Hello: Might anyone know where I could locate a dvd compilation of Takashi Ito's works playable in the US? The Ito Film Anthony at BFI is currently not available.
Best regards, Stephen Parr Director Oddball Film+Video www.oddballfilm.com Oddball Films www.oddballfilms.blogspot.com 275 Capp Street San Francisco, CA 94110 Phone 415.558.8112 Fax 415.558.8116 For a link to our latest projects: oddballfilm.com/projects_2013.pdf http://letterboxd.com/oddballfilm/lists/ Follow us on facebook and Twitter! http://www.facebook.com/oddballfilm http://twitter.com/Oddballfilms On Dec 4, 2013, at 4:02 AM, [email protected] wrote: Send FrameWorks mailing list submissions to [email protected] To subscribe or unsubscribe via the World Wide Web, visit https://mailman-mail5.webfaction.com/listinfo/frameworks or, via email, send a message with subject or body 'help' to [email protected] You can reach the person managing the list at [email protected] When replying, please edit your Subject line so it is more specific than "Re: Contents of FrameWorks digest..." Today's Topics: 1. Re: 16mm film rentals (Scott Dorsey) 2. Tomorrow // CIRCA:The Films of Katherine Bauer at the Film-Makers' Coop (NYC) (Filmmakers Cooperative) 3. Re: 16mm film rentals (Beebe, Roger) 4. Re: 16mm film rentals (jb.mabe) 5. shows (Katherine Bauer) 6. Re: 16mm film rentals (Herb Shellenberger) 7. Re: 16mm film rentals (Kate Dollenmayer) 8. Lorna Diller (Gene Youngblood) 9. Alternative Film/Video Belgrade 2013, 10-14 December, Competition programs (Greg DeCuir) 10. colorful and musical little radical film for your tuesday (Kelly Gallagher) 11. Re: 16mm film rentals (Huckleberry Lain) 12. 16mm to 16mm print transfer / 8mm print to 16mm blow up (Mark Williams) 13. Re: 16mm to 16mm print transfer / 8mm print to 16mm blow up (Scott Dorsey) 14. Germaine Dulac Disque 957, (Julia Nimhuiri) 15. Re: Germaine Dulac Disque 957, (Ross Nugent) 16. 35MM VISION3 films for sell (New cans and recaned) (Colleen Kwok) 17. Re: 35MM VISION3 films for sell (New cans and recaned) (Colleen Kwok) ---------------------------------------------------------------------- Message: 1 Date: Tue, 03 Dec 2013 08:26:40 -0500 From: Scott Dorsey <[email protected]> To: [email protected], [email protected] Subject: Re: [Frameworks] 16mm film rentals Message-ID: <529ddc10.pabbjjat9qfqhmyo%[email protected]> Content-Type: text/plain; charset=us-ascii As far as I know, the only public library in the country that still has an open 16mm film library is the Enoch Pratt Free Library in Philadelphia. Your local library may be able to get films from them through interlibrary loan. They are very good people. --scott ------------------------------ Message: 2 Date: Tue, 3 Dec 2013 11:07:32 -0500 From: Filmmakers Cooperative <[email protected]> To: Experimental Film Discussion List <[email protected]> Subject: [Frameworks] Tomorrow // CIRCA:The Films of Katherine Bauer at the Film-Makers' Coop (NYC) Message-ID: <CAP2h84XT_HzExt9n85=Zgco19CdCz4Hsh96XO5oE5=rknt6...@mail.gmail.com> Content-Type: text/plain; charset="iso-8859-1" Dear All: For anyone in the NYC area, please join us tomorrow night at the Film Coop for a special screening of the films of Katherine Bauer (info below). Katherine will be in person to present a selection of her recent, hand processed works in their original color reversal, as well as four phases from her apocalyptic sci-fi horror epic, *Crystallus*. Snacks and beverages after the show. Come hang out! MM + FMC Team The Film-Makers' Cooperative 475 Park Ave South, 6th Floor New York, NY 10016 www.film-makerscoop.com -- The Film-Makers' Coop Presents: CIRCA: The Films of Katherine Bauer Wednesday, December 4th 7:30 PM 475 Park Avenue South, 6th Floor The Charles S. Cohen Screening Room Suggested Donation: $10 In this night of films, Katherine Bauer will be showing her 16mm work from 2007 - 2012 that is being housed at the Film-Makers' Cooperative. Most of the films will be screened in the original color reversal and were hand processed. The films selected for this screening have been organized in two parts. The first part of the show, Furies, features short films, many shot using in camera editing on 100' daylight spools. They depict the conjoined fates of civilization, wilderness, and desire, fading into one another, where the familiar transforms into the bizarre and the bizarre is brought close again in a momentary flash of recognition. The second part of the show, Crystallus, includes a selection of four phases in three parts from the continuous apocalyptic sci-fi horror epic of the same name that depict formations of narrative and chemical structure layering on top of and transforming upon one another. The total run time of the screening is 77 minutes, with a break between sections. Reception to follow the screening PROGRAM Part One: Furies Ichor (2007) color, 3min Vanitas (2009) color, 3min Circa (2009) color, 7min Death Love (2011) color, 10 min Arcade Isle (2011) color, 8 min Domestic/Vortex/Thrust (2010) bw, 6 min 39.8280,-76.0121 (2012) bw, 3 min How We Study the Sun (2012) 16mm, color, 3 min The Steam System (2011) 16mm, color, 3 min Part Two: Crystallus Crystallus: Astral Erotic Impact Phase (2012) color, 13 min Crystallus: Discontinuity and Nucleation Phases (2009) bw & color, 12 min Crystallus: Crystal Death Phase (2011) color, 6min www.film-makerscoop.com<http://www.facebook.com/l.php?u=http%3A%2F%2Fwww.film-makerscoop.com&h=QAQHr5ri_&enc=AZORjyXiDhzZqJJEPYmgdK607TVDACfEqLzk5jmWu703cBrNRmU4U3DZFtwSff37FB0&s=1> (212) 267-5665 [email protected] The Film-Makers' Cooperative is funded in part by the New York State Council on the Arts and the New York City Department of Cultural Affairs. More info on Facebook <https://www.facebook.com/events/554080141329383/>. -------------- next part -------------- An HTML attachment was scrubbed... URL: <https://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20131203/4b9f04b3/attachment-0001.html> ------------------------------ Message: 3 Date: Tue, 3 Dec 2013 17:02:53 +0000 From: "Beebe, Roger" <[email protected]> To: Experimental Film Discussion List <[email protected]> Subject: Re: [Frameworks] 16mm film rentals Message-ID: <[email protected]> Content-Type: text/plain; charset="us-ascii" Last I checked there were about 150 experimental films on 16mm at the Miami-Dade Public Libraries. (Just went to their catalogue to confirm. Seems like there are hundreds of 16mm films still available, and it's even possible to search the catalogue specifically for them.) I have to imagine that Philadelphia and Miami can't be the only places that've held onto their prints (although I'm sure they're in a tiny minority). ... Roger On Dec 3, 2013, at 5:26 AM, Scott Dorsey wrote: > As far as I know, the only public library in the country that still has an > open 16mm film library is the Enoch Pratt Free Library in Philadelphia. Your > local library may be able to get films from them through interlibrary loan. > They are very good people. > --scott > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks ------------------------------ Message: 4 Date: Tue, 3 Dec 2013 11:11:55 -0600 From: "jb.mabe" <[email protected]> To: Experimental Film Discussion List <[email protected]> Subject: Re: [Frameworks] 16mm film rentals Message-ID: <CAKjhCGReGVYamMaGFvtvJ+U=ZooAg2TwUt=u5c71wdojndh...@mail.gmail.com> Content-Type: text/plain; charset=ISO-8859-1 University of Michigan at Ann Arbor. And they're totally cool about lending prints through ILL. Mostly educational stuff, though. On Tue, Dec 3, 2013 at 11:02 AM, Beebe, Roger <[email protected]> wrote: > Last I checked there were about 150 experimental films on 16mm at the > Miami-Dade Public Libraries. (Just went to their catalogue to confirm. > Seems like there are hundreds of 16mm films still available, and it's even > possible to search the catalogue specifically for them.) I have to imagine > that Philadelphia and Miami can't be the only places that've held onto their > prints (although I'm sure they're in a tiny minority). > > ... > Roger > > On Dec 3, 2013, at 5:26 AM, Scott Dorsey wrote: > >> As far as I know, the only public library in the country that still has an >> open 16mm film library is the Enoch Pratt Free Library in Philadelphia. Your >> local library may be able to get films from them through interlibrary loan. >> They are very good people. >> --scott >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks ------------------------------ Message: 5 Date: Tue, 3 Dec 2013 12:14:08 -0500 From: Katherine Bauer <[email protected]> To: "[email protected]" <[email protected]> Subject: [Frameworks] shows Message-ID: <cadd61ok3afwzstm+vyfqozc920yta9ffn8o9yc5pevwdgjl...@mail.gmail.com> Content-Type: text/plain; charset="windows-1252" Hi Frameworkers, I have some up coming shows. One in Paris tonight and one in NYC tomorrow night. And then one next Sunday. Below are links (that work I hope) to the different shows. *2013 UPCOMING EVENTS AND EXHIBITIONS * *December 3*: Paris, France, *Cinéma Action Christine, *Light Cone program *Scratch: Substandard Gauge*<http://lightcone.org/en/news-312-scratch-substandard-gauge> , *Excavated #1, Super 8mm, 5min (2013) **more details here <https://www.facebook.com/events/767929896554213/>* *December 4*: New York, *New York, Film-Makers’ Cooperative*<http://film-makerscoop.com/news-events/event-calender>, Circa: The films of Katherine Bauer from 2007-2012 *more details announced here <https://www.facebook.com/events/554080141329383/?ref=22>* *December 15*: Brooklyn, New York, *Microscope Gallery*<http://www.microscopegallery.com/> , *Teenage Dream Sequence: Seduction of The Eye, *performance. * The Village Voice review*<http://www.villagevoice.com/2013-11-27/art/art-picks/> in its Holiday Picks. *December 19*: Brooklyn, New York, *Microscope Gallery*<http://www.microscopegallery.com/?page_id=12312> , *Teenage Dream Sequence: Seduction of The Eye. *Opening of Exhibition of the resulting photogram from the *Seduction of The Eye *Performance. Exhibition runs through January 5. look forward to seeing you! xoKitty -------------- next part -------------- An HTML attachment was scrubbed... URL: <https://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20131203/7b0135e1/attachment-0001.html> ------------------------------ Message: 6 Date: Tue, 3 Dec 2013 12:30:40 -0500 From: "Herb Shellenberger" <[email protected]> To: "Experimental Film Discussion List" <[email protected]> Subject: Re: [Frameworks] 16mm film rentals Message-ID: <83fc46b1d89c474784d0c4a4000a5f4c05f28...@exchange01.hq.ihphilly.org> Content-Type: text/plain; charset="utf-8" Enoch Pratt Free Library is in Baltimore, not Philadelphia (alas). It's an excellent resource with many hidden gems. Miami-Dade Public Library system does indeed still have their circulating film collection as well. There are many 16mm collections out there that all have their own policies for access/loans, but some other great collections whose films I've utilized in screenings or for research are: NYPL Reserve Film and Video Collection Chicago Filmmakers Visual Studies Workshop (Rochester) University of Delaware Film and Video Collection Medgar Evers College, CUNY We also have a small but really excellent 16mm collection here at International House Philadelphia which I've utilized frequently. Follow up on leads from searching titles at Worldcat. Lots of listings will say that libraries hold 16mm copies when they've gotten rid of their collections years ago, but some collections are still out there to be found. Some librarians/archivists are incredibly restrictive with their prints and access whereas others are glad to have them being utilized either on-site or circulating. There are pros and cons to both approaches but 16mm is very much still "out there" if you know where to look. This is of course in addition to the excellent distributors like Filmmakers Coop, Canyon Cinema and MoMA Circulating Film Library (among others) who hold extremely wonderful collections. Herb Shellenberger Programs Office Manager International House Philadelphia 3701 CHESTNUT STREET | PHILADELPHIA, PA 19104 phone: 215.895.6575 | fax: 215.895.6562 email: [email protected] | web: www.ihousephilly.org -----Original Message----- From: FrameWorks [mailto:[email protected]] On Behalf Of jb.mabe Sent: Tuesday, December 03, 2013 12:12 PM To: Experimental Film Discussion List Subject: Re: [Frameworks] 16mm film rentals University of Michigan at Ann Arbor. And they're totally cool about lending prints through ILL. Mostly educational stuff, though. On Tue, Dec 3, 2013 at 11:02 AM, Beebe, Roger <[email protected]> wrote: > Last I checked there were about 150 experimental films on 16mm at the > Miami-Dade Public Libraries. (Just went to their catalogue to confirm. > Seems like there are hundreds of 16mm films still available, and it's even > possible to search the catalogue specifically for them.) I have to imagine > that Philadelphia and Miami can't be the only places that've held onto their > prints (although I'm sure they're in a tiny minority). > > ... > Roger > > On Dec 3, 2013, at 5:26 AM, Scott Dorsey wrote: > >> As far as I know, the only public library in the country that still >> has an open 16mm film library is the Enoch Pratt Free Library in >> Philadelphia. Your local library may be able to get films from them through >> interlibrary loan. >> They are very good people. >> --scott >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks _______________________________________________ FrameWorks mailing list [email protected] https://mailman-mail5.webfaction.com/listinfo/frameworks ------------------------------ Message: 7 Date: Tue, 3 Dec 2013 11:41:24 -0800 From: Kate Dollenmayer <[email protected]> To: Experimental Film Discussion List <[email protected]> Subject: Re: [Frameworks] 16mm film rentals Message-ID: <CANkKdyqFYW7_Re4rdPPwUw=bbhzfkyhrn+cpf74oj8fjenf...@mail.gmail.com> Content-Type: text/plain; charset="iso-8859-1" Anyone with a New York Public Library card can check out 16mm films from the NYPL Reserve Film and Video Collection for one week. http://www.nypl.org/locations/lpa/reserve-film-and-video-collection (and click on "Using the Collection" in the left sidebar). Those without a card can view the films on site: "Individuals may also view Reserve Film and Video Collection material on site by appointment. Appointments may be made at the 2nd floor Reference Desks or by calling (212) 870-1741. Please leave a message." I know the initial question was about places in the bay area, but I was prompted to write when I saw the post about the "only public library in the country with an open 16mm film collection." I would love to hear about any others that people know of in the rest of the country or the world. On Tue, Dec 3, 2013 at 9:30 AM, Herb Shellenberger <[email protected]>wrote: > Enoch Pratt Free Library is in Baltimore, not Philadelphia (alas). It's an > excellent resource with many hidden gems. Miami-Dade Public Library system > does indeed still have their circulating film collection as well. > > There are many 16mm collections out there that all have their own policies > for access/loans, but some other great collections whose films I've > utilized in screenings or for research are: > NYPL Reserve Film and Video Collection > Chicago Filmmakers > Visual Studies Workshop (Rochester) > University of Delaware Film and Video Collection > Medgar Evers College, CUNY > > We also have a small but really excellent 16mm collection here at > International House Philadelphia which I've utilized frequently. > > Follow up on leads from searching titles at Worldcat. Lots of listings > will say that libraries hold 16mm copies when they've gotten rid of their > collections years ago, but some collections are still out there to be > found. Some librarians/archivists are incredibly restrictive with their > prints and access whereas others are glad to have them being utilized > either on-site or circulating. There are pros and cons to both approaches > but 16mm is very much still "out there" if you know where to look. This is > of course in addition to the excellent distributors like Filmmakers Coop, > Canyon Cinema and MoMA Circulating Film Library (among others) who hold > extremely wonderful collections. > > Herb Shellenberger > Programs Office Manager > International House Philadelphia > > 3701 CHESTNUT STREET | PHILADELPHIA, PA 19104 > phone: 215.895.6575 | fax: 215.895.6562 > email: [email protected] | web: www.ihousephilly.org > > > -----Original Message----- > From: FrameWorks [mailto:[email protected]] On > Behalf Of jb.mabe > Sent: Tuesday, December 03, 2013 12:12 PM > To: Experimental Film Discussion List > Subject: Re: [Frameworks] 16mm film rentals > > University of Michigan at Ann Arbor. And they're totally cool about > lending prints through ILL. Mostly educational stuff, though. > > On Tue, Dec 3, 2013 at 11:02 AM, Beebe, Roger <[email protected]> wrote: >> Last I checked there were about 150 experimental films on 16mm at the > Miami-Dade Public Libraries. (Just went to their catalogue to confirm. > Seems like there are hundreds of 16mm films still available, and it's even > possible to search the catalogue specifically for them.) I have to imagine > that Philadelphia and Miami can't be the only places that've held onto > their prints (although I'm sure they're in a tiny minority). >> >> ... >> Roger >> >> On Dec 3, 2013, at 5:26 AM, Scott Dorsey wrote: >> >>> As far as I know, the only public library in the country that still >>> has an open 16mm film library is the Enoch Pratt Free Library in >>> Philadelphia. Your local library may be able to get films from them > through interlibrary loan. >>> They are very good people. >>> --scott >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > -------------- next part -------------- An HTML attachment was scrubbed... URL: <https://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20131203/3d7c899d/attachment-0001.html> ------------------------------ Message: 8 Date: Tue, 3 Dec 2013 12:49:11 -0700 From: "Gene Youngblood" <[email protected]> To: <[email protected]> Subject: [Frameworks] Lorna Diller Message-ID: <EBD67666A63C45D9BEA88DA144312A19@HPHP> Content-Type: text/plain; charset="utf-8" Does anyone know when Jud Yalkut’s ex-wife Lorna Diller died, and of what cause? Off list if you wish. -------------- next part -------------- An HTML attachment was scrubbed... URL: <https://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20131203/14ac2510/attachment-0001.html> ------------------------------ Message: 9 Date: Tue, 3 Dec 2013 12:26:12 -0800 (PST) From: Greg DeCuir <[email protected]> To: Frameworks experimental film list <[email protected]> Subject: [Frameworks] Alternative Film/Video Belgrade 2013, 10-14 December, Competition programs Message-ID: <[email protected]> Content-Type: text/plain; charset="utf-8" Alternative Film/Video Belgrade 2013 Competition programs Competition program #1 Binary Pitch (Vladislav Knežević, 2013, Croatia, 7 min.) During the Day My Vision is Perfect (Benjamin Ramirez Pérez, 2013, Germany, 10 min.) Charade (Salise Hughes, 2012, USA, 9 min.) Spectrography of a Battle (Fabio Scacchioli & Vincenzo Core, 2012, Italy, 4 min.) Funny Games Ghost (Stefan Hafner & Karen Hammer, 2012, Austria, 10 min.) Petite histoire des plateau abandonnés / Short History of Abandoned Sets (Rä di Martino, 2012, Italy, 8 min.) La résurrection des natures mortes / Living Still Life (Bertrand Mandico, 2012, France/Belgium/Germany, 15 min.) And Changing Your Alarm Clock … (Sasha Litvintseva, 2012, UK, 3 min.) The Residency (Ioannis Savvidis, 2012, Germany/Ireland, 25 min.) Competition program #2 Un instant de verite / A Moment of Truth (Gisèle Rapp-Meichler, 2013, France, 7 min.) Surrounded (Arne Körner, 2013, Germany, 10 min.) Bernoulli Trial or: How Nothing Stays the Same in Two Different Minds (Željko Vukičević, 2012, UK, 5 min.) Bauk / Spectre (Ibro Hasanović, 2012, Croatia, 8 min.) Moje lepe noge / My Beautiful Legs (Coralie Girard, 2013, Slovenia, 11 min.) Gowanus Canal (Sarah J. Christman, 2013, USA, 7 min.) The Smell of Oil and Cheap Perfume (Allan Brown, 2013, Canada, 10 min.) Schneesturm / Snowstorm (Julia Weißenberg, 2013, Germany, 11 min.) Grad / The City (Milica Jovčić & Nenad Ćosić, 2013, Serbia, 3 min.) Vision of Traces (Johannes Gierlinger, 2012, Austria, 1 min.) Prevrtači osvajači / Market Conquerors (Petar D. Aranđelović, 2013, Serbia, 10 min.) Comparing Now and Then (Nina Wiesnagrotzki, 2012, Germany, 6 min.) Competition program #3 Portrét I (Jake Barningham, 2013, USA, 7 min.) Myth (Spiros Alidakis, 2013, Greece, 19 min.) Sky Lines (Nadine Poulain, 2013, Serbia/Germany, 10 min.) Three to Four (Ben Thompson, 2011, UK, 7 min.) Ellen (Davorin Marc, 2013, Slovenia, 2 min.) Displacement (Liliana Resnick, 2012, Croatia, 7 min.) Papierschnitzel (Nemanja Lađić, 2013, Serbia, 8 min.) Razglednice / Postcards (Ana Hušman, 2013, Croatia, 23 min.) Competition program #4 A Woman on the Trapeze (Iván Marino, 2012, Spain, 7 min.) Party Island (Neil Beloufa, 2012, France, 9 min.) Buffalo Death Mask (Mike Hoolboom, 2013, Canada, 23 min.) Lugares fronterizos (Hogar) / Border Locations (Home) (Blanca Giménez, 2013, Spain, 10 min.) M. Tomazo okrvavljena / Bloody Mr. Tomazo (Krasimir Dobrev, 2013, Bulgaria, 2 min.) Le jour a vaincu la nuit / The Day Has Conquered the Night (Jean-Gabriel Périot, 2013, France, 28 min.) Greg de Cuir, Jr Selector/Programmer, Alternative Film/Video Belgrade http://www.alternativefilmvideo.org/ -------------- next part -------------- An HTML attachment was scrubbed... URL: <https://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20131203/9928d2d4/attachment-0001.html> ------------------------------ Message: 10 Date: Tue, 3 Dec 2013 16:02:29 -0600 From: Kelly Gallagher <[email protected]> To: Experimental Film Discussion List <[email protected]> Subject: [Frameworks] colorful and musical little radical film for your tuesday Message-ID: <CAB1wftbjJR4VHiJh+cZW87v0owQXqZ2jNaph=sukh=7ync-...@mail.gmail.com> Content-Type: text/plain; charset="iso-8859-1" Today is the premiere of a new short Occupy/ Oscar Grant/ and Trayvon Martin inspired cut-out animation film of mine used for a music video by The Coup- http://www.okayplayer.com/news/the-coup-japanther-long-island-iced-tea-neat-video-premiere.html#.Up5T92RDtpp Cheers fellow cinenauts, Kelly Gallagher www.purpleriot.com -------------- next part -------------- An HTML attachment was scrubbed... URL: <https://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20131203/03c95c8d/attachment-0001.html> ------------------------------ Message: 11 Date: Tue, 3 Dec 2013 14:03:44 -0800 From: Huckleberry Lain <[email protected]> To: Experimental Film Discussion List <[email protected]> Subject: Re: [Frameworks] 16mm film rentals Message-ID: <CAHG3CVhKFdh7uLX2y6wzpyV_=hcf-c-bkj85qelmy2hr+4q...@mail.gmail.com> Content-Type: text/plain; charset="iso-8859-1" Hey All, Thank you so much for your help. These are all great suggestions and I'll look into them. I really appreciate the assistance. hypnotic visions - huckleberrylain.net On Tue, Dec 3, 2013 at 11:41 AM, Kate Dollenmayer <[email protected]>wrote: > Anyone with a New York Public Library card can check out 16mm films from > the NYPL Reserve Film and Video Collection for one week. > http://www.nypl.org/locations/lpa/reserve-film-and-video-collection (and > click on "Using the Collection" in the left sidebar). > > Those without a card can view the films on site: "Individuals may also > view Reserve Film and Video Collection material on site by appointment. > Appointments may be made at the 2nd floor Reference Desks or by calling (212) > 870-1741. Please leave a message." > > I know the initial question was about places in the bay area, but I was > prompted to write when I saw the post about the "only public library in the > country with an open 16mm film collection." I would love to hear about any > others that people know of in the rest of the country or the world. > > > On Tue, Dec 3, 2013 at 9:30 AM, Herb Shellenberger <[email protected]>wrote: > >> Enoch Pratt Free Library is in Baltimore, not Philadelphia (alas). It's >> an excellent resource with many hidden gems. Miami-Dade Public Library >> system does indeed still have their circulating film collection as well. >> >> There are many 16mm collections out there that all have their own >> policies for access/loans, but some other great collections whose films >> I've utilized in screenings or for research are: >> NYPL Reserve Film and Video Collection >> Chicago Filmmakers >> Visual Studies Workshop (Rochester) >> University of Delaware Film and Video Collection >> Medgar Evers College, CUNY >> >> We also have a small but really excellent 16mm collection here at >> International House Philadelphia which I've utilized frequently. >> >> Follow up on leads from searching titles at Worldcat. Lots of listings >> will say that libraries hold 16mm copies when they've gotten rid of their >> collections years ago, but some collections are still out there to be >> found. Some librarians/archivists are incredibly restrictive with their >> prints and access whereas others are glad to have them being utilized >> either on-site or circulating. There are pros and cons to both approaches >> but 16mm is very much still "out there" if you know where to look. This is >> of course in addition to the excellent distributors like Filmmakers Coop, >> Canyon Cinema and MoMA Circulating Film Library (among others) who hold >> extremely wonderful collections. >> >> Herb Shellenberger >> Programs Office Manager >> International House Philadelphia >> >> 3701 CHESTNUT STREET | PHILADELPHIA, PA 19104 >> phone: 215.895.6575 | fax: 215.895.6562 >> email: [email protected] | web: www.ihousephilly.org >> >> >> -----Original Message----- >> From: FrameWorks [mailto:[email protected]] On >> Behalf Of jb.mabe >> Sent: Tuesday, December 03, 2013 12:12 PM >> To: Experimental Film Discussion List >> Subject: Re: [Frameworks] 16mm film rentals >> >> University of Michigan at Ann Arbor. And they're totally cool about >> lending prints through ILL. Mostly educational stuff, though. >> >> On Tue, Dec 3, 2013 at 11:02 AM, Beebe, Roger <[email protected]> wrote: >>> Last I checked there were about 150 experimental films on 16mm at the >> Miami-Dade Public Libraries. (Just went to their catalogue to confirm. >> Seems like there are hundreds of 16mm films still available, and it's even >> possible to search the catalogue specifically for them.) I have to imagine >> that Philadelphia and Miami can't be the only places that've held onto >> their prints (although I'm sure they're in a tiny minority). >>> >>> ... >>> Roger >>> >>> On Dec 3, 2013, at 5:26 AM, Scott Dorsey wrote: >>> >>>> As far as I know, the only public library in the country that still >>>> has an open 16mm film library is the Enoch Pratt Free Library in >>>> Philadelphia. Your local library may be able to get films from them >> through interlibrary loan. >>>> They are very good people. >>>> --scott >>>> _______________________________________________ >>>> FrameWorks mailing list >>>> [email protected] >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> > > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > > -------------- next part -------------- An HTML attachment was scrubbed... URL: <https://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20131203/9552ece0/attachment-0001.html> ------------------------------ Message: 12 Date: Wed, 4 Dec 2013 13:49:43 +1300 From: Mark Williams <[email protected]> To: [email protected] Subject: [Frameworks] 16mm to 16mm print transfer / 8mm print to 16mm blow up Message-ID: <cal0_dxmdtweq7xb2a316wq47x-mkll1f02ntp78rk5dzyxx...@mail.gmail.com> Content-Type: text/plain; charset=ISO-8859-1 Hi Frameworks, Would anyone know the closest lab to New Zealand to make 16mm print to 16mm print transfers? And also to blow up 8mm prints to 16mm? Alternatively, who worldwide would the list recommend? I have some artist films made in the 1970s that I want to transfer. I don't have the negs. Here in New Zealand the last film processing lab (at Peter Jackson's Park Rd Post) has recently closed. A stripped down version will open next year at Archives NZ, but it can't do the services listed above. Great to have this online community... looking forward to everyones thoughts. best, Mark -- Mark Williams Director CIRCUIT Artist Film and Video Aotearoa New Zealand www.circuit.org.nz ------------------------------ Message: 13 Date: Tue, 03 Dec 2013 20:34:32 -0500 From: Scott Dorsey <[email protected]> To: [email protected] Subject: Re: [Frameworks] 16mm to 16mm print transfer / 8mm print to 16mm blow up Message-ID: <529e86a8.yz9akiqzlnkfk5am%[email protected]> Content-Type: text/plain; charset=us-ascii I don't think _anyone_ can do color dirty dupes anymore. The print stock was discontinued a decade ago. Cinelab can do B&W dirty dupes although they are going to be more contrasty than the originals because the proper print film is no longer made and they are forced to use a lab intermediate stock not designed for the job. It's possible for any good lab to pull an internegative off the print, then a sound interneg, and then a composite print from the two internegs. It won't be cheap and the sound quality won't be very good, but it's probably the best solution now that none of the reversal print stocks are made today. --scott ------------------------------ Message: 14 Date: Tue, 3 Dec 2013 17:48:53 -0800 (PST) From: Julia Nimhuiri <[email protected]> To: "[email protected]" <[email protected]> Subject: [Frameworks] Germaine Dulac Disque 957, Message-ID: <[email protected]> Content-Type: text/plain; charset="iso-8859-1" Dear Frameworks, Does anyone know if Germaine Dulac's films, Disque 957, Themes & Variations and Arabesques, are available in the US? On film or dvd? Thanks so much for any tips, Julie Murray -------------- next part -------------- An HTML attachment was scrubbed... URL: <https://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20131203/a1d16209/attachment-0001.html> ------------------------------ Message: 15 Date: Tue, 3 Dec 2013 22:55:12 -0500 From: Ross Nugent <[email protected]> To: Julia Nimhuiri <[email protected]>, Experimental Film Discussion List <[email protected]> Subject: Re: [Frameworks] Germaine Dulac Disque 957, Message-ID: <cajz4n-u8obyqiicr+crpkapaqciluxzc8w9tbfwxod3vm7f...@mail.gmail.com> Content-Type: text/plain; charset="iso-8859-1" Hi Julie, I would suggest that you touch base with Tami Williams; she is a professor in the Film Studies Program at UW-Milwaukee and Dulac's work has been a focus of hers. [email protected] Also: A forthcoming text from Williams slated for 2014: "Germaine Dulac: A Cinema of Sensations" http://www.press.uillinois.edu/books/catalog/47yxb8mr9780252038471.html Good luck, ~Ross On Tue, Dec 3, 2013 at 8:48 PM, Julia Nimhuiri <[email protected] > wrote: > Dear Frameworks, > Does anyone know if Germaine Dulac's films, Disque 957, Themes & > Variations and Arabesques, are available in the US? On film or dvd? > Thanks so much for any tips, > Julie Murray > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > > -------------- next part -------------- An HTML attachment was scrubbed... URL: <https://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20131203/6f620c8c/attachment-0001.html> ------------------------------ Message: 16 Date: Tue, 3 Dec 2013 23:19:12 -0500 From: Colleen Kwok <[email protected]> To: Experimental Film Discussion List <[email protected]> Subject: [Frameworks] 35MM VISION3 films for sell (New cans and recaned) Message-ID: <CANEvo560ckE-7fy-p2piFy4+6+dC2RQ=BAPmymBZ+UbQz=l...@mail.gmail.com> Content-Type: text/plain; charset=ISO-8859-1 Dear Frameworks, I have some 35mm films that I won't have chances to shoot for a while. Wish to share the list here if anyone is interested. BRAND NEW: 400 ft KODAK VISION3 250D Color Negative Film 5207 (2) 400 ft KODAK VISION3 500T Color Negative Film 5219 (2) I also have three cans that are union recanned film, they are VISION 3 500 T 5219 (2) VISION3 200T Color Negative Film 5213 (1) both in a 1000ft can but approximately 400 ft each. I am selling the new films for $200 each, and open to the rest. Hope someone get to shoot them! Thanks, Colleen Kwok Colleen Kwok TungShuen MFA| NYU-Tisch Shool of the Arts Rectangibles short film rectangibles.us http://colleenkwok.com ------------------------------ Message: 17 Date: Tue, 3 Dec 2013 23:20:48 -0500 From: Colleen Kwok <[email protected]> To: Experimental Film Discussion List <[email protected]> Subject: Re: [Frameworks] 35MM VISION3 films for sell (New cans and recaned) Message-ID: <CANEvo571y7EXRnAGGx0rUq=usztsfqzwpb01mmflxxhp9_y...@mail.gmail.com> Content-Type: text/plain; charset=ISO-8859-1 Sorry I forgot to finish the second half of this email, which is, meanwhile I am looking for purchasing super8mm Ektachrome 100D. any leads would be great and would love to work off some trading! best, Colleen On Tue, Dec 3, 2013 at 11:19 PM, Colleen Kwok <[email protected]> wrote: > Dear Frameworks, > > I have some 35mm films that I won't have chances to shoot for a while. > Wish to share the list here if anyone is interested. > > BRAND NEW: > > 400 ft KODAK VISION3 250D Color Negative Film 5207 (2) > > 400 ft KODAK VISION3 500T Color Negative Film 5219 (2) > > I also have three cans that are union recanned film, they are > > VISION 3 500 T 5219 (2) > VISION3 200T Color Negative Film 5213 (1) > > both in a 1000ft can but approximately 400 ft each. > > I am selling the new films for $200 each, and open to the rest. Hope > someone get to shoot them! > > Thanks, > Colleen Kwok > > > Colleen Kwok TungShuen > MFA| NYU-Tisch Shool of the Arts > Rectangibles short film rectangibles.us > http://colleenkwok.com -- Colleen Kwok TungShuen MFA| NYU-Tisch Shool of the Arts Rectangibles short film rectangibles.us http://colleenkwok.com ------------------------------ Subject: Digest Footer _______________________________________________ FrameWorks mailing list [email protected] https://mailman-mail5.webfaction.com/listinfo/frameworks ------------------------------ End of FrameWorks Digest, Vol 43, Issue 3 ***************************************** _______________________________________________ FrameWorks mailing list [email protected] https://mailman-mail5.webfaction.com/listinfo/frameworks
