This week [October 26 - November 3, 2013] in avant garde cinema

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NEW CALLS FOR ENTRIES:
=====================
SCUFF- SCREW CITY UNDERGROUND FILM FESTIVAL (Rockford, IL, USA; Deadline: 
February 15, 2014)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1636.ann
VIDEOFOCUS 2014: INTERNATIONAL CALL FOR EXPERIMENTAL FILMMAKERS AND 
VIDEOARTISTS (Paris, France; Deadline: November 30, 2013)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1637.ann
transmediale (Bulgaria, Greece, Turkey; Deadline: November 10, 2013)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1638.ann

DEADLINES APPROACHING:
======================
Stop & Go Made From Scratch (San Francisco; Deadline: November 15, 2013)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1587.ann
Angular (Barcelona-Madrid, Spain; Deadline: November 01, 2013)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1610.ann
Images Festival (Toronto, Ontario; Deadline: November 15, 2013)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1613.ann
MONO NO AWARE VII (Brooklyn, New York; Deadline: October 31, 2013)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1615.ann
Experiments in Cinema v9.72 (Albuquerque, New Mexico; Deadline: November 01, 
2013)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1619.ann
Punto y Raya Festival (Barcelona, Spain; Deadline: October 28, 2013)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1620.ann
Go Short - International Short Film Festival Nijmegen (Nijmegen, the 
Netherlands; Deadline: November 01, 2013)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1621.ann
Black Maria Film and Video Festival (Jersey City, NJ, USA; Deadline: November 
19, 2013)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1624.ann
VIDEOFOCUS 2014: INTERNATIONAL CALL FOR EXPERIMENTAL FILMMAKERS AND 
VIDEOARTISTS (Paris, France; Deadline: November 30, 2013)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1637.ann
transmediale (Bulgaria, Greece, Turkey; Deadline: November 10, 2013)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1638.ann

Enter your event announcements by going to the Flicker Weekly Listing Form
at http://www.hi-beam.net/cgi-bin/thisweek.pl

Also available online at Flicker: http://www.hi-beam.net

THIS WEEK'S PROGRAMS (SUMMARY):
==============================
 *  Spine Tingler! the William Castle Story + Divine's Monster Kids +  [October 
26, San Francisco, California]
 *  The Realist [October 26, Victoria, BC, Canada]
 *  World Day For Audiovisual Heritage: Surveillance [October 27, Brooklyn, New 
York]
 *  Nightfall, By James Benning [October 27, Los Angeles, California]
 *  Los Angeles Filmforum Presents "Nighfall" – Filmmaker James Benning In
    Person! [October 27, Los Angeles, California]
 *  Jane Gillooly Suitcase of Love and Shame [October 28, Los Angeles, 
California]
 *  Devin Fore On Eisenstein's the Old and the New [October 29, Brooklyn, NY]
 *  Flaherty Nyc Program 3 [October 29, New York, New York]
 *  The Films of Abigail Child  (U.S., 1983–2013).  In Person. [October 30, 
Berkeley, CA]
 *  Phil Solomon At Massart Film Society [October 30, Boston, MA]
 *   Pupf-Phew!  An Animation Screening In Croatia and the U.S.A. In Honor of
    World Animation Day 2013 [October 30, San Francisco, California]
 *  An Evening With Phil Solomon [October 31, Cambridge, Massachusetts]
 *  Jodie Mack: Let Your Light Shine [October 31, Chicago, Illinois]
 *  The Big Lament [November 2, Helmsdale]
 *  Spooky Cartoons and Ice Cream Sandwitches [November 2, Los Angeles, 
California]
 *  Soda_jerk + Cox' Otherzone + Flying Saucer Drone +   [November 2, San 
Francisco, California]
 *  Bruce Baillie: Two Nights of 16mm Treasures [November 3, Los Angeles, 
California]


Events are sorted by CITY within each DATE.

--------------------------
SATURDAY, OCTOBER 26, 2013
--------------------------

10/26
San Francisco, California: Other Cinema
http://www.othercinema.com/
8:30, 992 Valencia St.

 SPINE TINGLER! THE WILLIAM CASTLE STORY + DIVINE’S MONSTER KIDS + 
  Through the '50s and '60s, master showman Castle directed a series of
  horror films with outrageous audience-participation gimmicks, treating
  viewers to buzzing seats, flying skeletons, and luminescent ghosts.
  Jeffrey Schwarz' Spine Tingler! The William Castle Story is a riveting
  rags-to-riches tale of this exploitation legend. Our favorite cult-film
  monger Christian Divine personally sets the historical context: Famous
  Monsters of Filmland magazine, Universal genre revivals, Aurora model
  kits, and TV-horror hosts. halloween hellabaloo 

10/26
Victoria, BC, Canada: Antimatter Film Festival
http://www.antimatter.ws/
9pm, Deluge

 THE REALIST
  48 Heads from the Merkurov Museum (after Kurt Kren): Anna Artaker |
  sixpackfilm.com | 4:20 | Austria | 2012 | W Cdn Premiere Working
  intensively with death masks made by the Soviet sculptor Sergey Merkurov
  (1881–1952), a student of Auguste Rodin, and referencing Kurt Kren's 48
  Heads from the Szondi Test, Artaker translates these objects into
  various medial forms. The masks, from the Merkurov Museum in Gyumri,
  Armenia, represent an unusual and jarring "archive of faces," as the
  personalities from the fields of culture and politics which they
  represent constitute both progressive and totalitarian tendencies of the
  Soviet regime. The Mass Ornament: Patrick Tarrant | patricktarrant.com |
  6:18 | UK | 2013 | Cdn Premiere Film theorist Siegfried Kracauer claimed
  that it was the marriage of cinema with the modern metropolis that
  revealed the movement of people around the city as an elaborate
  ornamental dance reminiscent of Busby Berkeley musicals. In this film
  the good folk of London are spied through the distorting eye of a
  telescopic mirror lens as they perform their well rehearsed routine to
  the tune of "I Only Have Eyes For You" from the musical Dames (Enright &
  Berkeley, 1934). Here, on the crowded avenue, in images never before
  seen, is the troupe recognised around the world, in the dance of the
  sugar, plums and dairy. The Realist: Scott Stark | scottstark.com |
  40:00 | USA | 2013 | Cdn Premiere The Realist is an experimental and
  highly abstracted melodrama, a "doomed love story" storyboarded with
  flickering still photographs, peopled with department store mannequins
  and located in the visually heightened universe of clothing displays,
  fashion islands and storefront windows.

------------------------
SUNDAY, OCTOBER 27, 2013
------------------------

10/27
Brooklyn, New York: Brooklyn Historical Society and NYU
wdavh.tumblr.com
1:00 pm, 128 Pierrepont Street

 WORLD DAY FOR AUDIOVISUAL HERITAGE: SURVEILLANCE
  With the recent revelation of NSA's domestic spying, there has been
  increased interest in the issue of surveillance. From lighthearted
  celebrity stalking and a restored 16mm art-film premiere to Soviet-era
  CIA instructional films, never-before-screened film from occupied Tibet,
  and incriminating footage from Libya, the afternoon's
  surveillance-themed presentation for World Day for Audiovisual Heritage
  will examine the cultural, political, and historical importance of the
  theme. Pieces include: World premiere of Beryl Sokoloff's "Les Girls"
  (recent NFPF funded preservation) in 16mm, Ann McGuire's "Joe Dimaggio
  1,2,3," archival material from Tibetan Envoy mission to Chinese occupied
  Tibet, Texas police patrol car footage, and much more

10/27
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:30 pm, Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd., Los Angeles 
CA 90028

 NIGHTFALL, BY JAMES BENNING
  Los Angeles Filmforum presents James Benning's Nightfall, a "study of
  real-time light changing from day to night. It was filmed in a forest
  high up in California's Sierra Nevada Mountains." (James Benning).

10/27
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:30pm, Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd.

 LOS ANGELES FILMFORUM PRESENTS "NIGHFALL" – FILMMAKER JAMES BENNING IN
 PERSON!
  Filmmaker James Benning in person! Los Angeles Filmforum presents James
  Benning's Nightfall, a "study of real-time light changing from day to
  night. It was filmed in a forest high up in California's Sierra Nevada
  Mountains." (James Benning). Nightfall (2011, digital, color, sound, 98
  min.) consists of a single 98-minute shot made at a high elevation in
  the woods in the west Sierras that begins in late afternoon as the sun
  is going down and ends in near blackness. Widely acclaimed for his great
  16mm durational films about the American landscape, Benning has been
  making new work in digital HD since 2009. One of the possibilities of
  digital filming that he has reveled in is the extreme duration possible,
  an extension of his earlier film work in which shots were one minute or
  ten minutes long. Now with Nightfall, he invites the audience to slow
  down and observe the most basic elements of nature in a way that very
  few of us do. For more information:
  http://lafilmforum.org/schedule/fall-2013-schedule/nightfall/ Tickets:
  $10 general, $6 students/seniors; free for Filmforum members. Available
  in advance from Brown Paper Tickets at
  http://www.brownpapertickets.com/event/486833 or at the door

------------------------
MONDAY, OCTOBER 28, 2013
------------------------

10/28
Los Angeles, California: Redcat
http://www.redcat.org/
8:30pm, 631 West 2nd Street, Los Angeles, CA 90012

 JANE GILLOOLY SUITCASE OF LOVE AND SHAME
  USA, 2013, HD, 70 min Guggenheim Fellow Jane Gillooly introduces her
  mesmerizing and original Suitcase of Love and Shame, a tender, erotic
  and heartbreaking collage woven from 60 hours of reel-to-reel audiotapes
  discovered in a suitcase purchased on eBay. In the 1960s, on the cusp of
  the sexual revolution, a Midwestern woman and her lover become reliant
  on recording devices to document and memorialize their adulterous
  affair. The tape recorder serves as a confidant, witness, and
  participant—creating a welcome ménage-à-trois. Voices give rise to a sad
  world, building "love and shame" little by little, as technological
  tools serve up a calm, continual hell. Jack H. Skirball Series. $10.00
  [members $8.00] In person: Jane Gillooly

-------------------------
TUESDAY, OCTOBER 29, 2013
-------------------------

10/29
Brooklyn, NY: Light Industry
http://www.lightindustry.org/
7:30pm, 155 Freeman Street

 DEVIN FORE ON EISENSTEIN'S THE OLD AND THE NEW
  Beyond the Shot, Behind the Scene: The Old and the New, A lecture by
  Devin Fore

10/29
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:00 pm, 32 2nd Avenue

 FLAHERTY NYC PROGRAM 3
  THE PERMANENT DISSIDENT: ZELIMIR ZILNIK ZILNIK IN PERSON! This program
  focuses on the working methods of Yugoslavian Black Wave pioneer Zelimir
  Zilnik, from his early films, including BLACK FILM (1971) which focuses
  on homelessness and which sent him into exile in Germany, and INVENTORY
  (1975), one of the first films to note the plight of the migrant worker,
  through TITO AMONG THE SERBS FOR THE SECOND TIME (1994) and his 2010
  feature film, THE OLD SCHOOL OF CAPITALISM. BLACK FILM (1971, 14 min,
  35mm) INVENTORY (1975, 9 min, 16mm) TITO AMONG THE SERBS FOR THE SECOND
  TIME (1994, 43 min) THE OLD SCHOOL OF CAPITALISM (2010, 20-min excerpt)
  Total running time: ca. 95 min.

---------------------------
WEDNESDAY, OCTOBER 30, 2013
---------------------------

10/30
Berkeley, CA: Pacific Film Archive
http://www.bampfa.berkeley.edu/
7:00pm, Durant Ave.

 THE FILMS OF ABIGAIL CHILD  (U.S., 1983–2013).  IN PERSON.
  Works spanning thirty years of the filmmaker's career, from 16mm to
  digital, that reveal Child's roots in language poetry, and feature her
  genre-jumping juxtapositions of public and private histories. (73 mins)

10/30
Boston, MA: MassArt Film Society
http://massartfilmsociety.blogspot.com/
8pm, Massachusetts College of Art and Design, 621 Huntington Avenue

 PHIL SOLOMON AT MASSART FILM SOCIETY
  PHIL SOLOMON at MASSART FILM SOCIETY - Program: As if We - 1980, 10
  minutes, Silent, 18 f.p.s., Color, 16mm, From Academy Film Archive. New
  Restoration! - What's Out Tonight is Lost, 1983, 8 mins, Silent, 18
  f.p.s., Color, 16mm, From Academy Film Archive. New Restoration! - Psalm
  I: "The Lateness of the Hour" - 1999, 10 mins, B&W, 16mm,
  From Academy Film Archive. New Restoration! - Corliss Avenue - 1973, 3
  mins, super-8, Silent, Color, with Mark LaPore and Phil Solomon. -
  Crossroad (by Mark LaPore and Phil Solomon) - 2005, 5 mins, Color,
  Digital video, From the artist. - From In Memoriam (Mark LaPore,
  1952-2005) - Last Days In A Lonely Place, 2007, 22 mins, B&W,
  Digital video, From the artist - Still Raining, Still Dreaming, 2009, 12
  mins, Color, Digital video, From the artist - Psalm IV: "Valley of the
  Shadow" - 2013, 7 mins, Color, Digital video, From the artist - The
  Emblazoned Apparitions - 2013, 5 mins, Color, Digital video. 

10/30
San Francisco, California: Exploratorium
http://www.exploratorium.edu/visit/calendar/cinema/october-30-2013
7:00 p.m., Pier 15

  PUPF-PHEW!  AN ANIMATION SCREENING IN CROATIA AND THE U.S.A. IN HONOR OF
 WORLD ANIMATION DAY 2013
  Come to the Exploratorium October 30th to celebrate International
  Animation Day with amusing and inventive works from all around the
  world. Dice, graph paper, rolls of scotch tape, and even a couple of
  guys with crazy facial hair are fodder for stop-motion animation
  wizardry in the Pupf-Phew! program. Chicken eggs will dazzle you, a
  snarky dog will tickle your funny bone, and those pieces of cardboard
  that you put out for recycling . . . well, they're alive! Curated by
  Sarah Klein and David Kwan of Stop & Go and Croatian Cultural Exchange
  in partnership with Jasminka Bijelić Ljubić of the School for
  Animated Film (ŠAF) in Čakovec, Croatia. Films include Pandora's
  Block (Abbey Luck and Sean Donnelly, USA, 2007), Papermation (Jen Stark,
  USA, 2005), Ankle Injuries (Yukfoo Studio, New Zealand, 2007), Eggs
  (Molly Schwartz, USA, 2005), Housecoat (Sarah Klein, USA, 2010), Dog
  Judo (Andrew Kelleher, United Kingdom, 2010), Black Cat (Students from
  ŠAF Studio, Croatia, 2005), Beard Toupée (Reed Anderson and Daniel
  Davidson, USA, 2006), Lone Star (Sarah Klein and David Kwan, USA, 2013),
  Tape Generations (Johan Rijpma, Netherlands, 2011), Cardboard (Sjors
  Vervoort, Netherlands, 2009).

--------------------------
THURSDAY, OCTOBER 31, 2013
--------------------------

10/31
Cambridge, Massachusetts: Harvard Film Archive
http://hcl.harvard.edu/hfa
6pm, 24 Quincy Street

 AN EVENING WITH PHIL SOLOMON
  Pioneering filmmaker Phil Solomon (b. 1954) will present and offer a
  close analysis of his fifty-six-minute epic tone poem, American Falls.
  Commissioned by the Corcoran Gallery of Art in Washington, D.C. as a
  multimedia installation for the museum's grand Rotunda, American Falls
  was originally screened as a single channel triptych with surround
  sound. Inspired by Frederic Church's 1857 masterpiece Niagara and by
  Washington's monumental war memorials, American Falls explores the
  aspirations and struggles that lie at the heart of the American Dream.
  Solomon's resources for these images include Hollywood cinema, found
  footage, and documentary and fictionalized accounts of historical
  events. Solomon's innovative use of altered film emulsion transforms
  Niagara Falls into a metaphoric landscape, encouraging us to consider
  how a place can reflect the events that occur on its shores. Envisioning
  the currents of history as a collective dream, American Falls considers
  many of the questions inherent in our national identity, at a crucial
  moment in this country's passage. More than any other independent film
  or video I can think of from the past decade, American Falls invokes the
  specter of a nation whose present unraveling is all too rooted in its
  history. – Tony Pipolo, Artforum Free Screening Phil Solomon in Person
  Thursday October 31 at 7pm American Falls US 2012, color, digital video,
  56 min

10/31
Chicago, Illinois: Conversations at the Edge
http://www.saic.edu/cate
6:00 pm, Gene Siskel Film Center / 164 N. State St.

 JODIE MACK: LET YOUR LIGHT SHINE
  Jodie Mack in person. Jodie Mack's handmade films are vibrant
  examinations of the decorative detritus that accumulates around us. With
  cast-off bits of wrapping paper, calico fabrics, and magazine clippings,
  she crafts exquisite stroboscopic abstractions and poignant fables of
  the pitfalls of modern materiality. The SAIC alumna returns to Chicago
  with a special show featuring four brand-new shorts, live songs, and the
  city's premiere of Dusty Stacks of Mom: The Poster Project (2013).

--------------------------
SATURDAY, NOVEMBER 2, 2013
--------------------------

11/2
Helmsdale: Timespan
http://timespan.org.uk/thebiglamentprogrammeguide/
10am - 8.30pm, Timespan

 THE BIG LAMENT
  Margaret Tait's groundbreaking film Caora Mor: The Big Sheep, 1966 is
  celebrated through a series of events between 30TH October and 2ND
  November. Timespan's Digital Artist Oliver Mezger has spent two years
  living in the far north of Scotland methodically filming the remote
  Highland villages of Helmsdale and Portgower. Now, in view of this
  year's Clearances Bicentenary, he sheds contemporary light on themes
  first addressed by Tait in her films, 45 years ago. He has assembled a
  unique group of musicians to perform a live soundtrack for a joint
  screening of Tait's film Caora Mor: The Big Sheep, 1966 and his film Air
  Sgàrth—For the sake of Margaret Tait, 2013. Piper - Barnaby Brown, and
  Alex Neilson's vocal ensemble The Crying Lion
  [www.tremblingbells.com/the-crying-lion-death-shanties/]. Kirsty Gunn,
  Peter Todd, Barnaby Brown and George and Alexandra Stewart will
  highlight the connections between Tait and pibroch through four talks. 

11/2
Los Angeles, California: Echo Park Film Center
http://www.echoparkfilmcenter.org/
8 pm, 1200 N. Alvarado St

 SPOOKY CARTOONS AND ICE CREAM SANDWITCHES
  $5 / Though it's 2 days after Halloween, we'll be keeping it kooky and
  very spooky at the Echo Park Film Center, with an evening of especially
  creepy cartoons. All dug up from the 16mm graveyard by our own Cosmo
  Segurson. He's betting that some of these odd and genuinely weird
  hand-drawn mini-masterpieces will delight, and/or give you nightmares.
  Ice Cream Sandwiches and Spooky Cartoons? Join us....if you dare!!!

11/2
San Francisco, California: Other Cinema
http://www.othercinema.com/
8:30, 992 Valencia St.

 SODA_JERK + COX' OTHERZONE + FLYING SAUCER DRONE +     
  That dazzling Australian sister act, Soda_Jerk, teleports into our
  fantasy lab for the North American premiere of The Carousel, their
  double-projected séance fiction. Their tandem performance navigates a
  marvelous universe of sci-fi, mysticism, techno-horror, kung-fu, and
  zombie flicks towards the resurrection of the cinematic dead. ALSO out
  of OZ, David Cox' speculation on our tech-saturated near-future stars
  Stelarc in a morality tale on autonomy vs. corporate control. PLUS
  premieres from Caroline Koebel, Thorsten Fleisch, Shanna Maurizi, Pierre
  Conti, and Georg Koszulinski's multimedia ode to Frankenstein, an
  amped-up, hand-processed 16mm epic projected over Georg's own shuddering
  body. $7. X-perimental sci-fi 

------------------------
SUNDAY, NOVEMBER 3, 2013
------------------------

11/3
Los Angeles, California: Redcat Theater
7pm, 631 W. 2ND Street

 BRUCE BAILLIE: TWO NIGHTS OF 16MM TREASURES
  Co-presented with Los Angeles Filmforum and Canyon Cinema Foundation
  Bruce Baillie is one of the great figures in American avant-garde
  filmmaking. Here I Am (10 min., 16mm, 1962) Bruce Baillie's lyrical
  portrait of an Oakland school for emotionally disturbed children regards
  the world of the classroom with open curiosity. Tung (5 min., 16mm,
  1966) A sensuous tone poem, Tung is a portrait of a friend; sandy skin
  and flaxen hair in the early-morning light. All My Life (3 min., 16mm,
  1966) Caspar, California. Old fence with red roses. These few things, a
  gradual pan and the voice of Ella Fitzgerald make All My Life, a major
  inspiration for Apichatpong Weerasethakul and numerous other filmmakers.
  "Flaming red and a tenement roughness: Ella Fitzgerald has been
  remarkably seized and set to film." - Richard Eder, New York Times
  Castro Street (9 min., 16mm, 1966) Coming of consciousness. Photographed
  in Richmond, California, Castro Street is a masterpiece of poetic
  cinema. The film was selected in 1992 for inclusion in the United States
  National Film Registry. Valentin de las Sierras (9 min., 16mm, 1968)
  Song of revolutionary hero Valentin sung by Jose Santollo Nasido en
  Santa Cruz de la Soledad; Chapala, Jalisco, Mexico. Little Girl (10
  min., 16mm, 1966) Premiere, preserved by the Academy Film Archive Mass
  For the Dakota Sioux (20 min., 16mm, 1964) A film Mass, dedicated to
  nobility and excellence. 


Enter your event announcements by going to the Flicker Weekly Listing Form
at http://www.hi-beam.net/cgi-bin/thisweek.pl

The weekly listing is also available online at Flicker:
http://www.hi-beam.net

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