A reminder for tonight, Friday July 6, 7 pm:

Jordan Belson: Films Sacred and Profane, Retrospective program from Center for 
Visual Music screens at International House, Philadelphia. 16mm preserved 
prints.

Born in Chicago and raised in the Bay Area, Jordan Belson trained as a painter 
before turning his attention to filmmaking after discovering the abstract films 
of Oskar Fischinger, Norman McLaren, and Hans Richter at the seminal Art in 
Cinema series. Since 1947, Belson has explored consciousness, transcendence, 
and the nature of light itself in a visionary body of work that has been called 
“cosmic cinema” – brimming with vibrant color, mandalas, liquid forms, and 
mesmerizing rhythms. From 1957-59, Belson collaborated with sound artist Henry 
Jacobs on the “Vortex Concerts,” multimedia events that combined new electronic 
music from around the world with Belson’s visual effects projected on the 
interior of the sixty-five-foot dome of the California Academy of Science’s 
Morrison Planetarium. This program features rarely screened films including 
Séance (1959), Caravan, Re-entry, and Cycles; new preservation prints of 
Momentum (1968) and Chakra (1972), Belson's final work, Epilogue (2005, 
digibeta), a distillation of sixty years of visionary images synchronized to a 
symphonic tone poem by Rachmaninoff, and more films. Introduced by 
curator/archivist Cindy Keefer of CVM.

http://ihousephilly.org/events/jordan-belson-films-sacred-and-profane/

CVM email = cvmacc...@gmail.com

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