Greetings frameworkers, I will be traveling from Los Angeles to Copenhagen with 30+ rolls of 16mm filmstock, wondering what the airport logistics are in terms of keeping the film safe from any kind of damaging radiation.
Curtis On Sat, May 25, 2013 at 5:00 AM, <frameworks-requ...@jonasmekasfilms.com>wrote: > Send FrameWorks mailing list submissions to > frameworks@jonasmekasfilms.com > > To subscribe or unsubscribe via the World Wide Web, visit > https://mailman-mail5.webfaction.com/listinfo/frameworks > or, via email, send a message with subject or body 'help' to > frameworks-requ...@jonasmekasfilms.com > > You can reach the person managing the list at > frameworks-ow...@jonasmekasfilms.com > > When replying, please edit your Subject line so it is more specific > than "Re: Contents of FrameWorks digest..." > > > Today's Topics: > > 1. Texts on appropriation, collage and ethics/fair use > (Adam R. Levine) > 2. Re: Texts on appropriation, collage and ethics/fair use > (Francisco Torres) > 3. Re: Texts on appropriation, collage and ethics/fair use > (Christian Gosvig Olesen) > 4. Re: Texts on appropriation, collage and ethics/fair use > (adeena....@unil.ch) > 5. Re: Texts on appropriation, collage and ethics/fair use > (Watter, Seth) > 6. Re: Texts on appropriation, collage and ethics/fair use > (William Wees, Dr.) > 7. Re: Texts on appropriation, collage and ethics/fair use > (David Tetzlaff) > 8. New Super 8 200D Reversal Stock!!! (Ken Paul Rosenthal) > 9. Re: New Super 8 200D Reversal Stock!!! (Roger Wilson) > 10. Re: Texts on appropriation, collage and ethics/fair use > (Fred Truniger) > > > ---------------------------------------------------------------------- > > Message: 1 > Date: Fri, 24 May 2013 09:50:34 -0700 > From: "Adam R. Levine" <ada...@gmail.com> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Subject: [Frameworks] Texts on appropriation, collage and ethics/fair > use > Message-ID: > < > cab-oep12tbwvwtwkkaxraf3awhp6bruhk9v8ntcuburopbh...@mail.gmail.com> > Content-Type: text/plain; charset="iso-8859-1" > > Hello, > > I'm looking for any books or short texts that might offer a survey of the > history and practice of the appropriation and collage in the field of > moving images. In addition, if there is any such work that also address > questions of copyright, ethics and fair use, that would be great. > > Thanks, > Adam > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: < > https://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20130524/66de3f47/attachment-0001.html > > > > ------------------------------ > > Message: 2 > Date: Fri, 24 May 2013 14:00:25 -0300 > From: Francisco Torres <fjtorre...@gmail.com> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Subject: Re: [Frameworks] Texts on appropriation, collage and > ethics/fair use > Message-ID: > < > caen6uckf7bl42yaeocuuslhuhwbgrsuufluodlrlw+cw5pe...@mail.gmail.com> > Content-Type: text/plain; charset="iso-8859-1" > > this one is pretty good. > > > http://www.amazon.com/Cutting-Across-Media-Appropriation-Interventionist/dp/0822348225 > Cutting Across Media: Appropriation Art, Interventionist Collage, and > Copyright Law > > > On Fri, May 24, 2013 at 1:50 PM, Adam R. Levine <ada...@gmail.com> wrote: > > > Hello, > > > > I'm looking for any books or short texts that might offer a survey of the > > history and practice of the appropriation and collage in the field of > > moving images. In addition, if there is any such work that also address > > questions of copyright, ethics and fair use, that would be great. > > > > Thanks, > > Adam > > > > _______________________________________________ > > FrameWorks mailing list > > FrameWorks@jonasmekasfilms.com > > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: < > https://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20130524/9a493460/attachment-0001.html > > > > ------------------------------ > > Message: 3 > Date: Fri, 24 May 2013 19:05:03 +0200 > From: Christian Gosvig Olesen <christian.gos...@gmail.com> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Subject: Re: [Frameworks] Texts on appropriation, collage and > ethics/fair use > Message-ID: > < > cacmtcvqtvzdyd9hqxgv5v1_gd96nr+01z95p5cnapgwusyf...@mail.gmail.com> > Content-Type: text/plain; charset="iso-8859-1" > > This one is in french but is one of the most helpful I have come across: > > http://lucdall.free.fr/workshops/IAV07/documents/found-footage_n_brenez.pdf > > > 2013/5/24 Francisco Torres <fjtorre...@gmail.com> > > > this one is pretty good. > > > > > > > http://www.amazon.com/Cutting-Across-Media-Appropriation-Interventionist/dp/0822348225 > > Cutting Across Media: Appropriation Art, Interventionist Collage, and > > Copyright Law > > > > > > On Fri, May 24, 2013 at 1:50 PM, Adam R. Levine <ada...@gmail.com> > wrote: > > > >> Hello, > >> > >> I'm looking for any books or short texts that might offer a survey of > the > >> history and practice of the appropriation and collage in the field of > >> moving images. In addition, if there is any such work that also address > >> questions of copyright, ethics and fair use, that would be great. > >> > >> Thanks, > >> Adam > >> > >> _______________________________________________ > >> FrameWorks mailing list > >> FrameWorks@jonasmekasfilms.com > >> https://mailman-mail5.webfaction.com/listinfo/frameworks > >> > >> > > > > _______________________________________________ > > FrameWorks mailing list > > FrameWorks@jonasmekasfilms.com > > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: < > https://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20130524/b01ee638/attachment-0001.html > > > > ------------------------------ > > Message: 4 > Date: Fri, 24 May 2013 20:58:34 +0200 > From: adeena....@unil.ch > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Subject: Re: [Frameworks] Texts on appropriation, collage and > ethics/fair use > Message-ID: <519fb85a.1240.5225b700.10e81...@unil.ch> > Content-Type: text/plain; charset="utf-8"; Format="flowed" > > This book on Abigail Child: > http://www.metispresses.ch/ps_child_anglais.html > Best, > A. > > > > > On vendredi 24/05/2013 at 18:51:52, Adam R. Levine a écrit: > > > > Hello, > > > > I'm looking for any books or short texts that might offer a survey of > > the history and practice of the appropriation and collage in the field > > of moving images. In addition, if there is any such work that also > > address questions of copyright, ethics and fair use, that would be > > great. > > > > Thanks, > > Adam_______________________________________________ > > FrameWorks mailing list > > FrameWorks@jonasmekasfilms.com > > https://mailman-mail5.webfaction.com/listinfo/frameworks > > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: < > https://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20130524/94c8ccf0/attachment-0001.html > > > > ------------------------------ > > Message: 5 > Date: Fri, 24 May 2013 16:21:38 -0400 > From: "Watter, Seth" <seth_wat...@brown.edu> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Subject: Re: [Frameworks] Texts on appropriation, collage and > ethics/fair use > Message-ID: > < > caabi6sp+y1ymmmdj8fwg6pqagdj4ntssr1eumfp+decvifh...@mail.gmail.com> > Content-Type: text/plain; charset="iso-8859-1" > > 'films beget films' by jay leyda is a classic, and might be the earliest > study of 'found footage' in film history. > > seth > > > On Fri, May 24, 2013 at 12:50 PM, Adam R. Levine <ada...@gmail.com> wrote: > > > Hello, > > > > I'm looking for any books or short texts that might offer a survey of the > > history and practice of the appropriation and collage in the field of > > moving images. In addition, if there is any such work that also address > > questions of copyright, ethics and fair use, that would be great. > > > > Thanks, > > Adam > > > > _______________________________________________ > > FrameWorks mailing list > > FrameWorks@jonasmekasfilms.com > > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: < > https://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20130524/afc3c1b7/attachment-0001.html > > > > ------------------------------ > > Message: 6 > Date: Fri, 24 May 2013 20:22:18 +0000 > From: "William Wees, Dr." <william.w...@mcgill.ca> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Subject: Re: [Frameworks] Texts on appropriation, collage and > ethics/fair use > Message-ID: > < > 3eb76accc84c7b4da862a9dbbf9d9e6908a52...@exmbx2010-8.campus.mcgill.ca> > > Content-Type: text/plain; charset="utf-8" > > Recycled Images: The Art and Politics of Found-Footage Films by William C. > Wees, distributed by Anthology Film Archives. > > --Bill Wees > > > From: FrameWorks [mailto:frameworks-boun...@jonasmekasfilms.com] On > Behalf Of Adam R. Levine > Sent: May 24, 2013 12:51 PM > To: Experimental Film Discussion List > Subject: [Frameworks] Texts on appropriation, collage and ethics/fair use > > Hello, > > I'm looking for any books or short texts that might offer a survey of the > history and practice of the appropriation and collage in the field of > moving images. In addition, if there is any such work that also address > questions of copyright, ethics and fair use, that would be great. > > Thanks, > Adam > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: < > https://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20130524/7f5270e8/attachment-0001.html > > > > ------------------------------ > > Message: 7 > Date: Fri, 24 May 2013 13:48:32 -0700 > From: David Tetzlaff <djte...@gmail.com> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Subject: Re: [Frameworks] Texts on appropriation, collage and > ethics/fair use > Message-ID: <01b588fe-38df-494e-add6-14dcfcd05...@gmail.com> > Content-Type: text/plain; charset=us-ascii > > Not nec. film specific, but there's tons of stuff on appropriation, > collage, copyright and fair use. Much of it is related to audio collage as > both an avant garde practice and pop culture 'mashups'. The discussions are > generally applicable to found footage films, though. > > An essential text is Craig Baldwin's film "Sonic Outlaws". > > For the whole question of Fair Use of images, moving or otherwise, you'll > also want to check the essential materials available on the website of the > Center for Social Media at American University. > > Filmmakers working in collage and appropriation seem not to discuss the > issues surrounding their work as much as artists in other media do. You > might look into the websites, publications, videos etc. produced by > Negativland RTMark, Stay Free magazine, Public Works etc. Also the various > writings on 'Neoism'. > > The afore-cited "Cutting Across Media" should offer a list of contributors > whose other works are worth looking into, and be a good starting place for > a bibliography. > > (Again, none of this is really film specific, though...) > > > > ------------------------------ > > Message: 8 > Date: Fri, 24 May 2013 14:44:14 -0700 > From: Ken Paul Rosenthal <kenpaulrosent...@hotmail.com> > To: Frameworks Postings <frameworks@jonasmekasfilms.com> > Subject: [Frameworks] New Super 8 200D Reversal Stock!!! > Message-ID: <col126-w36291da72d0d09e00b9dcbd3...@phx.gbl> > Content-Type: text/plain; charset="iso-8859-1" > > NEW SUPER 8 200D REVERSAL STOCK from Pro 8mm: > > > http://www.pro8mm.com/blog/say-hello-to-color-reversal-super-8-film-again-pro8mm-introduces-new-color-reversal-film-stock/ > > > Ken > > www.kenpaulrosenthal.comwww.crookedbeauty.comwww.maddancementalhealthfilmtrilogy.com > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: < > https://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20130524/89fb6923/attachment-0001.html > > > > ------------------------------ > > Message: 9 > Date: Fri, 24 May 2013 22:23:03 +0000 > From: Roger Wilson <rogerdwil...@sympatico.ca> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Subject: Re: [Frameworks] New Super 8 200D Reversal Stock!!! > Message-ID: <bay173-w1915ff9f8a948b7d262cb3b8...@phx.gbl> > Content-Type: text/plain; charset="iso-8859-1" > > Awesome News Ken! > > Roger D. Wilson613 324 - 7504rogerdwilson@sympatico.cahttp:// > www.rogerdwilson.ca > Without failure you can never achieve success. I have based my process and > my career as an experimental film artist on this statement; and I welcome > it as it pushes me forward as an artist to try something different, > something new. > > From: kenpaulrosent...@hotmail.com > To: frameworks@jonasmekasfilms.com > Date: Fri, 24 May 2013 14:44:14 -0700 > Subject: [Frameworks] New Super 8 200D Reversal Stock!!! > > > > > NEW SUPER 8 200D REVERSAL STOCK from Pro 8mm: > > > http://www.pro8mm.com/blog/say-hello-to-color-reversal-super-8-film-again-pro8mm-introduces-new-color-reversal-film-stock/ > > > Ken > > www.kenpaulrosenthal.comwww.crookedbeauty.comwww.maddancementalhealthfilmtrilogy.com > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: < > https://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20130524/36e2ed05/attachment-0001.html > > > > ------------------------------ > > Message: 10 > Date: Sat, 25 May 2013 09:25:15 +0200 > From: Fred Truniger <fred.truni...@gmail.com> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Subject: Re: [Frameworks] Texts on appropriation, collage and > ethics/fair use > Message-ID: <290acb6d-c50c-4fc3-8cbf-48b6a87c6...@gmail.com> > Content-Type: text/plain; charset="windows-1252" > > hi all > this is an excerpt of a list I made a couple of years ago with materials > on ff-film. some of it is in german even for texts originally written in > english. you should be able to find these in english, too. > hope it helps, > fred > > > Arthur, Paul: Lost and Found: American Avant-Garde Film in the Eighties. > In: Nelly Voorhuis: A Passage Illuminated. The American Avant-Garde Film > 1980-1990. Amsterdam 1991. S. 15-29. > Arthur, Paul: The Status of Found Footage. In: Spectator, 20.1, > Fall/Winter 2000. Los Angeles 2000. S. 57-69. > Baldwin, Craig: From Junk to Funk to Punk to Link. In: Anker, Steve; > Geritz, Kathy; Seid Steve (Hrsg.): Radical Light. Alternative Film & Video > in the San Francisco Bay Area, 1945-2000. Berkeley 2010. S. 95-100. > Basilico, Stefano: Cut. Film as Found Object in Contemporary Video. > Milwaukee 2004. > Beauvais, Yann: Found Footage. Vom Wandel der Bilder. In: Blimp, Heft 16. > Graz 1991. S. 4-11. > Beauvais, Yann: Verloren und wiedergefunden. In: Cecilia Hausheer, > Christoph Settele: Found Footage Film. Luzern 1992. S. 8-25. > Blümlinger, Christa: Zwischen den Bildern/Lesen. In: Christa Blümlinger; > Constantin Wulff (Hrsg.): Schreiben Bilder Sprechen. Texte zum > essayistischen Film. Wien 1992. > Blümlinger, Christa: Kino aus zweiter Hand. Zur Ästhetik materieller > Aneignung im Film und in der Medienkunst. Berlin 2009. > Bovier, François (Hrsg.): Is This What You Were Born For? Strategies of > Appropriation and Audio-Visual Collage in the Films of Abigail Child. > Geneva 2011. > Cahill, James Leo: ...and Afterwards? Martin Arnold's Phantom Cinema. In: > Spectator, 27.3: Supplement 2007. Los Angeles 2007. S. 19-25. > Child, Abigail: This is Called Moving. A Critical Poetics of Film. > Tuscalosa, Alabama 2005. > Christine N. Brinckmann: Die poetische Verkettung der Bilder. In: > montage/av. 20/1/2011. Marburg 2012. S. 29-43. > Danks, Adrian: The Global Art of Found Footage Cinema. In: Linda Badley; > R. Barton Palmer; Steven Jay Schneider (Hrsg.): Traditions in World Cinema. > Edinburgh 2006. > Halter, Ed: Recycle it. Internet: > http://www.movingimagesource.us/articles/recycle-it-20080710(Internetzugriff > am: 1.2.2012). > Hauptmann, Jodi: Joseph Cornell. Stargazing the Cinema. New Haven 1999. > Hausheer, Cecilia; Settele, Christoph: Found Footage Film. Luzern 1992. > Hoolboom, Mike; MacKenzie, Alex: Loop, Print, Fade and Flicker. David > Rimmer's Moving Images. Vancouver 2009. > Horwath, Alexander; Loebenstein, Michael (Hrsg.): Peter Tscherkassky. Wien > 2005. > James, David E.: Allegories of Cinema. American Film in the Sixties. > Princeton 1989. > Kirchmann, Kay: Bildermüll und Wiederverwertung. Eine medientheoretische > Perspektive auf Formen und Funktionen des Bilderrecyclings im > Found-Footage-Film. In: Thomas Koebner; Thomas Meder (Hrsg.): Bildtheorie > und Film. München 2006. S. 497-512. > Leyda, Jay: Films beget Films. In: London. London 1964. > O'Pray, Michael: From Dada to Junk. Bruce Conner And the Found-Footage > Film. In: Monthly Film Bulletin. London 1987. S. 315-316. > Peterson, James: Bruce Conner and the Compilation Narrative. In: Wide > Angle, Vol. 8, Nr. 3/4. Special Issue Narrative/Non-Narrative. Ann Arbor > 1986. S. 53-62. > Peterson, James: Making Sense of Found Footage. In: Cecilia Hausheer, > Christoph Settele: Found Footage Film. Luzern 1992. S. 54-75. > Peterson, James: Dreams of Chaos, Visions of Order. Understanding the > American Avant-Garde Cinema. Detroit 1994. > Sandusky, Sharon: Archäologie der Erlösung. Eine Einführung in den > Archivkunstfilm. In: Blimp, Heft 16. Graz 1991. S. 14-22. > Sitney, P Adams: The Cinematic Gaze of Joseph Cornell. In: McShine, > Kynaston (Hrsg.): Joseph Cornell. München 1990. S. 69-89. > Sitney, P. Adams: Visionary Film: The American Avant-Garde. Oxford 1979. > Sitney, P. Adams: Eyes Upside Down. Oxford 2008. > Sjöberg, Patrik: The World in Pieces: A Study of Compilation Films. > Stockholm 2001. > Skoller, Jeffrey: Shadows, Specters, Shards. Making History in Avant-Garde > Film. Minneapolis 2005. > Taylor, Henry McKean: Der Krieg eines Einzelnen. Eine fimische > Auseinandersetzung mit der Geschichte. Zürich 1995. > Ursula Blickle Stiftung et. al. (Hrsg.): Bruce Conner. Die 70er Jahre. > Nürnberg 2010. > Vertov, Dziga: Kinoki – Umsturz. In: Texte zur Theorie des Films (Reclam). > Stuttgart 1979. S. 24-38. > Wees, William C: Recycled Images. New York 1993. > Wees, William C.: Old Images, New Meanings: Reontextualizing Archival > Footage of Nazism and the Holocaust. In: Spectator, 20.1, Fall/Winter 2000. > Los Angeles 2000. S. 70-76. > Zryd, Michael: Found Footage-Film als diskursive Metageschichte. Craig > Baldwins TRIBULATION 99. In: montage/av. 11/1/2002. Berlin 2002. S. 113-134. > > > > Am 24.05.2013 um 18:50 schrieb Adam R. Levine: > > > Hello, > > > > I'm looking for any books or short texts that might offer a survey of > the history and practice of the appropriation and collage in the field of > moving images. In addition, if there is any such work that also address > questions of copyright, ethics and fair use, that would be great. > > > > Thanks, > > Adam > > _______________________________________________ > > FrameWorks mailing list > > FrameWorks@jonasmekasfilms.com > > https://mailman-mail5.webfaction.com/listinfo/frameworks > > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: < > https://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20130525/2859cfe0/attachment-0001.html > > > > ------------------------------ > > Subject: Digest Footer > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > ------------------------------ > > End of FrameWorks Digest, Vol 36, Issue 28 > ****************************************** >
_______________________________________________ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks