There's a magical human named Adrian Cousins who is processing Koda as
color and is making tons of other magic. Find him on Facebook.

On Tue, Mar 29, 2022, 1:00 PM <[email protected]> wrote:

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> Today's Topics:
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>    1. KODACHROME 40 SUPER8 - organizing the DEVELOPMENT
>       (CHEMISTRY...) (lea jaecklin)
>    2. Re: Flamingo Film Festival 2022 Call For Films (Shane Eason)
>    3. Re: KODACHROME 40 SUPER8 - organizing the DEVELOPMENT
>       (CHEMISTRY...) (Christopher Ball)
>    4. Re: KODACHROME 40 SUPER8 - organizing the DEVELOPMENT
>       (CHEMISTRY...) (Scott Dorsey)
>
>
>
> ---------- Forwarded message ----------
> From: lea jaecklin <[email protected]>
> To: Experimental Film Discussion List <[email protected]>,
> forum labo <[email protected]>
> Cc:
> Bcc:
> Date: Mon, 28 Mar 2022 17:39:22 +0000
> Subject: [Frameworks] KODACHROME 40 SUPER8 - organizing the DEVELOPMENT
> (CHEMISTRY...)
> Hello,
>
> 1
> I have a friend who shot in KODACHROME 40 SUPER8 :
> and is looking for people who are
>
> *-> organizing the DEVELOPMENT (CHEMISTRY...) for KODACHROME 40 SUPER8 *
> best would be somewhere in Europe...
> it is not urgent, but would be great !
>
> So if you are organizing a kind of DEVELOPMENT for KODACHROME 40 SUPER8
> she would like to add / contribute with 2 super8 films KODACHROME 40...
> (maybe we can even gather more such rolls to develop, if needed)
>
> 2
> even if you make the process *into a result of black /white... : NEG*
> or any possible process...
>
> 3
> or if you would know *where to send* it...?
>
> 4
> to prepare the chemistry ourselves would be a bit difficult
> as to be able to buy certain ingredients might be not easy here, i think...
>
>
> thank you indeed,
> Lea Jaecklin
> (Genève, Suisse)
>
>
>
>
>
>
> ---------- Forwarded message ----------
> From: Shane Eason <[email protected]>
> To: [email protected]
> Cc:
> Bcc:
> Date: Mon, 28 Mar 2022 13:50:36 -0400
> Subject: Re: [Frameworks] Flamingo Film Festival 2022 Call For Films
> Greetings everyone…
>
> The DL for FFF22 has been extended to April 11th, 2022. You can continue
> to submit thru FilmFreeway <https://filmfreeway.com/FlamingoFilmFest>.
>
> Cheers,
>
> S. C. Eason
>
> On Mar 8, 2022, at 4:37 PM, Shane Eason <[email protected]> wrote:
>
> <film festival poster layers less.jpeg>
>
> *Flamingo Film Festival 2022 Call For Films*
> This year’s *9th Annual* Flamingo Film Festival submission portal is open
> via FilmFreeway <https://filmfreeway.com/FlamingoFilmFest>. The regular
> deadline is *March 27th.* Screenings are tentatively scheduled for* Saturday, 
> April
> 23rd* at FAU's MetroLab at the downtown FTL campus and online via Twitch
> <https://www.twitch.tv/flamingofilmfestival>. Times and films are TBD and
> subject to change. The festival is a competitively juried exhibition and
> only the films selected will screen. Review the festival's terms and
> conditions at FilmFreeway. The festival is free to attend. If you’re a
> current university/college student or recent graduate, consider submitting. 
> For
> faculty and staff on the list, please post and share with your students and
> colleagues. Watch FFF social media for festival news and updates. Student
> subscribers to FRAMEWORKS can submit for free using FilmFreeway code
> *FFF22Frame*. Otherwise it’s $5 or $2.50 for FilmFreeway GOLD. (Cheap!)
>
> *Videomaker Magazine Digital Subscription*
> This year FFF is partnering with Videomaker <https://www.videomaker.com/>.
> They will be providing complimentary digital magazine subscriptions to
> all student filmmakers submitting to the 2022 Flamingo Film Festival. This
> $30 value includes 6 digital editions of Videomaker’s bi-monthly magazine. 
> What
> is Videomaker? Videomaker has been the go-to video production magazine
> since 1986. With instructional courses, educational articles, virtual
> events, Videomaker Podcast, buyer’s guides, product reviews, and more. Once
> a film is submitted and following the festival's closing date, Videomaker
> will contact submitters with instructions on how to activate the
> complimentary subscription.
>
> *FFF 2022 Mandate*
> The Flamingo Film Festival is dedicated to exhibiting international short
> films and videos produced by student filmmakers. For the past eight
> installments, this event, held in sunny South Florida, has honored
> outstanding dramatic, documentary, experimental, music video, and animated
> projects created by students while enrolled in a college, university, or
> other post-secondary institution. It's the goal of the Flamingo Film
> Festival to continue to encourage student creativity, recognizing
> achievements in film and video. The festival is a part of the *Exhibition 
> Practices
> in Film, Video & New Media* course (RTV 3229 + FIL 6409) with SCMS
> <https://www.fau.edu/artsandletters/scms/> at FAU <https://www.fau.edu/>.
>
> *FFF 2022 Sponsorship + Support*
> Florida Atlantic University, Florida Atlantic University Dorothy F. Schmidt
> College of Arts & Letters, Florida Atlantic University School of
> Communication & Multimedia Studies, Videomaker, Twitch, FilmFreeway,
> Black Iron Films, and private donors.
>
> *FFF 2022 Poster Design*
> © 2022 Narges Panahandeh
> —
> *The 2022 Flamingo Film Festival Team*
> Flamingo Film Festival: A Showcase of International Student Film and Video
> FilmFreeway <https://filmfreeway.com/FlamingoFilmFest> | Web
> <http://www.flamingofilmfest.com/> | Facebook
> <http://www.facebook.com/Flamingofilmfest> | Twitter
> <https://twitter.com/flamingoff> | Instagram
> <https://www.instagram.com/flamingofilmfest/> | Vimeo
> <http://vimeo.com/flamingofilmfest> | YouTube
> <https://www.youtube.com/channel/UCFOU1ha5hPqJYpXskB1R5CA> | Twitch
> <https://www.twitch.tv/flamingofilmfestival> | TikTok
> <https://www.tiktok.com/@flamingofilmfest> | [email protected]
> —
> Shane Eason, MFA
> Associate Director | Associate Prof. of Experimental and Documentary Film
> | Multimedia Production Coordinator | DFSCAL FA Chair | MFA MTEN Interim
> Coordinator
> School of Communication & Multimedia Studies | Dorothy F. Schmidt College
> of Arts & Letters | Florida Atlantic University
> [email protected] | fau.edu/scms
>
>
>
>
>
> ---------- Forwarded message ----------
> From: Christopher Ball <[email protected]>
> To: Experimental Film Discussion List <[email protected]>,
> forum labo <[email protected]>
> Cc:
> Bcc:
> Date: Mon, 28 Mar 2022 15:00:23 -0300
> Subject: Re: [Frameworks] KODACHROME 40 SUPER8 - organizing the
> DEVELOPMENT (CHEMISTRY...)
> I had some done at Film Rescue International.  K40 can only be processed
> into black and white as no one has the chemistry for colour development for
> this stock.
>
> Sent from my BlackBerry — the most secure mobile device — via the Public
> mobile Network
> *From:* [email protected]
> *Sent:* March 28, 2022 14:40
> *To:* [email protected]; [email protected]
> *Reply to:* [email protected]
> *Subject:* [Frameworks] KODACHROME 40 SUPER8 - organizing the DEVELOPMENT
> (CHEMISTRY...)
>
> Hello,
>
> 1
> I have a friend who shot in KODACHROME 40 SUPER8 :
> and is looking for people who are
>
> *-> organizing the DEVELOPMENT (CHEMISTRY...) for KODACHROME 40 SUPER8 *
> best would be somewhere in Europe...
> it is not urgent, but would be great !
>
> So if you are organizing a kind of DEVELOPMENT for KODACHROME 40 SUPER8
> she would like to add / contribute with 2 super8 films KODACHROME 40...
> (maybe we can even gather more such rolls to develop, if needed)
>
> 2
> even if you make the process *into a result of black /white... : NEG*
> or any possible process...
>
> 3
> or if you would know *where to send* it...?
>
> 4
> to prepare the chemistry ourselves would be a bit difficult
> as to be able to buy certain ingredients might be not easy here, i think...
>
>
> thank you indeed,
> Lea Jaecklin
> (Genève, Suisse)
>
>
>
>
>
>
> ---------- Forwarded message ----------
> From: Scott Dorsey <[email protected]>
> To: [email protected], [email protected]
> Cc:
> Bcc:
> Date: Mon, 28 Mar 2022 14:26:26 -0400
> Subject: Re: [Frameworks] KODACHROME 40 SUPER8 - organizing the
> DEVELOPMENT (CHEMISTRY...)
> Rocky Mountain Film Lab can process Kodachrome to a B&W negative.  The hard
> part is removing the rem-jet backing without making a mess of everything,
> otherwise anyone could do it.
> --scott
>
>
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