Hello Albert My ‘Hotel Diaries’ series, all of which relate to the ongoing conflicts in the Middle East and Afghanistan between 2001 and 2007.
Info and excerpts on johnsmithfilms.com <http://johnsmithfilms.com/> All the best John > ---------------------------------------------------------------------- > > Message: 1 > Date: Mon, 14 Nov 2022 20:38:01 +0100 > From: Albert Alcoz <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Subject: [Frameworks] Avant-Garde cinema and war > Message-ID: > <CA+NAz+w04dWk7Pc=j2KTMTwwWTXa5NvxtkAwaS=tmp-e-c1...@mail.gmail.com> > Content-Type: text/plain; charset="utf-8" > > Hello, > > In avant-garde cinema and video art it seems that the representation of war > is a minor issue. Compared to the relevance of war movies in industrial > cinema, it seems that experimental filmmakers and videoartists have barely > dealt with war conflicts. Even so, I have found a list of titles that > dismantle the conventional representations of war cinema or that propose > unusual ways of approaching it, mainly through found footage. > > Do other titles come to mind that complement the list below? > > PAUL SHARITS Piece Mandala / End War (1966) > STAN BRAKHAGE 23rd Psalm Branch: Part I (1967) > BRUCE CONNER Crossroads (1976) > THE DUVET BROTHERS War Machine (1984) > JOSU REKALDE Sin im?genes (1994) > BARBARA HAMMER Our Grief Is Not a Cry for War (2001) > HARUN FAROCKI War at a Distance (2003) > HARUN FAROCKI Serious Games I (2010) > BIRGIT HEIN Kriegsbilder (Images of War) (2006) > AERNOUT MIK Raw Footage (2006) > TONI SERRA / ABU ALI The Job (2010) > > Do you know any relevant text on the subject besides *War and Cinema* by > Paul Virilio? > Any suggestion will be appreciated. > > Best, > Albert Alcoz > -- > http://albertalcoz.com/ > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://film-gallery.org/pipermail/frameworks_film-gallery.org/attachments/20221114/85ccacbb/attachment-0001.html> >
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