View this email in your browser <https://mailchi.mp/66e63e7b58b3/this-week-in-avant-garde-cinema-11033834?e=857b71a9cb>
*This Week [October 26 - November 3, 2024] in Avant Garde Cinema* To receive the weekly listing directly via email rather than through Frameworks, just hit Subscribe <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=091193278b&e=857b71a9cb> . *DEADLINES APPROACHING* **** Enter upcoming calls for entry here <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=92e37c065d&e=857b71a9cb> **** ___________________________________________________________________________________ *sorted by submission deadline* 10.31.2024 MONO NO AWARE Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6174c111c4&e=857b71a9cb> 10.31.2024 Laterale Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=45085f8273&e=857b71a9cb> (First Deadline) 11.01.2024 Single Frame <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4bdb3ad76c&e=857b71a9cb> (Regular Deadline) 11.01.2024 Experiments in Cinema <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5378c6b58f&e=857b71a9cb> 11.01.2024 San Diego Underground Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d9a0fcd681&e=857b71a9cb> (Late Deadline) 11.01.2024 Wide Open Experimental Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ed038af527&e=857b71a9cb> (Regular Deadline) 11.01.2024 Portland Panorama <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=71689161e3&e=857b71a9cb> (Regular Deadline) 11.08.2024 Coney Island Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f436597a4d&e=857b71a9cb> (Regular Deadline) 11.15.2024 Cosmic Rays Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=47ef227ace&e=857b71a9cb> 11.30.2024 Interbay Cinema Society Lightpress Grant <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e08f861eba&e=857b71a9cb> 12.15.2024 Strangloscope Experimental International Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=09c7a9fa9c&e=857b71a9cb> (Extended Deadline) 01.26.2025 International Short Film Festival Oberhausen <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ffc052cfa6&e=857b71a9cb> (Regular Deadline) 03.31.2025 FRACTO Experimental Film Encounter <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=eddf494f3a&e=857b71a9cb> 03.31.2025 Magmart Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a20b3ebf18&e=857b71a9cb> *EVENTS* **** Enter your event announcements here <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7c58e6c190&e=857b71a9cb> **** ___________________________________________________________________________________ *complicated sorting but a true attempt, enjoy!* This week's programs (summary): - Almost Everyone Is Ready: The Cinema of Stephanie Barber <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f57f7fae1b&e=857b71a9cb> [October 26, Portland, OR] - OPTRONICA2 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4c7bc466cd&e=857b71a9cb> [October 26, San Francisco, CA] - Film No. 12 & Film No. 16 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a8d6f16475&e=857b71a9cb> [October 28, Cambridge, MA] - Beyond Meshes: The Film Music of Teiji Ito - Presented By Michiko Ogawa <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=9c51a31c89&e=857b71a9cb> [October 29, New York, NY] - Niki De Saint Phalle On Screen <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=263abfd109&e=857b71a9cb> [November 1-7, New York, NY] - We Are Here: Scenes From The Streets <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=fac43f5a68&e=857b71a9cb> [November 1-December 22, New York, NY] - Koyaanisqatsi <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3aad53bd13&e=857b71a9cb> [November 2, Cambridge, MA] - The Long Conversation <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6b0c619e97&e=857b71a9cb> [ongoing, online] - 6x6 Project: Artists' Moving Image Works <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a0b87616c9&e=857b71a9cb> [ongoing, online] *SATURDAY, OCTOBER 26, 2024* Venue type: *Live, physical event* at Portland Institute of Contemporary Art <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=785c4656c2&e=857b71a9cb> 7pm PDT, PICA Annex, 15 NE Hancock Street, Portland, OR 97212 *Cinema Project presents: Almost Everyone Is Ready: The Cinema of Stephanie Barber* Stephanie Barber In Person Stephanie Barber makes films and videos in which verbal communication often takes top billing, but they could also be watched for their elegant imagery alone. She is continually drawing our focus, with the intense work of her art, to the tenderest spots mostly out of reach. In *Another Horizon*, a voodoo priest and priestess speak of death, while behind their voices, a 36-foot scrolling collage of earth and sky slowly unwinds, with a razor-scratched line connecting or separating them. Barber writes, “the horizon, where the sky and the earth meet, is always elsewhere, a promised place where these two elements come together. A metaphor, an orienting, a promise of transition, change, transcendence. A place where the corporeal and spiritual meet, or are cleaved apart.” For her project *jhana and the rats of james olds*, Barber made 31 films in as many days in a museum gallery that was open to visitors. She says, "I am thinking about the emphasis given to product over production, or display over creation. The piece is a video screening and an installation and a performance—a spiritual obeisance, an athletic braggadocio, a consideration of marxist theories of production (with the assembly line so lovingly lit.) It is a funny game for me to play, an exercise in concentration, discipline and focus, an extension of my everyday.“ “Looking back on the resurgence of experimental cinema at the turn of the millennium, it’s clear that one of the most significant artists to emerge from that moment was Stephanie Barber…” (Light Industry). *letters, notes* 1997, 16mm, 7 mins *Another Horizon *2020, 16mm, 9 mins *3 peonies* 2017, 16mm, 3 mins *Catalog* 2005, 16mm, 11 mins *Total Power, dead dead dead* 2005, 16mm, 3 mins *shipfilm* 1998, 16mm, 4 mins *Palace of Pope* 2018, HD 12 min *dwarfs the sea*, 2007, DV, 5min *SOME ANIMALS *2011, digital, 2.30 min *DEGAS *2011, digital, 1 min *FOR W.G. SEBALD (TRAVEL WITHOUT TRAVEL)* 2011, digital, 4.5 min *oh my homeland*, 2019, 16mm, 4 mins Stephanie Barber is a writer and artist who has created a poetic, conceptual, and philosophical body of work in a variety of media, often literary/visual hybrids that dissolve boundaries between narrative, essay, and dialectic. Her work considers the basic philosophical questions of human and non-human existence (its morbidity, profundity, and banality) with play and humor. Barber’s films and videos have screened nationally and internationally in solo and group shows at MOMA, NY; The Tate Modern, London; The Whitney Museum of American Art, NY; The Paris Cinematheque; The Walker Art Center, MN; MOCA Los Angeles, The Wexner Center for Art, OH, among other galleries, museums, and festivals. Her videos are distributed by Video Data Bank and her films can be found at Canyon Cinema. Publishing Genius Press published her books Night Moves and these here separated... in 2013 and 2010 respectively. CTRL+P published a collection of her haiku, Status Update Vol. 1 in 2019 and her full-length play Trial in the Woods was published by Plays Inverse in 2021 with a second pressing in 2022. Barber is currently Department Head of Film and Digital Cinema at Moore College of Art and Design in Philadelphia, PA. She is also a resident artist at The Mt. Royal MFA for Interdisciplinary Art at MICA in Baltimore, MD, and a teaching artist for The Milton Avery Graduate School of the Arts at Bard College and Image Text Ithaca. James Glisson at Artforum wrote, "...the films of Stephanie Barber engage universal themes—time, death, memory, forgetting, frustration." and Ed Halter at Afterall Online wrote, "Barber...approaches cinema as a philosophical toy, intimately small, in which the play itself generates both pleasure and insight." *___________________________________________________________________* Venue type: *Live, physical event* Other Cinema <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=df4cb3d669&e=857b71a9cb> 8pm PT, ATA Gallery - 992 Valencia ST, San Francisco, CA *OPTRONICA2* Spelletich + 99 Hooker + Daniel + Our second live-cinema screening is shaped by its proximity to Election Day, so that Kal Spelletich can more effectively conjure his curse on candidate D.Trump and his Nazi posse! ProPublica hero-reporter AC Thompson and sound artist Mansur Nurullah aid Kal’s *American Aria* live remix of never-seen Jan. 6th footage, towards an energized condemnation of the QAnon election-deniers. Co-billed is that nationally-touring video-poet 99 Hooker, a welcome member of the OC family and an electronic artiste whose work approaches stream-of-thought image-generation. AND also here is none other than Bill Daniel, with one of his 16mm double-projection collabs with local musicians. Tommy Becker, too, makes the scene, with the world premiere of his *Stars Bright on a Blue Field*, while long-time ATA fave Mike Kavanagh brings in his desperately needed critique of AI. PLUS Russ Forster on Banjo, Pussy Riot, Indecline, Vic Berger, and a hilarious battery of anti-Trump punches. *MONDAY, OCTOBER 28, 2024* Venue type: *Live, physical event* Harvard Film Archive <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=74b73be74e&e=857b71a9cb> 7pm EST, 24 Quincy Street, Cambridge, MA *Film No. 12 & Film No. 16* For Smith’s first long film, he built a special projector which would change color filters and frames around the image; other slides revealed different borders or changed the screen’s shape, but in classic Smith fashion, he tossed the handmade projector out of a window during an argument, and the film was shown in black and white from then on. *Film No. 12 (Heaven and Earth Magic Feature)*, Directed by Harry Smith, US, c. 1957-62, 16mm, black & white, 66 min, Print source: Anthology Film Archives Smith’s cut-out readymade animations take center stage in *No. 12*, the sole figures who are likewise accompanied by “cut-out” sounds that may or may not sync up with the action. This roulette of canned sound effects adds to the film’s resemblance to an elaborately constructed projective psychological test. This was the only time he composed his own soundtrack, and the result vacillates between playful discovery and eerie disassociation. Aside from the Egyptian sarcophagi and the cataclysmic ending (and despite Jonas Mekas’ title), Smith’s film lacks the marked mysticism of the works just preceding it, adhering almost exclusively to Sears-Roebuck-style people, animals and objects engaged in a cryptically surreal, stream-of-consciousness unfolding. Influenced by Daniel Paul Schreber’s *Memoirs of My Nervous Illness *(1903), passages from which he once read over the film as it played, Smith also claimed he was animating his dreams. “The exact relation between his dreams and the structure of the film is ambiguous,” remarks P. Adams Sitney, “unless we can suppose that he dreamed the life of the figures he had already cut out and assembled for his film. What is more likely is that he established an intuitive relationship between the structure of his dreams and the substructure of the film.” *Film No. 16 (Oz: The Tin Woodman’s Dream)*, Directed by Harry Smith, US, c. 1967, 35mm, color, 15 min, Print source: Anthology Film Archives *Film No. 13 (Oz or The Magic Mushroom People)* was to be a feature-length, widescreen 35mm film for the masses. On Smith’s alternate route to Emerald City, Oz would be separated into different lands such as “Hieronymus Bosch Land” or “Microscopia” with the iconic characters as originally drawn by W.W. Denslow in L. Frank Baum’s original book. Thanks to Allen Ginsberg’s promotion, Smith’s ambitious visions were matched with generous funding from a group of wealthy heirs and philanthropists, including Elizabeth Taylor. He took full advantage of this unexpected largesse by building an animation studio, hiring friends and keeping drugs flowing over a year of intensive work. The production came to a halt with the overdose death of their primary funder, Henry Phipps, and when the remaining investors were shown the nine completed minutes of film, they had the studio’s locks changed and much of the work destroyed. *Film No. 16* begins with only a few minutes of the beautiful psychedelic wonderworld that could have been, and abruptly shifts to film that Smith shot in 1968 through his handmade teleidoscope. Only directly related to the earlier scenes through the color scheme, these dazzling, mirrored portals reflect Smith’s intention “to convert Oz into a Buddhistic image like a mandala.” *TUESDAY, OCTOBER 29, 2024* Venue type: *Live, physical event* Anthology Film Archives <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=db575a1a23&e=857b71a9cb> 7:30pm ET, 32 Second Avenue, New York, NY *BEYOND MESHES: THE FILM MUSIC OF TEIJI ITO - PRESENTED BY MICHIKO OGAWA* Teiji Ito (1935-82) played an important role in the New York experimental film and theater music scene from the mid-1950s to the early 1980s. Ito is famous for a free and expressive compositional style, using multiple instruments and overdubbing techniques in close relationship with on-screen imagery. For this special evening, Michiko Ogawa will present three films by Maya Deren and Marie Menken that Ito scored, alongside three recent films inspired by Ito’s works and working process, devised in collaboration with Lyndsay Bloom, Angela Jennings, Manuel Pessôa de Lima, and Carolyn Chen. Michiko Ogawa is a Japanese performer/composer based out of Berlin. She was awarded a Doctoral degree from the University of California San Diego in 2019 with a thesis focusing on the film music of Teiji Ito, and is currently writing his biography. Marie Menken *BAGATELLE FOR WILLARD MAAS* (1961, 5 min, 16mm. Preserved by Anthology Film Archives.) Lyndsay Bloom *HAND CATCHING FLOUR* (2019, 5 min, 16mm-to-digital) Maya Deren & Alexander Hammid *MESHES OF THE AFTERNOON* (1943, 14 min, 16mm. Music by Teiji Ito from 1959. Preserved by Anthology Film Archives.) Angie Jennings *THE STIGMA FOG SAINT WARDS OFF EXTINCTION* (2019, 6 min, digital) Marie Menken *DWIGHTIANA* (1959, 3 min, 16mm. Preserved by Anthology Film Archives.) Michiko Ogawa & Manuel Pessôa de Lima *THE COSMIC MUSIC OF TEIJI ITO* (2021, 20 min, digital) Total running time: ca. 75 min (with presentation) *FRIDAY, NOVEMBER 1, 2024* *November 1 - 7* Venue type: *Live, physical event* Anthology Film Archives <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6ded50e6dd&e=857b71a9cb> times vary, see below, 32 Second Avenue, New York, NY *NIKI DE SAINT PHALLE ON SCREEN* Niki de Saint Phalle has been much celebrated over the years: her works are part of numerous major collections, her iconic sculptures grace museums, plazas, and other public spaces around the world, and here in the U.S., major exhibitions recently graced the walls of MoMA PS1 and The Menil Collection in 2021, and at the Nelson-Atkins Museum of Art this past summer. Saint Phalle was among the most prolific and multi-disciplinary of artists. While her “Nanas” – stylized, riotously colorful, joyous sculptures of the female form – are iconic, she produced extraordinary works in practically every imaginable medium: sculptures, installations, assemblages, architectural constructions and landscapes, works on paper, performances, artist books, and more. Perhaps the least-recognized aspect of her career is her intersection with the moving image. Saint Phalle was a filmmaker herself, an aspect Anthology helped call attention to in 2019 when, as part of the series “Out of the Shadows”, we screened both her unflinchingly personal exploration of familial trauma, *DADDY* (1973) (a collaboration with filmmaker Peter Whitehead), and *UN RÊVE PLUS LONG QUE LA NUIT (A DREAM LONGER THAN THE NIGHT)* (1976), a phantasmagoric feminist fairy tale that was one of the bona fide revelations of the programming we’ve presented in recent memory. Saint Phalle also worked in video, as well as collaborating on various moving-image projects and performance documentation, and appearing as the subject of numerous documentary portraits. Ever since presenting *UN RÊVE PLUS LONG QUE LA NUIT* in 2019, we’ve been looking forward to the day when we could showcase this extraordinary film more fully. Thanks to the efforts of the Niki Charitable Art Foundation, the film has now been restored (in its slightly longer, original cut). To celebrate the return of Saint Phalle’s greatest moving-image work, we’re honored to host a week-long revival run of A DREAM, contextualized by a selection of films by, with, and about Niki de Saint Phalle, as well as her longtime partner and collaborator, Jean Tinguely. The series has been organized in collaboration with the Niki Charitable Art Foundation and The Film Desk. Special thanks to Arielle de Saint Phalle; Bloum Cardenas & Jana Nier Mooneyhan (Niki Charitable Art Foundation); Michel Auder; Lilly Carrel, Donna McClendon & Michelle White (The Menil Collection); Francois de Menil; Louise Faure & Anne Julien; Ted Fendt; Konrad Hirsch (Schamoni Film & Medien); Jake Perlin (The Film Desk); Greg Pierce (The Andy Warhol Museum); Fabienne Stephan (Salon 94); Corinna Stürz (Hessischer Rundfunk); and Josefine Ziebell. *SCREENINGS* Niki de Saint Phalle UN RÊVE PLUS LONG QUE LA NUIT <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=90d821a3fd&e=857b71a9cb> November 1-7 at 6:45PM ET and November 7 at 9:00PM ET Niki de Saint Phalle & Peter Whitehead DADDY <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=456edd606a&e=857b71a9cb> November 1 at 9:00PM ET November 4 at 9:00PM ET NIKI DE SAINT PHALLE SHORT FILM PROGRAM <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=404c6d799a&e=857b71a9cb> November 2 at 4:15PM ET November 6 at 9:00PM ET Peter Schamoni NIKI DE SAINT PHALLE – WHO IS THE MONSTER, YOU OR ME? / NIKI DE SAINT PHALLE – WER IST DAS MONSTER, DU ODER ICH? <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=81fc3ac190&e=857b71a9cb> November 2 at 9:00PM ET November 5 at 9:00PM ET JEAN TINGUELY SHORT FILM PROGRAM <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e5dd3e5a5d&e=857b71a9cb> November 3 at 4:30PM ET MONSTER IN THE FOREST: THE STORY OF THE CYCLOP + NIKI DE SAINT PHALLE AND JEAN TINGUELY: THE BONNIE AND CLYDE OF ART <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5b19f46724&e=857b71a9cb> November 3 at 9:00PM ET *___________________________________________________________________* *November 1 - December 22* Venue type: *Live, physical event* Anthology Film Archives <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a54af9ca0a&e=857b71a9cb> times vary, see below, 32 Second Avenue, New York, NY *WE ARE HERE: SCENES FROM THE STREETS* This fall, the International Center of Photography (ICP) presents a major exhibition entitled “We Are Here: Scenes from the Streets”. Spotlighting contemporary street photography from over 30 international iconic street photographers, the exhibition highlights the diverse perspectives and techniques that define modern street photographers and emphasizes the role of the streets as a canvas for illustrating change. The work of these intergenerational and geographically disparate artists encourages an expansive re-viewing of “street photography.” It opens up important discussions on how “the street” and public space are places of community, joy, self-expression, advocacy, changing landscapes, and social dynamics as seen through the street photographer’s lens. In conjunction with the exhibition, Anthology hosts a wide-ranging film series, throughout November and December, that explores the intersections of street photography and cinema. The series includes documentaries by and about notable street photographers, but also showcases films that qualify, in their own right, as works of moving-image street photography (such as the work of Khalik Allah, Charlie Ahearn, Mira Nair, John Wilson, Heddy Honigmann, Jem Cohen, and others), or that expand the notion of what qualifies as street photography (John Smith’s *THE GIRL CHEWING GUM*, William H. Whyte’s *THE SOCIAL LIFE OF SMALL URBAN SPACES*, or Tom Jarmusch’s *SOMETIMES CITY*). “We Are Here: Scenes from the Streets” is on view at the ICP (84 Ludlow Street) from September 26, 2024-January 6, 2025. The exhibition is curated by Guest Curator Isolde Brielmaier, with Noa Wynn, Independent Curatorial Assistant. Special thanks to all the filmmakers; to Jacque Donaldson Bailey, Izzy Dow, Sara Ickow, Haley Kane, and Marley Trigg Stewart (ICP); and to Neal Block (Magnolia Pictures); Bob Hunter (Icarus Films); Marian Luntz (Museum of Fine Arts Houston); and Brian Meacham (Yale Film Archive). *SCREENINGS* Charlie Ahearn WILD STYLE <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=05015edf0a&e=857b71a9cb> November 1 at 7:30PM ET November 23 at 9:00PM ET December 21 at 9:00PM ET Cheryl Dunn EVERYBODY STREET <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c858ee8454&e=857b71a9cb> November 2 at 4:30PM ET December 20 at 6:30PM ET KHALIK ALLAH PGM <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2ea4824ba2&e=857b71a9cb> November 2 at 7:00PM ET November 29 at 9:15PM ET Dayong Zhao STREET LIFE / NANJING LU <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=cf06c59f91&e=857b71a9cb> November 2 at 9:15PM ET December 20 at 9:00PM ET WRONG SIDE OF THE LENS <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4e4132d950&e=857b71a9cb> November 3 at 4:00PM ET AHEARN / ROBAKOWSKI / HELLER PGM <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=cca75906d4&e=857b71a9cb> November 3 at 6:15PM ET December 1 at 8:30PM ET Charlie Ahearn JAMEL SHABAZZ STREET PHOTOGRAPHER (filmmaker in person!) <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a5c0b27923&e=857b71a9cb> November 3 at 8:30PM ET December 1 at 6:00PM ET Heddy Honigmann METAL AND MELANCHOLY <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2966e3fa96&e=857b71a9cb> November 4 at 8:45PM ET December 21 at 4:15PM ET Raoul Peck ERNEST COLE: LOST AND FOUND <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6b5944c0a9&e=857b71a9cb> November 19 at 8:00PM ET JEM COHEN PROGRAM (filmmaker in person!) <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=be2492477e&e=857b71a9cb> November 22 at 7:00PM ET ONE HOUR + A WALK <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=624e3b9062&e=857b71a9cb> November 22 at 9:15PM ET November 24 at 5:15PM ET December 21 at 6:15PM ET 2 X NICHOLAS DOOB <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=9af33f1e1f&e=857b71a9cb> November 23 at 4:30PM ET November 30 at 6:00PM ET William H. Whyte THE SOCIAL LIFE OF SMALL URBAN SPACES <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6db44067fe&e=857b71a9cb> November 23 at 6:45PM ET November 29 at 7:00PM ET Tom Jarmusch SOMETIMES CITY (filmmaker in person!) <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=497690a0c7&e=857b71a9cb> November 24 at 8:00PM ET Djamil Beloucif LE COIN DES VAURIENS <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=dca4d8da9e&e=857b71a9cb> December 22 at 5:00PM ET *SATURDAY, NOVEMBER 2, 2024* Venue type: *Live, physical event* Harvard Film Archive <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ad98045155&e=857b71a9cb> 9:15pm ET, 24 Quincy Street, Cambridge, MA *Koyaanisqatsi* Directed by Godfrey Reggio, US, 1982, 35mm, color, 87 min, Print source: HFA Seven years in the making, Godfrey Reggio’s feature film debut is a symphony of modern human civilization on 35mm. Mostly in time-lapse or slow-motion sequences, the hypnotic montage features a mix of spectacular cinematography by Ron Fricke and stock footage depicting humanity in all of its awesome beauty and horror. *Koyaanisqatsi* achieved surprise success at the box office, and—along with Philip Glass’ minimalist score—transcended cult psychedelic status. Now part of the contemporary zeitgeist, the film retains its power and magnificence even in the age of the internet’s infinite imageworld, the smartphone and the drone.(Screening on 35mm) *ONGOING* Venue type: *Virtual, online event* Riverwest Radio <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b336490f70&e=857b71a9cb> streaming 24/7 *THE LONG CONVERSATION* THE LONG CONVERSATION with Xav Leplae and Stephanie Barber is on indefinite hold. But... all episodes from the last year and a half are streaming!!! *___________________________________________________________________* Venue type: *Virtual, online event* 6x6 Project <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=69c14d59dc&e=857b71a9cb> streaming 24/7 *Artists' Moving Image Works* 6x6 project is an online artists' community that serves as a platform for disseminating artists' moving image works, and to create an ever-growing network among peers. There are now more than four hundred artists’ film and moving image works available to view on the website. ------------------------------ *Let us know about your alternative film/video event!* Enter your event announcements by going to the Flicker Weekly Listing Form <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=bd4ae73ea1&e=857b71a9cb> . To receive the weekly listing directly via email rather than through Frameworks, just hit Subscribe <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=091193278b&e=857b71a9cb> . *Copyright © 2020 Flicker, All rights reserved.* Longtime recipient of This Week in Avant Garde Cinema This Week in Avant Garde Cinema · everywhere · Cincinnati, OH 45201 · USA
-- Frameworks mailing list [email protected] https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
