This week [November 2 - 10, 2013] in avant garde cinema To subscribe/unsubscribe to the weekly listing, go to http://www.hi-beam.net/cgi-bin/mailto.pl?mailto=subscribe or send an email to weeklylist...@hi-beam.net.
Enter your announcements (calls for entries, new work, screenings, jobs, items for sale, etc.) at: http://www.hi-beam.net/cgi-bin/ann.pl JOB AVAILABLE: ============== Dept of Cinema and Photography, SIUC http://www.hi-beam.net/cgi-bin/ann.pl?type=jobs&readfile=5.ann NEW CALLS FOR ENTRIES: ===================== transmediale (Bulgaria, Greece, Turkey; Deadline: November 10, 2013) http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1638.ann Big Muddy Film Festival (Carbondale, IL, USA; Deadline: November 15, 2013) http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1639.ann DEADLINES APPROACHING: ====================== Stop & Go Made From Scratch (San Francisco; Deadline: November 15, 2013) http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1587.ann Images Festival (Toronto, Ontario; Deadline: November 15, 2013) http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1613.ann Black Maria Film and Video Festival (Jersey City, NJ, USA; Deadline: November 19, 2013) http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1624.ann VIDEOFOCUS 2014: INTERNATIONAL CALL FOR EXPERIMENTAL FILMMAKERS AND VIDEOARTISTS (Paris, France; Deadline: November 30, 2013) http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1637.ann transmediale (Bulgaria, Greece, Turkey; Deadline: November 10, 2013) http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1638.ann Big Muddy Film Festival (Carbondale, IL, USA; Deadline: November 15, 2013) http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1639.ann Enter your event announcements by going to the Flicker Weekly Listing Form at http://www.hi-beam.net/cgi-bin/thisweek.pl Also available online at Flicker: http://www.hi-beam.net THIS WEEK'S PROGRAMS (SUMMARY): ============================== * The Big Lament [November 2, Helmsdale] * Abstraction Reaction [November 2, Los Angeles, CA] * Spooky Cartoons and Ice Cream Sandwitches [November 2, Los Angeles, California] * Beatnik Meteors [November 2, Napa] * Soda_jerk + Cox' Otherzone + Flying Saucer Drone + [November 2, San Francisco, California] * Redcat and Los Angeles Filmforum Present "Bruce Baillie: Two Nights of 16mm Treasures" (Night One) [November 3, Los Angeles, California] * Redcat and Los Angeles Filmforum Present "Bruce Baillie: Two Nights of 16mm Treasures" (Night Two) [November 4, Los Angeles, California] * Mary Ellen Bute: Abstronics [November 5, Brooklyn, NY] * Show & Tell: Rosa Barba [November 6, New York, New York] * Now: the Body and the Screen [November 7, Chicago, Illinois] * Open Screen [November 7, Los Angeles, California] * Vagh / Ross : De L'intime Aux ArchÉTypes (SÉAnce RÉGuliÈRe Du Cjc) [November 7, Paris, France] * Backbone: Early Vancouver Experimental Cinema [November 7, Toronto, Ontario, Canada] * Empty Yourself Out and Put Anything You Want In That Space: Stanya Kahn [November 8, Tucson, AZ] * 2013 Eyeworks Festival of Experimental Animation [November 9, Chicago, Illinois] * Brakhage Super 8 Films 1976 [November 9, Los Angeles, California] * Mark Street's Hasta Nunca: An Uruguayan Odyssey + [November 9, San Francisco, California] * Malcolm Le Grice: Finiti and Other Shorts [November 10, New York, New York] * Shapeshifters Cinema Presents Chris Duncan [November 10, Oakland] Events are sorted by CITY within each DATE. -------------------------- SATURDAY, NOVEMBER 2, 2013 -------------------------- 11/2 Helmsdale: Timespan http://timespan.org.uk/thebiglamentprogrammeguide/ 10am - 8.30pm, Timespan THE BIG LAMENT Margaret Tait's groundbreaking film Caora Mor: The Big Sheep, 1966 is celebrated through a series of events between 30TH October and 2ND November. Timespan's Digital Artist Oliver Mezger has spent two years living in the far north of Scotland methodically filming the remote Highland villages of Helmsdale and Portgower. Now, in view of this year's Clearances Bicentenary, he sheds contemporary light on themes first addressed by Tait in her films, 45 years ago. He has assembled a unique group of musicians to perform a live soundtrack for a joint screening of Tait's film Caora Mor: The Big Sheep, 1966 and his film Air SgàrthFor the sake of Margaret Tait, 2013. Piper - Barnaby Brown, and Alex Neilson's vocal ensemble The Crying Lion [www.tremblingbells.com/the-crying-lion-death-shanties/]. Kirsty Gunn, Peter Todd, Barnaby Brown and George and Alexandra Stewart will highlight the connections between Tait and pibroch through four talks. 11/2 Los Angeles, CA: Machine Project 2, 3:30, 5pm, 1200-D North Alvarado Street ABSTRACTION REACTION Saturday, November 2 // 2:00 PM, 3:30 PM, 5:00 PM - $7 for members // $10 for non-members, For tickets, visit: http://machineproject.com/archive/events/2013/11/02/kelly-sears/ - Abstraction Reaction is a site-specific film, video and animation program designed for the Mystery Theater that explores the space beyond the pictorial, figurative and often the recognizable. - This program looks at abstraction as a craft and a wide variety of techniques with which contemporary artists forge a lyrical, graphical, and liminal visual practice. Victorian decorative borders are reworked as unsteadied optic and sonic patterns, reflective materials are animated to create holographic effects, film sprayed directly with developer is transformed into a rhythmic meditation, handmade lenses and LED lights produce digital glitches, a hand-processed film flirts with the figurative in this screening. - Abstraction Reaction is: - Scott Fitzpatrick, Bruce's Borders, 7:30, 2013, Wenhua Shi, Endless, 10:00, 2005, Lilli Carré, Bleedin' Heart, 1:15, 2011, Mike Stoltz, With Plusses and Minuses, 5:00, 2013, Jeanne Liotta, Sutro, 3:00, 2009, Pat O'Neill, Squirtgun/Stepprint, 5:00, 1998, Jen Proctor, Surfacing, 2:30, 2003, Alexander Stewart and Lilli Carré, Crux Film, 5:00, 2013, Lauren Cook, PXXXL, 3:00, 2012, Jodie Mack, Glistening Thrills, 8:00 2013, Neil Young, Slid the Hammer, 45 seconds, 2013, Norbert Shieh, Washes, 8:30, 2010 - Please note : This program is not recommended for anyone who has epilepsy. 11/2 Los Angeles, California: Echo Park Film Center http://www.echoparkfilmcenter.org/ 8 pm, 1200 N. Alvarado St SPOOKY CARTOONS AND ICE CREAM SANDWITCHES $5 / Though it's 2 days after Halloween, we'll be keeping it kooky and very spooky at the Echo Park Film Center, with an evening of especially creepy cartoons. All dug up from the 16mm graveyard by our own Cosmo Segurson. He's betting that some of these odd and genuinely weird hand-drawn mini-masterpieces will delight, and/or give you nightmares. Ice Cream Sandwiches and Spooky Cartoons? Join us....if you dare!!! 11/2 Napa: di Rosa http://www.dirosaart.org/2013/04/13/beatnik-meteors/ 6-8pm, 5200 Sonoma Highway, Napa, CA 94559 BEATNIK METEORS A group show of contemporary regional artists who share an interest in creating environments for collaborative work and placing film, video, and performance in dialogue with sculpture, painting, music, and writing, artists Paul Clipson, Lisa Rybovich Crallé, Chris Duncan, Christopher Füllemann, and Bailey Hikawa show new works in a range of media that provide multiple entry points for activation and exchange. Paul Clipson will premiere a new 16mm installation, AUTUMN DIMENSIONS, with original musical compositions by Joshua Churchill, John Davis and Chris Duncan. Chris Duncan and Clipson will also present a short sound/16mm film performance utilizing Duncan's music/string sculpture "Platform." 11/2 San Francisco, California: Other Cinema http://www.othercinema.com/ 8:30, 992 Valencia St. SODA_JERK + COX' OTHERZONE + FLYING SAUCER DRONE + That dazzling Australian sister act, Soda_Jerk, teleports into our fantasy lab for the North American premiere of The Carousel, their double-projected séance fiction. Their tandem performance navigates a marvelous universe of sci-fi, mysticism, techno-horror, kung-fu, and zombie flicks towards the resurrection of the cinematic dead. ALSO out of OZ, David Cox' speculation on our tech-saturated near-future stars Stelarc in a morality tale on autonomy vs. corporate control. PLUS premieres from Caroline Koebel, Thorsten Fleisch, Shanna Maurizi, Pierre Conti, and Georg Koszulinski's multimedia ode to Frankenstein, an amped-up, hand-processed 16mm epic projected over Georg's own shuddering body. $7. X-perimental sci-fi ------------------------ SUNDAY, NOVEMBER 3, 2013 ------------------------ 11/3 Los Angeles, California: Filmforum http://www.lafilmforum.org/ 7:00pm, REDCAT, 631 W. 2nd St. REDCAT AND LOS ANGELES FILMFORUM PRESENT "BRUCE BAILLIE: TWO NIGHTS OF 16MM TREASURES" (NIGHT ONE) Filmmaker Bruce Baillie in person! Bruce Baillie is one of the great figures in American avant-garde filmmaking. Since 1960, he has produced a body of films unsurpassed for their lyrical sensuality, expressive honesty and formal inventiveness. An artist and film visionary, Baillie founded Canyon Cinema in collaboration with Chick Strand in 1961, and influenced generations of filmmakers and experimental artists, ranging from George Lucas to Jennifer Reeves to Apichatpong Weerasethakul. Two nights of rarely projected, beautiful 16mm films celebrate Baillie's artistry with vintage prints and the premiere of a previously unreleased work. Curated by Steve Anker and Bérénice Reynaud For more information: http://www.redcat.org/event/bruce-baillie Tickets: $10 general, $8 for REDCAT and Filmforum members and students; $5 for CalArts students/faculty/staff. Available in advance from https://web.ovationtix.com/trs/pr/928229 or via phone at 213-237-2800. Screening: Castro Street (1966, 16mm), Here I Am (1962, 16mm), Tung (1966, 16mm), All My Life (1966, 16mm, color, sound), Valentin de las Sierras (1968, 16mm), Little Girl (1966, 16mm, premiere, preserved by the Academy Film Archive) ------------------------ MONDAY, NOVEMBER 4, 2013 ------------------------ 11/4 Los Angeles, California: Filmforum http://www.lafilmforum.org/ 8:30pm, REDCAT, 631 W. 2nd St. REDCAT AND LOS ANGELES FILMFORUM PRESENT "BRUCE BAILLIE: TWO NIGHTS OF 16MM TREASURES" (NIGHT TWO) Filmmaker Bruce Baillie in person! Bruce Baillie is one of the great figures in American avant-garde filmmaking. Since 1960, he has produced a body of films unsurpassed for their lyrical sensuality, expressive honesty and formal inventiveness. An artist and film visionary, Baillie founded Canyon Cinema in collaboration with Chick Strand in 1961, and influenced generations of filmmakers and experimental artists, ranging from George Lucas to Jennifer Reeves to Apichatpong Weerasethakul. Two nights of rarely projected, beautiful 16mm films celebrate Baillie's artistry with vintage prints and the premiere of a previously unreleased work. Curated by Steve Anker and Bérénice Reynaud For more information: http://www.redcat.org/event/bruce-baillie Tickets: $10 general, $8 for REDCAT and Filmforum members and students; $5 for CalArts students/faculty/staff. Available in advance from https://web.ovationtix.com/trs/pr/928229 or via phone at 213-237-2800. Screening: Quick Billy (1970, 16mm, 60 min.) ------------------------- TUESDAY, NOVEMBER 5, 2013 ------------------------- 11/5 Brooklyn, NY: Light Industry http://www.lightindustry.org/ 7:30pm, 155 Freeman Street MARY ELLEN BUTE: ABSTRONICS A pioneer of visual music and electronic art, Mary Ellen Bute produced over a dozen short abstract animations between the 1930s and the 1950s. Set to classical music by the likes of Bach, Saint-Saëns, and Shoshtakovich, and replete with rapidly mutating geometries, Bute's filmmaking is at once formally rigorous and energetically high-spirited, like a marriage of high modernism and Merrie Melodies. In the late 1940s, Lewis Jacobs observed that Bute's films were "composed upon mathematical formulae depicting in ever-changing lights and shadows, growing lines and forms, deepening colors and tones, the tumbling, racing impressions evoked by the musical accompaniment." Bute herself wrote that she sought to "bring to the eyes a combination of visual forms unfolding along with the thematic development and rhythmic cadences of music." Rhythm in Light, Mary Ellen Bute, 16mm, 1934, 5 mins Synchromy No. 2, Mary Ellen Bute, 16mm, 1935, 6 mins Dada, Mary Ellen Bute, 16mm, 1936, 3 mins Parabola, Mary Ellen Bute, 16mm, 1937, 9 mins Escape, Mary Ellen Bute, 16mm, 1937, 5 mins Spook Sport, Mary Ellen Bute, 16mm, 1939, 8 mins Tarantella, Mary Ellen Bute, 16mm, 1940, 5 mins Polka Graph, Mary Ellen Bute, 16mm, 1947, 5 mins Color Rhapsody, Mary Ellen Bute, 16mm, 1948, 6 mins Imagination, Mary Ellen Bute, 16mm, 1948, 3 mins New Sensations in Sound, Mary Ellen Bute, 16mm, 1949, 3 mins Pastoral, Mary Ellen Bute, 16mm, 1950, 9 mins Abstronic, Mary Ellen Bute, 16mm, 1952, 7 mins Mood Contrasts, Mary Ellen Bute, 16mm, 1953, 7 mins --------------------------- WEDNESDAY, NOVEMBER 6, 2013 --------------------------- 11/6 New York, New York: Anthology Film Archives http://www.anthologyfilmarchives.org/ 7:30 pm, 32 2nd Avenue SHOW & TELL: ROSA BARBA Coinciding with her participation in Performa 13, which will bring her to Anthology on November 14-16 for a live, multiple-projector performance and installation (see page ?), we present a selection of films by artist and filmmaker Rosa Barba. In 2013 alone, Barba has enjoyed solo shows at Museo de Arte Contemporaneo de Castilla y León, Spain; Cornerhouse, Manchester; Turner Contemporary, Margate; and Bergen Kunsthall, Norway; and in the fall she will undertake a residency at the Chinati Foundation, Marfa. Born in Italy and based in Berlin, Barba has created an extraordinary, multi-faceted body of work that deconstructs the function of language and narration. Barba's widely-exhibited, acclaimed installations expose the material of celluloid and the mechanisms of the projected image, often calling attention to the projector in order to reveal the fragility of film as a medium. While less elaborate, the short, single-projector works presented here further demonstrate her enduring fascination with, and commitment to, the medium of 16mm and 35mm film. LET ME SEE IT (2009, 4 min, 16mm) THE HIDDEN CONFERENCE: ABOUT THE DISCONTINUOUS HISTORY OF THINGS WE SEE AND DON'T SEE (2010, 13.5 min, 35mm) THE HIDDEN CONFERENCE: A FRACTURED PLAY (2011, 5 min, 35mm) IT'S GONNA HAPPEN (2005, 3 min, 16mm) THE LONG ROAD (2010, 6 min, 35mm) A PRIVATE TABLEAUX (2010, 7 min, 16mm) TIME AS PERSPECTIVE (2012, 12 min, 35mm) THEY SHINE (2007, 4 min, 35mm) PANZANO (2000, 22 min, 16mm-to-video) OUTWARDLY FROM EARTH'S CENTER (2007, 22 min, 16mm-to-video) Total running time: ca. 105 min. -------------------------- THURSDAY, NOVEMBER 7, 2013 -------------------------- 11/7 Chicago, Illinois: Conversations at the Edge http://www.saic.edu/cate 6:00 pm, Gene Siskel Film Center / 164 N. State St. NOW: THE BODY AND THE SCREEN Curator Jennifer Chan in person. In the early days of video, artists explored the camera's influence on the way we understand ourselves by mixing performance and the medium's capacity for instantaneous playback. In a seminal example, Lynda Benglis directed, questioned, and even kissed a screen image of her own self in the 1973 video Now. Forty years on, video art has become a hybrid practice that spans from performance-for-the-webcam to online remixes. Curated by new media artist Jennifer Chan, this program extends Now's concerns into the era after the internet, showcasing politicized, carnal videos by artists Alexandra Gorczynski, Georges Jacotey, Jaakko Pallasvuo, Faith Holland, Eduardo Menz, Ei Jane Janet Lin, and more. 1973-2013, multiple countries, multiple formats, ca 60 min + discussion 11/7 Los Angeles, California: Echo Park Film Center http://www.echoparkfilmcenter.org/ 8 pm, 1200 N. Alvarado St OPEN SCREEN $5 / Our cinematic free-for-all dares you to share your film with the feisty EPFC audience. Any genre! Any style! New, old, work-in-progress! First come, first screened; one film per filmmaker; 10-minute maximum. DVD, VHS, mini-DV, DV-CAM, Super 8, standard 8mm, 16mm. 11/7 Paris, France: Collectif Jeune Cinéma 8pm, Cinema La Clef, 34 rue Daubenton VAGH / ROSS : DE L'INTIME AUX ARCH&EACUTE;TYPES (S&EACUTE;ANCE R&EACUTE;GULI&EGRAVE;RE DU CJC) Portraits croisés de deux cinéastes autraliennes : Viviane Vagh et Jayne Amara Ross (en leur présence) - Séance proposée et programmée par RaphaÃ«l Bassan, co-fondateur du CJC et critique de cinéma. PROGRAMME (durée : environ 2h débat compris) : + The Woman with the Severed Side (Jayne Amara Ross, 2005, 16 minutes) + Aurore (Viviane Vagh, 2008, 10 minutes 37) (Présentation des cinéastes et questions des spectateurs) + Free Women (Vagh, 2008-2009, 8 minutes 37) + The Freemartin Calf (Ross, 2010, sous-titré, 40 minutes). + Ombres et lumières (Vagh, 2005, 4 minutes 37), + Soulsearching (Vagh, 2005, 6 minutes 08) + Coming out (Vagh, 2011, 7 minutes 30) 11/7 Toronto, Ontario, Canada: Toronto International Film Festival http://tiff.net/filmsandschedules/tiffbelllightbox/2013/2440005123 6:30PM, TIFF Bell Lightbox, 350 King Street West BACKBONE: EARLY VANCOUVER EXPERIMENTAL CINEMA The Free Screen. Curator Richard Martin presents a programme of recent digital restorations of key works from a particularly fertile period of Canadian image-making. ------------------------ FRIDAY, NOVEMBER 8, 2013 ------------------------ 11/8 Tucson, AZ: Exploded View http://explodedviewgallery.org 7:30, 197 E Toole Ave EMPTY YOURSELF OUT AND PUT ANYTHING YOU WANT IN THAT SPACE: STANYA KAHN Artist Stanya Kahn in person! Stanya Kahn's videos offer glimpses into alternate worlds populated by bizarre characters, mummified animals, natural forces, and primal impulses. Working primarily in video, with a practice that includes performance, writing, and photography, Kahn's work inhabits a space between fiction and document, and stems from an extensive background in live performance. Tonight Kahn will show recent videos including Kathy, Arms Are Overrated and more. -------------------------- SATURDAY, NOVEMBER 9, 2013 -------------------------- 11/9 Chicago, Illinois: Eyeworks Festival of Experimental Animation http://www.eyeworksfestival.com 2:30, 5:00, 7:30, Nightingale Theater, 1084 N. Milwaukee Ave. 2013 EYEWORKS FESTIVAL OF EXPERIMENTAL ANIMATION Eyeworks is an invitational festival focusing on abstract animation and unconventional character animation. Festival programs showcase outstanding experimental animation of all sorts: classic films, new animations and rare or overlooked works. The 2013 Eyeworks Festival will be presented in Chicago (Nov. 9) Richmond (Nov. 14) and Brooklyn (Nov. 15 & 16.) The Eyeworks programs showcase a range of animation techniques, including paper cutouts, stop-motion with puppets, 3D computer animation, and a wide variety of hand-drawn methods. The content of the films is equally varied, and includes cosmic abstraction, psychedelic characters, geometric patterning, and surrealistic narratives. Works are presented on 16mm and video. The 2013 festival includes new and classic work from Atsushi Wada, Robert Breer, James Lowne, Jake Fried, Oskar Fischinger, and Michaela Pavlatova, among many others, and features Harry Smith's Heaven & Earth Magic. Eyeworks celebrates animated moving images that express unusual vision, unusual approaches, and unusual style. 11/9 Los Angeles, California: Echo Park Film Center http://www.echoparkfilmcenter.org/ 8 pm, 1200 N. Alvarado St BRAKHAGE SUPER 8 FILMS 1976 $5 / "The following films were all made in 1976. I do not wish to describe them." "I want it understood that this 'summary' is written for identification purposes only and that it is not intended as a statement by the artist on his work. It is my belief that statements by the artist, particularly in print, aesthetically speaking, would better have been included in that work in the first place. If a film is a work of moving visual art, it is its own subject and subject only to itself. The extent to which a film can be described is the extent to which it is deficient as a work of visual art. If the 'summary of the subject' of a film can be interpreted as that which is intended to inspire perception in the viewer, rather than as that which attempts to describe the film for the viewer, then (the title) is my 'summary of the subject." Brakhage. Program (all works shown on 16mm): Window; Airs; Trio; Rembrandt, Etc., and Jane; Highs; Absence. 11/9 San Francisco, California: Other Cinema http://www.othercinema.com/ 8:30, 992 Valencia St. MARK STREET'S HASTA NUNCA: AN URUGUAYAN ODYSSEY + Kicking off a 3-week psycho-geographic excursion: Former neighbor Mark Street introduces his neo-realist feature on a Montevideo DJ who invites on-air listeners to share their intimate thoughts, blurring public and private personae. Mark workshopped with resident actors, processing the lingering effects of Uruguay's military dictatorship, illegal abortion issues, and the emergence of a contemporary South American subjectivity. Cinéma vérité scenography parlays the ramshackle port city as a compelling counterpoint to callers' voices, rendering a post-colonial identity within its architectural vestiges. We open the show with free Yerba Maté tea and two of Mark's shorts, Happy? and Trailer Trash. street's streets ------------------------- SUNDAY, NOVEMBER 10, 2013 ------------------------- 11/10 New York, New York: Millennium Film Workshop http://www.millenniumfilm.org/ 6:30pm, 119 Ingraham St MALCOLM LE GRICE: FINITI AND OTHER SHORTS BROOKLYN FIREPROOF GALLERY, 119 INGRAHAM ST, BUSHWICK Malcolm Le Grice gave his first New York show in the early 1970's at the Millennium Film Workshop followed over the years at Millennium by other screenings and the famous or infamous public debate with P.Adams Sitney. Since then he has regularly shown new work in major galleries around the world. He makes a rare return to New York to show multi-screen works at Eyebean in Performa 13 and this special one-off screening at Millennium. He will project the premiere of a NEW version of 'FINITI' a 45 minute piece originally produced as a six screen video at Tate Modern in 2010. The program will include a selection from his portrait series including: Jonas Mekas, shot at his 90th in London; Anthony McCall in Dundee; the late Dennis Oppenheim; and a Self Portrait reflecting on time and the speed of light. He will include one early film a double projection version of 'Berlin Horse' with music by Brian Eno and a recent abstract work 'Digital Aberration'. Suggested $8 11/10 Oakland: Shapeshifters Cinema http://shapeshifterscinema.com/ 8-9PM, 511 48th St. Oakland SHAPESHIFTERS CINEMA PRESENTS CHRIS DUNCAN Utilizing harmonicas, tuning forks and looping stations, Oakland based artist Chris Duncan will create an immersive, quadraphonic sonic response to a series of videos comprised of captured natural light. The piece is an acknowledgement of the phenomena that human beings are drawn to and capture aspects of natural light via film, digital means and video, with and without real purpose. The visual portion of the performance is comprised of several interpretations of this pursuit made by Maria Otero, Ryan Wallace, Lauren Douglas and Hilary Wiedemann people who are equally fascinated with light. This will be a meditative, immersive experience. Enter your event announcements by going to the Flicker Weekly Listing Form at http://www.hi-beam.net/cgi-bin/thisweek.pl The weekly listing is also available online at Flicker: http://www.hi-beam.net
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