Yep thats true. The sensor is actually a CCD rather than a CMOS, so it will
have a far better signal to noise ratio and a wider dynamic range. Also, CCD
means no rolling shutter problems. Apparently that particular Kodak CCD gives
11 stops. The workflow will be as painful as any raw workflow really, and if
you want to shoot anamorphic you'll have to rescale/unsqueeze (sensor is 4:3).
We need to see some raw, un CC'd stills in various light conditions.
- Stray
>________________________________
> From: Carrie Schreck <carriemakesmov...@gmail.com>
>To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
>Sent: Tuesday, 13 March 2012, 20:32
>Subject: Re: [Frameworks] digital Bolex
>
>
>It's the file-handling that scares me, working with Indiecams a year ago that
>also produced DNGs was difficult to say the least. Looks like there's a
>proprietary software that transcodes but I'd be wary. The real question is not
>the ISO (SI-2Ks only have around 200 and they are fantastic cameras) it's the
>question of Dynamic Range. Alexa is 13.5 stops (really 11) and the RED is
>supposidly 14-18 stops (really 9.5) it will be intersting to see how this
>camera handles low-light.
>
>-Carrie Schreck
>carrieschreck.com
>
>
>On Tue, Mar 13, 2012 at 12:51 PM, Aaron F. Ross <aa...@digitalartsguild.com>
>wrote:
>
>Wow, that looks fantastic. Thanks for sharing.
>>
>>Aaron
>>
>>
>>
>>
>>At 3/13/2012, you wrote:
>>>Someone just sent this to me, and I was curious if anyone has seen it too.
>>>The Digital Bolex.
>>>www.kickstarter.com/projects/joedp/the-digital-bolex-the-1st-affordable-digital-cinem?ref=card
>>>
>>>
>>>and if anyone has some thoughts on it.
>>>
>>>best
>>>Christian
>>>
>>
>>>_______________________________________________ FrameWorks mailing
>>>list FrameWorks@jonasmekasfilms.com
>>>https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>>-------------------------------------------
>>
>>Aaron F. Ross
>>Digital Arts Guild
>>
>>
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>
>
>
>
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