Ben

Sounds like a very interesting project and I commend you for working on 16mm 
but curious what's "gay" about using a computer? Sounds like something quite 
negative since its something you refuse to do?

I've just never heard someone refer to using computers as "gay". 

I personally love 16mm and have made several films in that format. I can also 
see why computers can be so detesting to celluloid lovers but have a hard time 
understanding why that term was used.

It would sound pretty bad if someone said "I refuse to do this on a computer 
because that's so girly or sissy or that's so black". That would sound pretty 
sexist or racist, no?

I just wanted to leave you with some food for thought.

Sonali

On Aug 22, 2012, at 2:04 AM, [email protected] wrote:

> Hey just wanted to get some advice for doing some very complicated special FX 
> on 16mm film.  I am going to be making a space pirates claymation film in the 
> near future and I want to do some very complicated optical printing and 
> rotoscoping FX shots.  I know that CRI film stock no longer exists but i am 
> going to be filming model spaceships in front of a black or bluescreen and I 
> want to know what is the best way to go about this without getting any 
> generation loss on my film.  I will have to combine many layers of film on an 
> optical printer and then I will also have to rotoscope in lazer beams and 
> stuff like that so how would I go about that without making my FX shots look 
> super grainy?  I refuse to do this on a computer because thats gay so any 
> advice would be much appreciated.  I think i will be doin this all in the bay 
> area so anyone who wants to help out should do so because its going to take a 
> lot of work and I think it could be really sick if we do it right.  If none 
> of this is possible then I am going to quit filmmaking and cut my lines so 
> tell me what I got to do so I can make this movie great.  Thanks
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