, photographs, magazines, institutional ephemera, and other archival material arranged in porous conceptual clusters on the table traversing the exhibition space. Images, sounds, and materials Mekas collected and organized throughout his lifetime - in his films and in his personal archive - serve today as an entry point into the history of avant-garde film culture in New York. The exhibition pays tribute to this era of the burgeoning American avant-garde film scene and contextualizes Mekas' output by presenting a selection of works by filmmakers who shared his aesthetic sensibility, whom he championed, and with whom he worked, including Gideon Bachmann, Stan Brakhage, Shirley Clarke, Maya Deren, Storm de Hirsch, Ken Jacobs, Marie Menken, Carolee Schneemann, Paul Sharits, Jack Smith, and Andy Warhol. A selection of films is screened behind the curved wall in the specially designed projection rooms. These rooms are loosely inspired by the Invisible Cinema, an experimental movie theater designed by the Austrian artist and filmmaker Peter Kubelka and originally installed at Anthology Film Archives in 1970. *Curators:* Inesa Brašiškė and Lukas Brašiškis an article: https://arterritory.com/en/visual_arts/events/25859-jonas_mekas_and_the_new_york_avant-garde/ <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f31a8ebe51&e=857b71a9cb> *___________________________________________________________________* *January 13 - 27* Venue type: *Virtual, online event* Liaison of Independent Filmmakers of Toronto <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b645957b8a&e=857b71a9cb> 00:00 - 24:00, Event URL: https://vucavu.com/en/shadows-and-light <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=757c460985&e=857b71a9cb> *Shadows and Light: Six Film Portraits from LIFT members, 1981-2001* In April of 2021, the Liaison of Independent Filmmakers of Toronto (LIFT) marked our 40th anniversary. It was a quiet celebration during a tumultuous pandemic year. But since then we have been looking back and taking stock of the LIFT’s legacy as a resource and community hub for the filmmakers who have passed through our doors. This free VOD program digs into work LIFT members made during the 1980s and 1990s. The six films that make up the program are varied in style, tone and form, but they aged incredibly well, connected by their timely quality and gentle handling of eclectic subject matter. The program will include: *A Private Patch of Blue*, Tracy German, 1998; *Do Nothing*, Ruba Nadda, 1997; *David Roche Talks to You About Love*, Jeremy Podeswa, 1983; *Exposure*, Michelle Mohabeer, 1990; *Silent Song*, Elida Schogt, 2001; *City of Dreams*, Jorge Manzano and Marcel Commanda, 1995 *___________________________________________________________________* *January 19 - February 1* Venue type: *Virtual, online event* e-flux Video & Film <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7800eca79b&e=857b71a9cb> streaming 24/7, Event URL: https://www.e-flux.com/video/programs/443743/iv-the-persistence-of-resistance-in-the-actualization-of-memories-from-the-past/ <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=019773763f&e=857b71a9cb> *The Persistence of Resistance in the Actualization of Memories From the Past* In a Benjaminian manner, the films in this section awaken images of the past with redemptive potential in the present. Redemption translates to the possibility of resistance. These are the images that will not go away, that persist and insist on haunting the present. Urok Shirhan, *Watani Al Akbar (My Greater Homeland)*, 2015, 11 minutes Wael Noureddine, *A Film Far Beyond a God*, 2008, 39 minutes Fouad Elkoury, *Atlantis*, 2012, 13 minutes Akram Zaatari, *This Day*, 2003, 86 minutes Helene Kazan, *Frame of Accountability: In Her View*, 2022, 15 minutes Images of Resistance from Elsewhere is the fourth of five chapters in Memories for Forgetfulness Elsewhere, an online film program curated by Irmgard Emmelhainz on e-flux Video & Film. The program streams in five thematic group screenings each two weeks long, and will be accompanied by two live discussions. *SATURDAY, JANUARY 22, 2022* Venue type: *Live, physical event* No Name Cinema <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=54d5eb078a&e=857b71a9cb> 7pm MT, 2013 Pinon Street, Santa Fe, NM *NNC presents: FIELD FILMS by Michael Barnard & Justin Rhody's easy to learn hard to forget* NO NAME CINEMA presents: A program focused on the experimental film diary, travelogue & "road movie" featuring Michael Barnard's *FIELD FILMS*, with *'easy to learn hard to forget'* (Justin Rhody, 2020) & a moldy found super-8 "road movie" Free to attend * Free popcorn (donations greatly appreciated) VAX & MASKS REQUIRED *Field Films* (directed by Michael W. Barnard / 1969-2020 / 65 mins / color / sound / digital projection) These experimental 16mm short films by Santa Fe based artist, filmmaker and musician Michael W. Barnard were created 1969-70 (along with a new piece from 2020 incorporating recent digital footage) and also all feature original soundtracks by Barnard. WORLD PREMIERE of new 2K restoration introduced by filmmaker with open Q&A post-screening! *easy to learn hard to forget* (directed by Justin Clifford Rhody / 2020 / 15 mins / color / sound / digital projection) A non-narrative video diary composed of a series of vignettes shot using a pocket-sized digital camera in Southeast Asia. Introduced by filmmaker - NEW MEXICO PREMIERE! *A moldy, vernacular super-8 road movie* (circa 1960 / 3 mins / silent / super-8mm film) A found, amateur "road movie" partially covered in mold and without any contextual or biographical information. Presented on (moldy) film! *SUNDAY, JANUARY 23, 2022* Venue type: *Virtual, online event* Microscope Gallery <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=da430ea618&e=857b71a9cb> 7:00 pm ET, Event URL: https://microscopegallery.com/anita-thacher-a-comedy-of-sabotage/ <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=18708f55f2&e=857b71a9cb> *A Comedy of Sabotage, A discussion on Anita Thacher’s Loose Corner* A conversation with Tony Pipolo, Inney Prakash, and Phyllis Rosenzweig centers around Thacher’s 16mm film installation *Loose Corner* (1980-86) as well as a series of related photographs - using similar optical processes, sets and cast of characters shot in 1980 - currently on view at Microscope. The installation is being shown for the first time as a rear 16mm projection installation as was originally conceived and with new prints following its preservation by The Academy of Motion Picture Arts and Sciences. As curators, scholars and/or writers who have engaged with Thacher’s works over the years, the three participants will offer rare insights into the works on view, her recurring explorations of the domestic realm and their feminist undertones, and her inspirations such as surrealism and the magic of cinema and photography, among others. The exhibition continues through Saturday January 29th. A Q&A with the audience via live chat follows the approximately 45-minute discussion. *MONDAY, JANUARY 24, 2022* Venue type: *Live, physical event* CAFE OTO <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a64c978f9c&e=857b71a9cb> 8pm ET, 18–22 Ashwin street, Dalston, London, UK *FILM SCREENING + LIVE PERFORMANCE: BEFOREANDAFTER* A group show of experimental film and video artists that explore the notion of before-and-after a memorable event in relation to their work. Does the “after” mirror the “before” or is the reflection completely different? Each artist responds to the question in a different way. This group screening reflects on a binary aspect of ‘before and after’ an event, trauma, pandemic, or “just” the passage of time, and the way it influences the cinematic narrative as well as the artist’s reading of the concept itself. PROGRAMME (Please note that this is not the running order) Kerry Baldry: - *Body, re-edit* (2018) originally shot on 16mm in 1992 – film, 1 min 14 sec - *Punch, re-edit *(2005) film, 1 min - *Hello, re-edit* (2019) film, 2min 26 sec - *Deities* (2015) film, 1 min 23 sec - *3 heads* (1992) film, 3 min 20 sec - *2012* (2012) film, 1 min 9 sec - *Mumble* (2005) film, 1 min 12 sec Pablo Robertson De Unamuno: - *The Dream Life Of Debris* (2014) film, 11min - *Before And After* (2021) film, 2min 30sec Zhel (Zeljko Vukicevic) - *Noise Ain't Silence, Silence Ain't Dark *(2018) film, 1min 30sec - *Mute Departures: Semiotic Threat *(2014) film, 1min - *Here They Come: The First* (2020) film, 1min - *Here They Come: The Second* (2021) film, 1min - *Red States, Blue States* (2011) film – 1min - *Bar Delay* (2009) film - 1min - *Glenn Would Not Want It Any Other Way* – (2021) film/performance, 5min Guy Sherwin: - *Views from Home Reviewed* film/performance with live sax by Alan Wilkinson, 10min Lynn Loo: - *Washi MM*, 3x 16mm film projection performance with optical sound, 15min *FRIDAY, JANUARY 28, 2022* Venue type: *Live, physical event* University of Chicago Film Studies Center <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2063bb6379&e=857b71a9cb> 7pm CT, Logan Center for the Arts, 915 E. 60th St., Chicago, IL 60637 *This Radiant World: Lines of Force: Moving Forward and Standing Still* The six works in this program act in counterpoint to each other—some are focused on stasis, pausing, and contemplation; others on movement, progression, building, and speed. James N. Kienitz Wilkins’s *Best Year Ever *is a pause, a breather, a nostalgic turn to the past in a complicated year in which Richard Scarry’s animal protagonists are social creatures exploring their world; the irony is not lost. In Bill Morrison's *Wild Girl*, actress Eva Tanguay is trapped in deteriorating film emulsion, struggling to get free. Thai filmmaker Apichatpong Weerasethakul takes a micro-look at the insect life gathering on a bed during lockdown in *Night Colonies*, while a house is never a home in Janie Geiser’s enigmatic animation *22 Light-Years*. The simple action in David Haxton’s *Bringing Lights Forward*--a series of lights are brought nearer to the camera in stages--is transformed by shooting in black and white and printing in negative; structural and performative qualities are subsumed by a spectral materiality. Finally, Austrian experimental film master Peter Tscherkassky creates a vortex of 35mm speed and motion in his propulsive *Train Again*. (digital, 16mm, and 35mm, 77 min.) *SUNDAY, JANUARY 30, 2022* Venue type: *Virtual, online event* *GearWax* https://www.gearwax.org/ <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=da7ae16675&e=857b71a9cb> 6pm-8pm PT, *GEARWAX: OLD VINYL, REPURPOSED* A bi-weekly online radio program featuring old LPs, 45rpm and 78rpm records. Hosted by Kathleen and Scott from San Francisco. Every other Sunday, 6-8pm PT! *ONGOING* Venue type: *Virtual, online event* *Riverwest Radio* https://www.riverwestradio.com/show/the-long-conversation/ <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3cbb3a4317&e=857b71a9cb> streaming 24/7 *THE LONG CONVERSATION* THE LONG CONVERSATION with Xav Leplae and Stephanie Barber is on indefinite hold. But... all episodes from the last year and a half are streaming!!! *___________________________________________________________________* Venue type: *Virtual, online event* *6x6 Project* https://6x6project.com/ <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=9bc40a8a9c&e=857b71a9cb> streaming 24/7 *Artists' Moving Image Works — Edition Nº 26* 6x6 project is an online artists' community that serves as a platform for disseminating artists' moving image works, and to create an ever-growing network among peers. To date, there have been twenty-six editions with six different artists. There are now a total of one hundred and fifty-six artists’ profiles and almost four hundred artists’ film and moving image works available to view on the website. Edition Nº 26 includes works by Jenna Bliss, Kerry Jones, Ruaidhri Ryan, Daniel Theiler, Tetsuya Maruyama. *___________________________________________________________________* Venue type: *Virtual, online event* *Ecstatic Static* https://www.ecstaticstatic.com/screenings/ <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=68f5a74e7b&e=857b71a9cb> streaming 24/7 *ECSTATIC STATIC SCREENINGS* We host regular online screenings of artists’ films and videos on the landing page, as a way to share work both new and rare, that may otherwise have a limited release. For more information on each artist and ways on how to support their work, please see the links below. *Screening No. 9: Alternate Alternate Alternate* Rocio Mesa, *Dear Friend*. 2020, 2 min, 29 sec. Luke Fowler, *Country Grammar (with Sue Tompkins)*. 2017, 18 min, 29 sec. Andrés Baron, *Aberración Cromática (Fiebre)*. 2019, 4 min, 9 sec. Jonna Kina, *Arr. for a Scene*. 2017, 5 min, 18 sec. Andrew Lampert,* Benetton*. 2004, 4 min, 20 sec. Charlotte Prodger, *Colon Hyphen Asterix*. 2012, 11 min Elke Marhöfer & Mikhail Lylov, *Shape Shifting*. 2014, 18 min ------------------------------ *Let us know about your alternative film/video event!* Enter your event announcements by going to the Flicker Weekly Listing Form <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6f4c26157b&e=857b71a9cb> . To receive the weekly listing directly via email rather than through Frameworks, just hit Subscribe <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=091193278b&e=857b71a9cb> . *Copyright © 2020 Flicker, All rights reserved.* Longtime recipient of This Week in Avant Garde Cinema This Week in Avant Garde Cinema · everywhere · Durham, NC 27701 · USA
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