Peter Kubelka’s Pause! Mara Mattuschka’a I Have Been Very Pleased That Andy Warhol indigestion medication commercial
On Friday, January 6, 2023, Gabriele Jutz <[email protected]> wrote: > Hello Frameworkers, > > I’m preparing an academic article on experimental films with soundtracks > that have their source in the human body, that is, primarily non-linguistic > bodily sounds (or a more “primitive” form of language). > Valie Export’s performance video *i turn over the pictures of my voice in > my head* (2009) > > shows a close up-of the artist’s larynx from the inside out, while she > strenuously reflects on the relevance of the voice ( > https://www.sixpackfilm.com/en/catalogue/1765/). > > The soundtrack of Daichi Saito’s *earthearthearth* (2021) consists of an > > improvisation by saxophonist Jason Sharp, in which his heartbeat and > breathing play a prominent role. > > Purely auditory examples (though without video – I am searching for films > with image and sound tracks) are the sound poems of Henri Chopin. In *Mes > bronches *(1968), for instance, he swallowed small microphones in order > to record his bronchial cavities (https://on-air.caricomassimo. > org/en/airchive/mes-bronches). > > > > I wonder if anyone here could suggest more experimental films whose > soundtracks > involve the artist’s physical/bodily presence as a central element? Any > suggestion will be appreciated. > > Best, > > Gabriele Jutz > > > > > > ----------------------------------------- > > > *Univ. Prof. Mag. **Dr. Gabriele Jutz* > Universität für angewandte Kunst > Abteilung für Medientheorie > > T +43 699 12 10 81 44 > > dieangewandte.at > > medientheorie.ac.at > Postsparkasse > > Georg-Coch-Platz 2 > <https://www.google.com/maps/search/Georg-Coch-Platz+2?entry=gmail&source=g> > > HP Raum 022 > 1010 Wien / Austria > > > > http://www.resettheapparatus.net > > >
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