Thanks Ken! 
I will keep this in mind when digitizing next time. I would use a HQ 1080p 
transfer but over here in the UK I'm not actually sure there is a service. And 
I'm sure if there is it's going to be expensive. I spent about £40 (including 
postage) getting 150ft of Super 8 film digitized last week and thats only SD 
footage as well. Nightmare! I have posted up here about a DIY HD telecine 
option with my 550D and still plan on building it but am swamped with work at 
the moment. I would have filmed directly off the wall or board but it's for a 
client so I felt I had to pay for a digitization. 
Anyway thanks for the info and for reassuring me that Pro Res 422 (HQ) is the 
way to go! Appreciate it!
Kevin   

From: kenpaulrosent...@hotmail.com
To: frameworks@jonasmekasfilms.com
Date: Fri, 23 Dec 2011 12:22:47 -0800
Subject: [Frameworks] Digitizing Super 8







Kevin, 
For future reference, if you simply digitize your super 8 upfront at:  Pro Rez 
422 HQ 1080p, 1920x1080, 23.98 fps,you'll be entirely up to spec and not need 
to do any converting for your timeline. Furthermore, digitizing to acompressed 
file will allow you to easily edit without freezing up your system. As for 
projection quality, I've beenon the road for a year a half with Crooked 
Beauty--which was transferred on the above specs--and have seenit projected on 
a the best (and worst) systems, the former in a huge theater on a commercial 
sized screenand it looked stunning. I spent 3 months researching tech options, 
and the consensus from all the folks I consulted with was that uncompressed is 
overkill for super 8 because the frame size only contains so much 
'information'. So spend the money upfront during the transfer (I highly 
recommend sitting in with owner/operator Phil Vigeant at Pro 8) and it will be 
smooth sailing down the line.
Kenwww.crookedbeautythefilm.com  (Academic)www.crookedbeauty.com  
(Public)www.kenpaulrosenthal.com                                        

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