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*This Week [July 13 - 21, 2024] in Avant Garde Cinema* To receive the weekly listing directly via email rather than through Frameworks, just hit Subscribe <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=091193278b&e=857b71a9cb> . *DEADLINES APPROACHING* **** Enter upcoming calls for entry here <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1b8664daf5&e=857b71a9cb> **** ___________________________________________________________________________________ *sorted by submission deadline* 07.14.2024 Cindependent Film Festival – NEW Experimental Section <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=9853b34f16&e=857b71a9cb> (Regular Deadline) 07.15.2024 UCROSS Residency Program <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0747ad801f&e=857b71a9cb> 07.17.2024 Celluloidra Revolverrel Hungarian Experimental Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=126f750820&e=857b71a9cb> 07.19.2024 Duluth Superior Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=fd8155994a&e=857b71a9cb> 07.20.2024 Archivio Aperto <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=fd0aaeb8ff&e=857b71a9cb> 07.28.2024 Strangloscope Experimental International Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=07b9fdac5b&e=857b71a9cb> (Regular Deadline) 07.31.2024 Viennale International Film Festival Vienna <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=171494d4ff&e=857b71a9cb> 08.12.2024 Slamdance Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a22502f28a&e=857b71a9cb> (Regular Deadline) 08.30.2024 Light Matter Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a5171e67c5&e=857b71a9cb> 08.31.2024 Rencontres Internationales Sciences & Cinémas (RISC) <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5c823c18f0&e=857b71a9cb> 09.06.2024 Thomas Edison Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d483ba9027&e=857b71a9cb> (Final Deadline) 09.09.2024 Punto de Vista Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=01ecef9a4e&e=857b71a9cb> 10.01.2024 San Diego Underground Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c1ce09df9d&e=857b71a9cb> (Regular Deadline) *EVENTS* **** Enter your event announcements here <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=04bb30ae09&e=857b71a9cb> **** ___________________________________________________________________________________ *complicated sorting but a true attempt, enjoy!* This week's programs (summary): - EC: Stan Brakhage Programs <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3d25c74f32&e=857b71a9cb> [July 12-24, New York, NY] - Connectivity Through Cinema: Container Film, w/film maker Dena Kopolovich <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b19cec2a09&e=857b71a9cb> [July 14, Brooklyn, NY] - Workshop: Controlled Demolition: Eco-MordançAge & The Moving Image <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=616ec54383&e=857b71a9cb> [July 14, Santa Fe, NM] - Nine Films by Stephanie Barber <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ac4cc03d57&e=857b71a9cb> [July 16, Brooklyn, NY] - Films of Ben Van Meter Ex-Spirit-Mental Cinema of The Sixties, plus... <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b2defc1bb4&e=857b71a9cb> [July 17, San Francisco, CA] - Ferlinghetti---Rebirth of Wonder By Christopher Felver <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c3dbbc1245&e=857b71a9cb> [July 17, San Francisco, CA] - Metropolis By Fritz Lang 1927 Revised Edition 2010 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=9eed021603&e=857b71a9cb> [July 17, San Francisco, CA] - The Long Conversation <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a90a3d7714&e=857b71a9cb> [ongoing, online] - 6x6 Project: Artists' Moving Image Works <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8b21bb8882&e=857b71a9cb> [ongoing, online] *STARTING BEFORE SATURDAY, JULY 13, 2024* *July 12 - 24* Venue type: *Live, physical event* Anthology Film Archives <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=cfb85f6bfb&e=857b71a9cb> times vary, see below, 32 Second Avenue, New York, NY *EC: Stan Brakhage Programs* --- PROGRAM 1 - Friday, July 12 - 8:45pm ET --- Unless otherwise noted, all films are silent. *DESISTFILM* (1954, 7 min, 16mm, b&w, sound) *REFLECTIONS ON BLACK* (1955, 12 min, 16mm, b&w, sound. Preserved by Anthology Film Archives.) *THE WONDER RING* (1955, 4 min, 16mm) *FLESH OF MORNING* (1956, 25 min, 16mm, b&w) *LOVING* (1956, 4 min, 16mm) *DAYBREAK AND WHITEYE* (1957, 8 min, 16mm) *WINDOW WATER BABY MOVING* (1959, 12 min, 16mm. Preserved by Anthology Film Archives.) Films made during the early, “psychodramatic” period of one of modern cinema’s greatest innovators, including two of his early experiments with sound. Total running time: ca. 75 min. --- PROGRAM 2 - Saturday, July 13 - 6:15pm ET --- Unless otherwise noted, all films are silent. *ANTICIPATION OF THE NIGHT* (1958, 40 min, 16mm) *CAT’S CRADLE* (1959, 6 min, 16mm) *SIRIUS REMEMBERED* (1959, 12 min, 16mm) *THIGH LINE LYRE TRIANGULAR* (1961, 9 min, 16mm) *MOTHLIGHT* (1963, 4 min, 16mm. Preserved by Anthology Film Archives.) *BLUE MOSES* (1963, 11 min, 16mm, b&w, sound) With *ANTICIPATION OF THE NIGHT*, Brakhage leaves psychodrama and enters the “closed-eye vision” period. This program also contains a unique example of a film made without a camera, *MOTHLIGHT*, and one of Brakhage’s few sound (and ‘acted’) films, *BLUE MOSES*. Total running time: ca. 85 min. --- PROGRAM 3 - Saturday, July 13 - 8:30pm ET --- *SONGS 1-14* 1964-65, ca. 53 min, 8mm-to-16mm, silent “*SONG 1*: Portrait of a lady. *SONGS 2 & 3*: Fire and a mind’s movement in remembering. *SONG 4*: Three girls playing with a ball. Hand painted. *SONG 5*: A childbirth song. *SONG 6*: The painted veil via moth-death. *SONG 7*: San Francisco. *SONG 8*: Sea creatures. *SONG 9*: Wedding source and substance. *SONG 10*: Sitting around. *SONG 11*: Fires, windows, an insect, a lyre of rain scratches. *SONG 12*: Verticals and shadows caught in glass traps. *SONG 13*: A travel song of scenes and horizontals. *SONG 14*: Molds, paints and crystals.” –Stan Brakhage --- PROGRAM 4 - Sunday, July 14 - 6:30pm ET --- Unless otherwise noted, all films are silent. *PASHT* 1965, 5 min, 16mm *FIRE OF WATERS* 1965, 10 min, 16mm, sound *THE HORSEMAN, THE WOMAN AND THE MOTH* 1968, 19 min, 16mm *THE WEIR-FALCON SAGA* 1970, 29 min, 16mm *SEXUAL MEDITATION #1: MOTEL* 1970, 7 min, 16mm. Preserved by Anthology Film Archives Total running time: ca. 75 min. --- PROGRAM 5 - Sunday, July 14 - 8:30pm ET --- All films are silent. *MY MOUNTAIN: SONG 27* 1968, 25 min, 8mm-to-16mm *MY MOUNTAIN: SONG 27: PART 2: RIVERS* 1969, 33 min, 8mm-to-16mm *SONGS 28-29* 1966/86, 21 min, 8mm-to-16mm “*MY MOUNTAIN: SONG 27*: A study of Arapahoe Peak in all the seasons of two years’ photography…the clouds and weathers that shape its place in landscape – much of the photography a-frame-at-a-time. *SONG 27: PART 2: RIVERS*: A series of eight films intended to echo the themes of *MY MOUNTAIN: SONG 27*. *SONG 28*: Scenes as texture. SONG 29: A portrait of the artist’s mother.” –Stan Brakhage Total running time: ca. 85 min. --- PROGRAM 6 - Saturday, July 20 - 5:30pm ET --- *THE ART OF VISION* 1961-65, 261 min, 16mm, silent “Includes the complete *DOG STAR MAN* and a full extension of the singularly visible themes of it. Inspired by that period of music in which the word ‘symphonia’ was created and by the thought that the term, as then, was created to name the overlap and enmeshing of suites, this film presents the visual symphony that *DOG STAR MAN* can be seen as and also all the suites of which it is composed. But as it is a film, and a work of music, the above suggests only one of the possible approaches to it. For instance, as ‘cinematographer,’ at source, means ‘writer of movement,’ certain poetic analogies might serve as well. The form is conditioned by the works of art which have inspired *DOG STAR MAN*, its growth of form by the physiology and experiences (including experiences of art) of the man who made it. Finally, it must be seen for what it is.” –Stan Brakhage --- PROGRAM 7 - Sunday, July 21 - 6:15pm ET --- *THE ANIMALS OF EDEN AND AFTER* 1970, 35 min, 16mm *SEXUAL MEDITATION: ROOM WITH A VIEW* 1971, 4 min, 16mm. Preserved by Anthology Film Archives. *THE SHORES OF PHOS: A FABLE* 1972, 10 min, 16mm Total running time: ca. 55 min. --- PROGRAM 8 - Sunday, July 21 - 8pm ET --- *THE TEXT OF LIGHT* 1974, 67 min, 16mm, silent Preserved by Anthology Film Archives. “All that is, is light.” –Johannes Scotus Erigena “[Brakhage shot] *THE TEXT OF LIGHT* in (through) a large crystal ashtray. This magnificent film – a slow montage of iridescent splays of light and shifting landscapes of sheer color, which acknowledges debts to Turner and American Romantic landscape painters as well as to James Davis, the pioneer film-maker of light projections – is the culmination of Brakhage’s exploration of anamorphosis.” –P. Adams Sitney, VISIONARY FILM --- PROGRAM 9 - Wednesday, July 24 - 7pm ET --- *THE PITTSBURGH TRILOGY* Preserved by Anthology Film Archives. *EYES* (1970, 36 min, 16mm, silent) “After wishing for years to be given the opportunity of filming some of the more ‘mystical’ occupations of our Times – some of the more obscure Public Figures which the average imagination turns into ‘bogeymen’... viz.: Policemen, Doctors, Soldiers, Politicians, etc.: – I was at last permitted to ride in a Pittsburgh police car, camera in hand, the final several days of September 1970.” –Stan Brakhage *DEUS EX* (1971, 34 min, 16mm, silent) “I have been many times very ill in hospitals; and I drew on all that experience while making *DEUS EX* in West Penn. Hospital of Pittsburgh; but I was especially inspired by the memory of one incident in an emergency room of San Francisco’s Mission District: while waiting for medical help, I had held myself together by reading an April-May 1965 issue of ‘Poetry Magazine’: and the following lines from Charles Olson’s ‘Cole’s Island’ had especially centered the experience, ‘touchstone’ of *DEUS EX*, for me: Charles begins the poem with the statement ‘I met Death –’ And then: ‘He didn’t bother me, or say anything. Which is / not surprising, a person might not, in the circumstances; / or at most a nod or something. Or they would. But they wouldn’t, / or you wouldn’t think to either, / it was Death. And / He certainly was, the moment I saw him.’” –Stan Brakhage *THE ACT OF SEEING WITH ONE’S OWN EYES* (1971, 32 min, 16mm, silent) “Brakhage, entering, with his camera, one of the forbidden, terrific locations of our culture, the autopsy room. It is a place wherein, inversely, life is cherished, for it exists to affirm that no one of us may die without our knowing exactly why. All of us, in the person of the coroner, must see that, for ourselves, with our own eyes.” –Hollis Frampton Total running time: ca. 105 min. *SUNDAY, JULY 14, 2024* Venue type: *Live, physical event* MONO NO AWARE <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d261979db8&e=857b71a9cb> 7PM EST US, 33 Flatbush Ave, 3rd Floor, Rear, Brooklyn NY *CONNECTIVITY THROUGH CINEMA PRESENTS: CONTAINER FILM, 2024 w/film maker Dena Kopolovich presenting *in person** PROGRAM INCLUDES: *Container Film*, 2024, 7min *Container Film* delves into the primal origins of storytelling. By contemplating the symbolism of carrying, this experimental short draws from a blend of anthropological, religious and artistic sources to offer a unique lens through which to access human history and experience. Biography: Dena Kopolovich is a multimedia artist & filmmaker from New York. Her recent work uses past and present aesthetics to investigate the origins and continuity of meaning. She is interested in using cinematic forms to explore the derivation of instinctive human rituals & objects. In 2022-2023 Dena completed artist programs at The Squeaky Wheel Film & Media Center and LABA NYC. She is a teaching artist and community member of the cinema-arts non-profit Mono No Aware based in Brooklyn, NY. She received her education from the Purchase College Conservatory of Theater Arts and the Integrated Media Arts MFA program at Hunter College. MONO NO AWARE SCREENING SERIES: The CONNECTIVITY THROUGH CINEMA series will present the work of artists, film-makers and curators who are traveling or presenting special interactive programs in-person. Our hope is to engage the community by showing work with a focus on post-screening discussion. This series is made possible by support from the New York State Council on the Arts (NYSCA) *___________________________________________________________________* Venue type: *Live, physical event* No Name Cinema <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=88689eddff&e=857b71a9cb> 2pm MST, No Name Cinema, 2013 Pinon Street, Santa Fe, NM *Workshop: Controlled Demolition: Eco-Mordançage & the Moving Image* Mordançage is an alternative photographic process that causes the silver gelatin to appear distressed, resulting in reticulation and forming ghostly veils in the emulsion. While this process was originally developed for photographic prints, it has stunning results with moving images. Traditional mordançage employs caustic chemicals and can only be used with black & white film. This workshop, led by artist-in-residence Dominick Rivers, will introduce the eco approach which can be used for black & white and color film and uses exclusively compostable material. All materials provided ! Sliding-scale workshop fees: $15-$30 LIMITED SPACE ~ RSVP to reserve a spot: [email protected] *TUESDAY, JULY 16, 2024* Venue type: *Live, physical event* Light Industry <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c6ce39c60b&e=857b71a9cb> 7:30pm ET, 361 Stagg Street, Suite 407, Brooklyn, NY *Nine Films by Stephanie Barber* *letters, notes*, 1997, 16mm, 7 mins *3 peonies*, 2017, 16mm, 3 mins *Catalog*, 2005, 16mm, 11 mins *flower, the boy, the librarian*, 1997, 16mm, 5 mins *Another Horizon*, 2020, 16mm, 9 mins *shipfilm*, 1998, 16mm, 4 mins *Dogs*, 2000, 16mm, 15 mins *Total Power, dead dead dead*, 2005, 16mm, 3 mins *oh my homeland*, 2019, 16mm, 4 mins Looking back on the resurgence of experimental cinema at the turn of the millennium, it’s clear that one of the most significant artists to emerge from that moment was Stephanie Barber, whose work in 16mm we’ll be surveying this evening. Her films have never hewed to a particular style or school—there is no echt Barber movie—though a distinctive and coherent sensibility animates each piece. Some are deceptively simple, composed of only a handful of elements, or even a single, unbroken shot. These achieve a kind of gnomic potency, whether by isolating a particularly rich detail, like the face of soprano Leontyne Price as she receives a final standing ovation, or through precise and unexpected juxtapositions, as with the plangent telegraphy of *letters, notes*, in which found missives are spelled out, character by character, atop faded snapshots. Vernacular photography also figures prominently in *Catalog*, but through a radically different approach. Here the everyday images are restaged as tableaux vivants, with the original poses held stiffly by Barber’s friends, each picture a frozen moment brought back to life, made strange with every blink and breath. As elsewhere, the two-dimensional takes on a more physical, tactile character; a memory becomes a thing. For *Another Horizon*, Barber created a 36-foot long collage of landscapes, ripped from books and magazines, and shot it with a continuous rightward pan, its contours further traced by jagged scratches into the emulsion. Echoing across her imagined expanse is an impromptu sermon by the late Oswan Chamani (Richard Williams), priest and founder of the Voodoo Spiritual Temple in New Orleans, which Barber recorded in his apartment in 1995. She maintains, throughout her films, a delicate balance of artifice and sincerity. This impulse finds a limit case with *Dogs*, in which the filmmaker acts out a philosophical discourse on the nature of art, emotion, and individualism, its effects undercut—and magnified—by the fact that her interlocutors are two papier mâché dog puppets with sad eyes. “Right now I’m interested in working with what might be considered ‘wrong choices,’” explains one ersatz canine, “making the viewer feel that uncomfortable feeling they feel when an artist has made the wrong choice. I don’t know, something too silly or obvious or sentimental.” Tonight’s program will also feature a reading by Barber, and will be followed by a conversation. Tickets - Pay what you can ($10 suggested donation), available at door. *Please note*: seating is limited. First-come, first-served. Box office opens at 7pm. No entry 10 minutes after start of show. *WEDNESDAY, JULY 17, 2024* Venue type: *Live, physical event* Films with Friends (Renegade Cinema) <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6454d0a4c4&e=857b71a9cb> 6pm PT, Beat Museum, 540 Broadway, San Francisco, CA *Films of Ben Van Meter Ex-Spirit-Mental Cinema of the Sixties Plus Documentary “Twilight of My Humble Brother: Ben Van Meter Speaks His Peace".” (2018) With “Acid Mantra by Ben Van Meter” (1968)* Ben Van Meter among Lawrence Jordan, Robert Nelson and Lenny Lipton is one of the co-founders of notable distributor of Avant Garde Cinema Canyon Cinema Inc. in 1967. Canyon Cinema is located in San Francisco. His work is understated and has often been ignored in the history of experimental cinema. Tonight’s program is a tribute to Ben Van Meter and his contributions to the avant scene of San Francisco during the 60s. Ben passed away in August 2019. Ben Van Meter began making films and light shows in the mid-1960s in San Francisco and soon became a leading figure in Bay Area-underground filmmaking. His films, especially *S.F. Trips Festival, An Opening* (1966) and the epic *Acid Mantra or Rebirth of a Nation* (1968), are compelling attempts to visually and sonically inscribe psychedelia, as experience and philosophy, in the medium of film. Van Meter’s films were unavailable for many years, but their ongoing restoration by the Academy Film Archive and their inclusion in the de Young Museum’s 2017 exhibition, The Summer of Love Experience: Art, Fashion, and Rock ‘n’ Roll, has gained them a new audience. Tonight’s program will contain work from his DVD collection of films called “Reborth of a Nation (Ex-Spirit-Mental Cinema of the Sixties”. Films include: *The Poon Tang Trilogy* (1964) 9 minutes, *Colorfilm* (1965) 9 minutes, *Bolex Peyote Bardo* (1965) 11 min, *Up Tight, L.A. Is Burning…Shit!* (1966) 20 min, *S.F. Trips Festival, An Opening* (1966) 9 min, *Me & Bruce & Art* (1967) 6 min, *BE* (1967) 8 min, *Go Where The Kids Go* (1967/2008) 3 min. Also included is “Interview with Ben Van Meter May 22, 2018 Lakeport, CA”. This is an interview of Ben screened along with his film *Acid Mantra* 1967. A Zeb and Mister WA Production *___________________________________________________________________* Venue type: *Live, physical event* Films with Friends (Renegade Cinema) <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8c9fb2b1db&e=857b71a9cb> 7:30pm PT, Savoy Tivoli, 1434 Grant Ave, San Francisco, CA *Ferlinghetti---Rebirth of Wonder by Christopher Felver. 75 minutes 2009* A benefit for "Poetry Flash" introduction by Joyce Jenkins. Special Introduction by Bobby Coleman In this definitive documentary, director Christopher Felver crafts an incisive, sharply wrought portrait that reveals Ferlinghetti's true role as catalyst for numerous literary careers and for the Beat movement itself. One-on-one interviews with Ferlinghetti, made over the course of a decade, touch upon a rich mélange of characters and events that began to unfold in postwar America. These events include the publication of Allen Ginsberg's *Howl*, William S. Burroughs' *Naked Lunch*, and Jack Kerouac's *On the Road*, as well as the divisive events of the Vietnam war, the sexual revolution, and this country's perilous march towards intellectual and political bankruptcy. *___________________________________________________________________* Venue type: *Live, physical event* Films with Friends (Renegade Cinema) <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=936e196947&e=857b71a9cb> 7PM PT, SFOG, 13144 Grant Ave, San Francisco, CA *Metropolis by Fritz Lang 1927 revised edition 2010* 1927 saw the emergence of the most Uptopian film of the silent era. In *Metropolis*, Fritz Lang cinematically realizes his ideas about the possibility of the future organization of society. The idea for this work stems from Lang's first impression of the NYC skyline and the effect it had on his love for architecture. This film survives today for two main reasons: A great document of German Expressionism which is defined as a work of art should be told from the point of view of archetypes; be revolutionary; be ecstatic and express faith in the future; extol the purifying power of sacrifice and ethical responsibility of the individual; reveal a deep religious awareness; describe the nature of "Man's Mission" and propound the belief that thru the destruction and rebirth of the world, a new and pure humanity will arise: that is the dawn of the kingdom of Love. *Metropolis* represents a work of true cinematic genius in its visual contents. It was to influence most science fiction and narrative films to come. It expands the "language" of cinema to include architecture, special effects, extreme lighting, and careful planning of mass movements within the frame to enhance the whole and to help expand cinema into the experiential realm. This revised edition incorporates more then 25 minutes of newly discovered footage. *ONGOING* Venue type: *Virtual, online event* Riverwest Radio <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=53e681c66c&e=857b71a9cb> streaming 24/7 *THE LONG CONVERSATION* THE LONG CONVERSATION with Xav Leplae and Stephanie Barber is on indefinite hold. But... all episodes from the last year and a half are streaming!!! *___________________________________________________________________* Venue type: *Virtual, online event* 6x6 Project <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=218d061800&e=857b71a9cb> streaming 24/7 *Artists' Moving Image Works* 6x6 project is an online artists' community that serves as a platform for disseminating artists' moving image works, and to create an ever-growing network among peers. There are now more than four hundred artists’ film and moving image works available to view on the website. ------------------------------ *Let us know about your alternative film/video event!* Enter your event announcements by going to the Flicker Weekly Listing Form <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=39b3097bd6&e=857b71a9cb> . To receive the weekly listing directly via email rather than through Frameworks, just hit Subscribe <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=091193278b&e=857b71a9cb> . *Copyright © 2020 Flicker, All rights reserved.* Longtime recipient of This Week in Avant Garde Cinema
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