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*This Week [July 6 - 14, 2024] in Avant Garde Cinema* To receive the weekly listing directly via email rather than through Frameworks, just hit Subscribe <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=091193278b&e=857b71a9cb> . *DEADLINES APPROACHING* **** Enter upcoming calls for entry here <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1901ad9d41&e=857b71a9cb> **** ___________________________________________________________________________________ *sorted by submission deadline* 07.07.2024 Strangloscope Experimental International Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6533b07449&e=857b71a9cb> (Early Deadline) 07.07.2024 FLUXUS Experimental Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3d3f5bca75&e=857b71a9cb> 07.08.2024 Slamdance Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e3e8c611a1&e=857b71a9cb> (Early Deadline) 07.14.2024 Cindependent Film Festival – NEW Experimental Section <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ea4569244a&e=857b71a9cb> (Early Deadline) 07.15.2024 UCROSS Residency Program <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d23b41e0b5&e=857b71a9cb> 07.19.2024 Duluth Superior Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=54683c6d45&e=857b71a9cb> 07.20.2024 Archivio Aperto <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=65202e36fe&e=857b71a9cb> 07.31.2024 Viennale International Film Festival Vienna <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2b51ee70fe&e=857b71a9cb> 08.30.2024 Light Matter Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ffc4d15b8e&e=857b71a9cb> 08.31.2024 Rencontres Internationales Sciences & Cinémas (RISC) <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2b51af909c&e=857b71a9cb> 09.06.2024 Thomas Edison Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=48f8f486e3&e=857b71a9cb> (Final Deadline) 09.09.2024 Punto de Vista Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a83b5d8295&e=857b71a9cb> 10.01.2024 San Diego Underground Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=cd0b0eedc7&e=857b71a9cb> (Regular Deadline) *EVENTS* **** Enter your event announcements here <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8d2c0cb8ff&e=857b71a9cb> **** ___________________________________________________________________________________ *complicated sorting but a true attempt, enjoy!* This week's programs (summary): - EC: Bruce Baillie Pgm 1 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=75d468df70&e=857b71a9cb> [July 6, New York, NY] - Mono No Aware Community Screening Programs - Summer 2024 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0b65320edd&e=857b71a9cb> [July 7, New York, NY] - EC: Quick Billy <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2d5c960604&e=857b71a9cb> [July 7, New York, NY] - Matthew Thurber (In Person!) Presents Mrs William Horsley's Vexations <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5fb31fa1e1&e=857b71a9cb> [July 8, Santa Fe, NM] - Commodity Trading By M Woods <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=66f163e22f&e=857b71a9cb> [July 10, Chicago, IL] - EC: Jordan Belson <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7c73a09fc8&e=857b71a9cb> [July 12, New York, NY] - EC: Stan Brakhage Programs <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=30839e1055&e=857b71a9cb> [July 12-24, New York, NY] - Connectivity Through Cinema: Container Film, w/film maker Dena Kopolovich <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e09763c83b&e=857b71a9cb> [July 14, Brooklyn, NY] - Workshop: Controlled Demolition: Eco-MordançAge & The Moving Image <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=831a3a8088&e=857b71a9cb> [July 14, Santa Fe, NM] - The Long Conversation <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d280a0c292&e=857b71a9cb> [ongoing, online] - 6x6 Project: Artists' Moving Image Works <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=757b56f39c&e=857b71a9cb> [ongoing, online] *SATURDAY, JULY 6, 2024* Venue type: *Live, physical event* Anthology Film Archives <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b7818b5b26&e=857b71a9cb> 5pm ET, 32 Second Avenue, New York, NY *EC: BRUCE BAILLIE PGM 1* *MASS FOR THE DAKOTA SIOUX* (1963-64, 20 minutes, 16mm) *QUIXOTE* (1964-65, 45 minutes, 16mm) “In *MASS* and *QUIXOTE* [Baillie] subtly blends glimpses of the heroic personae with despairing reflections on violence and ecological disaster. […] Despite his sophistication, Baillie remains an innocent; the whole of his cinema exhibits an alternation between two irreconcilable themes: the sheer beauty of the phenomenal world (few films are as graceful to the eye as his, few are as sure of their colors) and the utter despair of forgotten men. It is in QUIXOTE alone that these two themes emerge into a dialectical form, an antithesis of grace and disgrace.” –P. Adams Sitney, VISIONARY FILM Total running time: ca. 70 min *SUNDAY, JULY 7, 2024* Venue type: *Live, physical event* Anthology Film Archives <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7ac6ba1ea1&e=857b71a9cb> 1pm ET, 32 Second Avenue, New York, NY *MONO NO AWARE COMMUNITY SCREENING PROGRAMS - SUMMER 2024* Featuring the world premiere of films made locally with the support of MONO in Summer 2024. These programs will include films made through the educational initiatives of MONO NO AWARE, a cinema-arts nonprofit organization and film positive community working to promote connectivity through the cinematic experience. Established in 2007 and based in downtown Brooklyn, MONO NO AWARE presents monthly artist-in-person screenings, facilitates equipment rentals, operates a film distribution initiative, maintains wet & dry lab facilities, and hosts an annual exhibition for contemporary artists and international filmmakers whose work incorporates Super-8mm, 16mm, 35mm, or altered light projections. For more info visit: www.mononoawarefilm.com <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=9ec3c3d29e&e=857b71a9cb> *___________________________________________________________________* Venue type: *Live, physical event* Anthology Film Archives <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b15c8e0f33&e=857b71a9cb> 4:45pm ET, 32 Second Avenue, New York, NY *EC: QUICK BILLY* *CASTRO STREET* 1966, 10 min, 16mm *ALL MY LIFE* 1966, 3 min, 16mm *VALENTIN DE LAS SIERRAS* 1968, 10 min, 16mm. Preserved by Anthology Film Archives. “In [Baillie’s late 1960s films], the eye of the film-maker quiets his mind with images of reconciliation; the dialectics of cinematic thought become calm in the filming of the privileged moment of reconciliation.” –P. Adams Sitney, VISIONARY FILM *QUICK BILLY* 1971, 56 min, 16mm “The essential experience of transformation, between Life and Death, death and birth, or rebirth. In four reels, the first three adapted from the Bardo Thodol, the Tibetan Book of the Dead. The fourth reel is in the form of a black and white one-reeler Western, summarizing the material of the first three reels, which are color and abstract.” –Bruce Baillie Total running time: ca. 85 min *MONDAY, JULY 8, 2024* Venue type: *Live, physical event* No Name Cinema <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=960bf5c886&e=857b71a9cb> 7:30pm MST, No Name Cinema, 2013 Pinon Street, Santa Fe, NM *MATTHEW THURBER (in person!) presents Mrs William Horsley's VEXATIONS* (a film and projection performance involving *five* 16mm & 35mm projectors, with live sound mixed from vinyl records and spoken narration) with opening cartoon shorts from 1935-1944 on 16mm film: *The Little Dutch Plate* (1935) *Mighty Mouse "Jekyll & Hyde Cat"* (1944) *Fagin's Freshmen* (1949) filmmaker in attendance from New York City! + live performance! + post-screening Q&A! Mrs William Horsley is a cinema “band” in which the films, made in a role playing game process, are projected in ritual performance where the filmmaker narrates, creates the soundtrack live, and operates multiple film and slide projectors. Matthew Thurber is a cartoonist and filmmaker based in NYC. He is the author of 1-800-MICE, INFOMANIACS, Art Comic, Looking For The Cat, the director of Fleegix (2019) The Sea Masons (2021) and previously performed in Soiled Mattress and the Springs and Ambergris. *Vexations* synopsis: After successful forays into the visual arts, around 1959 the CIA began to infiltrate “Easy Listening” music. They secretly funded many favorite artists like Les Baxter, Arthur Lyman, and Ferrante & Teicher as a way to bolster American global dominance, and replace European classical music with Elevator Muzak. Many Easy Listening artists reflected American colonialism in their Hawaiian or Polynesian imagery. The CIA saw potential for weaponized sound in Erik Satie’s *Vexations*, an infamous piano piece that repeats a simple phrase 840 times, and requires 3 days to perform. As John Cage had organized the only public airing of this work, CIA operatives recruited him to create an arrangement of Vexations for Mantovani’s orchestra, with John Cage’s prepared piano plinking out the main melody line. Breakthroughs in miniaturization technology meant a capsule of microscopic musicians performing this torturous durational piece could be used to assassinate communist targets. What happened instead was a terrible accident during the recording session in Langley, Virginia during which all the musicians were turned into ethereal gas. But the musicians are still with us. In a limbo state out of time, they gather around a piano bar and entertain each other in a kind of afterlife, physically located inside the dumpster of “The Thing” junk store in Greenpoint. As the condo buildings shimmer into being along the shores of the East River, the waves reflected in glass awaken dematerialized musicians. One by one, they are crossfaded from limbo into our hellish real world in which the imperialist musical project has prevailed in endlessly Spotified coffee-shopping Furniture Music. One member of the Edith Piaf Fan Club (a romantic graffiti collective) complaining of a toothache, is turned into ethereal gas by a dentist who will sacrifice their teeth to the waves. An X-Ray tech tries to break the news and soon investigative journalists are searching for the missing records. As human dogs walk the inverted world, only the Living Newspapers, swaying like trees in a park, have the chance to remember the whole story on their paper pulp bodies. *WEDNESDAY, JULY 10, 2024* Venue type: *Live, physical event* Comfort Station <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=fda73771f1&e=857b71a9cb> 7:00PM CT, 2579 North Milwaukee Avenue Chicago, IL, 60647 *Commodity Trading by M Woods at Comfort Station* #DisassociativeProductions presents *Commodity Trading: Dies Irae, *Mediarx by M Woods >From Lucia Ahrensdorf for Screen Slate “*Commodity Trading: Dies Irae* evokes an immersive and hallucinatory carnival.” Article: https://www.screenslate.com/articles/commodity-trading-dies-irae-guillotine >From Nicky Ni for Cine-File Chicago: “*COMMODITY TRADING* is a strange autofictional thriller that loosely interweaves the hypnotic journeys of two protagonists, M. Woods and Joshua, attempting to enter what is called ‘The Numb Spiral’... which in the film is neither heaven nor hell but akin to a virtual insatiable void that devours authentic experience and meaning—a nauseous simulacrum, if you will, which is also representative of M. Woods’s painful research into our contemporary sub-human existence…” Made possible through a grant from the Foundation For Contemporary Arts and support from Light Cone. $$$ support the digital sickness $$$ TheDigitalSickness.Com DOWNLOADS | PRINTS | ORIGINAL PIECES | SOUVENIRS | FREE TRIPS DOWN THE NUMB SPIRAL *FRIDAY, JULY 12, 2024* Venue type: *Live, physical event* Anthology Film Archives <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=02fd9ce14a&e=857b71a9cb> 6:45pm ET, 32 Second Avenue, New York, NY *EC: JORDAN BELSON* Special thanks to Raymond Foye and Cathy Heinrich. *ALLURES* 1961, 9 min, 16mm *RE-ENTRY* 1964, 6 min, 16mm *PHENOMENA* 1965, 6 min, 16mm. New print! *SAMADHI* 1967, 6 min, 16mm *MOMENTUM* 1968, 6 min, 16mm. New print! *COSMOS* 1969, 5 min, 16mm *WORLD* 1970, 6 min, 16mm *MEDITATION* 1971, 7 min, 16mm *CHAKRA* 1972, 6 min, 16mm. New print! “Our greatest abstract film poet: he has found how to combine the vision of the outer and the inner eye.” –Gene Youngblood Total running time: ca. 65 min. *___________________________________________________________________* *July 12 - 24* Venue type: *Live, physical event* Anthology Film Archives <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=51a2a0322c&e=857b71a9cb> times vary, see below, 32 Second Avenue, New York, NY *EC: Stan Brakhage Programs* --- PROGRAM 1 - Friday, July 12 - 8:45pm ET --- Unless otherwise noted, all films are silent. *DESISTFILM* (1954, 7 min, 16mm, b&w, sound) *REFLECTIONS ON BLACK* (1955, 12 min, 16mm, b&w, sound. Preserved by Anthology Film Archives.) *THE WONDER RING* (1955, 4 min, 16mm) *FLESH OF MORNING* (1956, 25 min, 16mm, b&w) *LOVING* (1956, 4 min, 16mm) *DAYBREAK AND WHITEYE* (1957, 8 min, 16mm) *WINDOW WATER BABY MOVING* (1959, 12 min, 16mm. Preserved by Anthology Film Archives.) Films made during the early, “psychodramatic” period of one of modern cinema’s greatest innovators, including two of his early experiments with sound. Total running time: ca. 75 min. --- PROGRAM 2 - Saturday, July 13 - 6:15pm ET --- Unless otherwise noted, all films are silent. *ANTICIPATION OF THE NIGHT* (1958, 40 min, 16mm) *CAT’S CRADLE* (1959, 6 min, 16mm) *SIRIUS REMEMBERED* (1959, 12 min, 16mm) *THIGH LINE LYRE TRIANGULAR* (1961, 9 min, 16mm) *MOTHLIGHT* (1963, 4 min, 16mm. Preserved by Anthology Film Archives.) *BLUE MOSES* (1963, 11 min, 16mm, b&w, sound) With *ANTICIPATION OF THE NIGHT*, Brakhage leaves psychodrama and enters the “closed-eye vision” period. This program also contains a unique example of a film made without a camera, *MOTHLIGHT*, and one of Brakhage’s few sound (and ‘acted’) films, *BLUE MOSES*. Total running time: ca. 85 min. --- PROGRAM 3 - Saturday, July 13 - 8:30pm ET --- *SONGS 1-14* 1964-65, ca. 53 min, 8mm-to-16mm, silent “*SONG 1*: Portrait of a lady. *SONGS 2 & 3*: Fire and a mind’s movement in remembering. *SONG 4*: Three girls playing with a ball. Hand painted. *SONG 5*: A childbirth song. *SONG 6*: The painted veil via moth-death. *SONG 7*: San Francisco. *SONG 8*: Sea creatures. *SONG 9*: Wedding source and substance. *SONG 10*: Sitting around. *SONG 11*: Fires, windows, an insect, a lyre of rain scratches. *SONG 12*: Verticals and shadows caught in glass traps. *SONG 13*: A travel song of scenes and horizontals. *SONG 14*: Molds, paints and crystals.” –Stan Brakhage --- PROGRAM 4 - Sunday, July 14 - 6:30pm ET --- Unless otherwise noted, all films are silent. *PASHT* 1965, 5 min, 16mm *FIRE OF WATERS* 1965, 10 min, 16mm, sound *THE HORSEMAN, THE WOMAN AND THE MOTH* 1968, 19 min, 16mm *THE WEIR-FALCON SAGA* 1970, 29 min, 16mm *SEXUAL MEDITATION #1: MOTEL* 1970, 7 min, 16mm. Preserved by Anthology Film Archives Total running time: ca. 75 min. --- PROGRAM 5 - Sunday, July 14 - 8:30pm ET --- All films are silent. *MY MOUNTAIN: SONG 27* 1968, 25 min, 8mm-to-16mm *MY MOUNTAIN: SONG 27: PART 2: RIVERS* 1969, 33 min, 8mm-to-16mm *SONGS 28-29* 1966/86, 21 min, 8mm-to-16mm “*MY MOUNTAIN: SONG 27*: A study of Arapahoe Peak in all the seasons of two years’ photography…the clouds and weathers that shape its place in landscape – much of the photography a-frame-at-a-time. *SONG 27: PART 2: RIVERS*: A series of eight films intended to echo the themes of *MY MOUNTAIN: SONG 27*. *SONG 28*: Scenes as texture. SONG 29: A portrait of the artist’s mother.” –Stan Brakhage Total running time: ca. 85 min. --- PROGRAM 6 - Saturday, July 20 - 5:30pm ET --- *THE ART OF VISION* 1961-65, 261 min, 16mm, silent “Includes the complete *DOG STAR MAN* and a full extension of the singularly visible themes of it. Inspired by that period of music in which the word ‘symphonia’ was created and by the thought that the term, as then, was created to name the overlap and enmeshing of suites, this film presents the visual symphony that *DOG STAR MAN* can be seen as and also all the suites of which it is composed. But as it is a film, and a work of music, the above suggests only one of the possible approaches to it. For instance, as ‘cinematographer,’ at source, means ‘writer of movement,’ certain poetic analogies might serve as well. The form is conditioned by the works of art which have inspired *DOG STAR MAN*, its growth of form by the physiology and experiences (including experiences of art) of the man who made it. Finally, it must be seen for what it is.” –Stan Brakhage --- PROGRAM 7 - Sunday, July 21 - 6:15pm ET --- *THE ANIMALS OF EDEN AND AFTER* 1970, 35 min, 16mm *SEXUAL MEDITATION: ROOM WITH A VIEW* 1971, 4 min, 16mm. Preserved by Anthology Film Archives. *THE SHORES OF PHOS: A FABLE* 1972, 10 min, 16mm Total running time: ca. 55 min. --- PROGRAM 8 - Sunday, July 21 - 8pm ET --- *THE TEXT OF LIGHT* 1974, 67 min, 16mm, silent Preserved by Anthology Film Archives. “All that is, is light.” –Johannes Scotus Erigena “[Brakhage shot] *THE TEXT OF LIGHT* in (through) a large crystal ashtray. This magnificent film – a slow montage of iridescent splays of light and shifting landscapes of sheer color, which acknowledges debts to Turner and American Romantic landscape painters as well as to James Davis, the pioneer film-maker of light projections – is the culmination of Brakhage’s exploration of anamorphosis.” –P. Adams Sitney, VISIONARY FILM --- PROGRAM 9 - Wednesday, July 24 - 7pm ET --- *THE PITTSBURGH TRILOGY* Preserved by Anthology Film Archives. *EYES* (1970, 36 min, 16mm, silent) “After wishing for years to be given the opportunity of filming some of the more ‘mystical’ occupations of our Times – some of the more obscure Public Figures which the average imagination turns into ‘bogeymen’... viz.: Policemen, Doctors, Soldiers, Politicians, etc.: – I was at last permitted to ride in a Pittsburgh police car, camera in hand, the final several days of September 1970.” –Stan Brakhage *DEUS EX* (1971, 34 min, 16mm, silent) “I have been many times very ill in hospitals; and I drew on all that experience while making *DEUS EX* in West Penn. Hospital of Pittsburgh; but I was especially inspired by the memory of one incident in an emergency room of San Francisco’s Mission District: while waiting for medical help, I had held myself together by reading an April-May 1965 issue of ‘Poetry Magazine’: and the following lines from Charles Olson’s ‘Cole’s Island’ had especially centered the experience, ‘touchstone’ of *DEUS EX*, for me: Charles begins the poem with the statement ‘I met Death –’ And then: ‘He didn’t bother me, or say anything. Which is / not surprising, a person might not, in the circumstances; / or at most a nod or something. Or they would. But they wouldn’t, / or you wouldn’t think to either, / it was Death. And / He certainly was, the moment I saw him.’” –Stan Brakhage *THE ACT OF SEEING WITH ONE’S OWN EYES* (1971, 32 min, 16mm, silent) “Brakhage, entering, with his camera, one of the forbidden, terrific locations of our culture, the autopsy room. It is a place wherein, inversely, life is cherished, for it exists to affirm that no one of us may die without our knowing exactly why. All of us, in the person of the coroner, must see that, for ourselves, with our own eyes.” –Hollis Frampton Total running time: ca. 105 min. *SUNDAY, JULY 14, 2024* Venue type: *Live, physical event* MONO NO AWARE <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e2c3b87cc6&e=857b71a9cb> 7PM EST US, 33 Flatbush Ave, 3rd Floor, Rear, Brooklyn NY *CONNECTIVITY THROUGH CINEMA PRESENTS: CONTAINER FILM, 2024 w/film maker Dena Kopolovich presenting *in person** PROGRAM INCLUDES: *Container Film*, 2024, 7min *Container Film* delves into the primal origins of storytelling. By contemplating the symbolism of carrying, this experimental short draws from a blend of anthropological, religious and artistic sources to offer a unique lens through which to access human history and experience. Biography: Dena Kopolovich is a multimedia artist & filmmaker from New York. Her recent work uses past and present aesthetics to investigate the origins and continuity of meaning. She is interested in using cinematic forms to explore the derivation of instinctive human rituals & objects. In 2022-2023 Dena completed artist programs at The Squeaky Wheel Film & Media Center and LABA NYC. She is a teaching artist and community member of the cinema-arts non-profit Mono No Aware based in Brooklyn, NY. She received her education from the Purchase College Conservatory of Theater Arts and the Integrated Media Arts MFA program at Hunter College. MONO NO AWARE SCREENING SERIES: The CONNECTIVITY THROUGH CINEMA series will present the work of artists, film-makers and curators who are traveling or presenting special interactive programs in-person. Our hope is to engage the community by showing work with a focus on post-screening discussion. This series is made possible by support from the New York State Council on the Arts (NYSCA) *___________________________________________________________________* Venue type: *Live, physical event* No Name Cinema <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a537b48271&e=857b71a9cb> 2pm MST, No Name Cinema, 2013 Pinon Street, Santa Fe, NM *Workshop: Controlled Demolition: Eco-Mordançage & the Moving Image* Mordançage is an alternative photographic process that causes the silver gelatin to appear distressed, resulting in reticulation and forming ghostly veils in the emulsion. While this process was originally developed for photographic prints, it has stunning results with moving images. Traditional mordançage employs caustic chemicals and can only be used with black & white film. This workshop, led by artist-in-residence Dominick Rivers, will introduce the eco approach which can be used for black & white and color film and uses exclusively compostable material. All materials provided ! Sliding-scale workshop fees: $15-$30 LIMITED SPACE ~ RSVP to reserve a spot: [email protected] *ONGOING* Venue type: *Virtual, online event* Riverwest Radio <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0b31f4e156&e=857b71a9cb> streaming 24/7 *THE LONG CONVERSATION* THE LONG CONVERSATION with Xav Leplae and Stephanie Barber is on indefinite hold. But... all episodes from the last year and a half are streaming!!! *___________________________________________________________________* Venue type: *Virtual, online event* 6x6 Project <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0232a5f401&e=857b71a9cb> streaming 24/7 *Artists' Moving Image Works* 6x6 project is an online artists' community that serves as a platform for disseminating artists' moving image works, and to create an ever-growing network among peers. There are now more than four hundred artists’ film and moving image works available to view on the website. ------------------------------ *Let us know about your alternative film/video event!* Enter your event announcements by going to the Flicker Weekly Listing Form <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=48e4bc597b&e=857b71a9cb> . 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