Adolfas Mekas always told me he could edit twice as fast on a Moviola
as on a flatbed.
He spoke like a cowboy comparing guns...
At 11:46 -0400 6/07/12, David Tetzlaff wrote:
>The upper midwest. There was an upright Moviola in my school's film
>lab when I started the masters program in 1978, snd it just sat
>there. Well, I tried to use it once, but then, like everybody else,
>when I couldn't get on the flatbed, I just used the bench with
>rewinds and a Moviscop. I wouldn't have paid $200 for a Moviola.
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