And a San Francisco screening on November 29!

On Mon, Nov 11, 2013 at 11:32 AM, Adam Hyman <a...@lafilmforum.org> wrote:

> It's touring to Boston, Portland, and Los Angeles after this. Where are
> you located?
>
> Adam Hyman
> Los Angeles Filmforum
>
> Dashed off on a mobile telephonic device.
>
> On Nov 11, 2013, at 11:21 AM, Mark Ostrowski <most...@telefonica.net>
> wrote:
>
> Does anyone know if Nicolas Rey's LES SOVIETS PLUS L’ÉLECTRICITÉ is
> available on VHS or DVD?
>
> Would love to see it!
>
>
>
>
>
> On 11/11/2013, at 16:18, Stephanie Wuertz <wuertzstepha...@gmail.com>
> wrote:
>
>
> Millennium Presents: LES SOVIETS PLUS L’ÉLECTRICITÉ
>
> @ Uniondocs 322 Union Ave
>
> Nov 11th, 6:30pm
>
> This special screening kicks off a US tour which continues on Tuesday,
> November 12 with a screening of his latest film, Differently Molussia, at
> the New School.
>
> The Soviets Plus Electricity (Les Soviets plus l’électricité)
>
> 175 minutes |USA | Soviet Union | 2001 | 16 mm
>
> A cinetrip to a defunct country. Super-self-production in Sviemacolor.
> Wandering through Russia as if through someone else’s house. ” Day two is
> the worst. It was the same in the train: on the second day, I stamped my
> feet impatiently. Then, from the third day on, it gets better. You get used
> to the slowness, to the monotonous landscape, to a life made up of short
> sleep-eat-wait cycles having absolutely nothing to do with the usual timing
> of a day. ” Advertisements for linoleum as if it were some precious stone,
> and entire cities – built on gold mines – left abandoned. There is no such
> thing as Russian chaos. Just “Europe” stretching all the way to the Pacific
> Ocean, and no longer merely to the ghostly Oural Mountains.
>
> Since 1993 Nicolas Rey has been making films that hover between
> photography, documentaries and the avant-garde. He is one of the founders
> of the Paris-based artist film lab L’Abominable.
>
> This event is supported by a grant from the New York State Council on the
> Arts. “The Nicholas Rey touring exhibition is supported in part by a grant
> from Cine2000, a program of FACE”.
>
>
>
>
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