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*** TWIAGC is looking for a new volunteer facilitator *** Please contact *[email protected] <[email protected]>* for details *This Week [January 11 - 19, 2025] in Avant Garde Cinema* To receive the weekly listing directly via email rather than through Frameworks, just hit Subscribe <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=091193278b&e=857b71a9cb> . *DEADLINES APPROACHING* **** Enter upcoming calls for entry here <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5543975f6b&e=857b71a9cb> **** ___________________________________________________________________________________ *sorted by submission deadline* 01.13.2025 Onion City Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=538d87c21f&e=857b71a9cb> (Regular Deadline) 01.15.2025 Light Field <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=48f06dc475&e=857b71a9cb> 01.24.2025 Fugue State <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b0f4b7d468&e=857b71a9cb> (Early Deadline) 01.26.2025 International Short Film Festival Oberhausen <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b8c74e9ef1&e=857b71a9cb> (Regular Deadline) 01.31.2025 Laterale Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=da6ec71105&e=857b71a9cb> (Fourth Deadline) 01.31.2025 Milwaukee Underground Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e04d83ec68&e=857b71a9cb> (Regular Deadline) 02.05.2025 Chicago Underground Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=567c794382&e=857b71a9cb> (Early Deadline) 02.14.2025 Coney Island Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b88b04a468&e=857b71a9cb> (Extended Deadline) 02.15.2025 VIDEOEX Experimental Film & Video Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=9f2b70a93b&e=857b71a9cb> 02.21.2025 Edinburgh Short Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e696af0ca9&e=857b71a9cb> (Early Deadline) 03.01.2025 West Virginia Mountaineer Short Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a8c5a1a81d&e=857b71a9cb> 03.01.2025 Found Footage Magazine <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=88fa7a6f21&e=857b71a9cb> 03.03.2025 The Wexner Center’s Ohio Shorts <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6cb7acc4ca&e=857b71a9cb> 03.15.2025 ARTErra Residency <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d34c764852&e=857b71a9cb> 03.23.2025 Experimental Film and Video Festival in Seoul (EXiS) <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2822c4d7a6&e=857b71a9cb> 03.31.2025 FRACTO Experimental Film Encounter <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7181986826&e=857b71a9cb> 03.31.2025 Magmart Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=dd5d041e53&e=857b71a9cb> *EVENTS* **** Enter your event announcements here <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a76b1ffef6&e=857b71a9cb> **** ___________________________________________________________________________________ *complicated sorting but a true attempt, enjoy!* This week's programs (summary): - Roger Beebe On Tour <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0438917eba&e=857b71a9cb> [January 2-29, KY, TN, AR, OK, NM, AZ, CA, OR, WA, BC] - EC: Léger & Murphy / Picabia & Clair / Man Ray & Duchamp <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a98edd1a7e&e=857b71a9cb> [January 11, New York, NY] - EC: Christopher Maclaine <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1d45d4b081&e=857b71a9cb> [January 12, New York, NY] - EC: Walden (Diaries, Notes, And Sketches) <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e6f8362d7c&e=857b71a9cb> [January 12, New York, NY] - EC: Georges Méliès, Programs #1 - 3 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5164164b56&e=857b71a9cb> [January 15-19, New York, NY] - EC: Reminiscences of A Journey To Lithuania <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=709209c912&e=857b71a9cb> [January 15, New York, NY] - Naomi Levine Program <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=dfde8c8767&e=857b71a9cb> [January 16-19, New York, NY] - New Films By Dominic Angerame <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=76cc43c657&e=857b71a9cb> [January 17, Oakland, CA ] - Experimentations 14: Old Nature: Natural History Films From The Silent Era <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=aedab34bfc&e=857b71a9cb> [January 19, Los Angeles, CA] - The Long Conversation <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c81329da70&e=857b71a9cb> [ongoing, online] - 6x6 Project: Artists' Moving Image Works <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7242c5023d&e=857b71a9cb> [ongoing, online] *STARTING BEFORE SATURDAY, JANUARY 11, 2025* *January 2 - 29* Venue type: *Live, physical event* Roger Beebe on Tour <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ce8279f0b1&e=857b71a9cb> times vary, see below, locations vary, see below *Roger Beebe on Tour* FILMS FOR ONE TO EIGHT PROJECTORS Jan 02: Speed Museum (Louisville, KY) Jan 09: COOP Gallery (Nashville, TN) Jan 10: Ugly Art Co. (Memphis, TN) Jan 11: AR School for Science, Math, & the Arts (Hot Springs) Jan 12: Resonator (Norman, OK) Jan 14: No Name Cinema (Santa Fe, NM) Jan 15: Guild Cinema (Albuquerque, NM) Jan 16: Interference Series (Flagstaff, AZ) Jan 18: Whammy! Analog (Los Angeles, CA) Jan 21: Shapeshifters (Oakland, CA) Jan 22: Varsity Theater (Ashland, OR) Jan 24: Decay (Olympia, WA) Jan 26: Emily Carr--Integrated Motion Studio (Vancouver, BC) Jan 28: Mini Mart City Park (Seattle, WA) Jan 29: Gonzaga University (Spokane, WA) *SATURDAY, JANUARY 11, 2025* Venue type: *Live, physical event* Anthology Film Archives <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2eac7eeeeb&e=857b71a9cb> 8pm ET, 32 Second Avenue, New York, NY *EC: LÉGER & MURPHY / PICABIA & CLAIR / MAN RAY & DUCHAMP* Fernand Léger & Dudley Murphy *BALLET MÉCANIQUE* (1924, 19 min, 35mm, silent. Preserved by Anthology Film Archives.) “The two fundamental works of the graphic cinema from the 1920s made without animation were Fernand Léger’s *BALLET MÉCANIQUE* and Marcel Duchamp’s *ANEMIC CINEMA*. By extending a metaphor from several of his paintings into film, Léger compared a universe of human actions and everyday objects to the functions of a machine.” –P. Adams Sitney, VISIONARY FILM René Clair & Francis Picabia *ENTR’ACTE* (1924, 22 min, 35mm) One of the indisputable masterpieces of Dada cinema, *ENTR’ACTE* was created, as its title suggests, to function as a diversion in between the two acts of Francis Picabia and Erik Satie’s avant-garde ballet RELÂCHE. Man Ray *LE RETOUR À LA RAISON* (1923, 2 min, 16mm, silent) *ÉTOILE DE MER* (1927, 13 min, 16mm, silent) *EMAK BAKIA* (1927, 18 min, 35mm, silent) “All the films I have made have been improvisations. I did not write scenarios. It was automatic cinema. I worked alone. My intention was to set in motion the compositions I made in photography. As for the camera, I use it to capture something I do not want to paint. But I am not interested in producing ‘beautiful photography’ for the cinema.” –Man Ray, “All the Films I Have Made” (1965) Marcel Duchamp & Man Ray *ANEMIC CINEMA* (1926, 7 min, 35mm, silent) “Duchamp alternates head-on views of his illusion-producing roto-reliefs with similarly turned discs of words, elaborate French puns printed spirally, creating a fluctuation of illusory depth within a very narrow spectrum (from the slightly convex or slightly concave illusions) to the flat readings. In this, his only film, Duchamp typically crystallized the significance of the graphic film.” –P. Adams Sitney, VISIONARY FILM Total running time: ca. 85 min *SUNDAY, JANUARY 12, 2025* Venue type: *Live, physical event* Anthology Film Archives <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=92273476bc&e=857b71a9cb> 4:30pm ET, 32 Second Avenue, New York, NY *EC: CHRISTOPHER MACLAINE* “The few facts that are known about Maclaine are, at best, sketchy. He was a published poet, a sort of down and out San Francisco bohemian who later became one of the psychic casualties of that scene. His last years were spent at Sunnyacres, a state mental hospital in Fairfield, California. These films, along with Ron Rice’s, are clearly the most significant work to come out of the beat period.” –J.J. Murphy All films preserved by Anthology Film Archives. *THE MAN WHO INVENTED GOLD* (1957, 14 min, 16mm) *BEAT* (1958, 6 min, 16mm) *SCOTCH HOP* (1959, 5.5 min, 16mm) *THE END* (1953, 35 min, 16mm) Total running time: ca. 65 min. [*THE MAN WHO INVENTED GOLD*, *BEAT*, and *SCOTCH HOP* are not part of the Essential Cinema collection, but they are included here as a special bonus.] *___________________________________________________________________* Venue type: *Live, physical event* Anthology Film Archives <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6ea58b3896&e=857b71a9cb> 6:30pm ET, 32 Second Avenue, New York, NY *EC: WALDEN (DIARIES, NOTES, AND SKETCHES)* by Jonas Mekas, 1968-69, 180 min, 16mm “Since 1950 I have been keeping a film diary. I have been walking around with my Bolex and reacting to the immediate reality: situations, friends, New York, seasons of the year. On some days I shot ten frames, on others ten seconds, still on others ten minutes. Or I shot nothing. When one writes diaries, it’s a retrospective process: you sit down, you look back at your day, and you write it all down. To keep a film (camera) diary, is to react (with your camera) immediately, now, this instant: either you get it now, or you don’t get it at all.” –Jonas Mekas *WEDNESDAY, JANUARY 15, 2025* *January 15 - 19* Venue type: *Live, physical event* Anthology Film Archives <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=61fecb033b&e=857b71a9cb> times vary, see below, 32 Second Avenue, New York, NY *EC: GEORGES MÉLIÈS, PROGRAMS #1 - 3* --- Wed Jan 15 @ 8:30pm ET - EC: GEORGES MÉLIÈS, PROGRAMS #1 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=eaeb513552&e=857b71a9cb> --- All films in this program are b&w and silent. *THE CONJUROR / L’ILLUSIONISTE FIN DE SIÈCLE* (1899, 1 min, 35mm) *TRIP TO THE MOON / VOYAGE DANS LA LUNE* (1902, 12 min, 35mm) *THE PALACE OF THE ARABIAN NIGHTS / LE PALAIS DES MILLE ET UNE NUITS* (1905, 21 min, 35mm) *MERRY FROLICS OF SATAN / LES QUATRES CENT FARCES DU DIABLE* (1906, 18 min, 35mm) *DELIRIUM IN A STUDIO / ALI BARBOUYOU ALI BOUF À L’HUILE* (1907, 5 min, 35mm) Total running time: ca. 60 min. Magician, master of special effects, Méliès broke with the realistic (Lumière) mode of cinema and celebrated unlimited fantasy and artificiality (in its best sense). “All early filmmakers were fascinated at first with the camera’s possibilities for tricks and illusionism. In fact, many were magicians before becoming filmmakers. But it was Georges Méliès, the French magician, producer of spectacles, actor, artist, and poet, who had the imagination and enthusiasm to fully exploit its marvels. His films are spectacles that amaze and delight. He created fantastic visions – all of them curious, some of them comic.” –MUSEUM OF MODERN ART --- Sat Jan 18 @ 5:15pm ET - EC: GEORGES MÉLIÈS, PROGRAMS #2 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1d32ed12a5&e=857b71a9cb> --- The films on this program are hand-tinted and silent. *A DIABOLICAL TENANT / UN LOCATAIRE DIABOLIQUE* (1909, 8 min, 35mm) *THE CASCADE OF FIRE / LA CASCADE DE FEU* (1904, 3 min, 35mm) *VOYAGE ACROSS THE IMPOSSIBLE / LE VOYAGE À TRAVERS L’IMPOSSIBLE* (1904, 20 min, 35mm) *THE HUNCHBACK FAIRY / LA FÉE CARABOSSE* (1906, 13 min, 35mm) Total running time: ca. 50 min. --- Sun Jan 19 @ 5:15pm ET - EC: GEORGES MÉLIÈS, PROGRAMS #3 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=246f57306c&e=857b71a9cb> --- All films in this program are b&w and silent. *EXTRAORDINARY ILLUSIONS / ILLUSIONS FUNAMBULESQUES* (1903, 3 min, 16mm) *THE ENCHANTED WELL / LE PUITS FANTASTIQUE* (1903, 3 min, 16mm) *TUNNEL UNDER THE CHANNEL / LE TUNNEL SOUS LA MANCHE* (1907, 25 min, 35mm) *THE APPARITION / LE REVENANT* (1903, 3 min, 16mm) *THE DOCTOR’S SECRET / HYDROTHÉRAPIE FANTASTIQUE* (1909, 11 min, 35mm) *SIGHTSEEING THROUGH WHISKY / PAUVRE JEAN OU LES MESAVENTURES D’UN BUVEUR* (1909, 5 min, 35mm) Total running time: ca. 55 min. *___________________________________________________________________* Venue type: *Live, physical event* Anthology Film Archives <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=39473e1690&e=857b71a9cb> 6:15pm ET, 32 Second Avenue, New York, NY *EC: REMINISCENCES OF A JOURNEY TO LITHUANIA* by Jonas Mekas, 1971-72, 82 min, 16mm-to-35mm Preserved by Anthology Film Archives with support from The Film Foundation. Special thanks to Cineric, Inc., and Trackwise. “The film consists of four parts. The first part contains some footage from my first years in America, 1949-52. The second part was shot in August 1971 in Lithuania. The third part is in Elmshorn, near Hamburg, where I spent eight months in a forced labor camp. The fourth part is in Vienna (1971) with Peter Kubelka, [Hermann] Nitsch, Annette Michelson, Ken Jacobs, etc. The film deals with home, memory, and culture.” –Jonas Mekas *SATURDAY, JANUARY 16, 2025* *January 16 - 19* Venue type: *Live, physical event* Anthology Film Archives <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=9ecec7fce4&e=857b71a9cb> 7pm ET each night, 32 Second Avenue, New York, NY *NAOMI LEVINE Program* While primarily remembered today as Andy Warhol’s “first female superstar,” Naomi Levine was an artist and painter and, in the early 1960s, a New York underground fixture, star, and matchmaker. Charmed by Levine’s outsized personality, Warhol soon enlisted her to perform in some of his most important early films, including *KISS* (1963), *BATMAN DRACULA* (1964), *COUCH* (1964), and *TARZAN AND JANE REGAINED…SORT OF* (1963), where she played Jane alongside Taylor Mead and Dennis Hopper. (Sadly, these Warhol titles are currently not being distributed and, as such, are not available for this series.) In fact, it was Levine who organized a screening of Warhol’s *SLEEP* at a downtown loft in 1963 especially for her close friend, critic and filmmaker Jonas Mekas. She subsequently personally introduced Warhol and Mekas to each other. Mekas swiftly incorporated Warhol into the New American Cinema movement and championed his films in the Village Voice, while Levine would appear in many other notable underground films of the era including *NORMAL LOVE* (Jack Smith, 1963-65) and *WALDEN* (Jonas Mekas, 1968). Entrenched in the underground film scene, Levine began making her own avant-garde films as well. *YES*, completed in the summer of 1963, is an idyllic proto-hippie “back to the earth” pastoral, which features some of Levine’s friends and their children frolicking among nature in a lush rural agrarian setting with the aural backdrop of harmonium, Japanese flute, and sitar. Her second film, *JEREMELU*, a more frenetic and tightly edited exercise, captured a different group of friends: Gerard Malanga, performance artist and filmmaker Jack Smith, and artists Mimi Gross and Red Grooms. Levine would continue to make her own work into the early 1970s, completing at least ten other films, all of which are now presumed lost. While her work was celebrated in the mid-1970s at venues including MoMA and Pittsburgh Film-Makers, which identified her as “a seminal figure in the now historic movement of the New American film,” she largely disappeared from the film scene by the 1980s and withdrew all her films from distribution in the 1990s. As a result, her work has largely been overlooked and underrecognized within the history of 1960s American avant-garde cinema – a situation we hope to begin to redress with this program, which features Anthology’s brand-new preservations of Levine’s two surviving films. Upcoming Screenings January 16 at 7:00 PM <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e74ee8de52&e=857b71a9cb> January 17 at 7:00 PM <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=586b481627&e=857b71a9cb> January 18 at 7:00 PM <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c5e5dfcb28&e=857b71a9cb> January 19 at 7:00 PM <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a14ddf47a1&e=857b71a9cb> *FRIDAY, JANUARY 17, 2025* Venue type: *Live, physical event* Shapeshifters Cinema <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=fd8463897b&e=857b71a9cb> 7PM, 567 5th St, Oakland, CA 94607 *New Films by Dominic Angerame* San Francisco-based filmmaker Dominic Angerame returns to Shapeshifters to screen 17 new films, with subjects ranging from portraits of friends to political protests—all shot on film over the past few decades and finished this year. *Aeon* (2024, 12 mins.), *Film Diary-- #1Robert Fulton III* (2024, 2 mins.), *Film Diary #2--No Nothing Cinema* (2024, 4 mins.), *Film Diary #3--In Memory of Kurt Kren* (2024, 3 mins.), *Film Diary #4--Cemetery *(2024, 3 mins.), *Film Diary #5--Last Temptation of Christ *(2024, 4 mins.), *Film Diary #6--1984 Democratic Convention *(2024, 5 mins.), *Film Diary #7--Psalm Sunday* (2024, 5 mins.), *Film Diary #8--Papa John Creach* (2024, 3 mins.), *Film Diary #9--Water Fall *(2024, 3 mins.), *War Zone *(2024, 7 mins.), *San Francisco Art Institute (A Ghost Story) *(2024, 9 mins) + 5 more brand new films—hot off the presses—titles TBA! *SUNDAY, JANUARY 19, 2025* Venue type: *Live, physical event* Filmforum <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=bbe73b4bb9&e=857b71a9cb> 7:30 pm PDT, Brain Dead Studios, 611 N. Fairfax Ave, Los Angeles, CA *Experimentations 14: Old Nature: Natural History Films from the Silent Era* Experimentations: Imag(in)ing Knowledge in Film, Program 14 Live musical accompaniment by musicians Marc Merza and Emma Palm Introduced by Jennifer Lynn Peterson This screening of archival natural history films from the 1910s and 1920s reveals how animals, science, industry, and geography were visualized by motion pictures one hundred years ago. Beautifully preserved by the EYE Film Museum Amsterdam, most of these films feature applied color processes such as tinting, toning, or stencil coloring. Strikingly different from today's nature documentaries, these films celebrate hunting, logging, mining, and other forms of resource extraction. Portraying nature through the lens of popular scientific knowledge, this program shows some of the styles of visualization, as well as the impulses of objectification, underpinning the history of Western science and knowledge production. *Water Birds of West Africa (Oiseaux aquatiques d'Afrique Occidentale)*, Pathé, France, 1925, 4:03 *Forest Ants, Caterpillars, and Crickets (De Woudmieren/Rupsen/de Krekel)*, Production Company Unknown, circa 1925, 10:36 *From the Belly of the Earth (Uit den schoot der aarde)*, Production Company Unknown, 1919, 10:01 *The Octopus (La Pieuvre)*, Pathé, France, 1912, 4:44 *Falcon Hunting in Algeria (Leven in Algerije)*, Pathé, France, circa 1909-1927, 2:15 *A Bear Hunt in the Arctic Regions (Capture d'oursons blancs dans les glaces de l'océan)*, Pathé, France, 1911, 5:10 *Wood from the High North (Hout uit het Hoge Noorden)*, Fox Film Corporation, United States, 1926, 11:38 *Marble Industry at Carrara (Industrie des marbres à carrare)*, Gaumont, France, 1914, 6:05 *Berchtesgaden Park and the Königssee Lake (Berchtesgaden en het Koningsmeer)*, Eclair, France, circa 1915, 3:18 *Hokkaido, Japan (Hokkaida, Japan)*, Universal Animated Weekly, United States, 1920, 4:59 *Turkey: Istanbul and the Golden Horn (Turkije/Stamboul et la Corne d'Or)*, Radios, France, 1912, 3:51 *ONGOING* Venue type: *Virtual, online event* Riverwest Radio <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=487134f3ee&e=857b71a9cb> streaming 24/7 *THE LONG CONVERSATION* THE LONG CONVERSATION with Xav Leplae and Stephanie Barber is on indefinite hold. But... all episodes from the last year and a half are streaming!!! *___________________________________________________________________* Venue type: *Virtual, online event* 6x6 Project <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=66576bbff0&e=857b71a9cb> streaming 24/7 *Artists' Moving Image Works* 6x6 project is an online artists' community that serves as a platform for disseminating artists' moving image works, and to create an ever-growing network among peers. There are now more than four hundred artists’ film and moving image works available to view on the website. ------------------------------ *Let us know about your alternative film/video event!* Enter your event announcements by going to the Flicker Weekly Listing Form <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ec126acbd6&e=857b71a9cb> . To receive the weekly listing directly via email rather than through Frameworks, just hit Subscribe <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=091193278b&e=857b71a9cb> . *** TWIAGC is looking for a new volunteer facilitator *** Please contact *[email protected] <[email protected]>* for details *Copyright © 2020 Flicker, All rights reserved.* Longtime recipient of This Week in Avant Garde Cinema This Week in Avant Garde Cinema · everywhere · Cincinnati, OH 45201 · USA
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