Brilliant! Thanks a bunch! 
Kev

Date: Thu, 22 Dec 2011 16:43:13 -0600
From: [email protected]
To: [email protected]
Subject: Re: [Frameworks] Super 8 digitized and flagged at avi.18fps





Re: [Frameworks] Super 8 digitized and flagged at avi.18fps


Hi Kevin,



I would use ProRES HQ.   Although the source material is in DV, you will find, 
surprisingly enough, that although ProRES can’t “improve” the image that is 
already there, it actually does make the image look better,  by not requiring 
it to be compressed over and over and over again on all your steps – thus not 
having a soft image throughout all your steps.   Alternatively I would convert 
it to uncompressed if you’d rather, SD files are pretty small, so uncompressed 
might be your best bet. 



Either PRORES or Uncompressed will let you edit natively then export to 
whatever you’d like.  The benefit with going to one of these is that any 
effects you add (cropping, colour correction) will be applied using a less 
lossey codec and improve the way the correction is applied to the image. 



Good luck,





Deco











On 12/22/11 4:31 PM, "Kevin Timmins" <[email protected]> wrote:



Hi, I just got my digitized super 8 footage back from blue cine tech set at 
.avi flagget 18fps. I need to edit it in a timeline at 25fps to match my DV 
footage. So I need to run it through compressor and change the frame rate. I 
was wondering what's the best codec to use? In the info of the super 8 mov file 
it says DV so should I use the DV-PAL codec in compressor or another? I hear 
the apple pro res 442 is it? Is another good possibility. I want it to be as 
close as possible to the footage they sent back. All I need to do is change the 
frame rate. I'll have to mince the whole project back through compressor again 
when it's all finished and edited for export to the web at H.264. 



Thanks in advance for any suggestions! Really appreciate any help!

Kevin

       



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