View this email in your browser <https://mailchi.mp/3c1f4f03db82/this-week-in-avant-garde-cinema-11041487?e=857b71a9cb>
*This Week [October 18 - 26, 2025] in Avant Garde Cinema* To receive the weekly listing directly via email rather than through Frameworks, just hit Subscribe <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=091193278b&e=857b71a9cb> . *DEADLINES APPROACHING* **** Enter upcoming calls for entry here <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f82f5e7370&e=857b71a9cb> **** ___________________________________________________________________________________ *sorted by submission deadline* 10.31.2025 Wide Open Experimental Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8433456e8b&e=857b71a9cb> (Regular Deadline) 11.01.2025 Single Frame <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8dff3db4f8&e=857b71a9cb> (Early Deadline) 11.01.2025 Experiments in Cinema <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d7104fe4ca&e=857b71a9cb> 11.07.2025 Coney Island Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=cc49cd6d4c&e=857b71a9cb> (Regular Deadline) 11.16.2025 Cosmic Rays <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5bea380803&e=857b71a9cb> 11.30.2025 Interbay Cinema Society Lightpress Grants <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=db4ec045a6&e=857b71a9cb> 12.15.2025 Cauldron International Film and Video Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8e1b6a5c93&e=857b71a9cb> (Regular Deadline) 03.31.2026 Fracto Experimental Film Encounter <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=20ff4d03a7&e=857b71a9cb> 05.01.2026 Media City Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=aa77421835&e=857b71a9cb> *EVENTS* **** Enter your event announcements here <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ba8fd4a1d1&e=857b71a9cb> **** ___________________________________________________________________________________ *complicated sorting but a true attempt, enjoy!* This week's programs (summary): - Science New Wave Festival XVIII <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b18fff6df2&e=857b71a9cb> [October 17-19, New York, NY] - Made By Hand: Thirty-One Years of Film-Farmmaking <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c9ac11e132&e=857b71a9cb> [October 18, Los Angeles, CA] - ECOSEXUAL EMERGENCY <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7fae690e74&e=857b71a9cb> [October 18, San Francisco, CA] - Intimate Politics: Carolee Schneemann, Gunvor Nelson, JoAnn Elam <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0d365bde4c&e=857b71a9cb> [October 22, San Francisco, CA] - Rose Lowder (In Person!) Screening + Master Class <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3a59d0f244&e=857b71a9cb> [October 24 - 25, Hamilton, ON, Canada] - Gravitational Lensing: Feminist Film Dialogues Program 12 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8a1a58d169&e=857b71a9cb> [October 24, Oakland, CA] - Rewind, Replay: Vidéographie <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=95d3df224c&e=857b71a9cb> [October 25 - December 21, Brussels, Belgium] - Body Modification <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=dabe8ab4dd&e=857b71a9cb> [October 25, San Francisco, CA] - Forgotten Formats: Odd Corners In The History of Image Making <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1134780f3b&e=857b71a9cb> [October 26, Chapel Hill, NC] - Punk Rock Docs - Crime 1978 & Outsider Artists <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=22f81f0916&e=857b71a9cb> [October 26, Oakland, CA] *STARTING BEFORE SATURDAY, OCTOBER 18, 2025* *October 17 - 19* Venue type: *Live, physical event* Labocine <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6ba992f0b9&e=857b71a9cb> Various times, visit link above, 87 Lafayette Street, New York City *Science New Wave Festival XVIII* Now in its 18th year, the Science New Wave Festival will be held at DCTV’s Firehouse Cinema in New York. The Science New Wave Festival, presented by Labocine, is an annual celebration of science cinema. Each year it presents the latest crop of films from around the world—works that boldly experiment with form and style, redefining how science is seen and told on screen. "This year’s festival is all about looking (and listening) closely, getting beneath the ground and beyond the visible cosmos, perceiving that which confounds and intrigues in search of deeper truth, gathering information through senses not our own. What secrets will be revealed to those who can tune in to soil and moss?" Nate Dorr, Director of Programming. *SATURDAY, OCTOBER 18, 2025* Venue type: *Live, physical event* Los Angeles Filmforum <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=39a8f80746&e=857b71a9cb> 20:00 (PST), Whammy! 2514 Sunset Blvd. Los Angeles, CA *Made by Hand: Thirty-one Years of Film-Farmmaking* Join LA Filmforum and TAPE Los Angeles as we all celebrate Film Farm coming through Los Angeles to celebrate their 31st year of existence and integral contribution to the experimental film world! For 31 years, between the greenery and the rivers near Mount Forest (Ontario, Canada), a unique retreat for filmmakers takes place at the Film Farm, conducted by Philip Hoffman and a dedicated staff of innovative film artists (Rob Butterworth, Christine Harrison, Deirdre Logue, Scott Miller Berry and Terra Jean Long). Founded in 1994 as the Independent Imaging Retreat, Film Farm is an artist-driven, intensive, week-long analogue filmmaking workshop and is a central part of Canada’s experimental film scene. The Film Farm has initiated and enhanced the work of local, national and international filmmakers and has expanded the traditions of experimental filmmaking in Canada and beyond. The workshop concentrates on hand-processing of 16mm film, most recently (since 2008) working with cafenol and various botanical developing processes. Works of the Film Farm are influenced by the methodology of Process Cinema, developed over many years through Hoffman’s own filmmaking and the Process Cinema course he has taught since 2007 at York University. In Process Cinema, artists replace the usual protocol of the script (planning), with a direct engagement with the world through the hand-cranked Bolex camera and hand-made analogue filmmaking processes. The first part of the program presents earlier works using methods of hand -processing celluloid in buckets, utilizing conventional photo chemistry, tinting with dyes and using photo and filmmaking techniques like solarisation, in-camera superimposition, pixilation, and optical printing for expression. The later films in the program reflects ecologically friendly processing practices, using local flowers and plants to develop and tint the films. As well in the second part of the program, Film Farm-Saugeen First Nation collaboration is represented. The Saugeen Takes on Film project has been conceptionalised by Adrian Kahgee, Debbie Ebanks Schlums and Phil Hoffman since 2018, in conjunction with artists, storytellers, knowledge keepers and youth from the Saugeen community. As well, the program includes two films by Hoffman, both shot and edited at the Film Farm which will close out the program. At Film Farm, participants are asked not to come with an idea; that they will find it during their stay. Having now produced almost 300 participants (of whom almost two-thirds are women) and over 100 completed works, the Film Farm has helped sustain a spirit of discovery and risk in contemporary experimental filmmaking. For many of the participants of Film Farm, the workshop has been a catalyst as they embarked on a practice of analogue artist-filmmaking. *Gathering (a sketch)* By Janis Cole (Canada), 2004, 16mm, silent, 1:20 min. Los Angeles premiere! *Self Portrait #1*, By Michèle Pearson Clarke, 2016, 2:30 min. Los Angeles premiere *Minus* By Chris Chong (Malaysia/Canada), 1999, 16mm to HDV, sound, 3 min *Scratch* By Deirdre Logue (Canada), 1999, 16mm, optical sound, 3 min. *A Day in the Shint* By Clint Enns (Canada), 2013, 16mm, silent, 1:15 *The Shape of the Gaze* By Maïa Cybelle Carpenter (USA), 2000, 16mm, silent, 7 min *We Are Going Home* By Jennifer Reeves (USA) 1998, 16mm, sound, 9:30 min *Film-Landscape-People *By Marcia Connolly and Angela Joosse (Canada), 2008, 16mm, sound, 3:30 min. Los Angeles premiere! *Kokoro is for Heart *By Philip Hoffman (Camera, Optical Printing and Editing), 1999, 16mm optical printed, sound, 7 min. Los Angeles premiere! *Your New Pig is Down the Road* By Helen Hill (USA/Canada), 1999, 16mm to digital, silent, 4:45 min *Dandelion* By Karel Doing (Netherlands/U.K.) 2018, 16mm to HDV, silent, 2:15 min. Los Angeles premiere! *Everything is Right Here* By Adrian Kahgee (Saugeen Nation/Canada), 2021, 16mm to HDV sound, 5:45 min. Los Angeles premiere! *Flying Geese* By Adrian Kahgee (Saugeen Nation/Canada), 2022, 16mm to HDV, sound, 2:45 min. Los Angeles premiere! *Something to Treasure* By Annapurna Kumar (USA), 2018, 16mm to HDV, sound, 2:15 min *endings* By Philip Hoffman and Isiah Medina, 2024, 16mm Color Reversal and B&W Flower-Processed to HDV, silent & sound, 9:30 min. Los Angeles premiere! Run time: 64:20 *___________________________________________________________________* Venue type: *Live, physical event* Other Cinema <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0db72f26c3&e=857b71a9cb> 20:00 (PST), 992 Valencia Street, San Francisco, CA *ECOSEXUAL EMERGENCY* *PLAYING WITH FIRE *Directed by Annie Sprinkle & Beth Stephens, 2025, USA, 71 mins Lightning ignites a devastating firestorm, forcing Bay Area artist/activists Annie Sprinkle & Beth Stephens from their redwood forest home. But the wildfire is just the beginning of their transformative journey, as they craft a cinematic reckoning with the power of fire--with its capacity to destroy and renew. Created through an ecosexual lens (imagining the Earth as a lover), and narrated by a mythic white peacock, their compelling story weaves a tale of resilience, queer love, and environmental awakening. Instead of fighting fire, can we learn to live with fire? This vibrant feature, introduced by Annie and Beth in person, documents the couple’s adventures in the wake of disaster, while also honoring the broader communities impacted by ecological and social fires. Enlisting a collective of artists, witches, Indigenous elders, and formerly incarcerated firefighters, Sprinkle & Stephens examine the ways in which queers--and all humans--can support the health of the Earth. The film sports an electric score by experimental composer Guillermo Galindo, Lady Monster’s tassel-twirling burlesque, a dangerous full-body fire stunt by the artist Cassils, a volcanic fire-play massage with sex educator Barbara Carrellas, and an impassioned ritual by performance-poet Guillermo Gómez-Peña. Shapeshifters suds on tap! *WEDNESDAY, OCTOBER 22, 2025* Venue type: *Live, physical event* The Roxie Theater <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=da9fb01fde&e=857b71a9cb> 6:15pm PT, The Roxie Theater, 3125 16th Street, San Francisco, CA 94103 *Intimate Politics: Carolee Schneemann, Gunvor Nelson, JoAnn Elam* Canyon Cinema and the Carolee Schneemann Foundation present the West Coast premiere of newly restored 16mm prints of Schneemann’s *Plumb Line* and *Viet-Flakes*, in a program of five landmark films of feminist experimental cinema from the 1960s through the 1980s. Together, these films show how found footage and personal imagery can be harnessed for dynamic investigations of memory, politics, and sexuality. In *Viet-Flakes* (1962–67), Carolee Schneemann confronts media images of the Vietnam War, transforming spectacle into a searing critique of violence. *Fuses* (1964–67) reclaims the sexual encounter as a subject for women’s authorship, as the artist insists on the body’s material presence by painting, baking, and burning directly onto the celluloid. With *Plumb Line* (1968–71), Schneemann turns her collage strategies toward the raw aftermath of love’s dissolution. Gunvor Nelson’s *My Name Is Oona* (1969) layers her daughter’s voice, looped in collaboration with Steve Reich, over kaleidoscopic images of childhood, producing a hypnotic meditation on identity and memory. JoAnn Elam’s *Lie Back and Enjoy It* (1982) stages a dialogue between a male filmmaker and a female subject, dissecting the power dynamics of representation itself. Guest-programmed by Rachel Churner, director of the Carolee Schneemann Foundation. Films preserved through the National Film Preservations Foundation’s Avant-Garde Masters Grant program and The Film Foundation. Funding provided by the Hobson/Lucas Family Foundation. Additional support for the new prints provided by Electronic Arts Intermix and Anthology Film Archives. *Viet-Flakes* (Carolee Schneemann, 1962-67, 8.5 min, b/w, sound, 16mm) *Fuses* (Carolee Schneemann, 1964-67, 29 min, color, silent, 16mm) *Plumb Line* (Carolee Schneemann, 1968-71, 14.5 min, color, sound, 16mm) *My Name Is Oona* (Gunvor Nelson, 1969, 10 min, b/w, sound, 16mm) *Lie Back and Enjoy It* (JoAnn Elam, 1982, 8 min, b/w, sound, 16mm) Approximate Running Time: 70 minutes, Q&A with Rachel Churner to follow Rachel Churner is the director of the Carolee Schneemann Foundation. She is also an art critic and editor and was a recipient of the Creative Capital/Andy Warhol Foundation Arts Writers Grant. Recent editorial projects include *The New Television: Video After Television* (with Rebecca Cleman and Tyler Maxin, 2024); Catherine Lord’s *The Effect of Tropical Light on White Men* (2023, named in “Top Ten Art Books of the Year” by the New York Times); *Jacqueline Humphries: jHΩ1:) *(2022); *Yvonne Rainer: Revisions* (2020); and two volumes of writings by film historian Annette Michelson (2017 and 2020). Churner is a faculty member at Eugene Lang College at The New School, New York. *FRIDAY, OCTOBER 24, 2025* *October 24 - 25* Venue type: *Live, physical event* Dandelion Film Collective <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5d2da9e916&e=857b71a9cb> times vary, see below (all times in ET), locations vary, see below *Rose Lowder (in person!) Screening + Master Class* --- Screening - October 24, 7:30 PM ET - Selected Works by Rose Lowder --- L.R. Wilson Concert Hall <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6b1cf2adf6&e=857b71a9cb>, McMaster University, 1280 Main St W., Hamilton, ON L8S 4L8 Programmed by Tara Nelson. Presented in partnership with McMaster School of the Arts --- Master Class - October 25, 1-5 PM - Lecture and Demonstrations by Rose Lowder --- McMaster Continuing Education <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a650871c9f&e=857b71a9cb>, 1 James St N., Hamilton, ON L8R 2K3 Born in 1941 to British parents in Lima, Peru, Rose Lowder now lives and works in the bucolic municipality of Avignon in southeastern France. She has composed more than fifty experimental films exploring the beauty of the botanical world, scenes of daily life in various towns and villages, and extraordinary moments of ordinary existence. Her films are methodically composed entirely in camera, using a precise, frame-by-frame technique which, when projected, culminates in an astonishing perceptual experience of light, color, form, and motion. Originally trained as a painter and sculptor in Lima and London, Lowder turned to filmmaking as both an artistic practice and method for research in photographic and visual perception. In focusing her research on visual perception in relation to the cinematographic means of expression, Lowder concentrated on the different ways one can modify the graphic and photographic visual features of the image as it transforms in time. This work led her to compose the image in the camera, usually by interweaving the frames as the film strip passes the lens several times. This way of working is relatively meticulous and complex as it means recording a succession of images, frame by frame, in the camera, so that they appear simultaneously when seen projected on the screen. Active since 1977 programming rarely shown films, Lowder was co-founder of the Archives du film expérimental d’Avignon (AFEA, 1981) an archive that collected hundreds of 16mm films and paper documents, and published several books, including The Visual Aspect, Canadian expérimental films (AFEA, 1991), L’Image en mouvement (AFEA, 2002), and Images / discours (AFEA, 2006). *___________________________________________________________________* Venue type: *Live, physical event* Shapeshifters Cinema <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=885a86b931&e=857b71a9cb> 7pm PT, Shapeshifters Cinema, 567 5th Street, Oakland, CA *Gravitational Lensing: Feminist Film Dialogues Program 12 - Myths, Tales & the Feminist Unconscious* Presented in association with San Francisco Cinematheque Myths, legends, folktales and fairytales are all communally-shared stories handed down through generations that attempt to explain the world, answer timeless questions and serve as a moral compass. The films in this program re-cast and re-direct some of these narratives through a contemporary, feminist lens to illuminate new understandings of these otherwise universal tales. Screening: *The Story of Lillith* (1997, 16mm film) by Lynne Sachs; *Calypso* (2021, DV) by Mariangela Ciccarello; *Panyen Banbou* (2023, DV) by Laïssa Christelle Alexis; and *Pythoness* (1979, 16mm film) by Amy Halpern. *SATURDAY, OCTOBER 25, 2025* *October 25 - December 21* Venue type: *Live, physical event* argos <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0bd47391a2&e=857b71a9cb> ongoing, argos centre for audiovisual arts, Werfstraat 13 Rue du Chantier, 1000 Brussels, Belgium *Rewind, Replay: Vidéographie* argos is pleased to welcome you for the official opening of *Rewind, Replay: Vidéographie*, an exhibition revisiting the revolutionary Belgian television programme *Vidéographie*, aired on RTBF between 1976 and 1986. *Vidéographie* transformed public television into a space for artistic experimentation, cultural debate, and social critique. The exhibition brings together archival episodes, thematic compilations, and contemporary works inspired by the programme’s legacy. Throughout its ten years, *Vidéographie* featured pioneering local and international artists who shaped the beginnings of video art. Join us for the festive opening evening on October 25, be among the first to discover the exhibition, and celebrate with us at argos. With works by: André Romus, Anne-Françoise Perin, Anne-Marie Miéville, Annie Lummerzheim, Antonio Muntadas, Barbara & Michael Leisgen, Ben Vautier, Bernard Secondini, Bill Viola, Boris Lehman, Brigitte Fontaine, Carole Roussopoulos, Charlotte Moorman, Christiane Philippe, Danièle Nyst, Delphine Seyrig, Dominique Castronovo, Eddy Luyckx, Edmondo Za, Ed Emschwiller, Enrique Ahriman, Eva L’Hoest, Frank Van Herck, Fred Forest, Giuseppe Chiari, Henri Vaume, Herbert Wentscher, Ioanna Wieder, Jacques Charlier, Jacques Delcuvellerie, Jacques Lederlin, Jacques Lizène, Jacques-Louis Nyst, Janos Urban, Jean Otth, Jean-Claude Riga, Jean-Luc Godard, Jean-Paul Tréfois, Jean-Pierre Verheggen, Jean-Pierre et Luc Dardenne, Joan Jonas, John Cage, Joëlle de La Casinière, Koen Theys, Laurie Anderson, Léonce Wapelhorst, Marcelle Imhauser, Marie André, Marie-Jo Lafontaine, Michael Klier, Michael Laub, Michel Bonnemaison, Michel Jaffrennou, Michèle Blondeel, Monika Funke Stern, Nadja Ringart, Nam June Paik, Nan Hoover, Nicole Widart, Patrick Van Antwerpen, Patti Smith, Paul Paquay, Pierre Schaeffer, Ronald Dagonnier, Theo Naniot, Thierry Michel, Vincent Blanchet, Vito Acconci, William Wegman, Wolf Vostell Co-organisor: SONUMA - Les Archives audiovisuelles: Virginie Vandeputte, Sandra Bettiol, Maria Dias Pereira, Laurent Golia Partners: Space Collection: Aurélie Frankenne, Genaro Marcos, Alain De Clerck. With contributions from Marc-Emmanuel Mélon. Beaux-Arts de Liège: Ronald Dagonnier, Dominique Castronovo. De Vlaamse Overheid, de VGC Vlaamse Gemeenschapscommissie Thanks to: Electronic Arts Intermix: Rebecca Cleman, Kelly Filreis, Karl McCool, Jooyoung Park, Matos Museum: Pascal Becker *___________________________________________________________________* Venue type: *Live, physical event* Other Cinema <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=936fe2bb60&e=857b71a9cb> 8pm PT, ATA Gallery, 992 Valencia (@ 21st), San Francisco, CA *BODY MODIFICATION* ANGELO MADSEN: A BODY TO LIVE IN Arguably America's most prominent trans maker, Angelo (*North by Current*) Madsen has placed their West Coast theatrical premiere here in thee feisty microcinema that, for almost four decades now, has stood up for queer empowerment, sex-worker rights, and the Modern Primitive movement. In fact, *ReSearch*'s V Vale, Paul King, and Cleo Dubois--widow of the subject of tonight's doc--are all on hand tonight to introduce Madsen's masterwork, a feature-length exploration of the huge human community who find erotic, psychic, and spiritual satisfaction in binding, piercing, and tattooing their bodies as they please...a subculture aptly represented by the life and career of recently deceased Fakir Musafar. Dubois gave Madsen free rein to bring to light more than a hundred hours of previously unseen recordings, to be stitched together with Musafar's stunning photographs and the voices of performance artists Annie Sprinkle and Ron Athey. While Madsen's provocative profile questions assumptions about “masculine/feminine”, and considers issues of BDSM control and consent, it also acknowledges the complexity of other ethical issues surrounding the practices, faces the charges of (Native) cultural appropriation, and forces audiences to think critically about the line(s) between free individual expression and reckless self-harm. *SUNDAY, OCTOBER 26, 2025* Venue type: *Live, physical event* Photo Farm <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=14e145039a&e=857b71a9cb> 10am - 12pm ET, Photo Farm, 722 Sumner Spring Lane, Chapel Hill, NC *Forgotten Formats: odd corners in the history of image making* Join experimental filmmaker, film collector, and analog media historian Tom Whiteside for his first-ever coffee talk at PHOTO FARM. Tom takes us through an idiosyncratic discussion and demonstration of unusual photographic formats and gadgets, both still and moving, that were once common but are not widely used or understood today. This journey through history includes stereoscopy, flipbooks, magic lanterns, the Kodak Autographic camera, various home movie formats, the Minox and other subminiatures, microscopic photographs, Polaroids, Polavision, Pixelvision, and more. The morning includes hands-on inspection of several of these devices and images that they made, plus a display of "Bonne Fete," a unique 35mm slide presentation. Tom has been creating and presenting film programs under the Durham Cinematheque moniker since 1991. His work has been exhibited at the North Carolina Museum of Art, Nasher Museum of Art at Duke University, Full Frame Documentary Film Festival, Black Maria Film Festival, and many other venues. He was a Visiting Artist in the North Carolina Community College system and taught silent film history at Duke. Tom lives in Hillsborough where he currently runs Eno House Movie Nights. One RSVP per vehicle is required; each individual in the vehicle does not have to RSVP separately. Parking is finite; please carpool. There is a $10 minimum charge for each reservation, but please consider contributing more! Bring your own mug, coffee is provided. *___________________________________________________________________* Venue type: *Live, physical event* Shapeshifters Cinema <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=77619cd6e1&e=857b71a9cb> 5pm PST, 567 5th St., Oakland, CA *Punk Rock Docs - Crime 1978 & Outsider Artists* Presented in partnership with Nixed Join us for the first of a series of punk rock documentary films highlighting the origins and legacy of DIY/punk music and culture in the Bay Area and beyond. We start with *San Francisco's First and Only Rock'n'Roll Movie: CRIME 1978* directed by Jon Bastion, a short film built primarily around one, well-documented performance of the San Francisco punk band Crime in June 1978 at Mabuhay Gardens. Following that we will screen the new feature film *Outsider Artists* made by Dave and Greg Clifford which looks at the 40-year history of the Irish punk band Paranoid Visions as well as the political and cultural climate from which they emerged and the legacy of the subcultures which surrounded and sustained them. *ONGOING* Venue type: *Virtual, online event* Riverwest Radio <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=16c84e386a&e=857b71a9cb> streaming 24/7 *THE LONG CONVERSATION* THE LONG CONVERSATION with Xav Leplae and Stephanie Barber is on indefinite hold. But... all episodes from the last year and a half are streaming!!! *___________________________________________________________________* Venue type: *Virtual, online event* 6x6 Project <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8dcc69f195&e=857b71a9cb> streaming 24/7 *Artists' Moving Image Works* 6x6 project is an online artists' community that serves as a platform for disseminating artists' moving image works, and to create an ever-growing network among peers. There are now more than four hundred artists’ film and moving image works available to view on the website. ------------------------------ *Let us know about your alternative film/video event!* Enter your event announcements by going to the Flicker Weekly Listing Form <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5bc3b2ecce&e=857b71a9cb> . To receive the weekly listing directly via email rather than through Frameworks, just hit Subscribe <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=091193278b&e=857b71a9cb> . ------------------------------ This Week in Avant Garde Cinema newsletter made possible with support from <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=644bdc93e3&e=857b71a9cb> *Copyright © 2020 Flicker, All rights reserved.* Longtime recipient of This Week in Avant Garde Cinema This Week in Avant Garde Cinema · everywhere · Cincinnati, OH 45201 · USA
-- Frameworks mailing list [email protected] https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
