Hi Frameworks friends, Three mistakes have been noted in the San Francisco Fifty-Year Survey programs that I sent yesterday, and they have been corrected in the revised version included below. Most importantly, Taiwanese filmmaker Tony Wu's powerful MORE INTIMACY (1999, Super-8mm) was missing. Steve
The revised list of titles: Program One: Personal Voices Luminae by Dominic Angerame (2023, 4 min., digital, b&w, sound) Confessions by Curt McDowell (1971, 11 min., 16mm, color, sound) Florence by Peter Hutton (1975, 7 min., 16mm, b&w, silent) Catch by Vincent Grenier (1975, 4 min., 16mm, color, silent) If X, Then Y by Jacalyn White (1986, 8 min., Super-8mm, color, sound) Visible Inventory Nine: Pattern of Events by Janis Crystal Lipzin (1981, 12 min., 16mm, b&w/color, sound) Noema by Scott Stark (1998, 11 min., 16mm, color, sound) More Intimacy by Tony Wu (1999, 6 min., Super-8mm, color, silent) The Penfield Road by Diane Kitchen (1998, 5 ½ min., 16mm, color, sound) Ephemerality by Marian Wallace (1979, 3 min., 16mm, color, sound) Alas, Departing by Dicky Bahto (2022, 7 ½ min., digital, color, sound) Program Two: Orbiting Bodies Retrospectroscope by Kerry Laitala (1997, 5 min., 16mm, b&w, silent) Redshift by Emily Richardson (2001, 4 min., 16mm, color, sound) The Shadow Line by Toney W. Merritt (1985, 13.5 min., 16mm on digital, b&w, sound) The Dark Room by Minyong Jang (2001, 4 min., 16mm, color, silent) Moebius Strip by Lúis Recoder (1997, 13 min., 16mm, b&w, silent) Shape Shift by Scott Stark (2004, 3 min., digital, color, sound) Poet in Orbit by Joel Singer (1980, 2 min., 16mm on digital, b&w, sound) Same Stream Twice by Lynne Sachs (2012, 4 min., 16mm on digital, b&w/color, sound) Riverbody by Alice Anne Parker (1970, 7 min., 16mm, b&w, sound) George by Henry Hills (1976, 2 min., 16mm, color, silent) Celestial by Gregg Biermann (2018, 9 min., digital, color, live score by John Davis) 66 minutes total time
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