My film, *Aspects of a Certain History*, 1984, 60:00, 16mm. Is about the history of the war in Viet Nam and my time there with the U.S. 9th Division in 1967-68. Available from the New York Filmmker's Coop.
John Knecht On Mon, Nov 14, 2022 at 4:43 PM Kornelia Boczkowska < [email protected]> wrote: > PS. I forgot to mention Kamila Kuc's experimental documentary film from > 2021, What We Shared, which re-tells the personal stories and memories of > the 1992-93 war in Abhazia. > > W dniu 14.11.2022 o 22:09, Kornelia Boczkowska pisze: > > Daniel Reeves’ Smothering Dreams (1981) > > > > John Smith’s Hotel Diaries (2001-2007) > > > > Also (though the war is not the main focus of these films): > > > Lynne Sachs’ Which Way is East: Notebooks from Vietnam (1994, made in > collaboration with Dana Sachs) reflects on the historical trauma and > memories associated with the Vietnam war > > > Martha Rosler’s Secrets from the Street: No Disclosure (1980) critiques > (among many other things) covert war and the U.S. presence and military > involvement in Central America > > > Kornelia > > W dniu 14.11.2022 o 21:45, Rob Gawthrop pisze: > > Two films in anticipation of the 2nd World war were: Hell Unlimited by > Helen Biggar & Norman McLaren; and Peace & Plenty by Ivor Montagu. > > There was a film shot during the first Gulf War of a family watching the > news of the war on TV as the bombing was taking place outside their home. > I wish I knew more about it., does anyone on the list know? > > Rob > > On 14 Nov 2022, at 19:38, Albert Alcoz <[email protected]> wrote: > > Hello, > > In avant-garde cinema and video art it seems that the representation of > war is a minor issue. Compared to the relevance of war movies in industrial > cinema, it seems that experimental filmmakers and videoartists have barely > dealt with war conflicts. Even so, I have found a list of titles that > dismantle the conventional representations of war cinema or that propose > unusual ways of approaching it, mainly through found footage. > > Do other titles come to mind that complement the list below? > > PAUL SHARITS Piece Mandala / End War (1966) > STAN BRAKHAGE 23rd Psalm Branch: Part I (1967) > BRUCE CONNER Crossroads (1976) > THE DUVET BROTHERS War Machine (1984) > JOSU REKALDE Sin imágenes (1994) > BARBARA HAMMER Our Grief Is Not a Cry for War (2001) > HARUN FAROCKI War at a Distance (2003) > HARUN FAROCKI Serious Games I (2010) > BIRGIT HEIN Kriegsbilder (Images of War) (2006) > AERNOUT MIK Raw Footage (2006) > TONI SERRA / ABU ALI The Job (2010) > > Do you know any relevant text on the subject besides *War and Cinema* by > Paul Virilio? > Any suggestion will be appreciated. > > Best, > Albert Alcoz > -- > http://albertalcoz.com/ > -- > Frameworks mailing list > [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > > > > -- > Kornelia Boczkowska, Ph.D. > Assistant Professor > Department of Studies in Culture > Faculty of English | Adam Mickiewicz University in > Poznańhttps://www.researchgate.net/profile/Kornelia_Boczkowskahttps://orcid.org/0000-0003-0875-9209 > > -- > Frameworks mailing list > [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > -- John Knecht, Russell Colgate Distinguished University Professor of Art and Art History and Film and Media Studies. Emeritus.
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