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Today's Topics:
1. Re: Sound - Structural Film / New Formal Film (David Tetzlaff)
2. Re: Sound - Structural Film / New Formal Film
([email protected])
3. Re: Sound - Structural Film / New Formal Film (Peter Mudie)
4. Re: 16mm Eiki projector lens help (Margaret Rorison)
5. The University at Buffalo Media Study theory position
(Tony Conrad)
6. Re: Literature on james benning (Abigail Severance)
7. Sound - Structural Film / New Formal Film (Albert Alcoz)
8. Re: Sound - Structural Film / New Formal Film (nicky.hamlyn)
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Message: 1
Date: Mon, 8 Jul 2013 06:41:20 -0700
From: David Tetzlaff <[email protected]>
To: Albert Alcoz <[email protected]>, Experimental Film Discussion
List <[email protected]>
Subject: Re: [Frameworks] Sound - Structural Film / New Formal Film
Message-ID: <[email protected]>
Content-Type: text/plain; charset=us-ascii
I would suggest that sound is an under-discussed matter in Hollis
Frampton's films, most notably 'Critical Mass.'
The sound/image relationships in Bruce Conner's 'Report' might also
be worth consideration.
------------------------------
Message: 2
Date: Mon, 08 Jul 2013 07:31:26 -0700
From: <[email protected]>
To: "Albert Alcoz" <[email protected]>, "Experimental Film
Discussion List" <[email protected]>, "Brett Kashmere"
<[email protected]>, "Be-hold" <[email protected]>
Subject: Re: [Frameworks] Sound - Structural Film / New Formal Film
Message-ID:
<20130708073126.f2bf563c2e252e758b93f98c130b19b5.09f0b80dfc.wbe@email1
2.secureserver.net>
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Message: 3
Date: Mon, 8 Jul 2013 23:15:05 +0800
From: Peter Mudie <[email protected]>
To: Experimental Film Discussion List
<[email protected]>, Albert Alcoz
<[email protected]>, Brett Kashmere <[email protected]>,
Be-hold <[email protected]>
Subject: Re: [Frameworks] Sound - Structural Film / New Formal Film
Message-ID: <ce00f7c7.17033%[email protected]>
Content-Type: text/plain; charset="windows-1252"
Mike Leggett films are especially fascinating – perhaps the most
articulate exploration of the sound/image relationship out of all
his films is VISTASOUND.
Peter
Larry Gottheim's MOUCHES VOLANTES; FOUR SHADOWS; TREE OF KNOWLEDGE;
MNEMOSYNE, MOTHER OF MUSES. Gottheim can be reached at <behold@be-
hold.com<mailto:[email protected]>>.
Scott
-------- Original Message --------
Subject: [Frameworks] Sound - Structural Film / New Formal Film
From: Albert Alcoz
<[email protected]<mailto:[email protected]>>
Date: Mon, July 08, 2013 2:00 am
To:
"[email protected]<mailto:[email protected]>
"
<[email protected]<mailto:[email protected]>
>
Hello,
I'm studying the relationships between sound and structural film /
materialist / new formal film from the sixties and seventies,
and i would like to receive some inputs about this issue (films,
filmmakers, books, writers, articles, websites, exhibitions, etc).
I have found a website with some articles about this theme:
http://www.see-this-sound.at/en/
and also a workshop by Allen S. Weiss named "Sound and Image in
Experimental Cinema" as well as his books.
Do you have any suggestions about international filmmakers or films
that could be related to this issue,
besides Peter Kubelka, Paul Sharits, Michael Snow, Tony Conrad,
Malcolm Le Grice and Guy Sherwin films?
Thanks in advance,
Albert Alcoz
--
http://visionaryfilm.net/<http://www.visionaryfilm.net/>
http://albertalcoz.com/<http://www.albertalcoz.com/>
________________________________
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Message: 4
Date: Mon, 8 Jul 2013 11:46:21 -0400
From: Margaret Rorison <[email protected]>
To: [email protected]
Subject: Re: [Frameworks] 16mm Eiki projector lens help
Message-ID: <[email protected]>
Content-Type: text/plain; charset=us-ascii
Thank you all for the help.
Glad I caught this before more damage occurred.
Frightening stuff.
Thanks!
Margaret
------------------------------
Message: 5
Date: Mon, 8 Jul 2013 18:24:27 -0400
From: Tony Conrad <[email protected]>
To: "Experimental Film Discussion List"
<[email protected]>
Subject: [Frameworks] The University at Buffalo Media Study theory
position
Message-ID: <[email protected]>
Content-Type: text/plain; charset="utf-8"
Hi!
Please disseminate this as widely as possible:
The University at Buffalo, Department of Media Study, invites
applications for an
Assistant/Associate Professor position in Media Theory. We seek
applications from
candidates with research strengths in critical theory and the
history and
philosophy of media. Preferred research focus areas include media
philosophy,
media cultures, science and technology studies, and software
studies. This
position is supported through the Techne Institute for Arts and
Emerging
Technologies, a university-wide initiative to support faculty work
at the
intersection of the arts and sciences.
Media Study offers an undergraduate BA plus graduate MA, MFA, and
PhD programs,
and candidates will direct work at all these levels. Faculty teach
two courses
per semester, and have the opportunity to develop courses in their
area of
specialization. The successful candidate will also be expected to
establish a
robust research agenda, seek appropriate external funding, and
provide service to
the University and the Department as needed. Minimum requirements:
PhD or
equivalent in Media Study (or related field), conferred by time of
appointment.
Review of applications will begin in the fall of 2013 and continue
until the
position is filled. We welcome candidates who enhance the diversity
of the
University through their research, teaching, and service. To apply,
submit a
letter of interest, CV, research and peer reviewed publication
samples, and
contact info for three references. The University at Buffalo is an
AA/EO
Employer; we strongly encourage candidates to apply who will
enhance the
University community's diversity.
The Department of Media Study at the University at Buffalo is
renowned for its
pioneering contributions to film, video and sound art practices and
theory.
Today, Media Study adds to these existing strengths conceptual and
computational
media with a diversity very few art departments can match. Buffalo
offers a
vibrant art scene with a high density of museums and galleries -
including the
Albright-Knox Art Gallery, CEPA Gallery, Big Orbit, Soundlab,
Hallwalls, and
Squeeky Wheel - and is easily accessible from New York, Boston,
Chicago, Toronto
and Montreal.
Minimum Qualifications:
-PhD or equivalent in Media Study (or related field), conferred by
time of
appointment.
Salary Range: Competitive
Required Applicant Documents:
-Cover Letter
-Research Statement
-Work Samples
-CV
Number of reference letters required: 3
Open Until Filled
Date to be Filled: August 14, 2014
Contact Information:
Tooba Khilji
[email protected]
716-645-0927
------------------------------
Message: 6
Date: Mon, 08 Jul 2013 16:38:51 -0700
From: Abigail Severance <[email protected]>
To: Experimental Film Discussion List <[email protected]>
Subject: Re: [Frameworks] Literature on james benning
Message-ID: <[email protected]>
Content-Type: text/plain; charset="utf-8"
James Benning / Two Cabins
On Jul 7, 2013, at 6:36 AM, Ben Gwilliam wrote:
Was wondering if anyone knew about any literature or online
critique on the films of James Benning, specifically on the
experience of looking and anything about his sound design. Mucho
apprecio!
Ben
www.thosesoundsbetween.co.uk
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Message: 7
Date: Tue, 9 Jul 2013 09:37:56 +0100 (BST)
From: Albert Alcoz <[email protected]>
To: "[email protected]" <[email protected]>
Subject: [Frameworks] Sound - Structural Film / New Formal Film
Message-ID:
<[email protected]>
Content-Type: text/plain; charset="iso-8859-1"
Hello,
Thank you for all those answers. I really appreciate them.
Does anyone own this article?
"Variable Area: Hearing and Seeing Sound in Structural Cinema,
1966-1978"
I'm not able to reach Michelle Puetz, even though i have sent her
two emails.
http://michellepuetz.com/writing.html
Best,
Albert Alcoz
--
http://visionaryfilm.net/
http://albertalcoz.com/
* "Variable Area: Hearing and Seeing Sound in Structural Cinema,
1966-1978"
(dissertation abstract, 2010)
* "Variable Area: Hearing and Seeing Sound in Structural Cinema,
1966-1978"
(dissertation abstract, 2010)
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Message: 8
Date: Tue, 09 Jul 2013 10:27:08 +0100
From: "nicky.hamlyn" <[email protected]>
To: Albert Alcoz <[email protected]>, Experimental Film Discussion
List <[email protected]>
Subject: Re: [Frameworks] Sound - Structural Film / New Formal Film
Message-ID: <ce0195ba.1163%[email protected]>
Content-Type: text/plain; charset="utf-8"
Did anyone mention Bruce McClure and writings by and about him?
Nicky.
From: Albert Alcoz <[email protected]>
Reply-To: Albert Alcoz <[email protected]>, Experimental Film
Discussion List <[email protected]>
Date: Tue, 9 Jul 2013 09:37:56 +0100 (BST)
To: "[email protected]" <[email protected]>
Subject: [Frameworks] Sound - Structural Film / New Formal Film
Hello,
Thank you for all those answers. I really appreciate them.
Does anyone own this article?
"Variable Area: Hearing and Seeing Sound in Structural Cinema,
1966-1978"
I'm not able to reach Michelle Puetz, even though i have sent her two
emails.
http://michellepuetz.com/writing.html
Best,
Albert Alcoz
--
http://visionaryfilm.net/ <http://www.visionaryfilm.net/>
http://albertalcoz.com/ <http://www.albertalcoz.com/>
* "Variable Area: Hearing and Seeing Sound in Structural Cinema,
1966-1978"
<http://michellepuetz.com/writing/dissertation-abstract.html>
* (dissertation abstract, 2010)
* "Variable Area: Hearing and Seeing Sound in Structural Cinema,
1966-1978"
<http://michellepuetz.com/writing/dissertation-abstract.html>
* (dissertation abstract, 2010)
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End of FrameWorks Digest, Vol 38, Issue 8
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