Advance In Person Tickets: HERE
<https://microscopegallery.ticketleap.com/yes-nancy-dayanne-valladares--hsurae/dates/Jan-22-2024_at_0730PM>
Online tickets go live at 7pm ET HERE
<https://microscopegallery.com/yes-nancy-dayanne-valladares-hsurae/>
(and are accessible through 1/25 11pm PT)

Microscope is very pleased to present the first 2024 edition of our
emerging series YES with a screening of works by New York-based artists
Nancy Dayanne Valladares and HSURAE.

The roughly 60-minute program of works by Valladares and HSURAE — who also
collaborated on two of the videos — delve into the microbial universe that
constitutes our existences, approached from the perspective of
infinitesimal, often genderless, perpetually roaming organisms to which
life, subject and object, time and space take on very different meanings
than those we are accustomed to as humans.

The two artists also appear in some of the works such as their
collaborative piece *Panspermia* — a title borrowed from the theory that
seeds of life exist all over the universe and travel across it — the
artists are seen floating in space in a simulated zero-gravity environment,
resembling micro-organisms isolated and observed through a microscope.

Valladares and HSURAE will be available for a Q&A following the screening.
Further info: HERE
<https://microscopegallery.com/yes-nancy-dayanne-valladares-hsurae/>

General Admission (In Person) $10

Members & Students (In Person): $8

*Nancy Dayanne Valladares* (she/they) is an interdisciplinary artist,
filmmaker and educator from Tegucigalpa, Honduras currently based in New
York. Her image-based practice delves into the formation of optical tools
and their accompanying visual regimes. Nancy’s practice closely examines
photography’s historical entanglement with botanical imaginaries and
chemical legacies.

*HSURAE* is a predisciplinary (artist, designer, researcher, educator) in
the sense that each function is inseparable from the next, bracketed in
consideration of the “pre-”. This prefix, the thing that comes before, the
prefatory, is pre-reductive, is pre-particulate, is a generative field that
they position their work within. Their artistic medium, like their self, is
never pure object, never pure subject; ranging from hot glass to
fibroblasts, passports to fecal sports. This agential infidelity renders
itself visible at the mercy of metaphysics, science and technology studies,
posthumanism, food studies, critical race studies and Traditional Chinese
Medicine. Hsurae has been shown internationally, including: Taipei Fine
Arts Museum, National Taiwan Museum of Fine Arts, MAXXI Rome, European
Cultural Center, TORN theater space, Dubai BAIT15, Taipei Digital Art
festival, Medialab Prado, Weisner gallery, Sakiya Palestine, Grand Siecle
gallery, Yiri Art Gallery, Olfactory Keller NY amongst others. Artist
residencies they’ve taken part in include SymbioticA, hangar.org,
MedialabPrado, _V2 institute for the unstable media, Coalesce bioart lab
and Urbanglass.
-- 
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