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*This Week [October 8 - 16, 2022] in Avant Garde Cinema* To receive the weekly listing directly via email rather than through Frameworks, just hit Subscribe <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=091193278b&e=857b71a9cb> . *DEADLINES APPROACHING* **** Enter upcoming calls for entry here <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=71bee8a929&e=857b71a9cb> **** ___________________________________________________________________________________ *sorted by submission deadline* Ongoing Films for Ukrainian Border Crossings <[email protected]?subdir=calls&filename=2.ann&accepts=yes%0a?subdir=calls&filename=2.ann&accepts=yes%20?subdir=calls&filename=2.ann&accepts=yes> (No Dialogue + PG) 10.10.2022 Handmade Film Workshop @ VSW <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=391899b456&e=857b71a9cb> 10.11.2022 Analogue Resilience: A Film Labs Gathering <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a956f92a63&e=857b71a9cb> 10.14.2022 Melbourne Underground Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=bc5c605ea7&e=857b71a9cb> (Late Deadline) 10.14.2022 Ann Arbor Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=cc56b8c396&e=857b71a9cb> (Late Deadline) 10.15.2022 Squeaky Wheel Workspace Residency <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ae996b3ab5&e=857b71a9cb> 10.15.2022 Thomas Edison Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=240756bc0d&e=857b71a9cb> 10.17.2022 San Diego Underground Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7bce137d3f&e=857b71a9cb> (Extra Late Deadline) 10.17.2022 Josephine Massarella Artist Award <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6ad3827040&e=857b71a9cb> 10.30.2022 Harkat 16mm Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2286411420&e=857b71a9cb> (Late Deadline) 10.31.2022 Laterale Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=eb35a853a3&e=857b71a9cb> (Inaugural Deadline) 11.01.2022 Athens International Film + Video Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5ff07fae28&e=857b71a9cb> (Late Deadline) 11.01.2022 Images Festival On Screen <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=38f1d17704&e=857b71a9cb> 11.01.2022 Alchemy Film and Moving Image Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5a5300b210&e=857b71a9cb> (Regular Deadline) 11.01.2022 Experiments in Cinema <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1e3530f680&e=857b71a9cb> 11.01.2022 Chicago Underground Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0d6028c570&e=857b71a9cb> (Early Deadline) 11.04.2022 Coney Island Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=87efac3508&e=857b71a9cb> 11.06.2022 SPECTRAL Expanded Cinema Residency: S.P.A.C.E <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=86d1cb980f&e=857b71a9cb> 11.17.2022 Fisura, International Festival of Experimental Film and Video <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3d00533113&e=857b71a9cb> (Regular Deadline) 11.31.2022 Lightpress Grant <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d8c475dcea&e=857b71a9cb> 12.15.2022 Light Field <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f10b05c8b0&e=857b71a9cb> 12.31.2022 dresdner schmalfilmtage <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=327ff29da8&e=857b71a9cb> 02.01.2023 International Short Film Festival Oberhausen <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=719352a443&e=857b71a9cb> (Early Deadline) 03.01.2023 Media City Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=53b28612b8&e=857b71a9cb> 03.01.2023 Fracto Experimental Film Encounter <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6d87d570b9&e=857b71a9cb> *EVENTS* **** Enter your event announcements here <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c0e8068649&e=857b71a9cb> **** ___________________________________________________________________________________ *complicated sorting but a true attempt, enjoy!* This week's programs (summary): - Jonas Mekas 100! <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0ac807aab1&e=857b71a9cb> [November 1, 2021-January 25, *2023*, worldwide] - Refresh <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=aa4b30a9f7&e=857b71a9cb> [March 2022 - Fall 2022, Denver, CO] - Crossroads 2022 Online Echo <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a4ae1c6ceb&e=857b71a9cb> [September 22-October 16, online] - Memory In Decay <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=064cc8e0f3&e=857b71a9cb> [October 8, Queens, NY] - Psycho-Geo 1: San Franciskino! <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0f257c8951&e=857b71a9cb> [October 8, San Francisco, CA] - Memorial Screening For Jon Behrens <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=105b67da86&e=857b71a9cb> [October 9, Seattle, WA] - Los Angeles Filmforum and Mezzanine Present Light Field In Los Angeles <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ab2f068cdf&e=857b71a9cb> [October 9, Los Angeles, CA] - Gearwax: Old vinyl, Repurposed <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f282e52173&e=857b71a9cb> [October 9, online] - Let's All Be Lichen <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7dae28f5bd&e=857b71a9cb> [October 10-November 10, New York, NY] - VISIONS: Anti-Banality Union <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=40d5d10523&e=857b71a9cb> [October 14, Montreal, Canada] - Up and Down the River <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=26ccba4884&e=857b71a9cb> [October 15, Montague, MA] - PSYCHO-GEO2: SoCAL <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3a306b120e&e=857b71a9cb> [October 15, San Francisco, CA] - Canyon Cinema Discovered: Trajectories of Self-Determination <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=98e1680002&e=857b71a9cb> [October 16, San Francisco, CA] - Canyon Cinema Discovered: Playing In the Dark: Watery Experiments <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=581afe15ad&e=857b71a9cb> [October 16, San Francisco, CA] - The Long Conversation <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=43019e8e90&e=857b71a9cb> [ongoing, online] - 6x6 Project: Artists' Moving Image Works <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=84a4b03356&e=857b71a9cb> [ongoing, online] *STARTING BEFORE OCTOBER 8, 2022* *November 1 - January 25, 2023* Venue type: *Both physical and online* Jonas Mekas 100! <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a824a25cd7&e=857b71a9cb> times and locations vary, see below Event URL: https://jonasmekas100.com/ <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ff6138fd01&e=857b71a9cb> *Jonas Mekas 100!* In 2022, the world and Lithuania celebrate the life and work of Jonas Mekas, one of the country’s most prominent cultural figures of the 20th and 21st centuries and a global cultural phenomenon in his own right, considered by many to be the “godfather of avant-garde cinema”. Throughout his life, Mekas always emphasized and cherished his Lithuanian roots. After fleeing the foreign occupation of his native land, he arrived in New York City, in his own words “at exactly the right moment”, joining thousands of others escaping the devastation wrought by destructive ideologies and tyrannical regimes in Europe. One might say that Mekas left one village, his native Semeniškiai in northern Lithuania, and immersed himself in the life of another – the Village thriving in and around lower Manhattan, and in its landmark publication, the Village Voice, helping to shape American and global culture so profoundly in the latter half of the 20th century. This centennial celebration, Jonas Mekas 100!, seeks to expand global recognition of his work and encourage a deeper exploration of Mekas’ prolific contributions to cinema, film criticism, cultural organization, and, in particular, his body of poems and prose, now published in Lithuanian, French, German, English, Japanese, Hebrew, and many other languages. The centennial program features over 50 events in an expanding list of countries, including: Belgium, Denmark, Finland, France, Germany, Greece, Israel, Italy, Lithuania, Norway, Poland, South Korea, Sweden, Taiwan, Ukraine, the United Kingdom, and the United States. The vast scope of Mekas’ contribution to global cultural is examined through film screenings and retrospectives, exhibitions, readings, workshops, new publications and translations of Mekas’ writings, and concerts celebrating the spirit of his work, among other events. The centennial program is a joint international collaboration between leading art and cinema organisations, curators, publishers, the global network of Lithuanian cultural attachés, the Estate of Jonas Mekas, and the Lithuanian Culture Institute. *___________________________________________________________________* *March 2022 - Fall 2022* Venue type: *Live, physical event* Denver Museum of Nature & Science <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=78f4c902af&e=857b71a9cb> open during Museum hours, The Summit Stage and Expedition Health, Denver Museum of Nature & Science, 2001 Colorado Blvd, Denver, CO *REFRESH: *CYANOBACTERIA OFFER PERSPECTIVE ON OURSELVES This art-science collaboration looks at the microscopic ways cyanobacteria move, on an individual level and in colonies. If we study these organisms and their varied forms, we might discover ways to improve our future. On display at the Denver Museum of Nature & Science in the Summit Stage and Expedition Health, March 2022 - Fall 2022 The cells in your body take in oxygen and sweep out waste products like carbon dioxide (CO2). Microscopic cyanobacteria use photosynthesis to work in reverse, breathing in CO2 and pumping out oxygen. Three billion years ago, cyanobacteria created Earth’s oxygenfilled atmosphere, supporting the evolution of creatures like us. Today, they provide one-quarter of the planet’s oxygen, and cyanobacteria like spirulina provide us with food. Researchers believe that cyanobacteria —which need only sunlight, CO2, and water to thrive— could offer solutions to our changing climate. They might help reduce CO2 on a grand scale, contribute to biofuel production, and support long-term space travel. This diverse group of organisms offers a symbolic warning as well: when colonies of cyanobacteria become too dense or stressed, they can run out of nutrients or be destroyed by their own air pollution. Made with the collaborative efforts of filmmaker Erin Espelie and the Jeffrey Cameron Laboratory at the University of Colorado Boulder, which created a customized microscope system specifically tailored for long-term growth and quantitative imaging of cyanobacterial cells; with special thanks to microbiologist and cinematographer Evan Johnson and artists Nima Bahrehmand, Travis Austin, Will Alstetter, as well as NEST Studio for the Arts. *___________________________________________________________________* *September 22 - October 16* Venue type: *Virtual, online event* San Francisco Cinematheque <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f023093c95&e=857b71a9cb> streaming 24/7, Event URL: https://www.sfcinematheque.org/festival/crossroads-2022-online-echo/ <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=73ca1b2cd9&e=857b71a9cb> *CROSSROADS 2022 Online Echo* CROSSROADS 2022 was the thirteenth manifestation of Cinematheque’s annual film festival. Featuring 67 works of film, video and performance by 71 artists representing 18 countries and territories, CROSSROADS 2022 was presented at Gray Area August 26–28. By popular demand, Cinematheque proudly presents the CROSSROADS 2022 online echo, a cross-sectional sampler of select works representing themes of the year’s festival, including considerations of the contrasts between individual sensual experience and the rise of the corporate media state; the ongoing collisions and interminglings between analog and electronic media; the role intimacy plays in the spaces of public communication and the narration of generational lineage. The CROSSROADS 2022 Online Echo is presented worldwide to the public free of charge. ——— CROSSROADS 2022 Online Echo 1 shadows tremble <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5aca69adf9&e=857b71a9cb> program online September 22–October 16 SCREENING: *Curve the Night Sky* (2021) by Peggy Ahwesh (US); digital video, color, sound, 5 minutes. *THAT WAS WHEN I THOUGHT I COULD HEAR YOU* (2021) by Matt Whitman (US); digital video, color, silent, 9 minutes. *The Girl Who Is* (2021) by Sara Sowell (US); digital video, b&w, sound, 6 minutes. *Paper Bag Test* (2019) by Trevon Jakaar Coleman (US); digital video, color, sound, 5 minutes. *Wasteland No. 3: Moons, Sons *(2021) by Jodie Mack (US/UK); 16mm, color, silent, 5 minutes. *Feriado* (2021) by Azucena Losana (Mexico/Argentina); digital video, b&w, sound, 2 minutes. *Configurations* (2021) by James Edmonds (UK/Germany); 16mm, color, sound, 8 minutes. *Solace* (2021) by Chantal Partamian (Lebanon): digital video, color, sound, 1 minute. *from time without beginning* (2021) by Lorenzo Gattorna (US); digital video, color, sound, 7 minutes. *Estuary *(2021) by Ross Meckfessel (US); 16mm, color, sound, 12 minutes. *Dreams Under Confinement *(2020) by Christopher Harris (US); digital video, color, sound, 3 minutes. ——— CROSSROADS 2022 Online Echo 2 space to stretch my longing <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=53928e62f4&e=857b71a9cb> program online September 22–October 16 SCREENING: *Time Crystals* (2021) by Abinadi Meza (Wixárika); digital video, color, sound, 6 minutes. *Light Signal *(2022) by Emily Chao (US); digital video, color, sound, 13 minutes. *The Day Lives Briefly Unscented* (2021) by Brandon Wilson (US); digital video, color, sound, 4 minutes. *Lácrimas* (2021) by Jeremy Moss (US); digital video, color, sound, 14 minutes. *First Hypnotic Suggestion* (2020) by Brittany Gravely (US) & Ken Linehan (US); 16mm double projection, color, sound, 10 minutes. *Up Close* (2021) by Sam Gurry (US); digital video, color, sound, 3 minutes. *Dans les cieux et sur la terre* (2022) by Erin Weisgerber (Canada); 16mm screened as digital video, color, sound, 12 minutes. *SATURDAY, OCTOBER 8, 2022* Venue type: *Live, physical event* Maenad Collective <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a6b0dd9b3f&e=857b71a9cb> 8pm ET, Maenad Collective, 46-55 Metropolitan Avenue, suite 305, Queens, NY 11385 *Memory in Decay* An immersive exhibit hosted by Maenad Collective/ 8mm films & related objects by Alex Faoro/live cello & sound processing by Alice Gerlach. Culling images from his catalogue of personal materials, artist and filmmaker Alex Faoro enacts various methods of decay to create colorful and synaptic films that explore the ontology of memory. Using self-made images and found footage - sometimes together - he produces transfixing works that convey the aesthetic and processual qualities of recall, and consider the complex relation between memory, materiality, forgetting and the moving image. ___________________________________________________________________ Venue type: *Live, physical event* Other Cinema <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=689da70458&e=857b71a9cb> 8pm PT, ATA Gallery, 992 Valencia (@ 21st), San Francisco *PSYCHO-GEO 1: SAN FRANCISKINO!* JOHN LAW + SOAPBOX DERBY + PEOPLE's PARK + The Bay Area's radical curiosity about both its natural and built environments is celebrated in this rollicking program of brave inquires and discovery! Heading the bill is Cacophony conspirator John Law's *The Known Unknown*, finally revealing some secrets of urban exploration in the Bay Area and beyond.--fascinating details on his many forays into the City's off-limits areas. John's 45-min show n' tell covers not only the sewers but bridge expeditions as well, with lots of forbidden footage from impossible angles. Supporting his oral history are reports on the Wharf, Playland, People's Park (via Anthony Buchanan), and even last spring's already-legendary MOMA Soapbox Derby (Gregory Gavin and Jake Scott). PLUS: Ellie Vanderlip's *faux* report on the disappearance of public water fountains, Jeremy Rourke's *What Is ATA?*, Steve McQueen's *Bullitt* promo (paired with Simon Cox' *Sideshow*), 16mm of the Niners in the '82 Superbowl, and free postcards of course. *$11 *SUNDAY, OCTOBER 9, 2022* Venue type: *Live, physical event* Northwest Film Forum <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=41a7a3e9c7&e=857b71a9cb> 4pm PT, Northwest Film Forum, 1515 12th Ave, Seattle, WA *Memorial Screening for Jon Behrens* Please join us as we celebrate the work of our friend and colleague *Jon Behrens* (May 12, 1964 – September 5, 2022) We will screen a 90-minute selection of his films on digital and 16mm film After the screening, we will move to Vermillion (1508 11th Ave, around the block from the Forum) for a reception where we can share stories and reminisce. Thank you to Northwest Film Forum, Vermillion, and Interbay Cinema Society for their support. NOTE: Seating is limited. Please RSVP to let us know you are coming! *___________________________________________________________________* Venue type: *Live, physical event* Los Angeles Filmforum <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5e74fb6a5e&e=857b71a9cb> 7:30 PM PST, 2220 Arts & Archives - 2220 Beverly Blvd, Los Angeles, CA 90057 *Los Angeles Filmforum and Mezzanine present Light Field in Los Angeles* In person: Light Field Members Samuel Breslin, Emily Chao, Zachary Epcar, Trisha Low, tooth, Syd Staiti, and Patricia Ledesma Villon and filmmaker Alee Peoples All 16mm prints! Dedicated to the memory of Amy Halpern Filmforum and Mezzanine are delighted to present the inaugural L.A. screening with Light Field, an annual artist-run exhibition of recent and archival moving-image art on celluloid, traditionally held in the San Francisco Bay Area. Founded in 2016, the Light Field festival is collectively organized by a motley crew of practicing artists, poets and filmmakers: Samuel Breslin, Emily Chao, Zachary Epcar, Trisha Low, tooth, Syd Staiti, and Patricia Ledesma Villon. All of the works in this show will be 16mm prints! The Bay Area has had a long and storied tradition of alternative moving-image exhibition, one that has been negatively impacted by recent developments including the closure of SFMOMA’s film program and the impending renovation of the historic Castro Theater. In spite of a global pandemic bringing further pressures to real estate and cost of living—not to mention the exhibition of artist’s cinema—the spirit of collective action and ambitious film curation have continued to find a home in Light Field. The group is unique in their desire to place both recent and archival experimental films into conversation with each other and to always prioritize a multiplicity of aesthetic and curatorial viewpoints. – Micah Gottlieb Mezzanine is an irregular independent and revival film series based in Los Angeles, developed and overseen by Micah Gottlieb. Programs are frequently done in collaboration with local artists, filmmakers, writers, curators and other luminaries from specific disciplines. For more information, and to subscribe to our newsletter, please visit mezzaninefilm.com. This program has been curated by the members of Light Field. Special thanks to Micah Gottlieb (Mezzanine), Patricia Ledesma Villon (Light Field), Mark Toscano, and Seth Mitter (Canyon Cinema). *Moon Streams*, By Mary Beth Reed, 2000, U.S., 16mm, color, silent, 6 min. *Configurations*, By James Edmonds, 2021, 8m, UK/Germany, 16mm, color/b&w, sound, 8 min., *Astor Place*, By Eve Heller, 1997, USA, 16mm, b&w, silent , 10 min. *Standing Forward Full*, By Alee Peoples, 2020, U.S., 16mm, color, sound , 6 min. *Letters*, By Dorothy Wiley, 1972, U.S., 16mm, color, sound, 11 min. *3-Minute Hells*, By Amy Halpern, 2012, U.S., 16mm, color, sound, 14 min. *NE Corridor*, By Joshua Gen Solondz, 2022, U.S., 16mm, color, sound, 7 min *___________________________________________________________________* Venue type: *Virtual, online event* GearWax <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0afb980ac0&e=857b71a9cb> 6pm-8pm PT, *GEARWAX: OLD VINYL, REPURPOSED* A bi-weekly online radio program featuring old LPs, 45rpm and 78rpm records. Hosted by Kathleen and Scott from San Francisco. Every other Sunday, 6-8pm PT! *MONDAY, OCTOBER 10, 2022* *October 10 - November 10* Venue type: *Live, physical event* Flaherty NYC <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=666ceeea4c&e=857b71a9cb> times vary, locations vary, see below *LET’S ALL BE LICHEN* let’s all be lichen is an Inukjuamiut’s response to 100 years of our namesake’s seminal film*. Featuring the works of largely circumpolar (Inuk, Sámi, Evenk and Sakha) filmmakers, the series weaves together works by artists who have harnessed their own power and distinct voice through the moving image. The series shimmers with personal histories, the spiritual anthropocene, questions of agency, memory, and urbanization, as well as a fierce and love-filled reclaiming of the arctic imaginary. With works by Siku Allooloo, Zinnia Naqvi, Sunna Nousuniemi, Lindsay McIntyre, Chris Marker, Nivi Pedersen, Svetlana Romanova, Lada Suomenrinne, Zulaa Urchuud, asinnajaq, and her father, world-renown filmmaker Jobie Weetaluktuk. let’s all be lichen is a five-part series that runs from October 10 to November 10, 2022 at Anthology Film Archives, e-flux Screening Room. Online programs will be announced shortly. The Opening Night will take place on Indigenous People’s Day, October 10, and will be hosted by Anthology Film Archives. The screening will be preceded by Inuit games in Albert’s Garden — all are welcome, RSVP required. Our closing event on November 10th will be at e-flux Screening Room. Additional screenings will be hosted on campuses thanks to the Colgate/Flaherty Distinguished Global Filmmaker Residency program, NYU Cinema Studies Department Friday Night Screening Series & NYU Center for Media, Culture and History, and on The Flaherty’s custom-built platform virtual.theflaherty.org. Audiences all around the world, stay tuned: details of the hybrid and online components will be forthcoming! --- program 1 --- LET ME INTRODUCE MYSELF Monday, October 10, 7 pm Anthology Film Archives ** In collaboration with NYU Cinema Studies Department Friday Night Screening Series & NYU Center for Media, Culture and History, this screening will repeat on Friday, October 14th at Michelson Theater, NYU Department of Cinema Studies (721 Broadway 6th Floor). The event will be moderated by Iñupiat filmmaker Andrew Okpeaha MacLean. Jobie Weetaluktuk, *INUKSHOP*, 2009, 2 min, digital Asinnajaq, *THREE THOUSAND*, 2017, 14 min, digital Jobie Weetaluktuk, *UMIAQ SKIN BOAT*, 2008, 31 min, betacam-to-digital --- program 2 --- OBSERVATIONS & LITTLE EPIPHANIES Monday, October 17, 7 pm Anthology Film Archives Siku Allooloo, *SPIRIT EMULSION*, 2022, 7 min, 16mm-to-digital Lindsay McIntyre, *SEEING HER*, 2020, 4 min, digital Zulaa Urchuud, *ULAANBAATARAZATION*, 2017, 3 min, 16mm-to-digital Zulaa Urchuud, *NUUDELCH KHANDLAGA (NOMADTITUDE)*, 2021, 7 min, 16mm-to-digital Lada Suomenrinne, *MUN & DON (YOU & ME)*, 2018, 2 min, digital Lada Suomenrinne, *Я неба (ME THE SKY)*, 2022, 17 min, digital --- program 3 --- SLOW GROWTH Tuesday, October 18, 7 pm e-flux Screening Room Sunna Nousuniemi, *BOSO MU RUOVTTOLUOTTA (BREATHE ME BACK TO LIFE)*, 2021, 24 min, digital Nivi Pederson, *PILLUARNEQ ERSIGIUNNAARPARA (HAPPINESS SCARES ME NO MORE)*, 2020, 70 min, digital --- program 4 --- OUT OF SIGHT, HELD IN MIND Monday November 7, 7pm Anthology Film Archives Zinnia Naqvi, *SEAVIEW*, 2015, 12 min, digital Zinnia Naqvi, *THE TRANSLATION IS APPROXIMATE*, 2021, 11 min, digital Zinnia Naqvi, *FARZANA*, 2021, 34 min, digital --- program 5 --- MUTATIONS Thursday, November 10, 7 pm e-flux Screening Room Svetlana Romanova, Chelsea Tuggle, *Тарыҥ SEASON OF DYING WATER*, 2022, 62 min, digital Chris Marker, *LETTER FROM SIBERIA*, 1957, 92 min, digital *FRIDAY, OCTOBER 14, 2022* Venue type: *Live, physical event* VISIONS <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=56b9c07405&e=857b71a9cb> 7 pm ET, 7080 Rue Alexandra #506, Montréal, QC H2S 3J5 *VISIONS: Anti-Banality Union* in collaboration with Hors Champ, VISIONS presents *EARTH II* by the Anti Banality Union collective. The Anti-Banality Union is an anonymous collective who re-cut Hollywood blockbusters into new feature-length films. Their work has been screened at Spectacle Theater, the Museum of Art and Design, Maysles Documentary Center, and several undisclosed squats & communes. *Earth II*, 2021, Digital, 96 mins Earth, present day. With human civilization facing ever-worsening climate calamities, the captains of industry set their sights on a new planet. Soon, a secret public-private partnership is selling tickets to Mars at a premium out of reach for the majority of the population, for whom the choice is either indentured servitude in the new offworld colony or perishing in the coming cataclysm. When the world’s governments decide to speed things up by declaring war on Earth and the rabble they’re leaving behind, the planet forges a strategic alliance with an unlikely partner: an underground luddite movement. Some will join the uprising, others will become fanatical defenders of entrenched power structures, while yet others will do everything in their power to continue living exactly the same way they always have. Its star-studded cast and astronomical production values — painstakingly purloined from some of the biggest blockbusters of the past three decades — make *Earth II* the most expensive climate disaster epic to be produced for no money. Starring Keanu Reeves, Will Smith, and Matt Damon, *Earth II *reminds us that no matter how far into its final death spiral our species might be, life finds a way. *SATURDAY, OCTOBER 15, 2022* Venue type: *Live, physical event* Montague Common Hall <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8423656a56&e=857b71a9cb> 7pm ET, Montague Common Hall, 34 Main St, Montague, MA 01351 *Up and Down the River* An evening of artist's film on place and placemaking by local filmmakers living along the Connecticut River. A program of 11 short-form films celebrating (but not limited to) work shot and screened on celluloid. When's the last time you saw film projected on film? How do artists live around you see and think about place? Have you ever used your own body to move a filmstrip through a projector? Come and try it out on a set of rewinds and Moviescope! Filmmaker Eric Stewart will be performing live sound to accompany his 16mm film Helios. *Down to the Water*. Hand-processed 16mm. B&W, sound. 05:00. 2022. Davey Bendiksen *Łódź:22592* . HD. 22:06. 2019. Abraham Ravett *Decroux’s Garden* . 16mm, color, silent. 4:00. 2012. Baba Hillman *Quaker City Home Movies: Pressing Cider* . Super 8 blown-up to 16mm, 2015, 3min., b&w, optical sound. Taylor Dunne *Unless You're Living It* . Hand processed 16mm transferred to HD. B&W, tinted and toned. 08:22. 2019. Sarah Bliss *To All Those* . Super 8 on 16mm. 6:48. 2020. Josh Weissbach *Helios* . 16mm. Color. 5:02. Eric Stewart *Arcadia Rolls I+II* . 16mm, color and b&w, silent, 5:00. 2017. Josh Guilford *Haunted* . 16mm transferred to HD. 02:22. 2020. Danielle Vishlitzky *Stories of Simulated Intimacy* . 16mm transferred to HD. 11:00. 2017. Emily Drummer *100 Ways to Cross the Border* . HD. Excerpt from 84 minute film. 2022. Amber Bemak Q&A with filmmakers follows the screening. *___________________________________________________________________* Venue type: *Live, physical event* Other Cinema <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5a5562b4d2&e=857b71a9cb> 8pm PT, ATA Gallery, 992 Valencia (@ 21st), San Francisco *PSYCHO-GEO2: SoCAL* LERNER/HARRIS' DOC ON PURIFOY's DESERT ART-PARK Here's the premiere of prolific documentarian Jesse Lerner's marvelous exploration of Noah Purifoy's legendary sculpture-park in the desert around Joshua Tree. Jesse flies up from his Pitzer College duties to introduce this feature work, *The Fragmentations Only Mean...*,made with Sara Harris, that celebrates the storied career of this African-American *assemblage* artist from Watts, who retired from the California Arts Council in 1986, to spend the last 18 years of his life creating over 100 uncanny junk-sculptures in the high desert. Opening is a handful of shorts and performances about the SoCal landscape: Mission visionaries Bivoulab, with their immersive Virtual Reality piece *Re-Turn to Zabriskie Point* (via both projection and VR helmet), Kelly Sears' *Maximum Umbra*, Laura Gabbert's *Monument/Friendship Park*, on the border wall, and Yash Pathak's live musical recitation to the *Coast Daylight*, the most beautiful train-trip in the US (SF to LA). *$9 *SUNDAY, OCTOBER 16, 2022* Venue type: *Live, physical event* Canyon Cinema <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b96c4e1c90&e=857b71a9cb> 2:10pm PT, The Roxie, 3117 16th Street, San Francisco, CA *Canyon Cinema Discovered: Trajectories of Self-Determination* Presented by Canyon Cinema, as part of its Canyon Cinema Discovered curatorial fellowship program. EXPERIMENTAL CINEMA’S EMBRACE OF JAZZ. Curated by Juan Carlos Kase Experimental cinema has long embraced American vernacular music as a generative model, whether it supplied a formal template, an affective inspiration, or a point of cultural reference. From the collective polyphony of Charles Mingus’ kinetic ensembles to the gale and squall of Joe McPhee’s storming cornet, the improvisational energies of jazz – as well as blues and other popular-modernist musics – have continued to inspire American avant-garde filmmakers. Collectively, the films in this program explore the myriad ways in which experimental cinema has drawn from African-American improvised music and embraced its spontaneous, collaborative, polyrhythmic, and lyrical energies. *Dufus (aka Art)*, Mike Henderson, 1970/73, 8 minutes, b&w, sound, 16mm *Up and Atom*, Doug Wendt, 1970, 3 minutes, color, sound, 16mm *Not a Music Video*, Toney W. Merritt, 1987, 7 minutes, b&w, sound, 16mm *Pilgrim*, Cauleen Smith, 2017, 8 minutes, color, sound, digital video *Duet for Trumpet and Camera*, Robert Fenz, 1992, 10 minutes, b&w, sound, 16mm *Mirror Animations [Film #11]*, Harry Smith, 1957, 4 mins, color, sound, 16mm *28.IV.81 (Bedouin Spark)*, Christopher Harris, 2009, 3 mins, color, silent, 16mm *The Clown*, Donna Cameron, 1998, 13 mins, color, sound, 16mm *Many Thousands Gone*, Ephraim Asili, 2014, 8 mins, color, sound, digital video *Four Women*, Julie Dash, 1975, 8 mins, color, sound, 16mm transferred to digital video *All My Life*, Bruce Baillie, 1966, 3 mins, color, sound, 16mm *___________________________________________________________________* Venue type: *Live, physical event* Canyon Cinema <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=033293a796&e=857b71a9cb> 4pm PT, The Roxie, 3117 16th Street, San Francisco, CA *Canyon Cinema Discovered: Playing in the Dark: Watery Experiments* Presented by Canyon Cinema, as part of its Canyon Cinema Discovered curatorial fellowship program. PLAYING IN THE DARK: WATERY EXPERIMENTS. Curated by Chrystel Oloukoï Playing in the Dark engages the various ways in which blackness haunts the sea and is haunted by the sea. Borrowing from Toni Morrison, “playing in the dark” references the subdued Africanist presence which mediates imaginations of water in the wake of variegated yet entangled transoceanic slave trades but also takes seriously darkness as a subversive ecological milieu, against lures of transparency. In the works gathered here, nothing is left untouched by the confounding qualities of water and its corrosive opacities, from bodies to the environment, to the materiality of film itself. As such, “playing in the dark” also references attempts in Black experimental filmmaking to chart paths in which cameras do not write with light but probe shadows in search of “an aesthetics of turbulence whose corresponding ethics is not provided in advance” (Glissant, Poetics of Relation). *By the Sea*, Toney W. Merritt, 1982, 3 minutes, color, silent, 16mm *What the Water Said Nos 1-3*, David Gatten, 1998, 16 minutes, color, sound, 16mm *Aqua*, Samba Félix N’diaye, 1989, 12 minutes, color, sound, 16mm transferred to digital video *The Dislocation of Amber*, Hussein Shariffe, 1975, 32 minutes, color, sound, 16mm transferred to digital video *Giverny I (Négresse Impériale)*, Ja’Tovia Gary, 2017, 6 minutes, color, sound, digital video *Pattaki*, Everlane Moraes, 2019, 21 minutes, color, sound, digital video *What the Water Said Nos 4-6*, David Gatten 2006-2007, 17 minutes, color, sound, 16mm *Towards the Colonies*, Miryam Charles, 2016, 5 minutes, color, sound, digital video *Song for the New World*, Miryam Charles, 2021, 9 minutes, color, sound, digital video *ONGOING* Venue type: *Virtual, online event* *Riverwest Radio* https://www.riverwestradio.com/show/the-long-conversation/ <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0f438087fd&e=857b71a9cb> streaming 24/7 *THE LONG CONVERSATION* THE LONG CONVERSATION with Xav Leplae and Stephanie Barber is on indefinite hold. But... all episodes from the last year and a half are streaming!!! *___________________________________________________________________* Venue type: *Virtual, online event* *6x6 Project* https://6x6project.com/ <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=688b8f9866&e=857b71a9cb> streaming 24/7 *Artists' Moving Image Works* 6x6 project is an online artists' community that serves as a platform for disseminating artists' moving image works, and to create an ever-growing network among peers. There are now more than four hundred artists’ film and moving image works available to view on the website. ------------------------------ *Let us know about your alternative film/video event!* Enter your event announcements by going to the Flicker Weekly Listing Form <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a10f201e11&e=857b71a9cb> . 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