Friday, February 24, 2012, 1:40:54 PM, one wrote: > Thursday, February 23, 2012, 12:54:38 PM, one wrote:
>> I'm guessing from the OP that only Ferris Bueller counts as what Gene >> is asking for, the others being examples of interior monologues. >> ... >> * interior non-diegetic: >> We only hear the characters via voice-over, but they are talking to >> US, breaking the 'fourth-wall' (Example: Sunset Boulevard, The >> Opposite of Sex) > Actually, Clockwork Orange counts here too. Alex is not talking to > himself in filmic time, he's narrating in past tense to us (or rather, > to an audience addressed as "O My Brothers" who diegetically may be > interpreted as a post-hospital new set of droogies, but really reduces > to us, audience-implicationwise). Actually to be more precise, I was thinking that CO is in the same mode as Sunset Blvd ... which it is, but neither of them satisfies Gene's original request, because they're in *past tense*. I haven't seen The Opposite of Sex so I can't tell if it belongs What characteristics might distinguish a *first person present tense* voice *NOT* to be an "interior monolog"? I mean to say, couldn't *any* of the first be interpreted as the second? -- Jim Flannery j...@newgrangemedia.com _______________________________________________ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
