On Fri, Jun 3, 2022 at 6:15 PM Colinet andré <[email protected]> wrote:
> Nicely summarized mr. Camper. > > Makes me want to see the movie again. > > All the best. > > André Colinet > > > > Envoyé à partir de Courrier > <https://go.microsoft.com/fwlink/?LinkId=550986> pour Windows > > > > *De : *Fred Camper <[email protected]> > *Envoyé le :*jeudi 2 juin 2022 17:25 > *À : *[email protected] > *Objet :*Re: [Frameworks] Creative crisis in experimental cinema > > > > Albert, > > In the examples you give, "creative crisis" is the plot. There is a film > in which the cinematic style, the use of camera movement and composition > and rhythm and editing and light, depict a first-person protagonist trying > to enter the world of light, to dance with light, to become light. This is > a striving perfect for cinematic exploration. In this film, the protagonist > fails, leading inevitably to its "tragic" ending. This film grows in > significance when you understand that not long after, in subsequent films, > the same filmmaker succeeds at what he had depicted himself failing at. > > This film is Stan Brakhage's *Anticipation of the Night*. > > Its predecessors include Maya Deren's *Meshes of the Afternoon *and > Kennith Anger's *Fireworks*. > > Fred Camper > Chicago > > > -- > Frameworks mailing list > [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >
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